Dancing Lights

Zine
Title:	Dancing Lights
Publisher:	Dancing Lights, a fan club run by Teresa Salas and Jan Eastwood
Editor(s):	editor: Jan Eastwood and assistant editor: Teresa Salas, then Eastwood and Amber Coakley, then Salas at the end
Type:	letterzine
Date(s):	1989-1993?
Frequency:	monthly (the first 8 issues), then bi-monthly (announced in the 9th issue), then quarterly (announced in the 11th issue, began with the February 1991 issue)
Medium:	print
Fandom:	Beauty and the Beast (TV)
Language:	English
External Links:
	Click here for related articles on Fanlore.
	Contents 1 V.1 N.1; 2 V.1 N.2; 3 V.1 N.3; 4 V.1 N.4; 5 V.1 N.5; 6 V.1 N.6; 7 V.1 N.7; 8 V.1 N.8; 9 V.1 N.9; 10 V.1 N.10; 11 V.1 N.11; 12 V.2 N.1; 13 V.2 N.2; 14 V.2 N.3; 15 V.2 N.4; 16 V.3 N.1; 17 V.4 N.1; 18 References;

You may be looking for Great Expectations: A World of Dancing Lights, a Beauty and the Beast anthology.

Dancing Lights is a Beauty and the Beast (TV) letterzine that hailed out of Garland, Texas, U.S.

Dancing Lights' fearless leaders, Jan Eastwood and Teresa Salas, from issue #5 (1990), Eastwood is the artist

an October 1990 letter by George R. R. Martin sent to the editor, printed in the tenth issue

Its subscription cost was $10.50 for six issues.

See List of Letterzines for similar fanworks.

V.1 N.1

Dancing Lights V.1 N.1 was published in 1989 and contains 24 pages.

V.1 N.2

Dancing Lights V.1 N.2 was published December 1989 and contains 32 pages.

cover of v.1 n.2, portrays Catherine Chandler or Linda Hamilton in a holiday hat -- it appears that there originally was another photo affixed, and it almost certainly was of Vincent Wells or Ron Perlman, also in a holiday hat

two editorials
black and white poor photocopies of fans at the convention, Dallas Fantasy Fair (November 25, 1989) (The editor Jan mentioned she bought a lot of BatB stuff including "The Unofficial Tale of Beauty and the Beast" (a pro book?) and a print of a portrait of Vincent by Patricia Davis called "In the Company of Shadows")
various black and white photocopies of clippings from magazines and newspapers
a portrait of Vincent by Jan Eastman
excerpt from a transcript of an interview "CBS This Morning with Ron Perlman," interviewer was Kathleen Sullivan (December 12, 1989)
excerpt from a transcript of an interview "Arsenio Hall with Ron Perlman" (December 8, 1989)
In Review (episode synopses, no opinions)
lots of full-page ads for show merch sold by fans (t-shirts, sweatshirts, nightgowns, ornaments, candles, stationery, posters, art, quartz crystals, candles, porcelain roses, fanzines)
photo of fan Paulette Edwards and Roy Dotrice at the San Jose, CA Creation Con on August 19, 1989
an ad for many articles of clothing by Beth Blighton with her art: some titles: "Wild Innocence," "Warrior, Poet, Prince," "Ripped," "The Legend Lives On," "The World Was Never Meant For One As Beautiful As You..."
an ad for a Beth Blighton poster with the title, "The Warrior"
art by Star

From the editor, Teresa:

Happy Holidays to all the Beauties out there!
Finally, it's here! We have been waiting, waiting, and waiting. CBS has given us such a beautiful gift. Should we look at a gift horse in the mouth? Yes, the show has taken some very unpreventable changes, and while we each have our own dream for the storyline, I believe that all involved are doing the very best that they can. To have a show at all, much less for a third season, is truly a give to be treasured.
Treasured gifts are to be cherished and enjoyed. So let's all just enjoy what we do have and be thankful and supportive. And if you are disappointed in the storyline, try writing about the characters, the music, or the costumes and makeup in a positive tone. Say something nice or maybe don't say anything at all?
[...]
Happy New Year to each of you and may we count our blessings.

From the editor, Jan:

The season premier of "Beauty and the Beast" was a heartfelt experience. Again this show has found its way (if possible) deeper into the tunnels of my heart. Along with yours truly, how many boxes of tissues did YOU go through?
The departure of Linda Hamilton is a sad thing for all of us, but who wants a life without some dreams coming true, and Linda's is a private life with a family, and I wish her all the best. We will NEVER forget you Linda nor the character you gave life to -- THANK YOU!
I for one am very please and relieved the way in which Ron Koslow introduced Diana Bennett, a very caring, sensitive and warm person. The scene with Diana in Catherine's apartment was beautiful. Good luck, Ms. Anderson!
Well that's all for now and remember to keep the faith (did you know the season premiere took home a 13.3 national Nielsen with a 21 percent share of the audience?)

From the interview transcript from the Arsenio Hall Show:

Arsenio: Now I assume that there will be -- Linda Hamilton gone, there will be a regular woman or will the beast be a player? How are you going to work this?
Ron: Well, there are a number of new characters that will be introduced on Tuesday and Wednesday night, none of which replace Linda Hamilton, she will never be replaced, she's irreplaceable. The interesting thing about the relationship is that the beauty and beast always met on another plane anyway, they never really loved on the plane that us mortals love on.
Arsenio: The wild thing!
Ron: Yea, right, their love was a love that was on some sort of poetic plateau somewhere, so her physicality, or lack thereof really has no effect on the thrust of the show; she is ever present and carried in the heart and psychic and physicality of this beast character and there's no telling when she may turn up next so -- that's all I'm gonna say!

from v.1 n.2, Jan Eastman
from v.1 n.2, an ad for a t-shirt with a Beth Blighton illustration for sale: "(LET'S MAKE THIS DESIGN OBSOLETE! We the fans CAN keep the dream alive!) "The World Was Never Meant For One As Beautiful As You..." This design of Vincent with a tear with this caption just to the right beneath the hair flowing over his left shoulder."
from v.1 n.2, Star

V.1 N.3

Dancing Lights V.1 N.3 was published January 1990 and contains 36 pages.

cover of issue #3, Jan Eastman -- "... my co-editor has her first print in production at this time. I can honestly say that it is the Best rendition of Catherine that I've seen. Oh, to have such a talent. This is truly a "must have". See the flyer in this issue for all the information on ordering this lovely and touching print. ^[1]

"Jan -- that drawing of Catherine on the cover of issue #3 is simply breathtaking...and it's for sale? Start counting those pennies..." ^[2]

The editors double-down on their support for the show. They dedicate this issue to Catherine Chandler:

Magic is what we have received from Catherine and Vincent. It engulfed us, caressed us, and taught us to believe in the impossible.
For all that "Beauty and the Beast" has given to us, Teresa and myself will return with our unconditional support.

two editorials
"Death Shall Have No Dominion," words to the poem
some Linda Hamilton credits
Well, it came back alright, and it was like a knife in the back!

From Jan's editorial:

By the time you receive this we will have watched the last episode of the season (THANK YOU, CBS)! It is sad to find something so magical, grasp it, love it and have it torn away so abruptly - twice! But we can and must continue to write letters to the other networks and believe with all our heart that "BEAUTY AND THE BEAST" will endure and triumph over all obstacles. We [the editors], have implored Fox, TNT, USA, and TBS to pick up "BEAUTY AND THE BEAST" without making any demands. (I'll take Vincent anyway I can get him -- right Sharon!) We would like to thank everyone for their help and for sharing any information on the phone/letter campaign and news articles.
Members are just now coming forward with their opinions regarding the third season and we would like to hear from more of you.
Also, I would like to say that I am alive and well after my hubby saw our phone bill (re: Jan. 5). Again. THANK YOU, CBS!

From the editorial by Teresa:

Though the season is nearly over, in our hearts the dream will live forever. We can't let the magic die and with your continued support Jan and I will do our part to save the magic. So tell your friends about our newsletter and remember to send in your LoC's and news articles.
We had a wonderful day at the Star Trek Convention here in Dallas. As Creation was a sponsor, there was plenty of B & B merchandise, yes, I bought one of EVERYTHING!
TUNNEL CON I registration in full. They have now started a waiting list, so there is still a chance to attend if you have not already registered. I hope to see a lot of you there.
"Night of Beauty" by Wendi Peni is due out in March. Remember When of Dallas will be stocking their shelves. See my copy of the advertisement in this issue. The cover art looks great!

V.1 N.4

Dancing Lights V.1 N.4 was published February 1990 and contains 34 pages.

cover of v.1 n.4, Jan Eastwood

two editorials
several letters of comment
photocopied clippings from magazines and newspapers about the show, including one about Karen Dotrice
a cartoon by Gordon Carleton
episode summaries (they contain no opinion)
Catherine? Catherine? Catherine? Is it -- or -- Is It Not? ("In the last episode, after the naming ceremony, with Vincent looking at the baby, Catherine's face is cast with theirs. Was it really Linda Hamilton? I say NO, Teresa says YES, so we decided to have a poll to see what you think. If the NOS win, the first person who sent in their vote will win a print of Catherine which was shown on the front cover of the January issue. How's that for bribery! Just kidding guys! The first person in the winning category will receive one (1) print, your choice of color.") ^[3]
Telephone Network
Guidelines for Short Stories and Poetry (These are guidelines for this letterzine. One of them: "Stories should be PG rated. No explicit sex." The editor's add: "Jan and I do read "R" and Adult Theme material and would like to read all stories for consideration in a "Private Reserve" issue to be published in April/1990. The above guidelines do not apply to "Private Candles". Let your imagination soar! For further information, please send a SASE.")
Star-A-Thon! (Advo*Cats were sponsoring Ron Perlman for a star on the Hollywood Walk of Fame.)
two full-page flyers for Galaxy Fair, a 1990 science fiction con
three full-page ads for art, stationery, and buttons by Mary Stacy-MacDonald
full-page flyer for Beauty and the Beast Videotape Pledge
an ad for officially licensed merchandise by Republic Pictures (tassled bookmarks! untasseled bookmarks! doorknob hangers! memo wipe-off boards! mugs! posters! plus the zine, One Night, Forever... -- you can buy one of each for a total of $50!)
a full-page flyer for the zine, Forever & Always
a full-page ad for Vincent Winterfest Republic Pictures-sanctioned ornaments
a very long clipping from Starlog (March 1990) about the actor who portrayed Joe Maxwell
short ads for other zines, including one that simply contains 25 reviews of other fans' zines, "available from "Beauty and the Beast" Lifeline" -- $1.25
cartoon by Maggie Wade
art by Star

Dear Beauties, I want to take a little time to introduce you to two helpers. Camille Eatman, our Dancing Lights reviews writer and Elizabeth Reynolds. These two beauties have been a great help to us. Camille has worked hard at the reviews and in keeping us inspired. Elizabeth has gone out with Dancing Lights flyers, booked a reservation at the library for a B & B gathering and even spoken to one of our local papers to arrange an interview.
Our interview will be in the issue following the publishing, so that we can share the occasion. The Dallas Times Herald has been very helpful in printing our letters and requests for information. We never imagined that we would get a full fledged interview by Thomas Boone! See the story in this issue for a real love story come true!

The Amarillo "Beauty and the Beast" fan club are doing their share in helping to keep the dream alive.
They have been distributing surveys, video pledges and signs notifying the public of networks interested in picking up "Beauty and Beast"; ran several newspaper articles, all which are costly. When they first formed their club, the original staff were so dedicated to preserving the series that they assumed all financial demands themselves. As their club grew, their financial demands grew making it necessary to request donations from the members (approx. 55). They have made one last plea for donations and if gone unanswered they will have to start requesting dues and hope they do not lose any members.
To their delight, though, they have found others in their area who also love "Beauty and the Beast" and have had two well attended meetings (for a Sunday afternoon) • They have al1 joined together in their passionate drive to keep "Beauty and the Beast" alive. Fandom is new to most of them and has become a fascinating aspect of their lives.
This worldwide network of "Beauty and the Beast" organizations brings us new friends almost daily.
We fans are not a "cult" - - we are a movement.

My spirit is so saddened by another cancellation of our beloved Beauty and the Beast. I'll miss so many things about it - - the obvious ones, of course; Vincent, Vincent and Catherine, Vincent, Vincent and Father, Vincent, the tunnels, Vincent.
But I'll also miss the little things I received from this show -- the nuances of looks between the characters, the gorgeous background music, the timeless literature portrayed as a casually integral part of their lives. The photography of one of my favorite cities always made me feel a part of the scene.
[...]
This is a show for thinking, caring, sensitive, intelligent people, and I shall miss it -- dreadfully.

I sit down to write this LOC with the happenings of the past seven weeks very heavy on my mind and especially my heart. I find it hard to believe that in less than seven weeks the world of fandom for "Beauty and the Beast" could have been put through so much HELL. I know we will all survive and we will be a lot wiser from our experiences. I hope that these past seven weeks do not make us forget all the goodness and love we learned, and put to practice in our daily lives over the past two years.
I had intended in this LOC to give comments on the episodes from "Cat Man Meets Rambo" (a.k.a. "Snow") through "Invictus” but have decided there are two important problems to be discussed. My only comment on the rest of the third season will be that "CBS tried to fix something that was not broken and in my opinion it blew up in their face!!"
The first problem I wish to address is that of writing letters to networks. I have been more than willing to spend my money on postage and telephone calls for the show since May. I called FOX and wrote to FOX when I heard they were looking at picking up the show. I have just recently written to Republic Pictures, Lifetime, and Witt-Thomas since we have heard that Lifetime is now looking at picking up the show. I am more than willing to write but I do not like being told what I must say when I write these letters. I am beginning to get very aggravated with certain people who feel they must tell us what to say and not to say in our letters. I believe this is still a free country and if I wish to write a letter what I say to the receiver of the letter is my business. My letters have always been polite, courteous, informative and will continue to contain my own views, not someone else's.
The second problem of concern is that of newsletters and fanzines. I receive twelve newsletters/fanzines either on a monthly, bi-monthly, or quarterly basis dealing with this show. I was always under the belief that these newsletters/fanzines were intended to keep us informed about the show and to let us see what other fans were thinking and feeling. Newsletters/fanzines were the one place we could state our opinions and feelings without worrying about someone being prejudice toward us about our views. If an editor wishes to do an LOC in their own newsletter/fanzine that is fine. At this time, I am upset with those editors who state their opinions and print very FEW LOC's that disagree with them. I am in shock over those editors who put down people and are rude to these people who dare to have opinions different than the editors. I am most upset with those editors who continue to speak for all of fandom when they speak for themselves only. I do not want other people speaking for me since I do not speak for them. I believe those editors who are at fault need to re-evaluate their purpose as editors.

There seems to be a chasm developing in fandom. An "if you cannot support my opinion, then be damned" attitude. This is not good. We are all in the same fandom.
We all came together to share the light, the warmth, and the love of two people who we felt were our deepest, truest friends. We came together to share in a world that we all longed for; where everyone cared for everyone else, right? Remember the love? Remember?
Now, I see people trying to make big bucks by selling B&B stuff at outrageous prices. I see people in high places in fandom going overboard with their venom and bile telling us to support fandom or get out. Proposing some interesting, (maybe innovative?) ideas and propositions, but pressing everyone into service (whether you agree with their ideas or not). Didn't McCarthyism die out with McCarthy?
I am an individual. I have my own thoughts and ideas. Everyone is different. That's good. Diversity is the wonder of the human spirit. Many of my friends do not share my great affinity for Beauty and the Beast, but they put up with me and my insanity. Because I'm of a divergent mind set doesn't mean we still can't be friends.
Many of my close friends were ravaged by the third season. Their psyches torn to such an extent that they are still trying to heal. They are glad that the third season ended. They could not bear to see Vincent in the arms of another woman. Any woman. They will support V & C but only if Catherine is brought back to Vincent. These people are my friends. I respect their thoughts and wishes.
For two years we are told that the love bond between V & C transcended time, space, and even death (The Watcher). Suddenly, story line, plot, the baby and the bath water were thrown out. Nothing of the warm, nurturing love remained. Nothing of the sensitivity and joy breathed its way into our hearts. Horror followed horror, violence descended like a numbing shroud of death upon our hearts. People had the right to be upset. The show had become something new and darkly different.
Some could handle this, some could not. Do we, like the third season writers, throw out what was to appease a few at the top? I say we do not.
Let us heal our hearts. Let us heal fandom. Let us come together in love and tolerance for one another; not foisting our beliefs on others. Let the power flow from within us. No one person holds absolute power. We each have a little. Do what you will in the pursuit of the Dream. We have many ideas to try. However, let us not be hurtful or vile in our presentation of our views. We all want the magic, don't we?

from v.1 n.4, Gordon Carleton
from v.1 n.4, Maggie Wade
from v.1 n.4, Star
from v.1 n.4, a page from the Starlog clipping, shows Jay Acovone with a fan dressed as Vincent Wells

V.1 N.5

Dancing Lights V.1 N.5 was published March 1990 and contains 34 pages.

cover of v.1 n.5

first page of the newspaper article mentioned

There are several comments about a recent article in the Dallas Times Herald that mentioned this fan club, and several new members have joined because of it. The article is reprinted in this issue.

untitled poem by Vincent
flyer for a club meeting at a fan's apartment
several letters, including one that warned other fans about manipulative tactics used by Entertainment Weekly to reel in Beauty and the Beast fans
Chamber Musings, the lyrics to a Phantom of the Opera song that reminded a fan of Beauty and the Beast
a romantic poem by William E. Henley ("Invictus")
some publicity stills of Ron Perlman, including one for Ice Pirates
a con report for the Creation Con in San Diego on March 10-11, 1990, emphasis on Roy Dotrice
Just Think! How Can I Help??, essay by Elizabeth Reynolds (how to write an effective fan letter)
'Beast' a burden Dallas group is glad to bear, article by Tom Boone for the Dallas Times Herald (includes photos)
Catherine's Plight, poem by Scott L. Spencer
Light Tales, A Tale Twice Told, fiction by Barbara Trimble
"Lighting the candles at both ends for you!", a caricature of the letterzine's editors, art is by Jan Eastman
Paradise, poem by C.W. Blaum
an early flyer for Tunnelcon
art and merch for sale
Support Group Update, a long plea by Elizabeth Reynolds about the fan club choosing a charity to donate to in order to boost visibility for the values of Beauty and the Beast (TV) ("Together we can make a social statement by supporting our chosen charity in the name of "Beauty and the Beast" just as Sister Dot has done in New York.")
newspaper and magazine clippings
a bunch of zine flyers
ads for clubs
a full-page illo of Joe Maxwell

It's mind-boggling to think of being with such enthusiastic people.
I'm really enjoying the newsletter. I may not always agree with the sentiments expressed by all of your readers, but I have to emphasize with their passion. I'm beginning to realize that I'm fortunate in that I respond to so many different elements in B & B. The romance was beautiful, but I've always seen it as something like a tragic metaphor. For me, the show is basically a personification of our collective grief over human condition. We don't merely face difficulties in our male/female relationships. People in general are such strangers to one another. We all seem permanently locked away, trapped behind our own eyes in an isolation that, in its deepest recesses, knows no compromise. The longing to truly touch another human being -- more, to become one with another -- is overwhelming.

Dear Beauty & The Beast Friend, This is just a quick note to inform you of the sleazy advertising tactics of the new "Entertainment Weekly" magazine. As you may know, they are advertising four free issues, using the enclosed promo photo of B&B indicating a cover story. Naturally, I subscribed. When the first two issue arrived with no B&B story, much less a cover photo, I called the 800 number on the card.
I politely asked when the issue with B&B on the cover would be coming out. I was told that it wouldn't. The man on the phone was very honest. He said they only used that picture to sell magazines that at the time B&B was the hottest thing around. He acknowledged that there are a lot of "Beasties" out there and the magazine wanted to cash in on that. They have no intention of even publishing a B&B story at this point.
This magazine is owned by the company that owns the "Time" and "people" magazines. I think we should use this as a rallying point. Here is a golden opportunity to let the media know there ARE a lot of "Beasties" out here, and we are not going to shut up and go away!
I am sending copies of this letter to everyone I can think of, and urge you to do the same.

Roy Dotrice was the guest speaker [at the March 1990 San Diego Creation Con ]; an extremely charming, handsome man. He was very sweet and gracious. He told us that after he quickly accepted the invitation to attend, he began to regret it. He was afraid the "B&B" family was coming apart and no longer loved the show and wanted to see it come to an end. He came to these conclusions due to the Variety ad and after speaking to a woman who represented a group of dissenters (that is what he called them). [His remarks] was a tirade, but he was thrilled to see all of us and to know we still loved and supported the show. The ad in Variety caused some damage but it was nice to see the ad from the fans who liked the 3rd season. He was very upbeat, positive, and when he spoke of "B&B"s return he said, when, not if. On the 9th he called Russell Goldsmith, hoping to have some positive news for us, but unfortunately Goldsmith was in conferences and unable to return Roy's call. If any news developed, Roy said he would pass it on to Helper's Network.
Also, Roy stated he was disappointed that the episodes dealing with Father's romance with a woman from Above were not shown. He felt sure it would've established him as the next Rudolph Valentino!!
He was gracious enough to do two mini-performances for us as he said the "B&B" audience is sensitive and loves literature/poetry. He did a passage from Julius Caesar from Shakespear and a moving (he actually cried a bit) passage from Winterset...a play. He was simply magnificent!!

from v.1 n.5, the manipulative ad for Entertainment Weekly
from v.1 n.5, Jan Eastman
from v.1 n.5, Jan Eastman

V.1 N.6

Dancing Lights V.1 N.6 was published April 1990 and contains 26 pages.

V.1 N.7

Dancing Lights V.1 N.7 was published May 1990 and contains 28 pages.

cover of issue #v.1 n.7, Jan Eastman

two editorials
two short vague fan letters
con report for Galaxy Fair, see that page
a full-page birthday card for Roy Dotrice, two photos
Chamber Musings, quotes from the show, gathered by Camille Eatman (they remind her of Vincent)
Support Group Update (report of the May 6th meeting)
a reprinted letter of thanks from St. Vincent Center, Holy Trinity Catholic Church in Dallas, TX
Light Tales (fiction: And Tender Friends) by Barb Trimble (Trimble wrote into the next issue that she was surprised to see this story here: "Thought it was going to appear after PRIVATE CANDLES' premiere next month. Oh well, I'm not knocking it. Was glad to see it in print. I can hear moans now.... 'WHERE'S THE REST OF IT?'")
a full-page, very lo-fi piece of art made by gluing a photocopied silhouette of Vincent against the Brooklyn Bridge
clippings
news about merch, some addresses so fans can write Ron Perlman
She is Gone, poem by Janet Rocco
full-page illo of Vincent, not credited but signed
Beauty and the Beast Puzzle Solution (for a puzzle from the previous issue?)
a flyer for Tunnels of Love
some very direct merchandising by fan, Ralon Chamberlain, for porcelain Vincent dolls, vetted by TPTB themselves
fan Peggy Spalding has a flyer selling various things made out of metal, clay, fabric, engraved glass, like letter openers, jewelry, dolls, mugs, belt buckles, pendents, pins
some ads for fanzines (including one for "Of Things That Are Not (But Should Be!) -- a collection of short stories dedicated to the lighter side of BEAUTY AND THE BEAST. WARNING! In order to avoid offense, it is only fair to note that the third season character "Diana" is in the last story. THIS PUBLICATION CONTAINS SOME MATURE MATERIAL. PARENTAL DISCRETION IS ADVISED," and "A Future Too Late" ... NOTE: this fanzine will not be sold to persons under the age of 18 years. In addition to adult themes, issues are explored in which the primary characters become involved in outside relationships. If this troubles you, I suggest you do not purchase this fanzine.")
two pages of homemade Vincent buttons for sale
fan club blurbs
portrait of Catherine by Jan Eastman

From Teresa, the editor:

Dear Beauties, How wonderful to finally be able to put faces with the names!! Galaxy Fair was such a treat and it was a joy to meet all of you. The panel discussion was very enlightening for me. To be able to share experiences and view points. If this is any indication of "TUNNEL CON I" than I know that the best is yet to come. I hope to be able to meet many more of the beauties out there.

From Jan, the editor:

Galaxy Fair offered nothing new regarding "B&tB" news (see Convention Update); however, it was a great time to get together with friends, old and new, and to finally meet people I've spoken with and written to... I received a letter from Roy Dotrice, as did several others, and he stated: "The people we must still badger are Russell Goldsmith of Republic and Ron Koslow who have suggested either/or (a) more episodes, (b) a first-feature movie." It has been said that Ron Koslow is, at this moment, working on a screenplay. If you feel that you just can't possibly write one more letter then perhaps watching the premiere movie, or one of your favorite episodes will help motivate you. TRY IT! IT'S WORTH EVERYTHING!

Some dolls for sale:

Dearest Friend,
I want to thank you for asking about the Vincent doll. There is some good news and some great news.

the flyer for the Vincent doll

The good news is I have taken the doll down to the studio and they all loved it. Howard Gordon thought it was great. At the L.A. convention (NOV.) I gave one to the program for all the people involved with the show. George R.R. Martin accepted the doll on behalf of all connected. Jay Acovone told me he saw the doll. They all thought it was great. Everyone at Republic Pictures, Whitt-Thomas [sic], Carolco and Beauty and the Beast have been just wonderful in helping me to complete the doll. The many pictures I have received from them helped greatly.
The great news is that at this time we can now offer two porcelain dolls. But I must sculpt each head of the doll and as a new work of art and can sell these. First is our Investors Edition is $3,500. He now stands at 30" + (over 2 1/2 feet tall) Which is big enough to hug. He has a soft ultra suede body and it is very comfortable. The other only $500.00 for a 20" doll. But for our B & B friends only we have a $200.00 off certificate and four ways to pay as a thanks in making this possible. Yes, it was you. All the letters of support and pledges to buy the doll gave us the incentive to invest in bringing it to you. We have decided to make a few of them and if there is enough ordered we will continue with the offer.
If you like I do have color photos of the doll available. He will be in a brown or blue costume similar to the one on the show (see below) or his halloween costume I call the "Masquerade Ball" where he is dressed as a prince. The photos are $1.00 plus an SASE.
Our catalog has a number of different items you will enjoy. From a pendent taken from, the original doll and shrunk down as well as earrings. Dolls, pictures, pins, message lables, and many other items for B & B fans. Send SASE for catalog and be on our mailing list for future ones. If you send for a photo you will receive a catalog in that envelope Thank you so much for writing I hope to be hearing from you again soon.

from v.1 n.7, Jan Eastman
from v.1 n.7, ?
from v.1 n.7, add for stuff

V.1 N.8

Dancing Lights V.1 N.8 was published June 1990 and contains 26 pages.

cover of issue #v.1 n.8, Jan Eastman

two editorials
the words to Shakespeare's Sonnet No. 116 (included because Richard Gere's character read it to Julia Robert's character in Pretty Woman, and that was very romantic)
portrait of Catherine by Jan Eastman
some fan letters, including a long one by a fan's husband (the husband's letter is a fun, good-natured description of his wife's obsession which then became his, and he doesn't like the third season)
a letter by Barb Trimble about her story, And Tender Friends, that appeared in the previous issue: "I was surprised to see this story here: "Thought it was going to appear after PRIVATE CANDLES' premiere next month. Oh well, I'm not knocking it. Was glad to see it in print. I can hear moans now.... 'WHERE'S THE REST OF IT?'")
After Watcher... Vincent's Thoughts As He Writes In His Journal, by Barb Trimble
portrait of Vincent
Chamber Musings, quotes from the show
ads
clippings
Support Group Update by Elizabeth Reynolds
And Tender Friends, conclusion, fiction by Barb Trimble
a con report by Gay Lemonds for The New Orleans Science Fiction and Fantasy Festival
ads for paintings, t-shirts, notecards, hand-painted clothing, postcards, fanzines
some mainstream romantic poetry lyrics

A mystery statement:

Whether it's Saulstich or Saulstitcz (I've seen it both ways), Mr. or Ms. (my source says Ms.), it APPEARS the rumors regarding CBS' interest in fan reaction to a possible television movie are unfounded. But hey, who KNOWS what could happen at CBS -- so, if you like to write -- by all means do so.

The con report:

The highlight of the June 15-17 convention was of course George R.R. Martin and also the city of New Orleans since it was my first visit.
I was disappointed to find very little Beauty and the Beast merchandise available? a few 1991 Calendars, one fanzine - Forever and Always I and II and the Vincent door hanger. The Art Show also contained only a few pieces, so needless to say I had money in my pocket when I returned home.
I did get to talk with George R.R. Martin personally several times and he spoke of the show with love and hope and felt that Beauty and the Beast would return in some form. He was not negative on a new series but felt it was not a sure thing. He stated there is talk of a movie and that Ron Koslow would most likely write the script. Well, we have already heard that Ron Koslow is doing just that.
He stated that Republic Pictures were receiving the video Pledges in "droves" and thinks they are a terrific idea but doesn't feel it will ever come about due to the "risk taking" involved.
Also mentioned were the mini series of Beauty and the Beast reruns on CBS this summer. Since these episodes have already been aired twice CBS is having to pay an extra fee to air them again.
Now on to the subject of Catherine. George said they didn't have much choice regarding the death of Catherine.
They didn't feel re-casting the role would work - it hadn't in the past. If she was missing Vincent would have to continue his search for her week after week? and if Catherine had taken a trip Vincent would never be able to have another love - AND THIS IS A LOVE STORY. The reason for Linda's limited appearance in "Though Lovers Be Lost" was due to the fact that they (Witt-Thomas?) only had her for ten days.
George is proud of the third season? he liked Jo Anderson and thought she did a superb job. He also said that he enjoyed reading views and comments from the fans. At this point I'll stop and write him some of my own.

V.1 N.9

Dancing Lights V.1 N.9 was published July-August 1990 and contains 36 pages.

cover of issue #v.1 n.9, Jan Eastman

The newsletter is now bi-monthly, rather than monthly. This decision was made due to the financial burden.

Editor's Page by Jan Eastwood (1)
Assistant Editor's Page by Teresa Salas (2)
Letters of Comment (3)
From The Family Channel to You... Vincent is Beautiful (reprint of a letter by Earl Weirich, Vice President, Public Relations, The Family Channel which woos fans, as well as quoting fan letters) (5)
con report for Tunnelcon, see that page (6)
photos from Tunnelcon (9)
Camille's Chamber Musings, con report (13)
Beauty and the Beast Quilt (14)
- Stitches That Bind, essay by Camille Eatman
- Comments from the Quilt (this is a reprinted article from the magazine, Modern Maturity (Aug/Sep 1990) about quilts in general)
Birthday Greetings to Linda Hamilton and Jay Acovone (16)
Remember Love, poem by Brenda Boyd (presented in calligraphy) (18)
Support Group Update by Elizabeth Reynolds (20)
art (21)
clippings (includes "SAYONARA, VINCENT! The Unmaking of a TV Success" by Bruce Robinson from "Fantastic Television" and "Beauty and the Beast" by John Peel and Janette Hyem from "Starburst Magazine") (22)
six pages of ads (one suggests that "you can keep the dream alive" by buying merch) (30)
uncredited poem

From the editorial by Jan:

Hi Guys, Tunnel Con was . . . drum roll, please . . . somewhere between wonderful and terrific! It was a tremendous thrill to meet Joe, Pascal, Jamie, William, Mouse, Victor Lobl and Robert Gutke - they are warm and gracious people and have the same love for Beauty and the Beast we all do.
Over 650 fans attended Tunnel Con I and I was finally able to meet those I knew only by name or voice. Yes, we are definitely "a family"! My biggest disappointment was the absence of Edward Albert - and wouldn't you know it, I couldn't find one photograph of him in the dealers room. Oh well, my Fairy Godmother sent me one - she had "an extra one" - because she is the culprit that bought all of them! Thanks Barb!
Joyce Perkins, from Oklahoma, surprised us with a copy of her video tape of Tunnel Con which we gladly showed at our August 12th support group meeting. What a wonderful gift - Beauty and the Beast fans are truly a loving and sharing group.

From the editorial by Teresa:

Dear Beauties, Now that Tunnel Con I has come and gone and I sit and look at all the treasured tokens of the weekend, I'm filled with warm memories, new friendships, deepened friendships and so much more.
I now truly know that there are hundreds who feel the same way I do about Beauty and the Beast. Yes, a part is Vincent's sexy thighs and eyes but it's also the love - the romantic love between two beautiful people, the care and love of a father, the love and guidance of an older brother, and the love for ones self. We must all learn to lead a happy life and live and love. You must follow your heart, in the end it's the only thing you can count on.
The stories of the lives in "Beauty and the Beast" have touched us all. Our lives in turn have changed forever. For the better!

From a fan unhappy with one fan speaking for others, and who makes two huge presumptions about age:

Do you take Viewers for Quality Television? Their July/August issue had a column by Lacey Woods. Her remarks that raised my ire were:

"When Catherine died, there was no 'Beauty' anymore and the premise of Beauty and the Beast evaporated.... the story didn't cry to be told because the story was finished....without Catherine, it was time for Beauty and the Beast to call it quits".

I have written to Miss Wood but I'm sure my words will not be printed in the next VQT because that organization believes the series is dead and discussion of it is over. This is what I said in a similar manner to Miss Wood:

"I disagree with your opinion in 'Making Magic' that Beauty and the Beast should have ended because Catherine died. You probably are young (as must be all the other 'Catherine only' supporters). We who have lived longer - or have received knocks early in life - have learned to survive life's cruel blows and go on. One who loses the love of his or her life certainly deserves another chance to love again. That is what life is all about - never giving up. Vincent is the main inspiration of this story that we all want to keep alive - and he deserves another love. Catherine, truly loving Vincent, would not want him to be sad and lonely for the rest of his life. She would hope he would find another 'Beauty' to love and comfort him and to warm his heart. If one 'never loves again', it usually was not true love to begin with - rather, that can be a mind set - a determination to never let oneself be happy with love again. A dead soul cannot love - a live soul cannot shut love out. Even a fairy tale must compromise when it is on television and the co-star chooses to quit! The original premise of our television fairy tale is that Vincent survived as a baby. He can do no less as a man. Vincent will never love another woman in the way he loved Catherine (we've all had our 'first loves') - but a heart as great as his will love again".

Also in that issue of VQT was a report by B&B fan Jeanne Mavrogenis. She was a winner in the VQT "Day on the Set" auction last September.
She says that Ron Perlman told her that whatever Linda's reasons were for leaving the show, it might be a blessing in disguise because the show could now travel down more avenues. So much for the story I've heard that Ron preferred Linda and did not want to return to the series without her! In accepting other work, Linda is telling us that she chooses not to return to B&B, should it be revived. She evidently meant what she said when she announced she was leaving to stay home with her baby - because she left. Then, when she went right back to work doing other things, with no public announcement about changing her mind, her disinterest in B&B is very obvious to me. I thank her for the inspiration she gave us and sadly let her go. I now wipe my eyes, raise my chin, straighten my shoulders - and go forward in anticipation of a new "Beauty" for our "Beast".
Something else that young people will eventually learn in life is when to let go.

Description of the support group meeting -- a real life love story and a Ron Perlman false alarm:

Our own "Dancing Lights Support Group" also has had an eventful summer. This helper received a bear hug greeting from a "Mouse" at Tunnel Con and enjoyed the companionship of many who must certainly be the most loving and gracious people on the face of this earth.

"Vincent" reading poetry at the "Dancing Lights Support Group"

Our July meeting was highlighted by Travis Jeter's portrayal of Vincent reading poetry. His incredible award winning (at least I would present the Jeter's with an award) make-up was created by his talented wife. She explained that this current Vincent face Travis wore was the latest result of several trial efforts. Several of our children were privileged to sit in "Vincent's" lap for hugs and pictures. And some of our "more mature children" stood in line for gracious hugs - I know - I was one of these older children! Travis presented his wife with flowers to celebrate their anniversary and she returned the gesture by asking our entire support group to sing Happy Birthday to him. There we were privileged participants in a real life love story. How about that, folks?
The morning of our support meeting started off with promises of an interesting day when I received a telephone call from one of our supporters. "Hello, have you been listening to KVIL? What in the world is happening? KVIL is saying that Ron Perlman will be at our meeting this afternoon - they have the address and everything! What's up?!?" WHOA! After several phone calls later to try to find out what and how KVIL got their facts wishfully confused, I was no more the wiser. All I could do was say no, Ron Perlman is not in Dallas. However, welcome he would be, it is ludicrous to expect that he should show up at our humble support meeting. I mean, let's be REAL ladies. I later found out through the grapevine and then confirmed personally how KVIL heard about our support group meeting from an enthusiastic helper who had tried to explain to KVIL (and other radio stations) in 60 seconds or less that our support group's feature guest would be "Vincent" reading poetry. Dear Travis, would you ever have guessed you could cause such a stir and flutter? Never mind, Travis, we would like to have you return as yourself and you would be appreciated for yourself. We love you.

not credited
from v.1 n.9, Laurie Wittenberg and Lynette Combs, You Know You Are a Fan test, a popular fan activity
not credited

V.1 N.10

Dancing Lights V.1 N.10 was published Sept-Oct 1990 and contains 41 pages.

cover of issue #v.1 n.10, Jan Eastman

a flyer for the club's first year anniversary party (potluck at a fan's house, December 8, 1990)
Editor's Page (1)
Assistant Editor's Page (2)
Letters of Comment (one of them is an essay: Beauty and the Beast and "The Cinderella Complex") (3)
review of "Mr. Destiny" starring Jim Belushi and Linda Hamilton, Ron Perlman on "The Joan Rivers Show" (7)
Light Tales: Long Journey Home, fiction by Barb Trimble (missing scene from "Nor Iron Bars a Cage") (8)
art: "Diana" by Belinda Wojcik (11)
Tunnel Con I photos (12)
Camille's Chamber Musings: Masqued Love, fiction by Camille Eatman (14)
clippings (includes one in Starlog (the November 1990 issue, which was likely on the shelf earlier than November as magazines tend to do): "Season of the Beast: In worlds below & above, George R. R. Martin walked with Vincent") (19)
Merchandise (28)
Fanzines (32)
Ads (35)
Conventions (36)
William's Winterfest Mulse Vinum by Ritch Brinkley (37)

Buy things at Sears!:

I noted that Sears is advertising on The Family Channel during B&B. I wrote them a long letter last year asking them to continue their support of B&B on The Family Channel so, lets all write them a "thank you" for their support and BUY at Sears, OK?!

Despite some casual carelessness, fans should be grateful!:

Isn't the Family Channel doing a great job? The credits placed above the tunnel stair well look lovely. Yes, there are some misspellings and also some reversed credits, but OUR SHOW is on the AIR! Let's send thank you's.

Regarding Perlman's very short interview on The Joan Rivers Show:

This viewer got the impression that Ron is happy where he is, but continues to be on guard in his references to B&B. Lighten up, Ron! Your fans are still out there! An acknowledgement to us once in awhile wouldn't hurt!

Wishing for more 1987 joy:

I have to admit there have been times, when I have thought to go beyond "Beauty and the Beast". I have been so tired and thought maybe then it wouldn't hurt so much if it were one. But every time I would try to go past it, some memory or sight or mention of some show brought me back. It would fill me with such love, warmth and want; and all the feelings for the show would pour over me like a rain shower. It's like being reborn with it. No episode can be seen too many times; no picture looked at too often.
Now it's even harder, knowing there are no new shows. THERE ARE NONE COMING. But my love for the show is as strong as in the beginning, even stronger, for it has grown. That need deep inside me is still there.
I am ever so grateful The Family Channel is running the show. They are not new shows, but we can re-live the dream again; we can keep the memory fresh. But I am not content. I want my show back (mine because it became "mine" when I fell in love with it.) I want the story to continue. I feel the show is only lost to us if we let it be.
[...]
We fans don't get everything we want, but never have we allowed ourselves to be ignored. I won't start now. I want new quality shows back on T.V.
Go back to the beginning and remember how you felt in 1987. Go through your scrap-book. I am re-making mine. Keep the passion going; hold on tight to your fan club. That is our strength, regardless of our different opinions of Season 3. The love of Vincent and Catherine did not die or go away. It still lives!

from v.1 n.10, the Starlog article
from v.1 n.10, the Starlog article
from v.1 n.10, the Starlog article
from v.1 n.10, the Starlog article
from v.1 n.10, the Starlog article
from v.1 n.10, "Diana" by Belinda Wojcik
from v.1 n.10, William's Winterfest Mulse Vinum by Ritch Brinkley

V.1 N.11

Dancing Lights V.1 N.11 was published Nov-Dec 1990 and contains 45 pages.

cover of issue #v.1 n.11, Jan Eastman

It contains a portrait of Father by Kathy Wooding, and a portrait of Mouse by Belinda Wojcik.

The editors announce that the short-live bi-monthly publication schedule will change with the January 1991 issue; the newsletter will become quarterly at that time.

Editor's Page (1)
Assistant Editor's Page (2)
Candles in the Wind, letters of comment, including a long one by Joan Chessum which addresses the December 1990 Starlog article (3)
Letter from Father (actually a handwritten note from Roy Dotrice)
Light Tales: Long Journey Home, conclusion, fiction by Barbara Trimble (missing scene from "Nor Iron Bars a Cage") (9)
Hot off the Pipes, news (10)
Photos, Vincent cosplayers (11)
A Page from Father's Journal, fiction by Barbara Hill (13)
Family Channel Update Letter, "sincerely, from the folks at The Family Channel" (the show is moving to Monday nights) (14)
The Fan, meta fiction by Maranda Brown Hull (A long married, much in love couple, has lost romance and she is in a mid-life crisis. The wife begins watching Beauty and the Beast and identifies with Catherine Chandler. Her husband falls asleep instead. Somehow, she becomes Catherine, and Vincent holds his paw out to her from the screen. In the end, she is both with Vincent and her husband at the same time, and happy.) (16)
clippings, the main one is the December 1990 Starlog article called "Death of the Beast" (19)
merchandise to buy, lotsa mugs, art.... (24)
Fanzines, for sale (29)
ads (34)
Lunar "Vincent" Model (ad for a $60 plastic 9.5 inch tall model of Vincent you can build, fan Jamie Murray bought one, put it together, and included photos of it in "Dancing Lights". v.2 n.2) (35)

No wedding? Then no baby!:

Ron Koslow will not give his permission to the Family Channel to create a wedding scene and unfortunately, they plan to edit out any reference to Catherine and Vincent's baby. This will make the 3rd season seem like utter nonsense! Thank goodness for VHS tapes!

Regarding the long-teased out and never filmed movie:

I have had a few reports on the Thanksgiving Creation Con in New York where Ron Perlman appeared. The comments were all positive and good. It seems that the movie is indeed in the works and that scripts and money arrangements need to be decided.

More movie-baiting:

(I ran out and bought the Dec issue of Starlog). What a terrific interview with Geo. R.R. Martin! And it made my day, to hear that "the movie" is close to reality!!! The LONG WAIT WILL BE WORTH IT, NO DOUBT!!! Especially if it were to have Hamilton in it!!!

V.2 N.1

Dancing Lights V.2 N.1 was published Feb. 1991 and contains 35 pages.

cover of v.2 n.1, Jan Eastwood

One topic of the letters, the editorial, the art is the American involvement in Kuwait aka "Desert Storm."

from v.2 n.1, portrait by Belinda Wojcik

Dedication to the Servicemen & Women by Elizabeth (a letter in support of troops, plus four black and white photos, and a full-page, hand-drawn flyer in support of a American Marine battalion) (1)
Vincent, poem by Jay Shelton (4)
Editor's Page by Jan (no Teresa) (5)
Vincent & Catherine, art by Kathy Wooding (6)
Candles in the Wind (7)
Hot Off the Pipes, news and club bits, includes some rage at The Family Channel's airing of re-runs ("NO THIRD SEASON EPISODES ON THE FAMILY CHANNEL!!! That's right guys! TFC is not showing any third season episodes because they were not happy with the concept of Catherine's baby being born out of wedlock. They will start reruns from the beginning, which will include When the Blue Bird Sings. ^[4] Remind me never, ever to complain about CBS' treatment of Beauty and the Beast! TFC is now tops on that list!") (11)
Fan Birthdays (12)
The Flames of Dancing Lights (two short fan bios: Linda Harrison and Camille Eatman, plus a photo of each) (13)
Light Tales: Coming of Age, fiction by Barb Trimble (14)
Starlog #163, a retyped article about Ritch Brinkley (19)
Vincent & Catherine, art by Belinda Wojcik (24)
Trivia by Sheila Houston (25)
Ads (includes a full-page flyer for "Carol-Lynn Schoonmaker - Formerly president of the B&B fan club Words From Below - releases her first album 'The First Time...' - which includes music from Beauty and the Beast and Phantom of the Opera) "(26)

I have been calling The Family Channel since the start of the show. I've been talking to Janet Mosier/Public Liaison Coordinator. (I can't get past her). I have been let to believe I was the only one complaining, and I didn't believe it for a second. She even went as far to tell me that people have written in saying they approve of the editing they have been doing. Well, maybe on some shows it's not too noticeable, but when tender moments, poetry, etc. are cut I object! I objected then and NOW! Then we go to where they omit episodes - "Dark Spirits" and "When The Bluebird Sings". That is where I lot it. They reason is it had a ghost in it. I strongly told her it was that same "better than thou" attitude that sent me running from Church twenty years ago. (I found another). I understand the point she was trying to made, but I absolutely could not make her sense the significance of this show. I do think I made her think, but it still hasn't changed anything. So, TFC has a dark side also. I did convey the knowledge that I knew Beauty and the Beast had to be a money maker for them and I received no denial. I told her about Sister Dot. It is very evident these people can accept Beauty and the Beast as a whole, as long as they can take away what they don't approve of. I guess there is logic there somewhere, but I can't agree with it. Either you approve or you don't, there is no middle ground.
As with CBS I think the bottom line is money, and we are the ones left to suffer as usual. I don't know about you, but I really get tired of being dumped on. Now with Season 3?! It blows my mind. I give up. Someone help me get through to these people!!

V.2 N.2

Dancing Lights V.2 N.2 was published May 1991 and contains 45 pages.

cover of v.2 n.2, Jan Eastwood

Jan Eastwood was the editor, and the assistant editor was Amber Coakley.

Birthday Wishes to Roy Dotrice
Portrait, poem by Jay Shelton
a short editorial by Jan Eastman
Candles in the Wind: Letters of Comment (one of them, The label the network feared most of all... BESTIALITY. by Joan Chessum)
Message from Roy Dotrice (Dotrice shills for a 1-900 charity)
review of "The Girl from Mars," a Family Channel movie starring the actor who portrayed Elliot Burch
transcript of a terse interview with Sharon Herndon, owner of a comics store called "Remember When" (based in Dallas, Texas)
Vincent Writes to Catherine in His Journal, fiction by Kathy Evans ("This was a story I felt compelled to write. It was painful. When I finish I plan to take down Vincent's picture with the baby from the shelf and put it away. I love that baby, but it is a constant reminder that Catherine is gone. I choose to dream the story a another way.")
The Flames of Dancing Lights (photos and short bios of fans Jan Eastwood, Fran Salzar, Elizabeth Reynolds, Teresa Salas, Dottie LaBorde (posing with Tom Brecht cosplaying Vincent), and Amber Coakley) ("One of the important things to Elizabeth is that people get along with each other!")
a long description by Sister Dorothy Sconzo about Lights of Winterfest
Support Group Update (some updates on the club's charity drives)
Light Tales: Life is a Mixture (misspelled Misture) of Sunshine and Rain, fiction by Sheila Grant Houston
small cartoon by Leah Rosenthal
large Beauty and the Beast crossword puzzle
an ad for porcelain red roses for which the flyer utilizes a quote by Roy Dotrice (see below)
short blurbs from various clippings
full page illo of Vincent and Catherine by Sherry Hildebrand
a reprint of an anonymous plea/warning about TPTB cracking down on fan-made goods for sale (see text below)
a retyped article from the April 1991 issue of "Premiere" which is all about how economically crummy Carolco Pictures is doing
full-page flyers for several zines
a full-page of color photos of the Vincent Lunar Model that Jamie Murray purchased and put together with modifications

AT THE SAN JOSE CONVENTION LAST YEAR I WAS GIVEN THIS RED ROSE THAT I AM WEARING. DO YOU REMEMBER, DURING THE HOSTAGE CRISIS SEVERAL YEARS AGO, THE YELLOW RIBBONS? EVERYONE WORE OR DISPLAYED THESE YELLOW RIBBONS - TO PLEDGE THEIR UNITY AND SUPPORT FOR THE HOSTAGES. WOULDN'T IT BE WONDERFUL IF WE AL WORE THESE RED ROSES TO PLEDGE OUR UNITY AND DEVOTION FOR BEAUTY AND THE BEAST!" FOLLOW "FATHER'S PLEA -- STAND TOGETHER AND DISPLAY YOUR DEVOTION AND LOVE FOR THIS SPLENDID SERIES, ITS CAST AND CREW... WEAR A RED ROSE... KEEP OUR DREAM ALIVE.... KEEP BEAUTY AND THE BEAST ON EVERYONE'S MIND AND IN THEIR HEARTS...WEAR THIS SYMBOL OF YOUR SUPPORT... OUR LOVE FOR VINCENT, CATHERINE, FATHER AND THE TUNNEL DWELLERS CAN LIVE IN A SINGLE RED ROSE!... SEND FOR YOUR RED ROSE TODAY... RED PORCELAIN ROSES AVAILABLE AS STICK PINS AND LAPEL PINS/TIE TACKS. SEND $5.00.

(The following was received through the mail - author unknown)
It has just been learned that Republic Pictures is attacking fan artists and writers because Carolco, holder of the license for "official" B&B products, has seen its sales of merchandise decline. Carolco believes this is because of competition by B&B fanzines and art and other non-licensed products. A lawyer for Carolco recently gave the 1991 calendars as an example, complaining that while they had sold out the previous years, they had "boxes and boxes" of the 1991 calendar.
It is essential we now write Carolco and Republic to let them know what the REAL problem is. Their 1991 calendars and other Season Three products - stills and the like - are not selling because of subject matter. They are also not selling because they offer very few new products, and those they do offer are extremely limited. In no way do fan products compete with their products. Instead, fan products support B&B, keep the fandom alive, and thus continue to provide potential buyers for Carolco products and a new B&B movie. Without them, this fandom will be severely curtailed, perhaps even irrevocably damaged.
You can write to Carolco and help get the point across.
Pamela Harris, Carolco, 88800 Sunset Blvd., Los Angeles, CA 90069.

from v.2 n.2
from v.2 n.2
from v.2 n.2

V.2 N.3

Dancing Lights V.2 N.3 was published August 1991 and contains 54 pages.

cover of v.2 n.3, Jan Eastwood

Jan Eastwood was the editor, and the assistant editor was Amber Coakley.

a color photo of Ron Perlman, Roy Dotrice, and Jay Acovone sitting in chairs at the con, South of Oz
A Dream Trip South of Oz, a very long con report by Paulette Edwards
six pages of candid photos taken by Buddy Edwards of the guests and of fans, of room miniatures, and of cosplayers at South of Oz
a list of the winners of the Crystalline Rose Awards
Tonight I Dreamt, poem by Jay Shelton
three letters, each discussing fan loyalty, hopes for the future, coming to terms with inevitiblies, and grief
a review by Amber Coakley for Terminator II
many, many clippings most about about Terminator, including one about James Cameron
The Flames of Dancing Lights, bios and photos of fans: Paulette Edwards, Buddy Edwards, Joyce Perkins, Jay Shelton, and Charles W. Blaum
reprint from Cinefex #46, "An Interview with Rick Baker" (make-up person for BatB)
reprint from Premiere, July 1991, article about fan clubs
BatB Wordfind by Teresa Salas
article by Dot Sconzo about Ruth Merry who is a BatB fan as well as an Olympic Skier in the "Disabled Olympics"
a flyer from Antioch Publishing Company who says "you've convinced us" and they will be publishing a 1992 BatB Calendar (the hitch, it contains only reprinted photos from the 1989 and 1990 versions); it will be available only by direct mail, so send them your 15 bucks
some zine flyers, an ad for a fan's BatB miniature recreations of rooms and scenes which you can buy now as postcards (The D.A.'s Office, Catherine's Place, Vincent's Chamber, Catherine's Balcony, Father's Study, and Below the City)
Within Your Heart, poem by Jay Shelton

More whipping up the fans for a movie that was NEVER made, and laying the blame for "millionaire" Linda Hamilton for this:

The news is trickling in from the South of Oz Con and I believe it is time for us to start hopping again. The word is out about Roy Dotrice, who grabbed his mike (at said con) and informed fans that he knew for a fact Republic Pictures would not consider doing a movie without Linda Hamilton. It has been said that the result of this statement was pure Pandemonium - that had the roof of the hotel not been more securely attached - it would have surely flown off from the sheer magnitude of the cheers and clapping which followed. Ron (Perlman) just looked over at Roy, and said, "So much for Hollywood secrets!"
I believe the main (and only) opposition to bringing Linda back in a B&B movie, is the fear that the story would be too unbelievable; like Bobby Ewing's shower in Dallas.
I do not think this is really a problem. Does anyone remember Vincent's lines about "those dark nights" and "the dreams" in The Rest Is Silence? Very clearly, Vincent has experienced an earlier episode, in his life, where he was overcome with delirium, and swept away in a tide of powerful and terrible dreams. Why is it so hard to believe that this could occur again? I just finished reading a truly fantastic zine, in which V awakens in Catherine's bed. He never went down to that awful cavern, at all - he simply dreamed it and the story line was totally believable, and in keeping with the quality of the series!
If the dream idea does not appeal to movie producers, perhaps the idea of Catherine in a morphine induced coma will. I have also enjoyed another zine, in which Diana has Catherine whisked off to a safe place, but doesn't tell Vincent because the odds of Catherine's recuperation are virtually nil. Catherine has no idea of what she is doing, but she escapes the institution where she is being kept, and finds herself heading toward Central Park. In an exciting and dramatic scene she receives a shock great enough to restore her sanity.
In conclusion, there are many different scenarios, whereby Catherine could reenter B&B, without sacrificing the quality and believability of the story line. To me, the only existing problem is that of getting Linda to agree to come back, in the first place. Ms. Hamilton is, after all, now a millionaire, and is able to pick and choose according to what, she believes, will further her career.

The third season wasn't so bad:

As I look back upon Beauty and the Beast through reruns on The Family Channel, my own personal taped episodes (complete), and "Dancing Lights," I am constantly reminded as to how much I enjoyed the third season of Beauty and the Beast. Because the show embodied so much of the aspects that reach out and touch our hearts, I, like thousands of other fans, was saddened to see the cancellation of a show that had so deeply touched my heart. Although I was saddened by the death of Catherine on the show (how can you have a Beast without a Beauty), I looked forward to the introduction of a new female interest for Vincent, as I realized that a new female lead character was pertinent to the continuation of the show.
Enter Jo Anderson as Diana Bennett, a character so completely different from Catherine, and yet I was drawn to her because Diana was a multi-layer character of intense depth. Diana, although not outwardly as beautiful as Catherine, had a soul and strength that seemed to compliment Vincent in that she shrouded her personality within herself with a slight air of mystery. Diana was quiet, thoughtful, introspective, and somewhat introverted. Diana may have been a direct extension of Jo Anderson's own personality, as the character seemed to be played very close at heart with deep intensity. I looked forward to the weeks ahead in the third season to see the many layers of Diana's character revealed through her interaction with Vincent and her dealings with the Catherine Chandler case.
Had the third season lasted for a full 2 episodes, I feel that the viewers of the show would have seen a carefully crafted relationship that would take time to break down barriers between Vincent and Diana.
It was very disheartening to see the mass exodus of "fans" from the show when Linda Hamilton was announced as leaving the show. In my view, true fans are those that stay committed to a show and all its changes. Just as romance and love are a part of life, so to is death and the consequences of death. Though Beauty and the Beast was "fanciful" in its content, it also dealt with the broad spectrum of human emotions and experiences. Life goes on through death, and though the scars may run deep, life can become much fuller when it is truly lived by dealing with both the good and the bad. I feel that the third season gained much of its strength and credibility by dealing with the issue of the consequences of death and the impact death has upon the living.
Because of the recent interviews by Linda Hamilton, it is reasonably safe to assume that she has no further plans to continue the character of Catherine; hence, I would hope that the loyal fans of Beauty and the Beast will support any direction that the promised theatrical presentation will go. I would also hope that Ron Koslow would deem the relationship between Diana and Vincent important enough to continue in the upcoming movie.

Like a death, the stages of grief, and letting go:

I will say now "I don't know where this letter may lead me". I have so many racing and rushing feelings and thoughts right now. I'll start at the beginning. For the last year I have clung to the dream believing B&TB would not die, at least the one I fell in love with. There was to be a movie coming. It would quite possible fix season 3 and make everything right again. I have regretted not getting involved in a fan club sooner, getting a chance to experience it while the show was still going. I missed so much, I know, that I can never get back. Anyway, that is past, and I can't change it, so that's okay.
I have always been in love with "Vincent and Catherine being in love." I loved both equally, When Catherine died, a piece of me died. The show wasn't able to help me or Vincent really, deal with it gradually. It was all so abrupt that I felt cheated. Also, I love your newsletter and plan to stay for a long time.
But at the same time I have always really been interested in the real story of the show. I do love reading a story in your newsletter that extends the story on in a way they could have, or should have. It's like a completeness. I guess the one exception would be the story about Halloween, Vincent and Catherine go to a masked party at Elliot's. I always believed they could have that night every year. All the stories you have run have filled the gaps. I do like some fantasy beyond the true show, I just don't go overboard. Understand? I love your newsletter!
What really has me down is an interview Linda did June 29, on The Larry King Show. I missed the first minutes of it. I would love to know what else she had to say. If you can please find out.
Anyway, when I started watching she was just starting the viewer call-in questions. A guy asked, "About B&TB, if someone wanted to come back, would you be interested in coming back also?" She gets very serious, starts shaking her head no, and says, "No! It's over, it’s finished. It was a very wonderful time, but it would be going backwards for me. I don't want to keep repeating and repeating. There is still too much else left to do, than to go backwards." She seemed so certain. She says she wants to do movie parts that have strong character roles for women, and she wants to do a comedy next. On one side I'm hurt obviously, but at the same time I can't help but wonder, "Do we have an attitude here?"
Needless to say, this caught me by surprise. I immediately starting crying. Here I had spent a year waiting patiently to hear something hopeful. I don't hear maybe, wait and see, depends on the script, on a number of other possible answers she might have said. I hear "NO". It's over, finished." It has really shaken me up. The only thought that came to mind later was, the caller didn't specify VT or movie, but left it open in general. Somehow though, I don't think it matters. What to do not does.
My question goes to you and the whole fandom. What do we do now? So many of us could not accept Catherine's death. We have sort of blocked it from memory and just lived on seasons 1 and 2. Do we suddenly now force ourselves to change our beliefs, deal with season 3, or pull away entirely? Do we just continue as we have been, then wait for a movie with Catherine still dead? Can they, in 2 hours, give us a love for Vincent as strong as Catherine's was? One that was at once greater and deeper a love than anyone could imagine, and also had 2 years to grow? This show aimed for the heart. It was based on emotions that run as deep as the soul. Right now I am devastated. The one thing that kept me going was the dream of having a happy ending for them.
I understand it has been my choice to continue with B&TB after it was canceled. I don't regret a minute of it. My heart is hooked on this how. I never know where this feeling of dread, doom and pain will come over me.
[...]
I try to look on the bright side. She has said in an interview, that she had to completely cut of the part of the compassionate actress she has always played to make Terminator II. Maybe she is still reeling from that, and feeling drained. Maybe she will soften up later after playing a comedy role. Maybe she will change her mind, providing they come up with a script she likes. But I believe she is a very independent, liberated woman, with very different ideas, and right now I don't see how anything can be worked out. But I'm hoping Ron Koslow can work magic with B&TB and also let us know in plenty of time to prepare ourselves.
To paraphrase Vincent in "Sticks and Stones"; "When is it time to pull quietly & peacefully away from Catherine?" To let her go?

V.2 N.4

Dancing Lights V.2 N.4 was published Nov. 1991 and contains 39 pages.

cover of v.2 n.4, Sherry Hildebrand

Jan Eastwood was the editor, and the assistant editor was Amber Coakley.

Masquecon I Unmasked, a long, critical con report by Paulette Edwards for MasqueCon
a photocopy of a letter on a lawyer's letterhead dated October 3, 1991; it is addressed to Ritch Brinkley's law firm, explains how the MasqueCon con committee can no longer pay Brinkey's plane fare, hotel, or con fee
photos of MasqueCon
A "Ritch" Experience by Andie Holmes (a fan's description of getting to have dinner with Ritch Brinkley at a restaurant during the con despite Brinkley being dis-invited to the con; "Ritch was to have made an appearance at MasqueCon but, due to unplanned circumstances, did not. He was, however, in Phoenix for the weekend visiting friends. One of those friends brought Ritch up to the hotel to pick me up... and we all shared a wonderful evening meal at Bennigan's.")
An Act of Love, poem by Jay Shelton
short editorial by Jan Eastman
three letters by fans
Hot Off the Pipes (news bits)
Of Things That Might Have Been... or Just Might Be, fiction by Ruby Goodwin (it is RPF starring Vincent Wells, Catherine Chandler and Ron Koslow, all about Vincent confronting Koslow who had been raised in the Tunnels, about Koslow's terrible treatment of Catherine...)
a description and photo describing Heart of Texas, a fan club
The Flames of Dancing Lights, photo and bio of fan, Sheila Grant Houston
The Lesson of a Rose, short vignette about roses
An Open Letter to Vincent by Sheila Grant Houston ("Today, I wanted to thank you for being in my life. Since I've met you, there hasn't been a day that has passed when I don't stop and gaze into your deep blue eyes...)
clippings
flyers for fan-made things to buy
a long article about Lights of Winterfest, fan testimonials, by Dot Sconzo
review of the new Disney animated Beauty and the Beast movie

Dear Mr. Craig,
I have spoken with Sylvia Watson at Masque. Unfortunately, Masque must withdrawn its invitation to Mr. Brinkley for his appearance at MasqueCon on October 25, 26, and 27, 1991 for the following reason: Due ot events beyond Masque's control, a guest canceled his appearance at MasqueCon necessitated by a conflict in his schedule. Because of this cancellation, Masque lost a large number of registrations constituting a substantial source of income of Masque. Masque does not have the money to pay Mr. Brinkley's fee, transportation and per diem for his appearance at MasqueCon.
As you know, in the world of fan conventions, like in the world of motion pictures, the appearance of an actor determines the financial outcome of the enterprise. Fans attend conventions based no the actors present. When word got out that this particular guest would not participate, registration dried up. Our contract provides for just such an eventuality. The contract does not contain either a pay or play provision or a most favored nations provision. Masque is under no obligation to pay or play Mr. Brinkley. Masque is also under no obligation to offer Mr. Brinkley most favored nations status. If Mr. Brinkley wishes to perform at MasqueCon for no fee (without regard to what other actors earn for similar work at the convention), Masque may be able to make arrangements for such an eventuality.
I would hope that you would consider this matter at an end. Further attempts to interfere with the production of the convention will bring no benefit to your client and could possibly interfere with established contractual relationships between Masque and other third parties. This we cannot allow. I now consider this matter closed.

V.3 N.1

Dancing Lights V.3 N.1 was published in 1992 and contains 29 pages.

cover of v.3 n.1, Kristene Newcomb

Jan Eastwood was the editor, and the assistant editor was Amber Coakley.

some photos of fans at a con (perhaps MasqueCon?)
several short con announcements for Festival of Dancing Lights II in Germany, Tunnel Con II, and Remember Love (which never took place); the second Celebration of Life Cruise has been canceled
many, many clippings about things that aren't Beauty and the Beast
Light Tales, fiction, "The Lighthouse," to be continued, author not credited
Gathering Treasures: Collector's Passion, article with photo of a fan, by Karin Liebrand (reprinted from somewhere else)
ads for fan-made goods, fanzine
a full-page portrait of Vincent Wells, artist is Belinda Wojcik

It disturbs me somewhat that interest in Beauty and the Beast is beginning to fall (from what I gather from the most recent issue of Dancing Lights) as no new plans for a theatrically released B&B have been issued as of late. I hope that overall interest and support of the show and Dancing Lights is not decreasing, and that this is simply a misconception in my mind.

I contacted the Westward Ho to see if they had a cancellation for TunnelCon II and was told no, but that Bobby Barricini and his controversial performing orangutans left for good! It was confirmed by the Stardust, so I made my room reservation immediately. I am so delighted! Please spread the word. ^[5]

V.4 N.1

Unnumbered Vol (likely V.4. N.1) was published February 1993 and contains 34 pages.

cover of the February 1993 issue, Sherry Hildebrand

Teresa Salas is now the sole editor.

short editorial
some photos of guests and fans at TunnelCon
a long commercial, "Innovation Brings Catherine & Vincent's "Beauty And The Beast" TV Legacy To Comics" (ignores fanzines, gives Ron Koslow yet more power, monetizes fan devotion, mentions "ad slicks" as promotion which is pretty far off the base of what many fans wanted to hear about)
many clippings
The Lighthouse, 11 pages of fiction, continued from the previous issue, presumably this is the conclusion, again not credited
six pages of flyers for Great Expectations

From the ad for the comic book series:

"The fans are going ot love this series," said Campiti. "Mike Deodato is taking great care to capture the likenesses of stars Linda Hamilton and Ron Perlman, and Mike's elegant, soft-focus airbrush painting style is going to make this book a collector's dream. Nobody has ever been this faithful to the intent and romanticism of Beauty and the Beast - until now. ^[6]
"Carolco and Republic Pictures, impressed with the work we did on Rocketman for them, called to see if we could do as well with Beauty and the Beast," added Campiti. "We rose to the challenge; we're doing even better.
We're also happy to be working with creator/author/producer Ron Koslow, getting his suggestions and advice on every page of script and art."
"Ron Koslow succeeded is envisioning an old-fashioned type of love story, in Catherine Chandler and Vincent," explained editor Karen May, a devout fan of the show since its inception. "It didn't have to be a physical love; it didn't have to be a' roll in the hay.' in Vincent was an elegant, yet tortured man who couldn't live in today's world, yet he could romance a 'today' sort of woman with Shakespeare and roses and opera. It offered a rich, spiritual, emotional, secret love. Vincent romanced Catherine the way women want to be romanced.
The idea of a fairy-tale romance existing in today's harsh reality is very appealing "A vast female audience will flock to comics shops when they see and hear about this book," said marketing assistant Pamela Leitt. "So we'll be creating ad slicks and cross-promotions to support retailers and get buyers into their stores. The show boasted more than 20 million fans, many of them quite vocal and quite demanding for more Beauty and the Beast material -- so shop owners will need to order with those numbers in mind."

References

^ from the editorial by Teresa
^ from a letter in "Dancing Lights" v.1 n. 4
^ This is kinda like a Fannish Hotline, but with no phones or money going towards the phone company!
^ This episode was originally skipped because it contained a ghost.
^ This letter was written by a fan who had been very vocal in her anger over this animal act. PETA was involved.
^ Uh, hello? Fanzines did.

[1] rom the editorial by Teresa

[2] rom a letter in "Dancing Lights" v.1 n. 4

[3] This is kinda like a Fannish Hotline, but with no phones or money going towards the phone company!

[4] This episode was originally skipped because it contained a ghost.

[5] This letter was written by a fan who had been very vocal in her anger over this animal act. PETA was involved.

[6] Uh, hello? Fanzines did.

[1]

[2]

[3]

[4]

[5]

[6]

Zine
Title:	Dancing Lights
Publisher:	Dancing Lights, a fan club run by Teresa Salas and Jan Eastwood
Editor(s):	editor: Jan Eastwood and assistant editor: Teresa Salas, then Eastwood and Amber Coakley, then Salas at the end
Type:	letterzine
Date(s):	1989-1993?
Frequency:	monthly (the first 8 issues), then bi-monthly (announced in the 9th issue), then quarterly (announced in the 11th issue, began with the February 1991 issue)
Medium:	print
Fandom:	Beauty and the Beast (TV)
Language:	English
External Links:

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Contents 1 V.1 N.1 2 V.1 N.2 3 V.1 N.3 4 V.1 N.4 5 V.1 N.5 6 V.1 N.6 7 V.1 N.7 8 V.1 N.8 9 V.1 N.9 10 V.1 N.10 11 V.1 N.11 12 V.2 N.1 13 V.2 N.2 14 V.2 N.3 15 V.2 N.4 16 V.3 N.1 17 V.4 N.1 18 References

Dancing Lights

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V.1 N.5

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V.1 N.8

V.1 N.9

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V.1 N.11

V.2 N.1

V.2 N.2

V.2 N.3

V.2 N.4

V.3 N.1

V.4 N.1

References

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