H. Ann Walton
| Fan | |
|---|---|
| Name: | H. Ann Walton |
| Alias(es): | |
| Type: | fanzine publisher, fan artist, vidder |
| Fandoms: | Invisible Man, The Professionals, Sentinel, Alias Smith and Jones, Due South, War of the Worlds, Quantum Leap |
| Communities: | |
| Other: | |
| URL: | |
| Click here for related articles on Fanlore. | |
H. Ann Walton was a gen and slash fanzine publisher and fan artist.
Her focus was fanart, but Walton also wrote fanfiction and was an occasional vidder.
She was nominated several times for a FanQ award for both her writing and her art. In 1998, she was nominated for a STIFfie award for her Sentinel art.
In the 1980s-1990s she published Professionals fanzines with Vicki Martin as Featherpaw Press and also as Queen's Press.
Walton passed away on August 2, 2021 at the age of 61.
Awards
- 1996, 1997, 1998 Fan Q
- 1999 Cascade Award
Vids
- Here is Your Paradise (Cadfael) (to the Chris DeBurgh song "Here is Your Paradise") (1995)
- To Know Him is to Love Him (Due South) (1995)
- Loving You (Sentinel) (1997)
- Who Ya' Gonna' Call (Ghosthunting shows) (2011)
- Everything I Do - NCIS) (2011)
- Holmes & Watson Forever (Holmes & Watson) (2011)
- My Confession (Sherlock) (2012)
- To Know Him is to Love Him (Sherlock) (2012)
- Sexy Thing (Sherlock) (2012)
- Soldiers of the Queen (War Horse) (2013)
- One Love (Sherlock) (2013)
- A Silent Movie (Sherlock) (2013)
Fan Comments: Vids
Ann Walton's two humorous Sherlock vids, as well as her serious one, both used the unusual technique (well, for nowadays--according to Kandy Fong, songvids originally began in the form of slideshows, before there were VCR's) of dissolving still pictures instead of using video clips. This enabled her to use photomanips and fan art as well as actual screen captures, which she did especially well in "Sexy Thing." (The humor in the other one, I thought, depended more on the excellent song choice, although the images were well chosen.)
[...]
Ann Walton's "My Confession" plausibly got into Sherlock's head; it was more restrained in the use of photomanips, which I thought was more appropriate to its serious tone, but the final kiss was all the more poignant since we know it didn't really happen onscreen.[1]
Zines With Walton's Work
852 Prospect | 98% Pure Murphy | Antiques and Delectables | Anything | As Time Goes Bye | Ashes to Ashes | Blind Run | Chalk and Cheese | Choices | Christmas Lites | Delicious Agony, Vulgar Ecstasy | Devil's Hole | Dog Tales at High Moon | Downloading Aliens | English Gothic | Enter the Grasshopper | Faces of Clay | Green Eggs and Ham | Holiday Shrieks | The Last of a Breed | London by Night | Mates | Missing Links | Murphy's Law | Now I Lay Me Down to Sleep | Obsessions | One in Ten | Plain Brown Wrapper | Sensory Overload | Straight to Naughtyville | Tenderloin | To Ride the River With | Wild Cards | The Yule Tide
Example Art
1991
from Downloading Aliens #1 (War of the Worlds)
from Tenderloin (The Professionals)
from Tenderloin (The Professionals)
from Tenderloin (The Professionals)
from Ashes to Ashes (War of the Worlds)
from Faces of Clay (Quantum Leap)
1992
from Wild Cards #2 (War of the Worlds)
from Green Eggs and Ham #2 (Quantum Leap)
from As Time Goes Bye (Quantum Leap)
from Mates #2 (The Professionals)
1993
from Green Eggs and Ham #3 (Quantum Leap)
from Green Eggs and Ham #3 (Quantum Leap)
from Antiques and Delectables (Lovejoy)
from Holiday Shrieks, Murphy sings one of many songs by Donal Hinely
![from London by Night, the cover was not well received. One fan wrote: "I remember...[it.... had a truly putrid cover--B&D standing on a street corner at night, poorly drawn, Doyle looked rather like a serial killer on acid."[2]](/w/images/e/e5/Londonbynight.jpg)
from London by Night, the cover was not well received. One fan wrote: "I remember...[it.... had a truly putrid cover--B&D standing on a street corner at night, poorly drawn, Doyle looked rather like a serial killer on acid."[2]
![from London by Night, the cover was not well received. One fan wrote: "I remember...[it.... had a truly putrid cover--B&D standing on a street corner at night, poorly drawn, Doyle looked rather like a serial killer on acid."[2]](/wiki/File:Londonbynight.jpg)
1994
from Mates #3 (Professionals)
1995
from Devil's Hole #1 (Alias Smith and Jones)
from Devil's Hole #1 (Alias Smith and Jones)
from 98% Pure Murphy (Professionals)
from Chalk and Cheese #13, "inspired by Donelan" (Professionals)
1996
from Dog Tales at High Moon (Due South)
from The Yule Tide #1
from The Last of a Breed #1 (Due South)
from Mates #4 (Professionals)
1997
from To Ride the River With #2 (Walker, Texas Ranger)
from Sensory Overload (Sentinel fanzine) #1 (The Sentinel)
from Mating Rituals #1 (The Sentinel)
from The Yule Tide #2
from The Last of a Breed #2 (Due South)
1998
from Sensory Overload (Sentinel fanzine) #2 (The Sentinel)
from Sensory Overload (Sentinel fanzine) #3 (The Sentinel)
from 852 Prospect #1 (The Sentinel)
from Sensory Overload (Sentinel fanzine) #2 (The Sentinel)
from Mating Rituals #2 (The Sentinel) - "At the art show (got a sneak preview, including a *lovely* Ann Walton piece of Blair Sandburg ("The Sentinel") sprawled on a blue coverlet and wearing only his glasses.<Ref> from a con report by Jane Mailander for Mountain Media Con #3 (1997)
from The Yule Tide #3
1999
from To Ride the River With #3 (Walker, Texas Ranger)
from Missing Links #2 (The Sentinel)
2000
cover of Anything, something that was controversial
fromSensory Overload (Sentinel fanzine) #5 (The Sentinel)
2001
from Straight to Naughtyville (Invisible Man)
References
- ^ by amedia, REVELcon 2012 - the vid show dated March 17, 2012, Archived version
- ^ Review sent to the Virgule-L mailing list in 1993, quoted anonymously with permission.