Naked Times/Issues 21-32

Issues 01-10 · Issues 11-20 · Issues 21-32

Issue 21

back cover of issue #21, Siobahn

Naked Times 21 published in October 1988 and contains 154 pages. The art is by Llee, Jackie Zoost, Siobahn, Marilyn Cole, and Virginia Lee Smith.

Match, poem by Tere Ann Roderick (3)
Stone, poem by Cybel Harper (4)
Tender as Starlight by Dovya Blacque (Spock talks Kirk into giving him lessons in oral sex after it becomes apparent to him that his first attempt was not totally satisfying. "It's no big deal, Spock. Really." Silence echoed back at him. "You'd think this was a life or death situation, the way you're reacting." "It is important to you." He paused, peering through the half-light. "I wish you would… instruct me…") (also in Shadows in the Rain (7)
Balance of Love, poem by Dana Austin Marsh (13)
Shelter from the Cold, poem by Cybel Harper (14)
A Change of Season by Charlotte Frost (Kirk forces a confrontation with Spock after getting his body back from Janice Lester, angered over his loverʼs unwillingness to share himself as exemplified by Spockʼs not telling him about Zarabeth, which had caused a month long separation. "I believe you need me here," Spock explained. "But I also believe you wish me to leave." He looked up timidly at the human, who was now on his knees and leaning partially over him. "I do not know if I should stay… or go.") (15)
Nightdreams, poem by Robin Hood (25)
Faith, poem by Kimberly Sara Huntington (26)
The Other Side of the Silence, poem by Dana Austin Marsh (28)
Spellbinder by Morgana October (Kirk buys Spock a bracelet as a “make up” gift which turns out to have properties that enhance their sex life, which Kirk had begun to feel was in a rut. "Looking up into the Vulcan's dark gaze, Kirk slipped the bond onto Spock's wrist. "I think I'm under your spell, Mister Spock," he whispered. He had no recollection of falling head-long into the void of mystical stars, glittering like diamonds in the night.") (also in Unholy Alliances) (29)
Second Sight by Triad (Kirk and Spock are lovers as the 5 year mission ends but are pulled apart when Spock finds out that Kirk has taken the promotion to the admiralty only as a way to keep Spock at his side. "Spock sat down heavily, unable to meet the doctor's eyes. "At 0305, the captain stumbled into my room, shirtless. He was obviously inebriated. Before I could say anything to him, he removed his boots and lay down on the bed beside me. I attempted to rouse him, tell him he was in the wrong room, however…" He gulped audibly. "He now believes I was one of his… conquests…") (47)
All That Remains, poem by Cybel Harper (70)
Tapestry, poem by Dana Austin Marsh (72)
Detente by M.J. Merica (the 2nd epilogue to THE CONSORTIUM series) (A/U: The Enterprise picks up one more crewmember before heading out on her 5-year mission-a Russian ensign who Kirk distrusts on sight. Prequel: The Velvet Glove. "Oddly, Spock, the fact that Chekov let a Vulcan die in the throes of pon farr is only the second reason I don't like him." A brow lifted. "What is the first?" "He's a Russian," Kirk said flatly.") (73)
Hope Lost, poem by Kimberly Sara Huntington (90)
The Sum of Our Parts, poem by Cybel Harper (92)
Dead of Night and Nowhere to Go by Sharon Pillsbury (M/U: After a nightmare and in a fit of rage, Kirk tries to make Spock jealous by telling him that he made love to this universeʼs Spock. "The Vulcan turned to face Kirk, keeping his voice low. "You left your cell in the company of my counterpart. You lied to me." Kirk tensed to fight. "You don't even want an explanation?" "No. We are finished," the Vulcan stated...") (93)
Vulcan Night: Memory Returning, poem by Bonita Kale (130)
This Ancient Place, poem by Cybel Harper (132)
Things That Go Bump in the Night by Alexis Fegan Black (After returning from the M/U, Kirk feels a distance growing between him and Spock and plans on closing it at the upcoming Halloween party, unaware that his lover has a surprise of his own.") (also in Unholy Alliances) (133)
Well..., poem by Tere Ann Roderick (154)

from issue #22, Jackie Zoost for "Stone" (poor photocopy)
from issue #22, Marilyn Cole for "Spellbinder" (poor photocopy)
from issue #22, Virginia Lee Smith (poor photocopy)
from issue #22, Jackie Zoost (poor photocopy)
from issue #22, Virginia Lee Smith (poor photocopy)
from issue #22, Virginia Lee Smith (poor photocopy)
from issue #22, Virginia Lee Smith (poor photocopy)

Reactions and Reviews: Issue 21

See reactions and reviews for A Change of Season.

See reactions and reviews for Things That Go Bump in the Night.

See reactions and reviews for Detente.

See reactions and reviews for Second Sight.

See reactions and reviews for Spellbinder.

[zine]: NAKED TIMES 21 starts off with a striking cover by Jackie Zoost, a Star Trek IV Spock with headband, and "the admiral". Printed on slick silver stock, this zine really stands out! TENDER AS STARLIGHT is just that - tender. Primarily a love scene between Kirk and Spock (a very good one!), there is some really good dialogue and a sweet flavor to this story - a nice beginning to the zine. A CHANGE OF SEASON is an established relationship story wherein there is tension between K & S in the first part of the story. The plot centers around resolving the conflict, which is done quite nicely, though not with much originality. For the material covered, the story needed to be expanded, the characters & conflicts more fully explored. Having read other works by Ms. Frost, I find this piece to be one of her weaker ventures, while the majority of her work seems more thought-out and more fleshed-out. Still, some interesting ideas and better-than-average story-telling. SPELLBINDER is a cute little story about the hazards of buying alien merchandisereputed to provide one's ultimate fantasy. It works, of course, and Kirk and Spock embark on a "mind journey" that leads them master/slave scenario. The writing in this story is top notch, and I suspect that "Morgana October" is a pseudonym for another writer in fandom who thought it might be fun to go off on this "Spellbinder" tangent. And it was fun for this reader, too. Nothing heavy here, just good not-so-clean pleasure. SECOND SIGHT is, unfortunately, a lot of rehashing old story lines wherein Kirk ends up drunk, in bed with, Spock, believes they made love, is wrong, and all the ultimate confusion that follows. While the writing is adequate, even excellent at times, the story takes an abrupt turn from being light and frivolous to being heavy-handed. The ending of this one just isn't "in line" with the beginning. Some good ideas, but like Ms. Frost's "A Change of Season", this story could have used several more pages. DETENTE is described as "the second epilogue to The Consortium Series", and if the previous installments are as good at this story, I'm going to have to update my collection of NAKED TIMES real soon. Since I only got into collection about a year ago, I missed the vast majority of this "Consortium Series", so I don't feel qualified to actually review this story on its own. In essence, the writing here is excellent, fast-paced and believable. The story itself is interesting and original - something that, in itself, was enough to keep me turning the pages right through to the end. DEAD OF NIGHT AND NOWHERE TO GO is the longest story in the zine and, in my opinion, the one with the strongest plot. As a "mirror" story, it might not appeal to everyone out there, but with Sharon's concise writing style, and her treatment of the a/u characters, I found myself not caring whether this was a "mirror" story or a "regular" K/S story. Here we see Kirk's rapid mood shifts, and eventually we learn the reasons for them - a wrenching sequence that kept me reading until well past 2 AM. Some powerful images, working well despite the minor weakness of using a somewhat-often-used plot. As for what was probably the most enjoyable story in this zine, my vote would be for THINGS THAT GO BUMP IN THE NIGHT. When Halloween comes to the Enterprise, complete with costume party, Spock takes on the persona of his "mirror" counterpart - and gives Kirk the time of his life. This, like "Spellbinder" is pure fun to read. In all, the poetry ranges from good to excellent, with the pieces by Kimberly Sara Huntington really standing out. There isn't a lot of art in this zine, which is okay by me, since my primary interest in K/S is in the stories. The art that does appear ranges from mediocre to excellent, with the best pieces being by Marilyn Cole, Jackie Zoost, and the back cover by Siobahn. Overall, NAKED TIMES 21 is a good zine, with the typical ups and downs found in most zines. There is nothing "bad" in this zine, and there are a lot of really good efforts. Definitely worth adding to your collection, especially for DEAD OF NIGHT AND NOWHERE TO GO and THINGS THAT GO BUMP IN THE NIGHT.^[1]

[poem: Tapestry]: This was a poem full of images, and had a different feel to it than the usual K/S poem. I really enjoyed it, yet like most poems in K/S, it didn't really seem as though the words were coming from Kirk, but more like what we fans think he is feeling and might say in his heart. But then, I can't imagine Kirk or Spock writing poetry at all, so perhaps I should accept this one and all others as a short story. Anyway, it was very nice, and visual.^[2]

Issue 22

cover of issue #22, by Deeb: "Whispers In The Wind" is the title and it is based on the story War Games

Naked Times 22 published in May 1989 and contains 154 pages. The front cover is by Deeb. There is no interior art.

[from the editorial]:
By now, you've 'probably noticed that the only artwork in NAKED TIMES 22 is the lovely cover by Deeb. Before I explain the lack of interior art, let me say another word of thanks to Deeb for this fantastic cover! Imagine my surprise when I received it in the mail. I noted that it looked somewhat "familiar", but I couldn't immediately remember where I had seen it. Come to find out from Deeb's charming letter that I hadn't actually 'seen' it at all. The illustration, entitled "Whispers In The Wind", is based on my story WAR-GAMES, which appeared in OFF DUTY #1. Again, Deeb, thank you for this lovely cover!
Okay, as to why there is no interior art... it's actually quite simple. In recent months, I haven't been receiving much art at all. Many artists have simply dropped out of fandom altogether, and those I've contacted who are still illustrating are either tied up on long-term projects or busy with other, non-fan work. So... that's my dilemma. Rather than publish the two or three pieces that I had on hand, I've decided to try NT#22 without any interior art whatsoever. Which brings me to another point.
I've received a couple of letters recently asking my "policy" on the submission of stories and art. Basically, my guidelines for submissions are pretty straightforward. While I will certainly look at stories that were sent to another editor and subsequently passed to me by that editor upon her rejection, I much prefer to receive all submissions directly in the mail. Apparently there was some confusion among newer writers and artists, so the question came up of whether or not it's okay to send a batch of stories and/or art to one editor and have her subsequently pass them along to other editors, either through the mail or in person. Personally, I have no objections to reading another editor's "rejects", since some of the best stories don't always fit every editor's needs. But if asked for my preference. I'd much rather have writers and artists send their work directly to me. By doing it that way, I know exacdy what came from whom, and with the benefit of a cover letter, it's much easier to keep pen names straight, and have the sender's address right there in front of me in case I have to reject the manuscript/art, ask for revisions and/or send a contributor's copy. For those who asked, it's not a big deal either way, but that's the basic policy. As I said, I have no major objections to taking work from other editors, but it's really much easier for me - and safer for you - to deal directly with me (or whatever editor you're submitting to at the time).
Also, a few folks wrote in saying that they missed the decorative borders I was using back around issue #17 and previously. So... since everyone can use a change once in awhile, I decided to bring them back for this issue, and go back to a single-column format for awhile. The reader preference seems to be split almost 50/50, so... hope everyone enjoys the more lively borders this time.
[snipped]
Again, for those of you who asked, I will not be attending SHORE LEAVE personally this year, but my zines will (hopefully) be represented, and will be sold by Ande Hughes of Triad. If a miracle occurs (i.e., if I win a million dollars in the lottery or something equally as unlikely), there is a possibility that I may yet make it to SHORE LEAVE. But as things stand now, it doesn't look likely. But I'll definitely be at Koon-ut-CALICON here in San Diego in June. (I tried to tell Dovya and Natasha that I had other plans, but they promptly informed me - with a gun to my head - that I was mistaken, since I'm expected to run the dealer's room and do hotel liaison stuff with the hotel staff....). Anyway, CALICON looks like it's going to be a lot of fun for everyone, so... I hope to see a lot of you there.
Warp speed - Alexis Fegan Black, Editor

Editorial (3)
Golden People by Sharon St. James (Kirk is taken over by an entity after touching a golden statue who will free him on the condition that he and Spock make love while on the planet in order for her and her fellow “gods” to feed off of the emotional energy given off. "Kirk desperately tried to fight his way back to consciousness, terrified by what had happened to him. He again saw the golden eyes of the statue slowly open. A prisoner, he was being held captive by the sightless orbs, unable to move away. And then there was a presence entering his mind, his soul. Do not struggle. A whispered mind-thought. Suddenly he was enveloped by warmth, a grater sense of inner peace than he had ever known…") (5)
The Sowers, poem by Kimberly Sara Huntington (41)
The Right Time, poem by Dana Austin Marsh (42)
Of Water and Sand, poem by Alexis Fegan Black (43)
Midnight's Fantasy, poem by Shellie Whild (44)
Endymion by Susan Douglass (M/U & A/U: When Kirk betrays the bond in his bid for the captaincy of the Enterprise, Spock has him abducted by Orion slavers for what is supposed to be one night but Kirk is sold to the Klingons instead. "I am the product of the Empire; I know where contacts can be found for unpleasant tasks. Striding down the street, I found the hovel of Orion pirates I had hired a few times before. "Capture him," I whispered, as in a fever, "just for one night. Use him, the way he used that woman. Then return him to me. That will suffice, I believe…" Two nights later, I await his return. Perhaps the bond could be reaffirmed after all...") (45)
Two Letters, poem by Peter Silverton (51)
Reflections in the Brig, poem by Dana Austin Marsh (59)
She is Not What He Thinks, poem by Bonita Kale (60)
It Is Not What You Think, poem by Bonita Kale (61)
Temptation: A "Mind Games" Poem by Rachel Cavendish (62)
Mind Games by Rachel Cavendish and Cassandra (Spock is injected by a chemical to induce pon farr when he and Kirk are captured and locked in a room together by the Klingons, but after making love, they are told that the chemical would only enhance feelings already there. "We intend you no harm. When the eight specified hours have passed, we will release you. What you intend to do in those eight hours is up to you. I'll even leave you a key to your bonds." The Klingon tossed it onto the bed. "My only hope is that we are entertained by your actions. We certainly do not wish to stay in the same room with an uncontrolled Vulcan." The tall Klingon commander left, laughing...") (63)
Walls: A "Mind Games" Poem by Rachel Cavendish (86)
Silent Prayer, poem by Cybel Harper (87)
Now I Know, poem by Dana Austin Marsh (88)
Library Tape P7692J by Kay Wells (Kirk returns from shoreleave completely drunk and Spock, enlisted to take him to his cabin, notices a peculiar mark on Kirk after he undresses him for bed.) (89)
Solitude, poem by Shellie Whild (102)
When It Began, poem by Dana Austin Marsh (103)
No Happy Ending, poem by Cybel Harper (104)
Dry River, poem by Alexis Fegan Black (105)
Apricot Morning, poem by Shellie Whild (106)
In My Father's House by Addison Reed (Kirkʼs resignation from starfleet is refused after he and Spock become lovers, instead they send him and Spock to Vulcan to uncover a conspiracy against the planet, only to run into Sarekʼs disdain for Spock and the path his son has taken. "You have allowed yourself to be manipulated into accepting the lustful advances of an opportunist human," Sarek stated. "I shall see to it that such undesirable tendencies are removed by the Healers." "Father…" Spock was finding it difficult to regain his mental balance, to focus on the unraveling conversation and not on the incredible event that had just changed his life forever. The bond. Alive... growing. "Captain Kirk was…" "Captain Kirk's name shall not be spoken in this house again, Spock. You shall see to it that he leaves immediately…") (107)
Years, poem by Shellie Whild (153)
Shore Leave, poem by Rachel Cavendish (154)

Reactions and Reviews: Issue 22

See reactions and reviews for Library Tape P7692J.

See reactions and reviews for In My Father's House.

See reactions and reviews for Golden People.

See reactions and reviews for Endymion.

See reactions and reviews for Mind Games.

Issue 23

cover of issue #23, by Deeb: From the editorial, "I would like to again thank Deeb for her gorgeous cover - that young Kirk looks like he's ready for a roll in the hay, hmm? Beautiful work, Deeb - my eternal gratitude for this magnificent piece!"

Naked Times 23 published in June 1989. It contains 158 pages and a cover by Deeb.

[from the editorial]:
I would like to say a special word to Rachel Cavendish for her poetry portfolio which appears throughout this issue of NT. Rachel is certainly one of the most prolific poets in K/S fandom today, and from the letters of comment I've been receiving, it seems that most of you agree, she's also one of the best. Finally, I would like to congratulate all the contributors to NAKED TIMES who were nominated for Surak Awards recently. These Include: Jackie Zoost (cover, NT21); Dragon (covers, NT19); Charlotte Frost (best writer, short story, NT18); Cybel Harper (best writer short story, NT19); Deborah Cummins (best writer, long story, NT19); Marilyn Cole (best artist, action, OFF DUTY 1). Thanks for making NAKED TIMES and OFF DUTY look great, and congratulations on your nominations!
Speaking of art, I desperately need artwork for future issues of NAKED TIMES, OFF DUTY, FEVER, etc.So if anyone out there is a closet artist, please get in touch with me asap! Thanks. As with NAKED TIMES #22, there is no Interior art in NT23, for the simple reason that I don't have any. However .... while art certainly enhances a zine, the stories will make or"break It. (Which also means that I'm always on the prowl for new writers!)

Editorial (2)
Equations, poem by Rachel Cavendish (1)
Those Who Command by Pheadra Merin Jones (M/U: Kirk takes command of the Enterprise, unaware of how his first officer Spock keeps control of the ship and his fellow officers-including the captain. "Bring me the new human," Commander Spock ordered, leaning back in the chair behind his desk and looking up at Chief Medical Officer Leonard McCoy. "If he resists, sedate him and deliver him to my quarters bound." The doctor fidgeted. "He is the captain, Mister Spock," he pointed out meekly...") (also in Unholy Alliances) (5)
Ether Stream, poem by Rachel Cavendish (22)
One Possibility by Marilyn Lansford (After Kirk enters a talent contest with Uhura, Spock thinks they are romantically involved and is unable to control the hurt and jeolousy he feels, unaware that Kirk is in love with him and is using women to try and control it. "When Spock turned back to the center of the room, he caught sight of the command gold in the corner and moved toward Kirk. Halfway there, he heard Uhura's laughter bubble out and watched as she sat back in her chair and placed one hand on the captain's arm. She was speaking softly, and it appeared, with obvious intimacy…") (23)
My Wild Love, poem by Rachel Cavendish (70)
The Contract by Dana Austin Marsh (Problems arise when Kirk and Spock need to have a marriage contract written up after Starfleet denies them a dependency posting for their bonding. "This contract was prepared by Mister Moralli who, of course, has Commander Spock's best interests in mind. The contract is, therefore, slanted in such a way as to favor his interests. To put it simply, as it stands now, in the case of a separation, all of your assets would be subject to a claim by the commander, while his are fully protected from any claim by you," D'Arney warned "How the hell could he do that?" Kirk asked in confusion.") (71)
Greed, poem by Rachel Cavendish (103)
Sweet Misery, poem by Rachel Cavendish (104)
Chain Reaction, poem by Rachel Cavendish (105)
Torture, poem by Rachel Cavendish (106)
Nothing to Light the Darkness by Sharon St. James (The day after he and Spock becomes lovers, Kirk is abducted by the Klingons and subjected to sensory deprivation and mental suggestions so that after his rescue he finds himself uneasy and resentful of Spock. "Finally Kirk was able to understand the words and he gaped at the holo in disbelief. It couldn’t be true… not Spock. Why? The Vulcan addressing an unseen person as he repeated again and again, "Captain Kirk is not that important to me. I will not risk the ship to search for him." "Why Spock? Kirk murmured, reaching toward the hologram…") (107)
Command Privileges, poem by Rachel Cavendish (158)

Reactions and Reviews: Issue 23

See reactions and reviews for Nothing to Light the Darkness.

See reactions and reviews for The Contract.

See reactions and reviews for One Possibility.

See reactions and reviews for Those Who Command.

Issue 24

front cover of issue #24, DEW

back cover of issue #24, DEW

Naked Times 24 published in April 1990 and has 160 pages.

The front and back covers are by DEW. This zine has no editorial.

To Embrace the Story, poem by Dovya Blacque (3)
The Skull Beneath the Skin, poem by Cybel Harper (4)
Mail Call by Sky Wrighter. (Kirk is not happy when Spock receives a letter from his mother informing him that she and Sarek have found two Vulcan women who are willing to bond with Spock even though Spock assures him that it would not interfere with their relationship as lovers. "I did not intend to wake you. I have been listening to my mail. It seems that Mistress T'Pau and my parents have at last succeeded in procuring a mate for me." "What?") (5)
Mirror Image (A Time for Friendship) by Anna Parrish. (A/U: A nine year old Kirk is adopted by Sarek and Amanda when a 13 year old Spock brings the boy home with him after the death of Kirkʼs mother. "Spock watched as a young human lad moved stealthily toward the stall where he had just purchased an ewalla. The fat shopkeeper was busy trying to impress a housewife with his fine, yellow vuis, and did not notice the thin arm, the bony fingers reaching for a bruised gymm that lay discarded on the ground…") (9)
Dream Park by Shelley Butler. (When Spock is unable to accompany him to the shoreleave planet, Kirk conjures up a Spock to make love to but then is crushed by the feelings left. "Kirk was amazed at the likeness. After all, if that recalcitrant Vulcan wasn't going to be here with him, he'd make his own Spock. So he had concentrated deeply and intensely when he'd beamed down to the isolated part of the Dream Park. And now this dark, mysterious Vulcan stood before him, exuding power and charisma. And still that same sense of foreboding that made Kirk want to run…") (55)
Little White Pills, poem by Chrystal Hart (66)
Bargains by Rachel Abbot. (M/U: Spock aids Kirkʼs rise through the ranks on the Enterprise, but when Kirkʼs plans for the captaincy are almost derailed, Spock demands payment for his total allegiance. "My price," Spock said slowly, is your Pledge—that you will come to me." He moved closer, his nostrils flaring with the provocative scent of his chosen warrior. "That you will come to me when I summon you, and do what is then required of you." Kirk didn't like that sound of that at all...") (67)
Thirst, poem by Cybel Harper (102)
Answer in the Past by Jean Gabriel. (While helping to catalog an archaeological site, Spock tells Kirk of his feelings for him but Kirk is unsure until almost losing Spock in a cave-in. "Captain, according to what I have been able to ascertain, Janus truly believed that he and Rolan were twin souls. He was convinced they had lived together in previous lives and would be together again." His eyes bored into Kirk's. "Tell me, Captain. When two people share such a sameness, a oneness, does it matter so much that they were both male?") (103)
Fever, poem by Cybel Harper (122)
Sunrise by Patricia Laurie Stephens. (A/U: After Spock is blinded on Deneva, he is taken home where Sarek throws out Kirk and McCoy and then proceeds to make Spock a virtual prisoner. "The first thing they heard as they departed the lift to the visual and auditory labs was Spock's screaming. Kirk took off at a dead run toward the awful sound and no one made a move to stop him. The Vulcans working on the unit seemed to be stunned by the din and stood staring through the doorway at the battle being fought within.") (123)
Harvest Time, poem by Crystal hart (159)
Lies by the Fire, poem by Alexis Fegan Black (160)

Reactions and Reviews: Issue 24

See reactions and reviews for Sunrise.

See reactions and reviews for Answer in the Past.

See reactions and reviews for Bargains.

See reactions and reviews for Dream Park.

See reactions and reviews for Mirror Image.

See reactions and reviews for Mail Call.

Issue 25

Naked Times 25 published in January 1991. It contains 154 pages and a front cover by KOZ.

front cover of issue #25, by KOZ

The interior art is by Kay Wells, K'Ris, and Virginia Lee Smith.

Steadfast by Adrian Alexander (Spock asks Kirk to tell him their personal history after seeing Kirk with another man, realizing that he and Kirk may have had a relationship before the fal tor pan. "We need to talk." Kirk boldly laid a hand on Spock's arm. "Do we?" Spock straightened and threw the last of the pebbles in his hand into the water. He hopped down off the rock and faced his friend. "What you do when off duty is none of my business, but as a friend, I remind you of the regulations regarding sexual fraternization between junior and senior officers. You could be jeopardizing your career." Kirk shook his head. "And I thought talking to you about this was going to be difficult…") (3)
Dilithium Wings, poem by K'Ris (21)
Golden Ritual, poem by Linda Frankel (22)
Misconceptions by A.T. Bush (Kirk decides to confess his feelings to Spock after being set straight by McCoy regarding Vulcan physiques and how they compare to the half-human Spock. "Besides, having sex at seven-year cycles isn't my idea of a satisfying love life." In fact, Kirk's current sporadic sex life was nothing to brag about. McCoy finally exploded. "Well I'll be damned! You're incredible, Jim -- incredibly stupid, that is. First, I'm very surprised to discover that you're hung up on penis size. Just 'cause you got a nice one doesn't mean…") (23)
The Passing of Years, poem by K'Ris (58)
Case Studies by Sue Denim (Kirk and Spock each reveal their secret love in a survey, and later, the chain of events that brought them together. "Well, as it so happened, when he revealed to me his 'equal desire', and that he actually considered me his partner-of-choice! Of course, I was shocked, for all that it was exactly the same thing I was secretly thinking about him. How did this come about you ask? Well, we were in the ship's gymnasium…") (59)
Camp-Fire, poem by Z.M.A. Hopkins (70)
Awakening by Anna Parrish (Kirk is trained as a whore when he awakens with no memory after being robbed and beaten and mistakes his new owner for the Vulcan he thinks he remembers. "Why should I feel this way about the captain? Other crewmembers have become lost, kidnapped. I aided in their search, yet I did not become so -- emotionally involved in their disappearance. Why then do I -- feel -- this way about -- Jim? It would not be until early in the morning that the answer would come to him, so strong and so undeniable that it woke him from a sound sleep…") (71)
Time is Slipping By, poem by K'Ris (106)
This Insubstantial Pageant by Cybel Harper (Kirkʼs depression over Spockʼs rejection of his love deepens when they are forced to share quarters while on a diplomatic mission. "Oh, Spock, don't you know that love isn't about control? Love is about trust. Don't you trust me enough to risk giving up your control with me? Don't you know I'd never hurt you?" "That is not the point," Spock said, staring down at his steepled fingers.") (107)
Untitled poem by Z.M.A. Hopkins (153)
Shaman, poem by Alexis Fegan Black (154)

inside page from issue #25, DEW
inside page from issue #25, DEW
inside page from issue #25, Virginia Lee Smith
inside page from issue #25, Virginia Lee Smith

Reactions and Reviews: Issue 25

See reactions and reviews for Awakening.

See reactions and reviews for Case Studies.

See reactions and reviews for This Insubstantial Pageant.

See reactions and reviews for Misconceptions.

See reactions and reviews for Steadfast.

Issue 26

front cover of issue #26, by Dragon -- "The cover of Naked Times 26 definitely deserves a second look. It’s by Dragon, and portrays a long-haired Spock with a tiny braid in front of one ear, a high pony-tail on the other side, and a warm smile. It’s really hard not to return that smile with one of your own! Also, this is the last Naked Times zine that employs borders around the text of stories, a different one for each tale. The use of borders was a long-standing tradition in the older zines. It added interest to the pages, and was useful in allowing a reader to quickly identify what story she was reading, but it also definitely cut down on the usable page-space for words.^[3]

Naked Times 26 published in 1991. It contains 156 pages and a front cover by Dragon. Art by Kay Wells, Virginia Lee Smith, and Dragon.

The Innocent by Kay Wells (A/U: McCoy asks Spock to do something about their new, straight-laced captain, so Spock sets about gaining Kirkʼs trust and friendship. "They moved toward the pavilion but turned off in the direction of the house when they were less than halfway there. But it was close enough for Kirk to see the beach goers. Close enough to see that they were naked. Suddenly uncomfortable, but not wanting to make a scene, he bit his tongue and turned his attention toward the row of buildings they were approaching. Spock not only saw the change in his companion's expression, he felt the sudden withdrawal. "Whey didn't you tell me this was a nude beach?" Kirk demanded...") (3)
Unholy Fantasy by Tiberius Tomcat (M/U: Kirk fantasizes about Spock revealing his secret to the Emperor. Prequel: Unholy Alliance. "The uniform that is the sign and symbol of command soon replaces the old. I take medals from the crumpled river of blue material on the floor and affix them to the glowing gold material that now adorns your chest. I look longingly at them. I surely would never receive any such honor as a slave. I must now be content with the recognition given to you. So long as you permit me to serve, I will rejoice in your achievements as if they were my own…") (36)
Unholy Fantasy, poem by Tiberious Tomcat (37)
"In Bunches, Like Bananas by Gena Moretti (Kirk refuses to return to his bondmateʼs bed after the death of Miramanee, afraid his thoughts of her and their unborn child will invade his and Spockʼs lovemaking. "Spock, I could swear I heard voices -- see I did hear them." Kirk trusted Spock's fidelity completely, as he slid McCoy's heterosexual preference. But the sign of another man, not only in bed with, but snuggled into one of his favorite positions with his Vulcan, shot feelings of jealousy through Kirk's body with a velocity he wouldn't have believed possible...") (47)
Eye to Eye by Karla Kelly (After a conversation with McCoy on human sexual habits, Spock asks Kirk if he may watch him during a sexual encounter. "Sitting in the command chair, Kirk's mind swirled. Various scenarios for seduction were discarded as implausible. Why does Spock want to watch me make love to someone? The question chased itself around and around his confused mind. And how do I find out? Without destroying what we already have, how do I find out"?) (83)
untitled poem by Jeri Dienstbir (94)
Mirrored Passion by Shelley Butler (A/U: Kirk falls for the M/U Spock. "And now into his universe came this human, daring to tear apart his kingdom, to devastate the perfect order of his world. And yet the thought of succumbing to this man was almost irresistible. So as he carefully removed his hand from the paradise of Kirk's mind, the feelings that he had held dominion over for so long came pouring froth in a torrent and he was helpless for the first time in his life.") Reworked/extended in MIrrored Passion Redux. (95)
untitled poem by Scott Hunter (119)
untitled poem by Jeri Dienstbir (120)
The Marriage by Gena Moretti & Anna Parrish (Humor: Spock decides to buy MʼBengaʼs help as a witch doctor to make Kirk fall in love with him, unaware that Kirk already is. "The sound of drums, and of low, almost inaudible chanting, filled the room. The Vulcan caught a slight movement out the corner of his eye and pivoted rapidly. It was M'Benga -- an almost totally nude M'Benga. He wore feathers over his genitals and that was all. His dark face was painted white and there were red and blue stripes on his cheekbones. He carried a deformed rattle of snake skin and bits of bone. The Vulcan shuddered but he began to disrobe. In the dimness, the darkening of his flesh did not show. When he was unclothed, he held his pants in front of his genitals. M'Benga jerked them out of his hand and threw them in the corner as the ritual began. Now the love potion could be made.") (121)

inside page from issue #26
inside page from issue #26
inside page from issue #26
inside page from issue #26

Reactions and Reviews: Issue 26

See reactions and reviews for The Marriage.

See reactions and reviews for Unholy Fantasy.

See reactions and reviews for The Innocent.

See reactions and reviews for In Bunches, Like Bananas.

See reactions and reviews for Eye to Eye.

See reactions and reviews for Mirrored Passion.

Issue 27

front cover of issue #27, by Jackie Zoost, reprinted from Naked Times #20

art by Virginia Lee Smith for Psychic Storm

Naked Times 27 published in 1991. It contains 186 pages and a front cover by Jackie Zoost. There is a single piece of art, one for Psychic Storm by Virginia Lee Smith.

From the zine: "THE EDITOR RESERVES THE RIGHT TO CONFISCATE ANY AND ALL UNRIGHTFULLY COPIED COPIES OF THIS PUBLICATION BEING SOLD AT CONVENTIONS OR ELSEWHERE. To insure that your copy is genuine, please purchase only from Pon Farr Press or their authorized agents -- which include Laura Campbell, Lonestar Trek (Laurie Haynes), or Koz. Stop zine piracy -- buy from the editor or her agents!"

If Gods There Be, poem by Anna Parrish (3)
Tomcat, poem by A.M. Berman (8)
Questions by Marina Alverez ( A concussion. Yes. It must be that. Certainly I have been struck upon the head with love and must now be insane. As my eyes survey these words, I can only stare with stunned disbelief. I am a Vulcan...) (9)
The Haunting, poem by Kalen Storm (14)
Unerring Capacity by A.T. Bush (Problems on the Enterprise keep interfering with Kirk and Spockʼs shoreleave. "Using the only remaining undamaged bunk as a springboard, Spock leaped for the overhead bars, caught and clung to the rods. The gymnastic technique was well practiced by now. The anti-tampering system kicked in again, promptly sparking a charge into his fingertips. He dropped to the floor to massage his tingling digits. "Damn!" He had already used all the colorful metaphors he knew and was into recycling old favorites...") (15)
Meltdown, poem by Natasha Solten (33)
I Love You, poem by Anna Parrish (34)
A Dream Walking by Anna Parrish & Karla Kelly (Every time they run into danger, Kirk goes to Spockʼs quarters at night to reaffirm Spockʼs existence, but he does it while sleepwalking. "Spock stiffened, cutting himself off from Kirk's thoughts. There is a logical explanation for this strange behavior! Each time he has walked in his sleep, it was following threats to my health. He has come here to reassure himself that I am well. Never in his life had anyone cared so much for him. Unconsciously, he tightened his hold on the human, welcoming the responsive sigh.") (35)
Irresistible Bait by Monica Voile (M/U: Kirk and Spock become part of the entertainment for the Platonians.) (45)
The Light that Beckons by Anna Parrish (Kirk must convince a disbelieving Federation that his bondmate still lives after Spock disappears from the crashed shuttle he and Kirk were traveling in.) (85)
Loving, poem by Anna Parrish (95)
The Beach, poem by Kalen Storm (98)
Psychic Storm by Alexis Fegan Black (While ferrying a group of Vulcan scientists to their new project, Kirk begins having erotic dreams in which he is sexually dominated by his first officer. "In other words," Kirk said, slowly beginning to understand, "having forty-two Vulcan passengers on board is like having a telecomm blasting in your ear all the time.""Not precisely," Spock murmured. "If it were like a telecomm, it would be as if there were forty-two telecomms, each attuned to a different frequency and each transmitting at varying intervals. As a result, I have discovered that my own ability to shield against the intrusion has been severely curtailed. As a result of my inadequacy, apparently you are experiencing these… dreams.") (also in Psychic Storm) (99)
End of Day, poem by Natasha Solten (151)
Trinkets, poem by Kalen Storm (152)

Reactions and Reviews: Issue 27

See reactions and reviews for Psychic Storm.

See reactions and reviews for A Dream Walking.

See reactions and reviews for The Light that Beckons.

See reactions and reviews for Irresistible Bait.

See reactions and reviews for Unerring Capacity.

See reactions and reviews for Questions.

Issue 28

cover of issue #28, Marilyn Cole

Naked Times 28 published in 1991. It contains 161 pages and a front cover by Marilyn Cole. It contains no interior art.

From the zine: "For the sake of future zines, please do not purchase this fanzine from anyone other than the editor or her authorized representatives. Those representatives are: Laurie Haynes (Lonestar Trek); John & Kathy Barrett; Laura Campbell. If in doubt, please drop an inquiry to the editor. I'll be happy to tell you who has authorization to represent my zines. All Pon Farr Press zines are always in print. Do not let zine pirates tell you they're doing you a service by xeroxing out-of-print zines!"

This issue contains a coupon, something that is very unique: "In an effort to rekindle a seemingly dwindling interest in K/S and B7, all orders of less than $100 are available at a 10% discount. Orders in excess of of $100 can save even more -- 15%! Depending on how much you order, it's like getting zines for free!... Offer expires May 1, 1993."

Rainbeau, poem by Syreta Knight (3)
Deliberate Tampering, poem by Seane Malone (4)
Love's Final Wish by Vary Higgenbottom (A/U: Kirk is thrown out of Starfleet Academy after cheating on the Kobayashi Maru and becomes a successful writer instead, meeting a Vulcan officer from the Enterprise while gathering material for his next book. "His name was James Kirk. Spock had used his Starfleet access code to enter into the personnel records of Starbase Four. There had been two Jims working there at the proper time, but one was in his sixties. The Jim he wanted lived on Earth. His father's name was George Samuel Kirk, deceased; his mother was named Winona, still living and making her home on Earth. Winona Kirk? Was she the writer Winona Kirk? There was nothing further on Jim's personnel files about her. He probed the writer, reading all the news releases available. There was a great deal of material available on the novelist… Instead of commending Kirk for his ingenuity in re-programming the Kobayashi Maru, Starfleet cans him instead - at which point the illustrious starship-captain-to-be-no-more must choose another career. He decides to become a writer…") (5)
Lost Heart, poem by Robin Hood (130)
Heart Break, poem by Robin Hood (131)
The Riche, poem by Morgana Coldcreek (132)
More Than Yesterday, Less Than Tomorrow by Roberta (After 20 years together, Kirk feels that he and Spock are becoming complacent in their relationship until an evening out at a diplomatic function shows Kirk just how solid and loving their relationship is. "Once beneath the hot water of the shower, Kirk found himself wondering if their ongoing passion had gotten lost, (or maybe just misplaced?) somewhere in the last few years. Whatever it was - time, daily living, or their ingrained knowledge of each other -- Kirk was feeling the effects of erosion on the edges of their once great physical need of each other. At the moment, it seemed terribly important that the fall into a state of comfortable passion did not happen to them. But right now, he was too tired to figure out how to do anything about it. Three solid weeks, countless hours of negotiations, committee meetings, and drafting terms was enough to give him a permanent migraine, along with a near-desperate need for his bed and the blessed oblivion of peaceful, quiet hours of sleep. Originally slated to appear in The 25th Year, but not included because the story was misplaced by the US Postal Service for several weeks, MORE THAN YESTERDAY, LESS THAN TOMORROW is a poignant little story about misplaced passion, lost years, and the need to recapture what time seems to have stolen away…") (133)
Earth Son, poem by Syreta Knight (148)
Coffee by Kalen Storm (Together again, Kirk hopes things will be better for them this time and that they both have learned from their mistakes. Prequel: The Mechanics of Love and War. Sequel: Hovering.) (also in The 25th Year and Psychic Storm) (149)

Reactions and Reviews: Issue 28

See reactions and reviews for More Than Yesterday, Less Than Tomorrow.

See reactions and reviews for Love's Final Wish.

See reactions and reviews for Coffee.

Issue 29

cover of issue #29 by Dragon

Naked Times 29 published in February 1992. It contains 166 pages and a front cover by Dragon. The two illos inside are by Jamie Belle.

illo by Jamie Belle

illo by Jamie Belle, features two cocks -- Spock's has double ridges

[copyright statement]: NAKED TIMES is an amateur publication, copyright C February, 1992, by Pon Farr Press and the individual writers, poets & artists. THIS ZINE MAY NOT BE REPRODUCED, WHOLEY OR IN PART, WITHOUT THE PRIOR WRITTEN PERMISSION OF PON FARR PRESS & THE INDIVIDUAL WRITERS, ARTISTS OR POETS. TO DO SO CONSTITUTES VIOLATION OF COPYRIGHT AND OUTRIGHT PIRACY, SO PLEASE KNOCK-IT-THE-HELL OFF! This copyright is in no way intended to infringe upon or conflict with other holders of legitimate STAR TREK copyrights, including but not limited to Paramount Pictures, Inc., Gene Roddenberry, Lincoln Enterprises, Desilu, & all others. ALL RIGHTS RESERVED.

Long Ago, poem by Jamie Belle (3)
Winter's Fire, poem by Robin Hood (4)
Apartheidal Degree by Annie Rooney & Anna Parrish (A/U: Kirk is upset when Vulcan leaves the Federation, but is excited when picked as an honor guard for the talks for readmittance, especially after meeting Ambassador Sarekʼs son, the former 1st officer of the Enterprise. "His had did not leave the white face of James Kirk. "He is dying," Spock said to his father. Sarek did not reply. "I wish to say goodbye to him. May I be allowed to do this in private?" Why was his heart aching so? The bond could not be that strong. Spock realized then that the pain was caused by an odd thing called love, that the bonding had sprung into being by that very same human emotion. The happiness earlier, the feeling of peace, had also been created by that feeling. How could anything bring such joy and so much agony...?") (5)
Lines and Dots, poem by uncredited (22)
The Secret of Sharing by Sarah Christian & Anna Parrish (Kirk is injured while he and Spock are planetside and later in sickbay Spock is confronted by McCoy who questions why Spock doesnʼt tell Kirk that he loves him. Kirk sees me and tries to sit up, though McCoy and Chapel hold him down. He growls at them, threatens them, but they, as normal, refuse to listen. He scowls and settles back, but the anger in his hazel eyes when they turn toward me makes me hesitate at the doorway. "You gave me a nerve pinch!" Kirk accuses. "I did," I agree calmly as I move to stand in front of his bed. I place my hands behind my back and hold on for dear life...") (23)
Time and Tide by C.D.M. (Kirk is surprisingly upset when Spock goes to Vulcan for the cure that has been found for pon farr, and ends up cheating on his bondmate with a Romulan agent being transported by the Enterprise. "A true bonding! A bond that would last forever… It's not love and good times that will hold us together, Spock; it's those moments of shared adversity that will make us stronger, that will allow our love to endure - and you took that chance away from us, don't you see? You've made everything too easy, too safe. You ran away from the challenge, condemning us to a half-life together. Would you do the same if you had a Vulcan mate instead?") (29)
Fallen Pride, poem by Robin Hood (64)
Empire Rewards (A "Mirror" novella) by Merita Seda (As they serve together, Kirk and Spock find themselves becoming close and eventually begin a love affair. "Get out of my sight, Marlena!" Kirk shouted, motioning the cringing woman from his quarters. The door had opened so suddenly Spock was nearly bumped off his feet when the disheveled woman rushed past him. He caught a glimpse of tears, cosmetic streaks and a reddened handprint marring her cheek. The Vulcan stiffened, disgusted with Kirk's brutalizing someone so much weaker than himself. He stroke into the office, surveying the general disarray - tapes littering the deck. He avoided stepping on anything and stopped in front of the desk, swept bare except for an open whiskey bottle. "What do you want?" Kirk sipped his straight whiskey, well aware of the Vulcan's glaring disapproval. Spock inhaled deeply, damping his awareness of Kirk's angry, yet worried aura. "I came to offer my assistance. Obviously, there is a problem…") (65)
Fill the Spring, poem Robin Hood (166)

Reactions and Reviews: Issue 29

See reactions and reviews for Time and Tide.

See reactions and reviews for Apartheidal Degree.

See reactions and reviews for The Secret of Sharing.

See reactions and reviews for Empire Rewards.

Issue 30

cover of issue #30, by Alayne

back cover of issue #30, unknown artist

flyer for issue #30

Naked Times 30 published in February 1993. It has 152 pages and a front cover by Alayne. The back cover is not credited. The interior illos are by Jamie Belle.

Time, poem by Jamie Belle (3)
Mirror Cold, poem by Robin Hood (4)
Food for Thought by ZMA Hopkins (Kirkʼs unhappiness on his 50th birthday is effecting his relationship with Spock until Spock uses drastic measures to make his bondmate realize what is happening between them because of Kirkʼs unresolved anger. "Kirk was out of the chair like a shot, the table between them overturned; fists flailing, legs and feet kicking, he madly wrestled with Spock and got him down, desperate to make contact with his mouth. "Damn you, Spock!" he shouted. "Give it back to me, you thief!" he screamed, unthinking, fighting his mate for all he was worth. "What do you want from me?" Spock countered. "Tell me!" he shouted hoarsely. "My shit!" Kirk yelled back the truth before he could stop himself...") (5)
You and Me, poem by Jamie Belle (14)
Wanting, poem by Past (15)
Empire of Fear, poem by Robin Hood (16)
An Evening's Escapade by Sue Denim (Kirkʼs aircar crashes in the Vulcan desert but a horse-like creature rescues him and takes him to an oasis until Spock can find his bondmate. "Rubbing his temples, Kirk tried to alert Spock of his need through their bond, but he couldn't tell if the other was aware of his anxiety. Spock was still at home, no doubt, where he should have been -- but for his stubborn insistence upon surprising his mate with the artifact he'd admired yesterday. If not for that, he'd be closely snuggled with Spock right now, not shivering alone in the gathering dark. Vulcan night lent an eerie glow to the sky overhead.") (17)
A Rose By Any Other Name!, poem by Jamie Belle (22)
Opposing Forces by C.D.M. (While Kirk is split, his dark half goes to Spock and seduces/rapes him but after Kirkʼs halves are reunited he must find a way to repair his relationship with Spock and get him to see that the love they have for each other should continue. "Spock, a name that was alien and familiar and made him ache with desire, yet he fought it down, concentrating on his injuries instead. His knuckles were sore. His cheek twinged as if burned, the long fingernail scratches throbbing at his touch. Yet the pain made him feel more alive, every inch of is body moved by the exciting danger of discovery, here, in the Vulcan's cabin…") (23)
Star Struck by Anna Parrish (Lt. Comm. Kirk is on shoreleave before his next assignment where his future is told that tells of him finding the love of his life.) (37)
With Apologies to Elizabeth Barrett Browning, poem by Jamie Belle (42)
With More Apologies, poem by Jamie Belle (43)
And Even More Apologies, poem by Anonymous (44)
Extra Oil, Light Butter, and Whipped Cream on the Side (...and hold the angst, Ma'am!) by Alexis Fegan Black (Kirk and Spock go over the “zines” they were sent back in time to retrieve that tell stories of the two of them in love. "Kirk had only seen holo-copies of the books -- a tattered, half destroyed thing with no cover (mercifully). But in the few pages that had survived in the 23rd century, he'd read and memorized his part well: CAPTAIN JAMES T. KIRK, STARSHIP COMMANDER, WOMANIZER, PROTECTOR OF THE GALAXY, AND GUARDIAN OF THE VIRGINITY OF HIS OWN MELON-ROUND LITTLE ASS. (In reality, of course, it wasn't altogether true. His ass was more like two grapefruit halves than a melon). He looked up so see Spock regarding him. "Actually, Captain," the Vulcan said, "the correct terminology is 'fanzine'. Yet even though you and I appear as seemingly fictional characters, the characterization from fanzine to fanzine is extremely… diverse. For example, in As I Do Thee…") (also in Psychic Storm) (45)
Ice and Fire, poem by Jamie Belle (63)
Touch, poem by Past (64)
Sweet Sixteen (an AU fairy tale) by Kaylan Storm (M/U: Spock gives his bondmate an implanted fantasy of being 16, female and in the power of a Vulcan warlord as a gift on Kirkʼs 80th birthday. "Please -- please just let me go!" Jamie Kirk wailed, wishing she could remember the person she'd been, the world she had come from. "I haven't done anything! I don't belong here!" "Save your sad tales for the other fair-haired maidens," the man with the pointed ears interrupted. "I have no time for dry your tears, and the sooner we begin your training, the better. I'll warn you that any resistance will only earn you extra time with the paddle, so if you were considering kicking or resisting, think twice…") (65)
The Sound of Your Breath by Dovya Blacque (After leaving Vulcan following Spockʼs pon farr, Kirk is unable to sleep but pretends to when Spock comes to his cabin each night, the only time either of them can relax. "Comfortable?" Kirk asked softly, moving one leg aside as Spock inserted a knee between his. "I wished to hear your heartbeat," Spock explained, one hand resting on Kirk's chest. "It is as comforting a sound as that of your breathing…") (also in Splendor)
Deny Me Not, poem by Jamie Belle (82)
Think, poem by Past (83)
Thoughts I Don't Want to Think, poem by Jamie Belle (84)
In Fever and in Blood by Anna Parrish (A/U: Spock is unwilling to unleash his magical powers, so Sarek puts a spell on him and Kirk to draw them together so that when they have sex Spockʼs powers will be released.) (84)
Anatomy, poem by Past (92)
The Sound of Your Breath by Dovya Blacque (93)
Joining, poem by Jamie Belle (108)
Undercover Agent by Anna Parrish (A/U Humor: Kirk is ordered to Vulcan to steal the transporter update from the scientist Spock, unaware that it is a ruse to get the information to the Federation and to get Kirk and Spock together.) (109)
The Facts, poem by Jamie Belle (115)
Ringed, poem by Jamie Belle (117)
The Temper by Natasha Solten (Spockʼs temper worsens the longer he and Kirk are apart, until Kirk finally realizes that he needs to try to reestablish their relationship.) (19)
Verbs, poem by Jamie Belle (128)
Fear, poem by Past (130)
Still Waters by Dovya Blacque (On a diplomatic assignment on a new planet, Kirk must act as a body slave to Spock, but finds it harder to do as the days go by.) (also in Splendor) (131)
The ABC's of Sex, poem by Jamie Belle (141)
Naked Times Writing Contest! Fun! Zines! Prizes! Smut! ("FIRST PRIZE: $100 In merchandise (zines! zines! zines!) SECOND PRIZE:$50.00 in merchandise THIRD PRIZE: $20.00 in merchandise. While perusing my hard drive one day, I came across this unfinished story, you see. And since I have absolutely no recollection of writing it, I'm at your mercy to help me finish it -- and there's something in it for you, too! ... So if you're an established writer, an aspiring new writer, or if you've never even sat down in front of a typewriter before, I'd love to hear from you. All you have to do is [read the story excerpt provided] and write a story around it.") (143)
Star Trek Then and Now: From Conception to Legend, an essay by Della Van Hise that is a reprint from "Star Trek, the 25th Anniversary," a book edited by James Van Hise and published by Pioneer Books.) (not listed in the table of contents, but it starts on page 147)

inside page from issue #30
inside page from issue #30
inside page from issue #30
inside page from issue #30
inside page from issue #30
inside page from issue #30

Reactions and Reviews: Issue 30

See reactions and reviews for Extra Oil, Light Butter, and Whipped Cream on the Side.

See reactions and reviews for Still Waters.

See reactions and reviews for The Temper.

See reactions and reviews for Undercover Agent.

See reactions and reviews for In Fever and in Blood.

See reactions and reviews for The Sound of Your Breath.

See reactions and reviews for Sweet Sixteen.

See reactions and reviews for Opposing Forces.

See reactions and reviews for An Evening's Escapade.

See reactions and reviews for Food for Thought.

Issue 31

front cover of issue #31, by Shelley Butler

flyer

Naked Times 31 published in August 1993. It contains 150 pages and a front cover by Shelley Butler. It contains no interior art.

The Garden, poem by Alexis Fegan Black (3)
Writing Contest Winner! ("In the last issue of NAKED TIMES, I offered a writing contest utilizing the beginning of the story which appears below. Now, I'm pleased to announce the winner of the contest - J.S. Cavalcante - who will receive $100.00 in zines from Pon FarrPress. Though other stories were received, Ms. Cavalcante's is the only one I have opted to publish, since it's head-and shoulders above the rest.") (5)
Ghost Fire by J S Cavalcante (Kirk and Spock are deliberately stranded on a planet just as Spock believes he is entering pon farr and though a Vulcan woman has been picked to be his next bondmate, he is not yet bonded and does not wish to be with her. "Kirk's hands were warm on Spock's shoulders. The Vulcan stared into the concerned face for long moments, trying to remember. In a moment, his memory clicked in, images swirling into his brain all at once, like the rushing water. He remembered the black water, sucking the last of his strength from his limbs, dragging him down. A loose tree limb floating by, striking him a glancing blow and then rushing past before he could grab it. The water closing over his head. The ghostly face, the building behind her seen right through her skin. The madness. The fire of pon farr, burning him, burning for Jim…") (9)
Working Together, poem by Past (47)
Dream-Walker, poem by Karen Storm (48)
Choices by Karla Kelly (M/U: Kirk uses Uhura in his seduction of Spock. "Mesmerized, Uhura watched as Kirk's hand undid the Vulcan's robe, his smile broadening, challenging. Spock stood as silent as space. Lost in the spell cast by darkness and stars and the captain's special magic, Uhura watched the human's hand caress the vein in Spock's throat, slide under the robe, pushing it from one shoulder, tangling in a mat of chest hair before rising to trace a clavicle, forcing the garment off the other shoulder…") (49)
The Last Word, poem by Karen Storm (56)
K/S 101: an essay on the techniques & tricks of writing K/S by Alexis Fegan Black (Included are sections such as: "Why write K/S?", "Plotting The Dirty Deed", "It's Been Done Before", and "Oh No! They Won't Get In Bed" A hopefully helpful article for anyone who writes K/S, wants to write K/S, or simply enjoys reading it.) (57)
Not Always, poem by Past (75)
Log Entry (deleted), poem by Karen Storm (76)
Flashback by Karla Kelly (Kirk must get by Spockʼs fear to get him as his lover after Spock almost kills him while in the plak tow. "Spock stared down at the lifeless for of his captain. For one brief moment in time, the ancient drives of his ancestors overcame the abhorrence and revulsion he knew he'd be feeling in mere seconds. When sanity returned, it brought the nausea and loathing. It did not bring Kirk back to life…") (77)
Graven Images, poem by Alexis Fegan Black (87)
Acceptance, poem by Past (88)
Home by the Sea by Natasha Solten (A/U: After the 5-year mission, Kirk has problems adjusting to the loss of his ship and only when Spock threatens to leave him does he start fighting for his life back. "Before Earth, things had been going quite well since their relationship had developed into a physically/mentally intimate one. During the last two years of their five year mission, both had shared a love neither had ever known. The caliber of that love had been stunning. The capacity within each man for soul-stirring discovery, whether it was among the stars on exploration surveys or in each other's arms, was astounding. Their compatibility quotient, or CQ as Kirk referred to it, went beyond calculation. Until the mission ended. Until Kirk was sent back to a sterile office and bloated desk with officious assistants and the heavy 'burden-of-honor' admiral's stripes. That was what Kirk called his 'unusual-for-one-so-young' promotion. "An admiral?" he'd scoffed, unimpressed with the treasure chest of awards the higher ups had bestowed upon him. "What am I supposed to do as an admiral at age 38? I want to run. I need to feel the wind at my back. I demand starlight on the port bow, meteor showers at starboard.") (89)
The Gypsy Man of Antares, poem by Alexis Fegan Black (111)
Unfeeling, poem by Past (112)
The Dangling Conversation by Kalen Storm (Kirk feels ashamed of his need for fantasy playing during their love making after Spock asks him why he wants their lovemaking that way all the time.) (113)
Contradictions, poem by Alexis Fegan Black (139)
Shameful Behavior, poem by Janna Steele (140)
Kolinahr by Billie Aul (As he enters Gol, Spock is told to write down what events led to his decision to go there.) (141)
Never, poem by Past (148)
The Imposter, poem by Janna Steele (149)
Writer and Artist Info (150)
FICTION/POETRY/ART by Patt, Black and others

Reactions and Reviews: Issue 31

See reactions and reviews for Flashback.

See reactions and reviews for Ghost Fire.

See reactions and reviews for Kolinahr.

See reactions and reviews for The Dangling Conversation.

See reactions and reviews for Home by the Sea.

See reactions and reviews for Choices.

Issue 32

cover of issue #32, by Shelley Butler. Many fans have commented on how much they enjoyed Kirk and Spock's tender expressions and have admired the detailed strength of Spock's hands.

Naked Times 32 was published in May 1994 and is 158 pages long.

Star Garden by Jamie Belle (3)
By a Brook by Kalindi Dawn (4)
Requital by J.S. Cavalcante ("After Henochʼs death, Spock realizes that he raped Chapel and that she saw his love for Jim while they shared consciousness. "It is late, very late in gamma watch when he comes to my door. I know instantly who it is, and I open the door before he speaks. "Christine." He stands in my doorway in the shadows of ship's night, the answer to every dream and hope I've ever had... "Christine, I have come to -- " "I know. You want to say you're sorry for what Henoch did. It wasn't your fault." He looks at me again. "I know it is illogical. I was not present; I could not prevent his actions. Yet I know he used… my flesh, my Vulcan abilities, to v-violate you.") (5)
Your Laughter by Jamie Belle (27)
One Day by Kalindi Dawn (28)
No Sense of Humor by Anna Parrish ("Hey, Spock," Kirk asked casually as the Vulcan massaged the human's neck and shoulder muscles. "Yes?" "How can you tell if a Klingon has been in your chiller?" Spock's hands stilled for a moment. "Why would a Klingon be in our chiller?" "This is a joke." "I see.") (29)
Memories Music by Robin Hood (31)
Star Scar by Robin Hood (32)
The Crystal God by Shelley Butler (Kirk and Spock are mistaken as gods on a primitive planet and are expected to participate in a ceremony. "…This captain needed Spock. And Spock didn't know it. So Kirk resorted to daydreams. Nightdreams, too, if the previous night was any indication. He could conjure up all the fanciful and exotic images he wanted and Spock would be none the wiser. Hopefully none the wiser. Kirk often wondered how much might be picked up by the sensitive Vulcan mind. Sometimes, out of the blue, he would feel naked in front of Spock. Naked as though he were proclaiming all his secrets out loud.") (33)
Stone of Promise by Robin Hood (90)
Terror in the Night by Anna Parrish (Kirk is afraid to propose to Spock because of the distance he feels is coming between them. "Popping the lid on the Andorian Velvet box, he stared in breathless fear at the marriage band inside. It was iridescent silver from the mines on Tarpegga. Would Spock like it? Was it too ornate? Maybe it would be too small. Maybe… Maybe he won't accept it, Kirk thought in distressing honesty.") (91)
Youthful Hope, Mature Reality by Jamie Belle (96)
Another Alternate World Fairy Tale (with an Ugly Old Witch Thrown in for Good Measure) by Anna Parrish (Retelling of the Rapunzel tale.) (96)
Splendor by Dovya Blacque ("Kirk accompanies Spock to a computer conference in Las Vegas while on their shore leave. "You're going where with who?" "Whom." "Shut up, Spock." "Gentlemen," James T. Kirk smiled at his two best friends, hands raised in surrender. "You heard me, Bones. I’m going to Las Vegas with Spock." "Why?" McCoy asked, his voice a hiss of disbelief. But before Kirk could answer, the doctor turned on the figure sitting so still beside him. "And why on earth are you going to Las Vegas?") (also in Splendor) (113)
Styx and Stones by Alexis Fegan Black, includes one illo by Marilyn Cole. ("Spock awakens in a new land after dying and waits for Jim, who is in a coma following a shuttle crash. Sequel: The Fallen. "In many selfish ways, he hoped he would go first -- not only so the human would be spared the pain of separation and a severed bond, but because Spock knew that he could not have continued without his beloved. If Kirk had gone first, they would have been quickly reunited, the Vulcan reasoned, for simple logic informed him that his own lifeforce would have terminated the moment he sensed the human's crossing from physical life into whatever reality of oblivion was to come next.") (also in Styx and Stones) (147)

from issue #32
from issue #32
from issue #32

Reactions and Reviews: Issue 32

See reactions and reviews for Requital.

See reactions and reviews for Splendor.

See reactions and reviews for Styx and Stones.

See reactions and reviews for Another Alternate World Rip-Off Fairy Tale.

See reactions and reviews for Terror in the Night.

See reactions and reviews for The Crystal God.

See reactions and reviews for No Sense of Humor.

References

^ from On the Double #11
^ from The LOC Connection #9
^ from The Legacy of K/S in Zines: 1991-1995: Publisher by Publisher

[1] rom On the Double #11

[2] rom The LOC Connection #9

[3] rom The Legacy of K/S in Zines: 1991-1995: Publisher by Publisher

[1]

[2]

[3]