The World of Star Trek (Star Trek pro book)

Commentary
Title:	The World of Star Trek
Commentator:
Date(s):	1973, revised 1984
Medium:	print
Fandom:	Star Trek
External Links:	cover of original edition cover of revised edition
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The World of Star Trek is a pro book by David Gerrold. It was first published in 1973. It was the first professionally published book about Star Trek to discuss the show's considerable fandom activity, including and naming fanzines.

A revised edition was published in 1984.

Contents

The book contains four chapters and an epilogue.

• The First World of Star Trek – Gene Roddenberry's Dream (includes interview excerpts of Gene Roddenberry and D.C. Fontana, and gives a brief overview of the creation of Star Trek)
• The Star Trek Family – The People Who Made The Enterprise Fly (the longest section, accounting for half of the book's material, includes interview excerpts from William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Walter Koenig, Nichelle Nichols, and Majel Barrett, and two-time guest star William Campbell.)
• The Star Trek Phenomenon (comments on the impact of the program, its fans, and the conventions)
• Star Trek Analyzed – The Unfulfilled Potential (Gerrold offers his insights and opinions on what the program did right, and criticizes its perceived failings.)

Comparisons by David Gerrold

In 1973, Gerrold sent a letter to Metamorphosis #1 which hawked his book, "The World of Star Trek" (as well as other books, posters, and his massive tribble merchandising blitz, and compared this book to Whitfield's similar book, The Making of Star Trek:

... I want to let you and your fellow STAR TREK fans know about two new books coming out from Ballantine late next month. One is called THE TROUBLE WITH TRIBBLES (the complete story of that episode and how it was made, plus shooting script), and the other is THE WORLD OF STAR TREK. The latter is an attempt at the definitive analysis of STAR TREK, as well as an overview of "THE STAR TREK PHENOMENON," meaning you, the fans. Naturally, both of these books are written by yours truly. Some of the fans who have been privileged to read the galley proofs of these books have been very enthusiastic about them. One fellow even remarked that THE WORLD OF STAR TREK is even better than the Whitfield book. I hope that you'll feel that way too when you read it.

[much about tribbles]

[the editor of "Metamorphosis"]: Only in America... OK, David, I'm sure we'll all be looking forward to all your goodies, especially the two new STAR TREK books. We are ripe for a good STAR TREK book, since things went downhill considerably since the Whitfield book was published.

The Revised Edition

It was the revised edition that caused controversy in fandom. Gerrold added comments about fans that many found offensive. In particular, his commentary on slash was particularly troublesome to some.

It sparked his Open Letter to K/S Fandom by David Gerrold. The opening lines:

This is probably going to turn into a long letter, because I don't have the time to write a short one. But you have my permission to pass it on to any fanzine you choose for reprint. A little bit of history here: Since the reprinting of THE WORLD OF STAR TREK, I've received an enormous amount of mail. A small amount of it has been about the 8 paragraphs on K/S fandom.

A fan in 1984 wrote:

By the way, I read the K/S reference in Gerrold's book, which presently has every one up in arms, and did not find it half so offensive as his liberal doses of sexism. He obviously hates and distrusts women, and is size-prejudiced as well — with his huge-female-intimidating-the-actor/producer/whomever which he mentions several times. One would think that in David Gerrold's reality no one was ever intimidated by a huge MAN! Or a small, wiry, mean one, either.

The Book as Introduction to Slash

The 1973 edition included extensive explanations of science fiction fandom, Star Trek fandom, fanfiction and the fanzines. This was the first time these things had been mentioned in a professionally published book you could buy on any newsstand, and millions of readers were made aware of them. Gerrold anticipated this, and in his lengthy list of fanzine titles he was careful to add the words "No, I do not know where you can order any of these."

At the time the revised and expanded edition was published, in 1984, slash was an open "secret" within Star Trek and other fandoms, and it's doubtful anyone was unaware of its existence, but little or nothing had been revealed to the outside world. The Gay Liberation movement had barely begun (starting with the Stonewall riots in 1969) and homosexuality was not accepted in mainstream society the way it is today. This and other Slash controversies were the subject of intense discussion particularly in K/S fandom, as to whether it was better to remain underground and secret in that sense, citing the fear and unease that fans felt regarding exposure to the mundane world. Some doubted it would be harmful and wondered if publicity might be a good thing.

Some fans saw David Gerrold's statements on slash in the book as an unprovoked attack on a group of people who never did anything to Gerrold personally except embrace a fictional concept he found unacceptable. That he did it in a publication directed at millions of Star Trek fans in a mainstream platform that would reach many hands, knowing the fans being attacked had no like forum in which to defend themselves in equal measure, was felt to be cowardly and bullying behavior.

... whether it's a 'loving, fascinating' analysis or not, it still amounts to drawing public attention to K/S in the same way David Gerrold and the Australian radio debacle did. I don't believe K/S and the greater proportion of its adherents need or want publicity of whatever tenor.

Some of this publicity, however, was welcome, as Gerrold's remarks about slash were what ultimately introduced a number of new fans to the genre: A fan in 1990 wrote:

I first read about K/S in a rude comment in a David Gerrold book (thank you, Mr. Gerrold!) and then in fan literature. It sounded a little weird, but okay. When I actually saw some, I was hooked immediately. Now it's the only Trek I buy."

Another fan in 1990 wrote:

My involvement with K/S began in early '86. I'd been thinking/fantasizing about Kirk and Spock "like that" for ages... when I finally chanced upon Gerrold's famously funny remarks about the "K/S ladies'; - and practically jumped for joy! I wasn't alone!! The first zine I ever ordered was AS I DO THEE 2, and it was even more wonderful than I'd imagined K/S would be.

From a fan in 2001:

The realm of ST is also where I first learned about the concept slash. The first specific mention of it, for me, was David Gerrold's book "The World of Star Trek" (the 1984 revised edition), where he tried to ridicule it. But I couldn't wait to figure out how to get my hands on that stuff. <g> (Though I was in denial for a short time that I was attracted to the concept.) Slash -- which I view as two heterosexuals having a homosexual relationship -- was what I'd been waiting for all my life. After I'd been in it awhile, I began to understand why I'd always had such strong h/c fantasies throughout childhood, and why it was so important to me to have one guy show affection for another.

Another fan in 2001 wrote:

I thought, well *duh!* Why didn't I think of that before?!

Some Similar Incidents

For more on fans' opinions on publicity, see:

• Open Letter to K/S Fandom by David Gerrold
• Open Letter to the Editors of All K/S Zines & All Other "/" Media Zines
• The Great Australian Radio Show Fiasco

Fan Reactions and Reviews

I enjoyed it very much. It's very similar to Star Trek Lives!, but more masculine in outlook. Contains lots of pictures, too. "World of Star Trek" gives good insight to all the episodes as well as the actors and goes on to tell of the fans and clubs. I consider both this and Star Trek Lives! a MUST for all fans.

Star Trek was the grandest space opera ever produced in a visual medium. Star Trek cults flourished the world over. Star Trek conventions occurred with frightening regularity, and proved successful beyond the con committees hopes, when the cons broke all the records for sf con attendances. Star Trek, somehow, amazingly, created thousands of new sf fans in a few years. What this phenomenon did to sf is only beginning to be assessed. There are generations of ST fans running around loose (i.e. the youngsters who's first taste of ST was the "syndies" and us "Old Guard" that remember Thursday nights on NBC). David Gerrold is still one of them, despite fame, fortune and tribbles. Fans come in all shapes and sizes and genders. Some like pointed ears, baby blue eyes, or the concept behind the show.

Far too long, sf fans have been considered the bastard in all shapes and sizes and genders. Some like pointed ears, baby blue eyes, or the concept behind the show. For too long, ST fans have been considered the bastard element of sf fandom, David Gerrold argues the case for the ST fan vigorously, but he does not put the show, the people in it, and the people involved, up on one of those pedestals (supported by antigravs, no doubt). He takes liberal potshots at what Star Trek failed to do with all of its potential. He analyzes some of the episodes from the writer's viewpoint; discusses ST's problems from production on down to the fans. David Gerrold points out that "fan" is short for "fanatic," and fanatics, even with a good cause, can create a helluva lot of problems for any one involved with the show. Some of the anecdotes are personal; some of the people in fandom should shift uncomfortably over a paragraph or two as their tale is related, and be glad that no names were mention ed, Gerrold points out that fans come from all walks of life, and that some are mercenary. Pans are businessmen supporting themselves through college, families or hungry tribbles; some are scientists, stifled journalists and damned good artists. The joyful sound of youthful creativity is evidenced in fandom. The ingenuity of some ST-oriented inventors have even surprised the men involved with the technical end of the show, David Gerrold also points this out. Star Trek has done a tremendous amount of good for sf fandom; brought vitality and youthful (no matter what the chronological age), people into sf fandom on the whole. Everything from maudlin, disgusting fiction to better-than-average pieces, to macrame, to phasers, to costume design, have originated under Star Trek influence, or Federation design (e.g. a replica bridge set was built, that rivaled the original). The World of Star Trek is a potpourri of information about the show, and better yet, what went on behind the scenes, and since its demise.

This fall, Star Trek returns as animation, produced by Filmation. The actors are there, some of the script writers, the technicians and the artists. A massive effort is underway to bring back a better ST in a different form. There is even the possibility of a movie. Such organizations as S.T.A.R. (STAR TREK ASSOCIATION for REVIVAL) and the STW (STAR TREK WELCOME COMMITTEE) have coordinated an entire segment of fandom to aid in getting Star Trek and other good sf shows back onto television.

David Gerrold analyzes a movement and a phenomenon. Perhaps there is no one better qualified to do so. The book is an act of love geared to reveal the reality of Star Trek; what it has been, and what it could evolve into — it is not a eulogy, nor does it propose to bring back those "good old days."

David Gerrold mentions some of the interesting, complex people involved in ST fandom, such as Bjo Trimble who painstakingly put forth an "encyclopedia" on ST, the ST CONCORDANCE and recently a third season supplement. The book even mentions my own ST fanzine, BABEL (cough, cough) plus some of those people involved in the fan clubs, devoted solely to the adoration of one of the show's stars.

With praise, damnation, criticism and realism, David Gerrold has written a book that should be of interest to anyone who has ever watched television, likes sf, or is a fascinating person themselves.

Like a lot of people, I came to science fiction via Star Trek. But I also owe Trek for showing me how to write. Or rather, more specifically, I owe David Gerrold and his book The World of Star Trek for teaching me how to think about stories... it was Part Four of The World of Star Trek, subtitled “The Unfulfilled Potential,” that taught me how a story should work.

In this section, Gerrold looks at the trends that developed during the series’s three seasons, dissecting what succeeded and what didn’t. He differentiates between legitimate stories and ones he calls “puzzle box” stories, where there’s a dilemma to be solved that has no real effect on the characters. He identifies the crucial difference between the network expectations (“Kirk in danger!”) and the series’s best tendencies (“Kirk has a decision to make”). He also points out the repeated theme of Kirk coming into a society, judging it and remaking it as he sees fit.

Some of his observations are both pithy and delightful. To describe how unpleasant Klingons are, he says they “fart in airlocks.” Of the convention of the heroine as hero’s reward, he says, “Of course she loved him—that was her job!” And he creates an hysterical “formula” Star Trek episode that is a pretty accurate catalog of everything the series did wrong.

I first read David Gerrold's The World Of Star Trek when it was first published in 1973. I didn't immediately get some of his remarks that I initially took as unfair criticism. [small, yellow laughing gif thing]. Hey, I was only 14. But on closer inspection and a second reading I got what Gerrold was saying. His remarks were not born of distaste but of the same enthusiasm and love as I and many others had for the show.

Somewhere along the line I lost track of that book and all I had was recall of what I had read four decades ago. I know the book had been reprinted, but it wasn't until recently that I learned that Gerrold had revised the book in 1984 and added materiel regarding the first two feature films.

It isn't too hard to see where he added things. In the main body of the text you can spot references to things that happened after the 1973 printing. This wasn't long before TAS debuted. The latter parts of the book are definitely about what has happened since (I wonder if Gerrold ever thought of taking another crack at this in light of so much that has happened since the early '80s, particularly with his early involvement with TNG?) Anyway I ordered a good second hand copy through Amazon and I'm about a third of the way through it.

It's an interesting small window into another time, back when TOS was the only game in town. I recommend this book to TOS fans who have never read it and also to Trek fans for whom TOS either isn't on their radar or mightn't be their favourite Trek. It gives a glimmer of understanding of what fandom was like back then and glimpses of the seeds of what it became and is today.

It's a decent reference book yet in a different way than The Making Of Star Trek and Inside Star Trek. Those are more about the show itself and the ideas in it whereas Gerrold's book is more about what fans got out of the show, how they were influenced by it and how they in turn influenced Star Trek.

It isn't really surprising that the author of this book could write a STAR TREK episode entitled "The Trouble With Tribbles" (Which was nominated for the Hugo Award...) and then write a book such as this one. David Gerrold gives a very honest and often lighthearted account of the episodes and the show in general, for instance if he does not like a particular episode for some reason or other (eg poor script) he will say so and likewise with episodes he thinks are very good. I must state that he does not try to degrade the show in any way. There are pictures and interviews with the stars and 64 fascinating scenes from many of our favourite episodes. In the centre of the book there is a list of all 79 episodes, plus a list of the guest stars against the episode in which they appeared. There is also a piece on the STAR TREK fans and fandom. This book really is worth all the bother of trying to buy or borrow it.

From a fan who initially discovered Star Trek in 2009:

The World of Star Trek, David Gerrold: 4.75 out of 5. This was the first ST book I read after I started getting my hands on everything Trek that I could find. And boy, I don't think I could have find a better or more exhaustive one. The author, who apparently wrote what is considered the most popular episode of the original series, "The Trouble with Tribbles", writes with humor and has a gift for vulgarisation and summarizing. From what I understand, a first version of this was written in 1979; the edition I got from the library was revised and updated in 1984 to include information about the first 3 movies. In this book you find all the relevant facts of the ST phenomenon, anecdotes about the cast, crew and shooting of both the TV shows and first 3 movies, pictures, in-depth analysis of the show on the bases of believability, scientific accuracy, and televisual efficiency, and more.

The amount of information I learned from this book alone is staggering. That Spock is half-human (no, I didn't know before). That the show became popular, amazingly, AFTER it was cancelled, when it was sold to local TV stations where the ratings, previously unremarkable, exploded. That the third season happened at all only because of a massive letter campaign led by the fans. That Nalini Singh actually didn't invent the idea of a race of beings who completely shut down their emotions. And I now know a ton of tidbits about the story and making of varied episodes I haven't even seen yet. How weird. And now that I've discovered so much about the canon, I realize a lot of other references to it that were in the movie and escaped me then. Just take the nerve pinch, for instance; I thought it was a really cool move that fit that impossible, stern man to perfection, but I didn't know it was such classic Spock. How much more thrilling must it have been for long-term fans to see Spock use it, and on JIM? Lol. I wish I hadn't learned that Spock died at the end of movie 2, but then at this point I'm sure would have come across the information somewhere else anyway.

It was "fascinating" to see Mr Gerrold reveal the mechanisms of a TV series and see him place it among its genres, explain what works and doesn't work, what makes sense and what was bullshit. Some of his remarks could be considered rather scathing yet his love of the world and characters is obvious. Those kind of analysis I am normally unable to read for long but this time I was so swept away by this new passion that I read right through the whole book like it was a novel. I was in that anticipatory period where I drink everything I can find avidly and it's better than reading the book after I'd seen the shows, because then it would have felt déjà vu and I wouldn't want to dissect them, so as not to lose the magic. So a fantastic read, and I hope I can find myself a copy because I would definitely love to add this to my library.

Bonus points to the author for this line: "Paramount Pictures will probably produce Star Trek movies as long as there is an audience willing to go see them." I'm sure even he couldn't have guessed how absolutely right he was, and that even 40 years after the original premiere the ST fever still lives.