Maureen B.
| Fan | |
|---|---|
| Name: | Maureen B. (please do not use full name, and redact last name from images) |
| Alias(es): | Mo, Mozart (NOTE: this is not the same fan as Maureen Bourns/Wilson.) |
| Type: | fan artist, fanzine publisher |
| Fandoms: | Star Trek, Starsky & Hutch, Indiana Jones, Man from U.N.C.L.E., Beauty and the Beast (TV), Miami Vice, Forever Knight, Quantum Leap, The X-Files, Wiseguy, Star Wars, and The Professionals |
| Communities: | |
| Other: | |
| URL: | |
| Click here for related articles on Fanlore. | |
Maureen B. is a fan artist whose career began with Star Trek in the 1980s and continued with other fandoms through the 2000s.
She also published several Star Trek fanzines, among them the DeForest Kelley Yeomanry.
Her cover for issue #5 of No Holds Barred won her a 1994 Stiffie Award and her cover for #16 of The Terranova Situation won her a Stiffie Award in 1998. In 2005 her Wiseguy art piece "Vinnie Sandwich" won the Bascon art show's Most Erotic award.
Her last fannish credit was for the artwork for Hidden Secrets, Broken Hearts in 2004.
Awards
- Bascon art show's Most Erotic award, for "Vinnie's Sandwich" in Organized Frisky Bureau
- Huggy Award
- Encore Award
- Stiffie Award
Zine Contributions
Man from U.N.C.L.E.
On the Double | Rose Tint My World
The Professionals
British Takeaway | Coming from Behind | Right Down to the Belt!!
Quantum Leap
Leaping Friskys | No Holds Barred
Star Trek: TOS
As I Do Thee | California K/S | Contact | DeForest Kelley Yeomanry | Enter-comm | The K/S Art Project | KSX | Linguacode | Matter/Antimatter | Parallax Ring | Progressions | T'hy'la | Vault of Tomorrow
Starsky & Hutch
Between Friends | Code 7 | Dance with the Devil | Don't Give Up On Us, Baby | Half you Half me | Hanky Panky | Hidden Secrets, Broken Hearts | Nightlight | Penal Code | Tell Me Something I Don't Know! | Who You Know, What You Know, & How You Know It...
Wiseguy
Organized Frisky Bureau | The Terranova Situation
Misc.
Beach Blanket Frisky | Extra Touchy Frisky | Lighter Side Strikes Back | Not Exactly a Knight | Knight Fantasies | Tunnels
Sample Art
1980
from Linguacode v.1 n.3
1982
from Vault of Tomorrow #3
from Vault of Tomorrow #3
from Contact #8
from Contact #8
1983
Star Wars, back cover of Lighter Side Strikes Back (1983)
from Vault of Tomorrow #4
from Vault of Tomorrow #4
Softness Too, from Who You Know, What You Know, & How You Know It...
from Who You Know, What You Know, & How You Know It..., "Private Eyes", winner of an Encore Award
from Matter/Antimatter #3/4
from Hanky Panky #10
1984
from As I Do Thee #1, for the story, I'll See You in My Dreams
from As I Do Thee #1, for the story, I'll See You in My Dreams
from T'hy'la #4
pencil print Between Friends, Starsky & Hutch. This drawing may have been based on a photo reference of a production still.
from Code 7 #3, winner of a Huggy Award
from Code 7 #3
from Code 7 #3, winner of a Huggy Award and an Encore Award
from Parallax Ring
from Hanky Panky #11
from Between Friends #4
1985
from Progressions, for the story, A Strange & Beautiful Flower
from Progressions, for the story, A Strange & Beautiful Flower
from California K/S #2
from As I Do Thee #3, for the story All Forms of Love
“Saurian Brandy (Kirk)". A pen and ink drawing. 8x10. Custom matted in black and metallic gold, 18x14. Dated 1985. This drawing was most likely used to illustrate a fanzine.
1986
from Nightlight #1, for "Hanged for a Lamb"
from California K/S #3
from California K/S #4
from As I Do Thee #4
from As I Do Thee #4
from As I Do Thee #5, for the story Compensation, reprinted in The K/S Art Project
from As I Do Thee #5
1987
from Code 7 #4, for the story, Take It Out in Trade
Code 7 #4, for "Foster-child of Silence and Slow Time"—the author used a variation of this image for an illo in Don't Give Up On Us, Baby
from Half you Half me, reprinted in Don't Give Up On Us, Baby, a variation on a similar work by this author in Code 7 #4 for the story Foster-child of Silence and Slow Time
from Code 7 #4, for "Delivered to Thee" Note the name "EVIE" in the graffiti by Starsky's butt. The artist commented on this illo and others, see Delivered to Thee
![art from KSX #1, "A nude Jim Kirk astride a rearing white horse. The face is turned away from the viewer, but the hair, the lines of face and form could belong to no one else. Strength and power is revealed in every line." [1]](/wiki/File:Ksx1art9.jpg)
1988
from Tell Me Something I Don't Know! #9
from Matter/Antimatter #6, for "Tea in the Sahara" (foldout centerfold)
from Matter/Antimatter #6, inspired by Leonard Nimoy's role in Marco Polo
from Penal Code #1
from Penal Code #1
from Tunnels #1
from Tunnels #1
from Extra Touchy Frisky #4, nominated for a STIFfie Award
1989
from British Takeaway #4, for "Start With a Mirror"
from British Takeaway #4, for "Start With a Mirror"
from The Professionals
1990
from Penal Code #2
from Penal Code #2
from Right Down to the Belt!!, with Alex Burcop
1991
from Not Exactly a Knight
from On the Double #21
1992
from Rose Tint My World #4
from Coming from Behind
from On the Double #24
1994
from No Holds Barred #5, winner of a STIFfie Award
from Organized Frisky Bureau #1
from Organized Frisky Bureau #1
from Organized Frisky Bureau #1
from Organized Frisky Bureau #1, "Vinnie Sandwich" won the Bascon art show's Most Erotic award
from Leaping Friskys #4, winner of a STIFfie Award
1995
from The Terranova Situation #11, winner of a STIFfie Award
from Beach Blanket Frisky, winner of a STIFfie Award
1996
from The Terranova Situation #13
from Organized Frisky Bureau #2
1997
front cover of Night Fantasies, titled "Endless Knight," nominated for a STIFfie Award
from The Terranova Situation #16, winner of a STIFfie Award
2001
2003
cover of Dance with the Devil (Starsky and Hutch zine) (2003)
2004
interior art Hidden Secrets, Broken Hearts
References
- ^ from The K/S Press #127