South of Oz (convention)

Convention
Name:	South of Oz
Dates:	June 14-16, 1991
Frequency:
Location:	Hyatt-Orlando Hotel, Kissimmee, Florida
Type:
Focus:	Beauty and the Beast
Organization:	sponsored by "The Florida Beauty & the Beast Helper Communities" in association with Helper's Network US
Founder:
Founding Date:
URL:
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a flyer

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from the con zine, the organizers and acknowledgments

South of Oz was a Beauty and the Beast convention that was held in 1991 in Orlando, Florida. It was subtitled "Where Magic Meets the Sea and Dreams Become Reality."

The convention also published a charity zine under the same name: South of Oz.

The con guests were Ron Perlman, Roy Dotrice, and Jay Acovone.

The "VIP Guest Chairperson" was Pam Smith of the Emerald Coast Helpers Society.

The con charity was "Make-A-Wish Foundation, Inc."

The Crystalline Rose Award was presented at this con.

Part of a Series

This con was part of an organized series of annual national Beauty and the Beast fan gatherings held in North America.

Some History

From this convention's con zine, South of Oz:

Florida Beauty & the Beast Helpers organizations developed early on. With the show in its infancy, the number of Florida-based fans grew dramatically - largely because of increasing interest in the show and the efforts of the fans to get the word out to the general public via the professional news media. Individuals who otherwise had little in common, began to discover the boundless friendships awaiting in the network of Florida fans. Each found or renewed creative interests; carne to share common goals and dreams.

In 1989, many of these ardent Helpers happened across one another at the Creation Convention held in Orlando at the Mariott. Gathered together in a hospitality suite hosted by Mark & Kimberly Hartman of The Helper's Network, these Floridian's began forming close ties immediately. There was something special about sharing The Dream with others so close to home.

Since those early days, the Florida Fan Clubs - Emerald Coast Helpers Society, First Coast Beauty & the Beast Alliance, South of Oz, and The Crystal & Rose Society - celebrate not only Vincent & Catherine's story but a unique and special bond inspired by their love for one another and for their willingness to give of themselves. Several charity events have been sponsored by the individual groups as well as an annual "Late-Winter Winter Fest" which benefits a different charity each year.

In July 1990 many of the Florida Helpers congregated in Las Vegas for the unforgettable event called Tunnel Con. By the end of the weekend, many distinctive voices were saying "We want to do this!" By August, South of Oz - the 1991 National Beauty & the Beast Fan Convention was born. The organizers chose to make the con a non-profit - preferring instead to donate all profits over and above the cost to go to benefit Children's Make-A-Wish Foundation. "Make-A-Wish" sponsors seriously ill children - giving them the opportunity to fulfill a dream that may otherwise not be realized.

The Name of the Con

From the con zine, South of Oz:

The name South of Oz - was inspired by the words spoken by Devin in the episode, Promises of Someday" when he told Catherine of his and Vincent's dream to travel "Everywhere North of Shrangri-la and South of Oz." With the convention planned for Orlando - the land of magic - what a fitting title it would be. All other points - East of Eden, North of Shangri-la and West of Camelot - refer to not only the areas where the clubs are located, but the boundless dreams and hopes inspired by Beauty & the Beast throughout the world.

Controversies

The con took place during The Beauty and the Beast Wars, and this rift in fandom was illustrated in the lead-up to the con, as well as in the convention reports.

There was also controversy about Creation Con's scheduling of The International Beauty and the Beast Convention which that company had scheduled very close to this one, therefore hindering fan's with financial and scheduling concerns as it cornered them into choosing which one to attend.

False Rumors

If you heard or saw unauthorized announcements made on behalf of either "South of Oz" or "MasqueCon" — to the extent that one or the other had been canceled, or their celebrities weren't coming, or that their membership quotas had been filled to capacity — you may well be a witness to something legally actionable. The creation of rumours to the effect that monies collected for a charity might have been embezzled by a con committee falls under that same heading. (In this case the charity itself had to come to the defense of the committee so falsely accused!) because of this kind of vindictive, thoughtless behavior, no convention can now afford to be without a hotline phone number (wary convention-goers have come to expect one), nor can conventions afford to be without legal counsel on retainer, and that is money spent out of charity's pocket.

Anonymous Letter

There was an anonymous letter encouraging fans to NOT attend this con.

[Barbara S]: I have recently heard that an anonymous letter is allegedly being circulated (I have not seen this letter, nor actually heard of or from anyone who received it) which says, in effect, that Ron Perlman is not really going to appear at South of Oz, and that any true fan of B&TB would only attend our FAN-OUT convention in St. Louis. First of all, it has been confirmed that Ron will be at South of Oz, through his manager. There is no reason to doubt that. Secondly, I am of the opinion that an anonymous letter is one of the most cowardly acts possible, no matter what its intentions, and I would ask that—if this letter actually exists—if someone is doing this because they think they are helping me, they are not, and I would like them to stop. I have made my feelings about South of Oz quite clear, I think, and I will not be attending it. However, I still believe— as I always have—in freedom of speech and movement, and in the basic intelligence of fans in general. We each must make up our own minds about any issue in fandom, and neither coercion nor emotional manipulation of fellow fans is acceptable to me. I keep hoping that we will be able to move past this kind of nonsense someday, and learn to keep our "eyes on the prize... and less on each other."

Disappearance of Vids

There was also some hijinks regarding Kim Taylor's music vids.

Thank you to the South of Oz steering committee for the return of Kim Taylor's popular music videos, which disappeared for a week from the video room at the convention. However, as it took over four weeks for the promised "overnight' mailing to reach us here in Virginia Beach, we are understandably disillusioned; and it is unknown whether Kim Taylor will entrust them to anyone to be taken to future conventions.

Comments Regarding the Lead-Up

February 1991

[Linda M]:

Having been a subscriber from conception I've read, reviewed, disagreed with, agreed with, mulled over, and generally enjoyed each letter in every issue. Now, I'm hoping that your open forum will allow me to speak, and Heaven knows I can count on one hand the number of LOCs I've written to ANY zine.

#1 attended Tunnel Con and came back home with the devout belief that Fandom Would Survive. Being basically an unknown face in fandom, I'm usually content to sit back and do my writing, keeping in contact with mostly editors and the occasional brave penpal. And so it was with great anticipation that I sent in my money to attend South of Oz in June of 1991.

Now, I have been bombarded with the most atrocious of news, to which I called several of my friends (some of whom are also my editors) to either confirm or deny these rumors. Those rumors are that South of Oz is going to be a Third Season Con. — Not true.

South of Oz will basically be the same as TunnelCon. TunnelCon had third season material present, but that did not make it a third season con—although third season material was not as prevalent then as it is now be cause the season was still unexplored (and painful) territory. Yet since then, nearly (if not) every editor has written or included a third season story in a zine, even if its plot was "she's not dead/Catherine comes back."

All I know for sure is that this con is going to be another way for fans to show their love and support for this wonderful show, which promotes kindness, generosity, and tolerance. It'll give us a chance to collect autographs from actors who've never attended a con before, and allow us to renew those friendships and acquaintances that were born at Tunnelcon. (Remember how good you felt?) I'm supporting South of Oz. And if you decide to go, too, stop me and say "Hi!" We'll have a ton of fun!

Once again—an editor's note! It seems the best way to immediately answer certain questions or comments. First of all, Linda, I think we have to admit that people have different definitions of 'third season' content, in zines or cons. To you, it seems to mean anything that has anything to do with the third season of B&TB, positive or negative. To many others, a 'third season' con or zine is one that favors the third season—or B&TB in any form—at the expense of the first two. To those people, both of the conventions you mention qualify as "third season," since they prominently feature(d) and honor(ed) members of the fan community who have advocated acceptance of the third season as a criteria of being a true fan of B&TB. We are not anxious to travel to an event where we are likely to be labeled with the tiresome and ridiculous label of 'naysayer' or to be blamed for the demise of B&TB by those who are desperate to preserve Vincent pat any cost, even Catherine's life or Vincent's own integrity. I don't believe I would have 'a ton of fun' at such an event. Secondly, I would like to address the issue of duplicate personal statement letters to letterzines, something that seems to be epidemic lately. When you submit a letter to several publications, you should let all editors concerned know that you are doing this. I only discovered that your letter, Linda, was also in OUT...IN by accident. I'm afraid also that subscribers will start to get annoyed at paying for two or three different letterzines and finding the same material repeated in each one. We have received some other duplicate material (which we were advised of by the writer) concerning the issue of the zine Black Cover, which we are going to print, but after that, we would like to declare a moratorium on duplicate personal statements. What do the rest of our subscribers think?)

[Sue K]:

I figured I'd write once more to TT to address one of the specific controversial issues floating around in fandom. Speaking frankly on this issue is a bit risky, but I think the time has come.

This issue is "South of Oz." Rumors and counter-rumors fly hither and thither about whether "South of Oz"is, or is not, a "Third Season Convention." As one of those who has deliberately chosen not to attend the convention, for reasons that have nothing to do with my financial situation (and quite in spite of Ron Perlman's appearance), I'd like to give my point of view about this.

No "rumor" convinced me one way or another. I made up my own mind. (It doesn't take any fan leader to get me to have an opinion, believe me.) Hooked at the fan guest list, and saw the names of several individuals who had many times stated, publicly, definite viewpoints about Season Three and those fans who "dared" not to support it—i.e., a preference for the former and contempt for the latter. This is not my imagination,asrve seen these words of condemnation in print. When "South of Oz" chose these specific guests at the expense of any to balance out the viewpoint, it gave me the feeling that this convention supported views and attitudes I could not agree with. Whether or not anyone associated with "South of Oz" loved Season Three wasn't ever the issue for me; what WAS the issue was that most of the fan guests had gone on record belittling those, such as myself, who could not support Season Three — we, the so-called "traitors" and "nay-sayers" of fandom. While I saw a guest list that very firmly supported this point of view — accept or be labeled "traitor" — I saw no guests who represented the point of view of fans who prefer B&TB in its "classic" form. Let's face it — this fandom is divided. NO amount of wishful thinking will change that. But the way to get fandom back together is NOT to have a con and and invite guests only of one viewpoint, ignoring anyone of the opposing viewpoint. Someone recently said to me that they thought it would be impossible from now on to have a convention that was NOT swinging one way or another — "Classic" or 'Third Season/accept all." That may be true. But it certainly can't be achieved if no attempt is made to balance the guest list, and absolutely no acknowledgement is made of the problem to begin with.

I bear no ill will towards the planners and organizers of "South of Oz," but I would ask them to really consider WHY people are unhappy with matters. If "South of Oz" is truly impartial, the guest list should reflect this. It does not. I speak not only for myself, but many friends who feel exactly as I do. I think our concerns are valid. Even if "South of Oz" gets more people than any other convention this year, there will still be many of us who will not attend for the reasons I've stated. I don't believe "South of Oz" is intended as a "Third Season Con" in programming or content, but I do believe that the choice of fan guests represents an emphasis and viewpoint I cannot support.

It would be really nice if all wounds would heal of their own accord. But if you don't acknowledge that a wound is there, it can fester and become something much more serious. If anyone has any doubts about the anger still generated in this fandom, I recommend a glance at the Feb/March issue of Pipeline. To pretend a given problem is merely the result of "rumor mongering" by some hateful group of fans, or some kind of smear campaign targeted against one point of view, is dangerously simplistic. By covering up the real problem, things don't improve; the problem just gets worse. Everyone wants to believe that people in this fandom are universally kind and acknowledge that than to pretend that everything is "sweetness and light."

A friend of mine, who likes some elements of "Classic" and "Third Season" B&TB said: "There will always be that chasm in B&TB fandom. It will never go away. I think by now people know what they want to see and gravitate towards those who believe the same. I don't consider this a bad thing." Nor do I—but for any fan event, club or publication that hopes to have all views represented, an across-the-board balance of guests, officers, representatives and/or viewpoints MUST be present.

Convention Reports

Despite some let downs, I had a great time, especially seeing my buddies again. It seemed like a life time...I think it was! Guests of Honor were Roy Dotrice, Jay Acovone and Ron Perlman. Roy and Jay made a grand entrance at the masquerade ball held Friday night. No one had expected them and they joined right in with the rest of us. At one point, both sat on the floor to judge the costume contest. We didn't see Ron until the next day at the Q&A session. For $25, $15 or $10, you could select your own seats according to price for the talk sessions. He decided to pass on this. The room filled quickly with everyone adjusting their video cameras for the big moment. Jay was the first one on the stage. He talked to us for approximately 30 minutes (WHAT a character!! He's always so vivacious and fun.) before Roy joined him, giving him a big hug to start things off. This was great! Both of them together on the same stage! We hoped Ron would join them as well. Roy talked for approximately 30 minutes while Jay leisurely sat idle, popping in with a wise crack now and then. Ron then was introduced. The fans cheered as he walked on the stage. Donned in black, he looked great. His hair had grown out and he appeared to have put on a little weight. He looked just fine. All three played off each other, telling jokes and stories about one another. The fans loved it. It was obvious that Ron didn't know of the little stories the others had told about him during previous cons. He looked quite surprised, and at times, a little embarrassed. It was great and you could tell each one had a blast snagging the others. I think the main highlight of the Q&A session was when Ron, not once, but twice, spoke in Vincent's voice!! It took the majority of fans attending to actually catch on. Of course, he did "do it" at the punch line of a story, so everyone was geared for that, not expecting Vincent's voice as well! And as mentioned many times in the past, he does "do it" in a just audible whisper, but enough to send the sounds of cheers and applause through the hotel!

There was one problem that we found out on Friday — Ron would only be present for Saturday's activities and would be leaving Sunday. This caused a major panic with the autograph session. As expected, there was a great turn-out of fans, but the autograph session had previously been arranged for two hours. The line was incredibly long (try multiplying the one from TunnelCon by 10!) and there was absolutely NO WAY 500+ fans were going to get autographs in that short amount of time. I didn't even attempt to tackle the line. Many were a hit upset as some fans had travelled great distances to see Ron and get his autograph and walked away without it. I believe there is no con that can remedy this problem. Even at TunnelCon, there were some fans who ended up not getting a particular autograph. I was one of than. Still, people managed to he in good spirits, considering the disappointment. Jay and Roy tried to make things better by being available on Sunday for more autographs. They're such sweeties!

The Dealer's Room was incredible ~ the biggest I've seen since being involved with fandom. What a selection of goodies! Beth Blighton's table was the very first stop. Couldn't resist those mouth-watering prints of Vincent! Of course, she wasn't there, but out gallivanting the countryside. I caught up with her later. Her cohort in crime (wicked grin), Pat Almedina, was holding down the fort, so we emptied our purses in one fell swoop. It was difficult to choose anything in this room ~ zines, shirts, books, crystals, pictures, etc. — so much stuff and so little money! So, when in doubt, deplete the bank account!

The banquet held Saturday night was very nice. The only problem that seemed to bother everyone was the fact that no flash photography was allowed. WHAT a bummer! Preferred seating (and we had a great table) and no pictures. Not a hot idea. All three guests attended and we were entertained by B&B music videos (wonderful!), the Crystalline Rose Awards (congrats to all the winners), several speeches and a shadow box play. One side of the ballroom was completely done over with a re-creation of Vincent's chamber, specially constructed by the Chesapeake Helpers Society for B&B (based in Maryland). They did an excellent job and we were later told that all the guests, Ron in particular, were totally impressed. Great job, guys!

I think this con will get the award for the most impressive art and charity auctions I've ever witnessed! Beth Blighton had nine stunning pieces that went for incredible prices, the most gorgeous entitled "Out of the Shadows and into the Night" went for a hearty $850.00! (Miss Beth, you won't be forgiven for NOT making prints of this one!! — and I thought I was your buddy...(smile). Barbara Gipson also had some fabulous work (I did manage to purchase a print of one of my favorites - swoon!). The charity auction (all monies went to Make a Wish Foundation) drew in over $10,000.00. Again, money flew like confetti — a leather-bound book of "Great Expectations" signed by Ron and Linda went for $1500.00 (you should have seen the looks on Roy's face!!), an autographed 8x10 of Linda for $250.00! Naturally, I just sat there. This was an unbelievable event! The closing ceremonies on Sunday marked another con in the bag for B&B. All in all, South of Oz was a success with some disappointments, but I'd do it again in the blink of an eye. Spending time with my buddies and supporting our show is what truly counts.

Here's to our movie (fingers crossed, of course) and here's to TunnelCon II! May they both be a great success!

... that funfilled, indescribable weekend I spent in Orlando, where do I begin? South of Oz was everything I'd hoped it would be and much, much more. The masquerade with its enumerable "Vincents" and "Catherines" milling about along with other characters from Above and Below, the beautifully reconstructed lifelike set of Vincent's chamber (complete with Lisa Gould doing her best imitation of our mane man) was awe-inspiring. I'll take a moment to applaud the Chesapeake Bay Supporters for their time and effort in recreating the set.

As Vincent always says, "there are no words" to truly explain what a joy it was. The kicker was when Roy and Jay showed up unexpectedly at the masquerade. They always seem to put out more than they're required to. For that, I'll always love them and be grateful. The banquet was a delight, the food was good and the fact that I couldn't smoke for three hours wasn't toooo nervewracking. (I skipped out for a smoke and met Pat Almedina in the bathroom, which made it worthwhile having a nicotine fit.)

The question and answer part with Ron, Roy and Jay (the Marx brothers couldn't have been more entertaining) was a real blast. I'll never find the words (there I go again, sounding like Vincent) to commend and laud those responsible for setting up this convention. It was the best I've ever been to. Of course, that excludes TunnelCon I. Unfortunately, I did not make Vegas last year. However, compared to the countless other cons I've attended, this one was by far the best run and best put together.

The hotel was beautiful, the people were friendly. I heard drips and drabs from some fans about the registration people being rude or obnoxious, but if I learned one thing in this fandom, it's NOT TO BELIEVE everything you hear. I can only relate what I experienced and that was nothing short of polite, helpful people who were eager to make my stay in Orlando as easy and smooth as possible.

The dealer's room was enormous and comfortably air-conditioned. I have no complaints with how they set up the tables or how they situated the dealers. Sadly, the different types of merchandise for sale was enough to make this on-a-strict-budget woman forget her promise not to spend TOO MUCH. I ended up employing my VISA card, as usual, to get the hotel room bill paid for. (Isn't plastic wonderful?)

South of Oz was a big success. Yes, there was the ever-present problem with the autograph line, but overall, I think the con committee did an outstanding job. I feel sorry for anyone who missed the convention because Ron treated us to Vincent's voice - not once, but twice! He was terrific on stage. Roy and Jay always, always put on a great performance. This was no different. The fans in general seemed to be having a wonderful time. There were several interesting and well-attended panels. The panel I was the most nervous about was the one on "Healing the Rift in Fandom." I was envisioning an all out war with battle lines being drawn but, much to my delight, it was the exact opposite. Some wonderful ideas and comments came out of that discussion that I would like to pass on to you. First of all, most people expressed a wish to get back to a more positive frame of mind and stop all the negative comments. Also, there was a passionate plea to talk about the show again like we used to before the third season controversy. Remember when all we used to talk about was when we were going to get our kiss? Ah, the good 'ol innocent days! I'm ready - are, you? We can't print the letters if you don't write them - (hint, hint).

All in all, it was an experience I would quickly like to repeat.

Well, did we all have fun at South of Oz, or what? I had such a good time in New York last month that I decided to attend this con

on impulse. (So who cares that I won't be buying a new car this year?) Several friends which I haven't seen since TunnelCon attended which made it very special and despite a little bit of disorganization, I thought the organizers did a good job. I wouldn't want to have to contend with 600 beasties in one place! The Dealer's Room was very spacious, brimming with goodies and the art show was spectacular. We have such talented people in this fandom! On Friday evening, we attended a Masquerade and costume contest. Karl Zundel and Cherial Turnbull portrayed Vincent and Catherine to perfection, dancing to some original music. Roy Dotrice and Jay Acovone made surprise appearances and Roy picked the Best-In- Show for the costume contest — a woman bandaged as Catherine in the pilot. It was very clever and original (though people kept calling her "the mummy.").

Of course, the main event of the entire con was the Celebrity appearances held Saturday afternoon. Jay was on first and was as cute as ever. He spent a lot of time telling us about the gory special effects from his "Out for Justice" film. Roy was next and explained about his Sea Shepherd project, his movie and other topics before he introduced Ron Perlman. Then he and Jay stayed on stage with Ron which made it very special and a lot of fun! It's obvious they care a great deal about each other and quite a bit of teasing occurred. Ron had both good news and bad to share with us. Unfortunately, he didn't seem very optimistic about a second album "Of Love and Hope." Drat. However, he did say that the movie had "sorta moved forward a pace. That all of the writers have gotten together and begun brainstorming if there was a film what the film would be about. What worlds would it,encompass and those things... The spirit is still very much willing. We all still want to do a film. I always felt that the cinematography and stuff lends itself to something bigger than the small screen. This would be the icing on the cake!" Then, at this point, Roy added that "The interesting thing, Ron, that you told me earlier, which I think you all will be delighted about is the fact that they have no intention of doing the film without Linda Hamilton." [wild applause] Ron cam back with, "So much for Hollywood secrets. Why do I feel like Phil Donahue all of a sudden?!" [laughs] This news was certainly a crowd pleaser. Ron also surprised (and pleased) us by doing his Vincent voice for the first time (I think, anyway) outside a set. I was sorry when the session had to end to allow time for autographs.

Unfortunately, the organizers promised everyone an autograph and when this didn't happen, fans got upset. (I just hope it didn't ruin the con for these people.) The banquet was later this same night and was very enjoyable. The Chesapeake club had reconstructed a part of the tunnels and Vincent's chamber. Fabulous work! We watched several great music videos and Roy Dotrice handed out the various fanzine and art awards. The guests each received gifts and made short speeches. Ron, Roy and Jay looked like they were enjoying the opportunity to be together and reminisce.

Day 3 saw the art auction where Claire Sieffert's "Best in Show" portrait of Catherine went for $1,000! Beth Blighton's original of Vincent sold for over $800.

During the celebrity auction for charity, a copy of "Great Expectations" signed by both Hamilton and Perlman went for around $1400. Other books and stills signed by them and other cast members sold for hundreds of dollars as well. During the closing ceremony, the con committee told us that over $10,000 had been raised for the MAKE A WISH FOUNDATION!

The con also sponsored a "Healing the Rift in Fandom" panel. I know this was done with the best of intentions but I have to say I wasn't sure it would be such a good idea. For the most part, people were calm and rational and a lot of topics were addressed. Still, I found several things to be frustrating. When the problem of "labelling" was brought up, one panelist merely remarked that they were "valid responses." I'm sorry, name-calling is NEVER a valid response. Jeanne, you so rightly said that it was a mistake and that we should move past it.

I was surprised when people brushed aside what Roy and Ron had said about Linda and the movie and it was recommended that fans should not "limit" the possibilities. I rather doubt Ron P. would give false hope and I just can't understand why some fans continually attempt to squelch any and all hope that Catherine will return. Since at this point we have NO control over the movie, I'm not limiting anything. I know many fans can accept whatever direction the show might take, but just as many fans cannot. It's just how things are and we have to accept that reality.

I read a lot of bad rumors about the South of Oz con. And I want to tell all of you that they were sadly mistaken. Though pro-Diana's out there, most fans who attended wanted Catherine back. And the possibility of Diana and Catherine being friends ....

But back to the con. All three guest stars had a wonderful time. Roy ("Father") joked about a food fight at the banquet, and promptly thereafter threw shredded rolls out at the fans' tables. Who sent them right back. It broke the ice and led to a very enjoyable evening.

The music videos were well edited. Various rescue scenes played to "My Boyfriend's Back"; Joe Maxwell was highlighted in : "That's What Friend's are For," to name a few. Also at the dinner they did 'The Shadow Play," which told of Catherine and Vincent's story by a storyteller far in the future. And how every so often a child with Vincent's face appears to unite the Tunnel world.

This is a must-see, so when the flyers come out you might want to get the South of Oz Con Video. Special highlights are the amateur and professional costume contest, which one lady won as Catherine (all bandaged up,as in the first episode). She also took best in show. Karl was Vincent during the Masquerade party and later at the Winterfest banquet. He also did a fantastic job in the make-up workshop....

I had a wonderful time at South of Oz. I enjoyed meeting people I knew only through their zine work. And attending the writers and artist workshops. Dorothy and Betty, who did TunnelCon were there, and they are planning Tunnel Con II in Las Vegas once again. So hope to see everyone there. Keep the Dream alive.

Hi everyone! I just returned from Florida and the South of Oz convention. lean imagine that some of you are surprised I attended,given my feelings concerning our fandom, but I have to say that I did have a good time for the most part. It was great seeing some of my long-time B&TB buddies and just talking and having a ball. The hotel was nice, especially after the Penta last month! The only thing I didn't like was the humidity. Living in hot and very dry Los Angeles left me unprepared for it. The rumoutwas around 600 people, which made it comparable to TUNNELCON. Unlike T-Con though, the organizers had many more panels and events for guests toattend, which was nice. There were panels on V&Csintimacy, the bond, Father's role as Dictator vs. patriarch, and many more. The highlight of the con for most people was the Jay Acovone/Roy Dotrice/Ron Perlman chat on Saturday!

They were just delightful and it was obvious that they truly care for one another. Jay spent a lot of time talking about his movie with Steven Seagal — especially the gory details concerning his leg being blown off. When asked how he felt about Linda Hamilton, Jay replied, "She is one of the best actresses I've worked with. I'd like to work with her again ...In the movie!" which received much applause. Another fan asked him what he thought about the changes in the last season, to which he responded that, "I missed Hamilton. I missed Hamilton, I really did. That's not to say... Jo's a nice woman, a good actress. Hamilton's better for the role. She brought, I think she brought a lot more charisma to the role. She brought a lot more of that Beauty and the Beast thing we needed between — the relationship between — her and Vincent than Jo did. That's all."

For me, the most exciting thing occurred after a fan asked Ron about the status of the movie. Ron told us: 'Things have sort a moved forward a pace. That all of the writers have gotten together and begun brainstorming if there was a film what the film would be about. What worlds would it encompass and all those things. When all those writers get together, there's generally NO agreement, so they're asking for trouble! [laughter] The spirit is still very much willing. We all still want to do a film. I always felt that the cinematography and stuff lends itself to something bigger than the small screen. This would be the icing on the cake." Roy then interjected — "The interesting thing, Ron, that you told me earlier, which I think you all will be delighted about, is the fact that they have no intention of doing the film without Linda Hamilton." [Wild applause.] Ron came back with: "So much for Hollywood secrets. Why do 1 fee! like Phil Donahue all of a sudden?"

Unfortunately, Ron told us that a second album at this point didn't seem to be a likely happening, but that Koslow had put together a collection should anyone go forward with the project. I was very surprised that Perlman actually did the Vincent-voice — not once, but twice—during his session. He's always declined in the past. Afterwards, the guests all signed autographs. It was unfortunate that the con committee promised that EVERYONE would receive one, since the line was ultimately cut off before that became possible. There was a lot of anger as a result. I didn't get one, but I'm not an autograph person so it didn't bother me. (I'm a coward actually!)

The banquet Saturday night was very special as well. We entered the hall through a tunnel! It was a wonderful touch, and The Chesapeake group had also reconstructed Vincent's chamber. Beautiful work! Unlike T-Con, guests were allowed to pick their tables when they registered, which was nice. (Don't get me wrong when I compare the two cons, please! I enjoyed T-Con very much, and will probably attend #2!)

Awards were handed out by Roy Dotrice for the art and fanzines. Let's see... Claire Sieffert won Best in Show for her beautiful Catherine portrait. This same portrait also went for $1000 att he art auction! Beth Blighton and Barbara Gipson won several of the other awards. I was incredibly pleased when Sue Krinard (yeah, Sue!) won the Crystalline Award for her B&W cover on Kaleidoscope II, and that this zine won for Best Dramatic zine. Other winners included Kathy Cox for Destiny IV and Blighton for her beautiful artzine cover. The only award I was surprised at was that TT was ignored in the letterzine category. (Or maybe I shouldn't be, hmmm? At any rate, I think you deserved to win, Barb. We thank you for your vote of confidence, Liz!)

I thought the banquet, for the most part, was well-paced and I liked that we were served the food rather than having a buffet. Each guest was presented with a gift and spoke a few words also. We were shown three music videos during the evening and they were a big hit with the audience, especially one called "My Boyfriend's Back," which included scenes of Vincent coming to Catherine's rescue! It was very amusing. Speaking of videos, I also saw another one later in the evening that was simply fabulous. I can't remember the name of the song, but it dealt with C&V's parting and included V's last kiss. Now, I know you Classic fans are screaming (trust me, everyone was sobbing) at this point, but as the song ended the video picked up at the point in"Remember Love" where Vincent awakens from his dream to find Catherine In his arms. It was perfect and wonderful and, at least for me, took away all the pain and negative power of the third season. I hope this video is made available to fandom as a whole.

On Sunday, the con held a "Healing the Rift in Fandom" panel. To be honest, I thought this was a very bad idea, and while it wasn't the total fiasco I expected, it didn't go a long way towards accomplishing its mission. Several panel members had some logical, positive and helpful things to say—Kay Simon, Jeanne Cloud, and Sharon Wells—about the labeling, people being entitled to their own opinions, etc. Unfortunately while Jeanne was saying it was a mistake, Wiltse's response to the labeling was that it was a "valid response to behavior." Huh? Also, many audience members voiced the sentiment that we must not set "limits" for the future and that the absence of one character should not ruin chances fora movie. Given the fact that fans such as myself have absolutely NO interest in a B&TB movie WITHOUT Linda Hamilton, I find it frustrating to be told that I am "limiting" fandom.

[snipped]

Later, I found it strange that statements were made that little in the way of charity work is happening in fandom today. As an audience member pointed out. Lights of Winterfest is going strong, as well as other endeavors. Perhaps if certain editors didn't spend so much time focusing on THE RIFT and all, they would see that most of fandom is doing something positive in the name of the show. A panel member also brought up the fact that subscription renewals are falling. Well, again, perhaps people should consider WHY this is happening. I am tired of reading nasty editorials and LOCs blaming Classic fans for EVERYTHING. PERIOD. If s one thing to discuss why you liked or disliked third season (as we do here in this letterzine), but quite another to attack another person's viewpoint. I just can't equate attacking a television show with calling another person names —"naysayer," "darksider," "ex-fan," and recently, "screamer" — all the while lecturing about the values of the show!

So, overall I thought thecon went rather well. I truly hope this fandom survives its current problems. Nothing will ever replace the warm feeling I get when attending conventions.

[Maranda H]:

Ron, Jay and Roy all had tears in their eyes, talking about all that the fans are doing. They get letters of all we do, daily. They thought the show would be cancelled after the pilot. They thought after it was cancelled it would loseits thrust. But they were overcome.

Fans cried, talking about their lives and what B&TB has done for them. We met many people, from 37 slates and 3 other countries. Everyone I met opened doors. There wasnospearation; there wasahealing. AII3starsaskedforahealing. During the meal, people watched videos, cried, held hands. We all lit candles, led by "Father."

A guy asked Ron Perlman if V was aChrist figure. Ron handled it with respect, class, and I really admired him. He said he believed in Christ personally and saw the character of V as having morals and believing in nature and its creator. He tried to portray that in the character and,"... If you choose to interpret that, that way, if s your choice."

My impression was that all dealers and fans were honest, caring people. I knew there were many wonderful people in fandom, but I know so many more now. Our family has grown so much. I sat with people I didn't know, yet knew immediately. I thank God for such love and beauty. There is hope for a movie—but with Catherine (Linda)! We must keep this going. It's not just for a movie or the show, if s what if s doing for us, to us: therapy.

I read a lot of bad rumors about the South of Oz con. And I want to tell all of you that they were sadly mistaken. Though I heard a few pro-Diana's out there, most fans who attended wanted Catherine back. And the possibility of Diana and Catherine being friends, and the possibilities that Diana's job might help reach out to involve more characters. But back to the con. All three guest stars had a wonderful time. Roy ("Father") joked about a food fight at the banquet, and promptly thereafter threw shredded rolls out at the fans' tables. Who sent them right back. It broke the ice and led to a very enjoyable evening. The music videos were well edited. Various rescue scenes played to "My Boyfriend's Back"; Joe Maxwell was highlighted in: "That's What Friend's are For," to name a few. Also at the dinner they did 'The Shadow Play," which told of Catherine and Vincent's story by a storyteller far in the future. And how every so often a child with Vincent's face appears to unite the Tunnel world. This is a must-see, so when the flyers come out you might want to get the South of Oz Con Video. Special highlights are the amateur and professional costume contest, which one lady won as Catherine (all bandaged up, as in the first episode). She also took best in show. Karl was Vincent during the Masquerade party and later at the Winterfest banquet. He also did a fantastic job in the make-up workshop. We really have to hand it to Ron Perlman. In the first two seasons Vincent's "look" changed somewhat.

That's because of two things. #1 — Every time they made a Vincent mask for Ron to wear, it could only be worn once. And each hair on his face is human hair and had to be done by hand — Ug! #2 — The mask designers tried each time he had to make a new Vincent "face" to perfect it. So it looked more "real" and it suited Ron. So take your tapes from the pilot through the second season and see if you can spot the changes. Karl also told us that in the first season Vincent's hands were also done one hair at a time. By the second season, special gloves had been devised. No wonder it took so long to do Vincent's make-up. As I said, we really have to appreciate Ron's stamina and forbearance to put up with it all. I mean, think about it—something itches and he wants to, say, scratch his nose—"Hey Ron! Hold still or this hair on your hands won't lay right!" yells the peeved make-up man. One of the other "treats" we were privileged in hearing was Ron doing "The Voice." Yesl He did it! Not once, but twice! It showed how warm and considerate the conventioneers made the guest stars feel. For Ron to do the voice with such spontaneity. Roy Dotrice also dropped the information that Linda — will be in the MOVIE!!! What the storyline is — is anybody's guess — Ron K. is not talking. I had a wonderful time at South ofOz. I enjoyed meeting people I knew only through their zine work. And attending the writers and artist workshops. Dorothy and Betty, who did TunnelCon I were there, and they are planning Tunnel Con II in Las Vegas once again. So hope to see everyone there. Keep the Dream alive.

As I look at this blank sheet of paper, I wonder where I should begin. I guess I'll start with my trip to South of Oz. Considering all, I had a very good time. It was fun seeing old friends, making some new ones, and finally putting a face to some of the more well known names in B&TB fandom. Whatever problems the con organizers had, I think they still did a good job and everything I participated in, I enjoyed.

One of the most interesting things I noticed about the con in general was that it left me with the definite impression that the majority of fans there were people who supported the return of Catherine in the movie. Although our fandom has split into many factions, each with their own preferences, I still believe that the majority of viewers were fans of the "Romance," and for them the romance will always mean Catherine and Vincent. When I w as selling my B&TB burtons, and now with my zine, over and over again I noticed that most people seemed to be interested in Catherine and Vincent together. I think most want this couple to have their "Happy Life." I have to agree with that. I've even had people who support the 3rd season tell me that they would like to see a movie where Catherine returns. It seems that, although they don't mind a storyline that involves Diana or a new romance, many would still welcome a story line where Catherine comes back. Obviously, not every one feels this way, but I think more than we realize do.

Another interesting thing I noticed was that not all fans of Catherine were necessarily fans of Linda Hamilton. Some will accept any actress as long as Catherine is brought back. Again, to those fans the important thingis that thecouple are reunited and the romance be allowed to continue. I guess your preference depends on why you liked theshow to begin with. I just happened to stumble across it one Friday night as I was home alone and started watching it. I was very curious to see how they would continue each week and still keep the stories interesting. I liked what I saw and have supported the show since. It was Linda that caught my attention as I flipped the channels, but I was soon intrigued by Vincent and anxious to see how the romance would progress. I guess you could say I was a fan of the whole show. ref>Tunneltalk v.2 n.4/5 (1991)</ref>

We all piled in their van, which you couldn't miss because it has a gorgeous custom-airbrushed painting of Vincent and Catherine on the back tire cover, and rode over to a pizza parlor for our own get-acquainted party!

[...]

Afterwards, we went back to the hotel and crowded into Carolyn Kleinsorge's (author of. ...Shall Have N o Dominion and The Last Waltz) room to preview Teri Johnson's music videos she had brought for public viewing later in the Media Room. The editing was tremendous and the songs touched everyone, so that soon there was not a dry eye in the house! By this time, we decided it was time to turn in for the big day ahead; but actually I think Sherry and I stayed up talking about artwork until 3 a.m!

Friday morning (thanks to my bright and cheery wake-up tickle system), everyone got off to a fast-paced start. While passing the Registration Table, we discovered that seats on the first three rows for the guest speakers' presentation on Saturday were being sold for charity on a first-come, first serve basis. The first two rows had sold out, but we were lucky enough to get third row center seats (thank you, Teri!)! Then to breakfast to pig out on the buffet and then on to the opening ceremony to meet the Steering Committee and hear about the plans for the weekend. The quilt constructed by the fans and presented to Ron Koslow last year after TunnelCon had been returned to fandom for touring and was hanging in the Exhibition Hall for everyone to see. Sally Newman talked about the new memory quilt project for this year and encouraged everyone to participate. The rest of the day consisted of a variety of activities: (1) The Media Room ran a continuous selection of B&B episodes, music videos, and an episode of "Down Home" with Roy Dotrice.

(2) Father's Library held asampling of available fanzines for information and reading.

(3) A Trivia Contest was divided into challenge rounds over two days. (4) A Writers' Workshop was conducted by Kimberly Prosser, Lisa Swope and Edward Gross (Above and Below, The Unseen Beauty and the Beast). Mr. Gross was terrific about autographing copies of his books! (5) An Artists' Workshop was conducted by Dragon, Beth Blighton, Pam Murray, Barbara Gipson and Lisa K. Wildman. (6) Master movie make-up artist Karl Zundel conducted an actual make-up demonstration, showing and discussing how prosthetics are used and applied. This was a real highlight, as Mr. Zundel would create his transformation into Vincent the following day, using the same prosthetic techniques!

(7) There was also a series of panel discussions: (a) "The Dictator vs the Patriarch" conducted by Nan Dibble--How would Father's guidance and leadership compare to the rule that would be imposed by Paracelsus? (b) "The Wealth of the Tunnels" conducted by Bruce Klaiss--It's always maintained that the Tunnels are given provisions by the Helpers, but how can the Helpers afford it by themselves? Let's see together if we could come up with a workable way that the Tunnels could actually be supplied! (c) "To Be or Not To Be: Vincent and Catherine's Intimacy" conducted by Kathy Cox--What are some of the ways that Vincent and Catherine could actually fulfill their relationship?

During all of these activities, one could also browse through the tremendous Dealers' Room and Art Show in the Exhibition Hall. There was a wondrous display of talent in the Art show, from oll paintings to pencil drawings and prints; a stained glass window of Vincent and the rose; an etched mirror of Vincent; decorated totebags; 3-D leather work; and a fabulous assortment of porcelain, composition, and wood dolls and figurines. It was really hard to vote this year; but the oil painting of Catherine by Clare Sieffert that Buddy and I voted for took Best of Show. T-shirts being entered for judging were also displayed on the wall of the Art Show. Our own T e r Johnson won for the air- brushed Vincent she entered! The Dealers' Room was filled to the brim with everything B&B you could think of--dolls, stained-glass window replicas, videotapes, Gallo pewter, stationery, calendars, jewelry, photos, t-shirts, prints, paperdolls, and, of course, hundreds and hundreds of fanzines! I can't keep up! Betsy Jacobs has put together a terrific listing of all available B&B reading material to date, and it was wonderful to keep ni hand as I strolled and strolled and strolled through the fanzine tables!

The evening came alive with the Masque Ball and Novice Costume Contest! There was a cocktail meet-and-greet in the foyer before the festivities, which gave everyone a chance to see the costumes and see friends you had not run into earlier. For me, it was great getting to see Catherine Edwards from Kentucky again and to meet her husband Rob and to get to see Barbara Johnson from California, and Barbara Trimble from Texas, and make new friends as well. The Masque Ball was an exciting event. The Chesapeake Helper's Society for Beauty and the Beast had constructed a life-size replica of Vincent's Chamber and the Tunnel entrance from Catherine's basement, which were stunning--such detail! And one of their members dressed as Vincent to complete the illusion. Although there was standing room only in "The Great Hall," you could have heard a pin drop when Karl Zundel and Cheriel Turbull of Fantastic Images entered as Vincent and Catherine in the Halloween attire from "Masques." They moved to the center of the floor and danced to a beautiful song "Wings to Fly" written and sung by Eric Jordan. Their quality performance really touched all present! Afterwards, the Novice Costume entrants paraded on stage for the crowd to vote on, with categories ranging from Vincent and Catherine to Tunnel People to B&B Characters to non-B&B Characters. There was such creativity, depicting everyone from Masque of the Red Death in Phantom of the Opera to Paracelsus to Diana (Diana won). While the judges were tabulating votes, Patina (who later won for her entry as a Tunnel Minstrel) recited poetry and played the guitar and sang songs, one of which was "The First Time I Loved Forever." As she was finishing, there was a surprise entrance by Jay Acovone and Roy Dotrice. They took the stage and greeted the crowd with how glad they were to be there. Then Linda Jordan, presiding over the event, asked them to watch as the costume contest winners were announced and then for them to select Best of Show. Jay and Roy selected a Catherine entrant, who was wrapped in bandages and shawl as she appeared after the accident under Vincent's care. It was certainly an original idea! At the crowd's request, the event ended with an encore presentation of Karl and Cheriel's dance to "Wings to Fly." Afterwards, our group joined Teri Johnson's family and Patina out by the pool for a late-night fan celebration! Sleep was definitely at a minimum over the weekend--but who needs to sleep when you're having so much fun! Needless to say, after getting back to the room after 1a.m., Sherry and I continued to sit up and talk to 3:30 a.m.! Can you tell who the night owls were ni our group?

Once again, up and at 'em! The morning consisted of eating, visiting the Dealers' Room, picking up table fliers (lots and lots of table fliers), talking (lots and lots of talking), and attending panels. The available panels were: (1) "Parallel Universes: The Fable and the Series" conducted by Beth Blighton and Kathy Cox-Comparing and contrasting the images and views of the television series with the original de Beaumont fairy tale; how are they similar and where do they diverge? (2) "Can You Read My Mind? How Physic is Vincent?" conducted by Kay Simon and Sharon Wells--We all know that Vincent is psychically gifted, but to what extent? This discussion examined the facts in the series and the suggestions of fanzine authors, supplemented with our own experiences to prove points! There was also an encore make-up demonstration/workshop by Karl Zundel and a Fanzine Editors' Workshop conducted by Jeanne Cloud, Kimberly Prosser, Lisa Swope, Lisa K. Wildman and Edward Gross. Participants in the 'Zine Workshop received a complimentary workbook entitled TheOuickandDirtyGuidet oFanzinePublishing written by Lisa K. Wildman, Kim Prosser, and Lisa Swope.

At 12:30 p.m., all functions closed to prepare for the Guest Speakers' Presentation (see transcript). The Steering Committee first made announcements. Due to a scheduling change, Ron Perman was going to be at the convention Saturday only; but it was announced that he would be signing autographs for everyone and attending the banquet. Then for the next 2 1/2 hours, everyone sat mesmerized. Jay Acovone took the stage first and answered questions from the audience, and then Roy Dotrice did likewise, as well as reciting excerpts from stage productions he had done. Then Jay returned, so they could answer questions together. Next Ron Perlman took the stage and talked to the audience for ! a few minutes before answering questions. Questions for the three of them ranged from "What was it like working with Linda Hamilton?" to "Is there a Roy Dotrice Fan Club?" to "Will there be a movie?" Ron Perlman stated that Ron Koslow was working on the script of the movie but then Roy Dotrice announced that the movie would not be made without Linda Hamilton! Guess we'll have to wait and see! But the single most wonderful moment was when Ron Perlman broke past tradition and began to tell the story of the first time he spoke as Vincent while filming a scene with Linda Hamilton and how it shocked her because of the softness of his voice, and then he actually began to speak on stage ni Vincent's voice! It brought the house down! The camaraderie between these three men on stage was tremendous--they seemed to be having so much fun sharing stories and jabbing verbally at one another. Ron even threatened to pour water over Jay and Roy's heads at one point! A good time was definitely had by everyone in the auditorium!

After the presentation, everyone headed to the autograph line; but there organization seemed to break down and things got a little tense. The line moved slowly, select groups were moved to the front of the line, announcements kept changing, Ron Perlman had to leave after about an hour and a half, it started to rain, and nerves were on end! Needless to say, not everyone got a chance to meet Ron Perlman or to get an autograph after all and many of these people had come from as far away as Germany and England! Oh, well-- maybe next time..!

While the autograph session was going on, there were also panel discussions being held: (1) "Who Is This Diana Person Anyway?" conducted by Kathy Cox and Bev Bishop--The character of Diana Bennett has a far murkier personality than Catherine's, which was fairly well developed over the first two seasons. What are some of the possible facets that make up this complex person? Personal theories along with 'zine writers' theories were encouraged. (2) "Ozymandias" conducted by Catherine Edwards-- Examining the personality of Elliot Burch. What are the things that drive him? What would have been the possibilities for him and Catherine if not for Vincent? Could he repent of his deeds? Any other ideas? There was not a lot of time to attend these panels, as most people were still in the autograph line. There was also a poetry reading and the third round of the Trivia Contest.

After catching our breath for a few minutes, ti was time to get ready for the Summerfest Banquet. After a cocktail mixer, attendees entered the Ballroom through the "Tunnel Entrance" constructed by the Chesapeake Helpers' Society. It was really well done, right down to the pipes! Our banquet table was up front, right in front of the dais (thank you again, Teri!) so we could see everything really well! Roy Dotrice opened the banquet with a candle-lighting ceremony prepared just for South of Oz. He did a tremendous job and seemed so eager to participate. Each person at the table was asked to number off and the person with number six lit the first candle at the table and then got to take the candle centerpiece home. Linda Schmidt received our table's centerpiece. As dinner progressed, fans were treated to brief talks by Ron Perlman, Jay Acovone, and Roy Dotrice; several music videos (the one that brought asmile to everyone's face was done to the tune of "My Boyfriend's Back"); presentations of artwork to the special guests by selected artists; a discussion on the memory quilt project by Sally Newman and presentation of a necklace made trom special quilt pieces to Kay Dotrice; presentation of fanzine/newsletter/art awards (Jay Acovone and Roy Dotrice graciously helped hand out the awards and greeted each recipient with a big hug and kiss!), and an ending story reading from a storyteller sitting within a candle-lighted Vincent's Chamber while shadows of Vincent and Catherine danced on the wall. It was a delightful evening! Afterwards, it was back to the swimming pool to sit and unwind!

[The next day] Sherry and I then met Teri at the panel on "Healing the Rift in Fandom" conducted by Vicki Anders and Bruce Klaiss. This roundtable operated under a slightly different format, with a panel in addition to the moderators. The panel included Sharon Wells, Kay Simon, Lisa Swope, Kimberly Prosser, Jeanne Cloud, and Stephanie Wiltse. The discussion centered on: Can the two warring camps in the congregation of B&B fans be brought together again, reuniting their power and ability to do good? What are some ways of accomplishing this? The general consensus was that to keep B&B going forward, we must look at the whole picture, move past the former disagreements, and pull back together with long-range goals. One person stated it pretty well when she said that we have been continuing to rehash old arguments; now it's time to look ahead to new forms of keeping this story alive and new ways of helping others through what we've learned. Boycotting conventions and calling people names who do not think the way you do are not accomplishing the underlying goals of our fandom--remember the dream! There was a final trivia round and then the Art Auction began. If a piece of art had received three bids,it went toauction. The leading artists represented were Clare Sieffert, Beth Blighton, and Barbara Gipson. I knew the event was going to leave me behind when the first piece auctioned (Clare Sieffert's oil painting of Catherine, which had been voted Best of Show) went for $1,000--the most any single piece of art has raised at a convention!

Then Beth Blighton had an original piece go for $850! Congratulations to these wonderful artists! Each artist agreed to donate 10% of their earnings to the Make A Wish Foundation.

As the auction was winding down, Linda Schmidt (who had opted to go to lunch instead of breakfast) joined us all excited with the story that she had gone to the restaurant to eat and had encountered Ron Perlman with Opal and the two children. He shook hands with her, as he returned to his table. I know it was definitely a lunch Linda won't ever forget!

Jay Acovone came to the auction area after taking Ron Perlman to the airport, and he conducted an additional mini-question and answer session. And then Roy Dotrice, too, arrived. They led off the Celebrity Auction for the next couple of hours. It also rose out of my league when the first item (a leather-bound edition of Great Expectations autographed by Ron Perlman and Linda Hamilton) auctioned off for $1,500! Then a storybook of Beauty and the Beast autographed by Linda Hamilton, Roy Dotrice, Ron Perlman, and Jay Acovone auctioned for $850! The bidding stayed high, as all proceeds were going to the Make a Wish Foundation. Other items auctioned were several autographed copies of Love Sonnets by William Shakespeare (Roy Dotrice read a sonnet from one book auctioned), as well as autographed copies of The Velveteen Rabbit. The Elephant's Child, and the Legend of Sleepy Hollow. There were also autographed stills of Linda Hamilton and Vincent, and autographed posters of "Above, Below, and Beyond." A replica of Vincent's stained-glass Chamber Window by Southeastern glass artist Sean Flaherty was also auctioned off, as was the South of Oz banner painted by Dragon, Barbara Gipson, Sean Flaherty, Lisa Wildman, and Pam Smith. A drawing for a Gallo B&B Pewter Chess Set was also held during this period. A satin jacket was presented to Roy Dotrice and a sweatshirt to Jay Acovone. Fans began bidding on Jay Acovone to take off his shirt to put on the sweatshirt—but alas, no such luck!

Immediately after the Celebrity Auction, Roy Dotrice and Jay Acovone signed autographs. This time everything went smoothly, and the stars were gracious to stay until everyone got a chance to see them. I was really impressed by the time Roy and Jay spent in participating and helping out with the South of Oz convention!

As people came out of the autograph line, they could attend the Master's Costume Contest. And Karl Zundel recreated his transformation into Vincent for picture-taking in Vincent's Chamber.

The Closing Ceremony was held at 6:30 p.m., and then everyone rushed off to repack for home (many people had already left by mid-afternoon). After we got everything ready and said our goodbyes to those departing, we met Teri Johnson and her family for a wonderful evening of Orlando seafood and fellowship! Little Shelby was still beaming from getting to present a rose to Ron Perlman the day before (that is, after Teri convinced her that Ron really was Vincent!). It was a wonderful, laughter-filled finale to the convention.