Feedback

Synonyms:	LOC, Comments
See also:	flame, concrit, review, critique, egoboo, DVD Commentary, Kudos, Hit Counters, Comment Trolling, Podfic Feedback
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the form requesting feedback that was included in the 1986 issue of the zine Quastar

Feedback is a general term used to describe messages sent to the creators of fanworks in response to their works.

The terms that fans use to refer to feedback can vary, depending on the platforms on which they spend time socialising and publishing fanworks.

The tradition of feedback in fandom began with Letters of Comment (LoCs) in zines, a term that carried through to Usenet and mailing lists, although the more general term "feedback" was also used fairly regularly. In fandoms which originated on LiveJournal and other journaling/blogging platforms, feedback is often referred to simply as "comments." On FanFiction.net and other archives, feedback may be known as "reviews." On AO3, fans have the option of leaving a comment and/or Kudos.

Who is Feedback For?

Many fans draw distinctions among feedback, which is directed to a creator, reviews, which are directed to potential readers/viewers/listeners, and concrit which has elements of both.

These different audiences can be challenging to navigate!

Complaints About the Lack of Feedback

Since the beginning of fannish time, fans have complained about the lack of feedback for their fiction and art. Letters of Comment in print zines in the 1970s and 80s, posts on USENET in the 1990s and early 2000s, online journal comments later -- all are filled with complaints about a universal lack of feedback. One common refrain: "People used to be better about leaving feedback than they are now."

Not all fans feel unappreciated, though. A fan in 2001 wrote: "I've gotten over 25,000 feedback emails. I've kept every single one, and I've tried to answer every single one. I've got a backlog of about 200 now that I've been meaning to answer for months."

For more about this as it relates to print zines, see Letter of Comment.

Lack of Feedback: Why?

While perceived lack of feedback could be expounded upon at great length, and in regards to a great many time periods and platforms, a fan in 2000 gave some common reasons that perhaps apply to many fans' reasons for not sending feedback in regards to fanworks:

I don't like the fact that LOCs have become an endangered species, but I no longer think it is weird that people take time to discuss stories on line when they will never speak their mind to the writer. I don't think I really understood the reasons (and there are many) for the dearth of responses to authors until I started posting Total Eclipse of the Heart on the net. ADVICE TO AUTHORS: You want LOCs? Post partial stories. I'm not kidding. I got more LOCs on that incomplete novel than I did for *all* the other stuff I've written ever in my life put together. And because I got so many LOCs about it, I found this interesting trend in them: almost all LOC writers used certain phrases: "I know you get deluged with mail since your stories are so good, so I won't go on at length..." "I'm not very good at writing LOCs so I won't bother you with a lengthy note..." "I know you hear this all the time, but I just wanted to say briefly..." (Meanwhile, I'm banging my head on the desk moaning, no, no, I'm not deluged, tell me!!!!). But the one I found most disturbing which I got a lot: "I never write to authors because I'm afraid of saying something wrong," or its variant, "I hope I haven't said anything inappropriate or that offended you." So, even the people who got it together to write an LOC usually ended up apologizing for bothering the writer with it. And if they were unhappy about something in the story, the amount of dissembling before they'd admit it and the length of the apologies afterwards (almost always over minor issues) made me really sad.

Controversies and Issues

Feedback is a controversial issue in many fandoms. Debates over feedback have included:

• a fan's 2000 request for no feedback at all, see Couple of Sheepskins

• a fan's 2015 "list of rules" for feedback, see An Open Letter to Fanfic Readers.

• Obligatory feedback. Some fans feel strongly that readers and viewers of fanworks owe a debt to the creators. They believe that comments are an obligation that pays the creator, and they try to comment on every story they read. Other fans might hesitate to tell a writer how much they liked their dark satire, for example, for fear the writer thought they were writing a romance.

• What types of feedback are acceptable and the difference between concrit, comments, reviews and flames.

• Whether feedback should be intended to be helpful to creators or is simply an expression the impact the piece had on the reader.

• Style and content of feedback for explicit fanworks.

• Whether it is appropriate for creators to request feedback, complain about a lack of feedback, or discuss their feelings about feedback in public. Whether it is appropriate for creators to request only certain kinds of feedback (for instance, only concrit or only positive feedback).

• Whether and how authors should respond to feedback. This question often turns on whether feedback is seen as a way of thanking creators for fanworks offered as gifts to the community, or as a gift itself, , making it polite for creators to offer thanks by replying.

• How platform and venue affect the amount and quality of feedback. A fan in 2015 posts: "I know I myself am guilty of often not giving feedback even when I love a story. I'll tell you why, though. Because I read it on my kindle but cannot give feedback easily from it. So I have to go back to computer and look up story and sometimes it just doesn't get done, or I forget." Also see Kudos for another example.

The Challenges and Issues Regarding Feedback for Different Kinds of Fanworks

From the beginning, fans have expressed the opinions that feedback for anything other than fic is difficult to do, and rare to see. Reviews of print zines and of online fic that include illos notoriously are bereft of comments about the art. Many fans explain that they do not have a background in art, or a vocabulary to discuss art, and therefore decline to say anything. Other fans feel this lack of comments about fanart accompanying fic is because fans are too text-focused, that this dearth is a reflection of certain segments of fandom being too focused on the written word.

Fic feedback is easy (relatively speaking): you're responding to words with words. Art feedback for someone who doesn't make art themselves is much harder. I've seen many discussions about this whenever artists or vidders complain about a lack of feedback.

These same arguments are also found in other mediums such as vidding and podfic, which has led podficcers and vidders to create resources to help commenters feel more comfortable leaving feedback:

As vidding has grown in importance and availability as a fannish product, I've seen the level of input from the larger consumer base drop a lot. [...] The facelessness of vid distribution today, where we're basically all vending machines who spend a shitload of money to provide free product to the consumers, didn't exist; it was a more one to one transaction then, and at cons you were more likely to hear feedback from people about your vids.

I rarely heard people say things like "I'm not a vidder so I can't give you feedback on this vid." But today, I hear it all the time. [...]

So I also think some of the work has to be done by vidders, just in terms of letting people know how much feedback of any kind is appreciated.

gwyn-r, 2005

I see around LJ and in the occasional email I receive, where people who don't vid, don't feel qualified to provide feedback. Often their feedback is preceeded by "I'm not a vidder and I don't know what I'm saying, but..." or "This is probably lame feedback but..." and then goes on from there. I know how intimidating the language of vidding can be. I'm still intimidated by it. [...]

This all culminated in my desire to share with you, my flist, what I, as a vidder, think about feedback from the perspective of a non-vidder.

sdwolfpup, 2005

In podfic meta discussions, it periodically comes up that some people want to leave feedback on podfic but just aren't sure what to say. This post is an attempt to give some new ideas to anyone who would like to expand their repertoire for expressing their thoughts about podfic.

klb, 2011

There are many legitimate reasons why leaving feedback on podfic is harder – be they logistical or personal reasons – and even podficcers are not always on top of their feedback, myself included! As a result, podfic feedback is extremely rare [...].

Now, if you are a listener who is comfortable with leaving feedback and you want to hear thoughts on how to leave the feedback that will make me happiest, here are some ideas.

greedy_dancer, 2012

One of the topics that caught my attention through this year's pod aware was feedback, and having tools to leave feedback.

Sometimes, especially if we're more used to leaving comments on other types of fanworks or if like me the Fandom Language (often: English) isn't the language we're most comfortable with, we're at a loss for words. As such, when leaving comments on podfics, or when reccing podfics, I like to build myself a little vocabulary list. Here's my lists of what I often comment on and what words I choose from, in case it might help others.

yue_ix, 2014

• See Podfic Feedback for more details about the particulars of feedback in the podficcing community.

Some Anecdotal Discussions

1975: Regarding "Literary Criticism"

Boldly Writing tells of an early bit of controversy in 1975 regarding the place and form of criticism. A LoC by Paula Smith

[It] sharply criticized a story in the previous issue of Warped Space because it was a Mary Sue story, which brings up the whole issue of fan criticism. Paula Smith (and I [Joan Verba], plus other fans, mostly from the science fiction tradition), asserted that fan stories should be criticized by the literary standards applied to professional stories and novels. Other fans claimed that because fan fiction was an amateur effort, and 'just for fun,' it should not be criticized at all. Clashes occurred when the 'literary' fans wrote reviews of fanzines edited by the 'no-criticism- is-acceptable' fans. As these fans grew in number, 'literary' criticism of fanzines fell into decline. Later, in some fanzines, editors stated bluntly they would tolerate only favorable comments about their work. Warped Space, on the other hand, welcomed all comments and printed Paula's criticisms for all to read.

1985: Are Fans Too Critical of Treklit?:

From the newsletter, The Propagator:

Joan Verba writes a LoC:

Why is there so much criticism of the ST pro novels: "Why is there so much criticism of the ST pro novels? Because, compared to the quality of writing in classic ST fanzines, the pro novels are poor. In fact, there is not too much criticism of the pro novels -- on the contrary, there is not nearly enough. I've been subscribing to ST fanzines as long as there have been pro books in existence, and my experience is that, on the whole, the pro novels have drawn overwhelmingly positive reaction. (Author Ann Crispin told me, in person, that mine was only one of the three critical comments she could recall out of hundreds). I attribute this to the fact that the vast majority of ST book readers know little or nothing about ST fanzines. Part of the reason for criticizing the pro novels is to draw attention to the better-quality fanzines: part is to get pro authors to match the quality of writing in the better fanzines. As to whether ST stories (pro or fan) should be criticized. I am aware that there is a feeling among some fans that since ST writing is a 'labor of live' and not 'serious, that critics ought to 'go easy' on ST stories (particularly in fanzines). While I belied that criticism should be polite, it is not doing the author or fandom any service to overlook problems. Critical reviews will not hurt sales -- there are literally thousands of people who will purchase any publication with a ST label. Nor will it hurt the author's fan mail -- again, there are hundreds of fans who will enjoy any ST novel. But to those of us who are selective about what we read, it is essential to get an honest appraisal of the product (and ST stories are a product) before we purchase it. Naturally, authors are disappointed to hear that there are people who do not appreciate their work. but the purpose of a review is to evaluate the quality of a written work, not to inflate the author's ego.

Shirley Maiewski also wrote an LoC addressing critique and why she didn't write fiction any more:

I agree whole-heartedly... re the sniping, called 'critiquing.' at Trek writers! Some of those doing it are dear, dear friends, but, doggone it folks! Gee! We do this for fun, after all, at least in zines... Somebody likes them or they wouldn't be printed! Many, many fans enjoy all ST stories? Why make them feel dumb by telling them they have no taste or smarts? It's an awful putdown to read that something you have enjoyed a great deal is 'poorly written; no character development; a -- horrors -- Mary Sue!' So what? Frankly, people have asked why I don't write more after the success of Mind Sifter. It's a long story, but there are two main reasons: First, the damage done to my story by editors (without my knowledge or permission), second, the thought that anything else I might write would be torn apart by the 'experts.' Best reasons in the world for a terminal case of Writer's Block.

2001: Lack of Arenas, Lack of Vocal Participants

From a 2001 discussion:

• reviews are one-sided
• the vast majority of fandom energy and discussion happens privately
• most fans will not be honest in public
• most discussion venues dry up due to the passionate, but small number of, fans who get tired of doing all the heavy lifting

From Venice Place Mailing List:

So, I was thinking that in present time, there's no place for readers to discuss stories with fellow readers, like there used to be. But then I realized, wait a minute, back in the old days of published reviews, those weren't "discussion", either. They were just one person's opinion about a particular zine. Granted, there might be letters to the publication from various readers commenting on whether they agreed or disagreed with the review, but there wasn't much -- if any -- that could be construed as genuine give-and-take discussion. The only reader-to-reader "discussion" I've ever been involved in is verbally when fans get together. And while those can be enthused and lively exchanges, there's still very little of substance said (beyond, "yeah, I really liked that part, too") before the subject changes to something else.

So, I'm thinking that there never really has been an arena in fandom that's reader-to-reader. I'd jump up and say, "Let's fix this" (after all, when I *really* like a story, or am *really* disgusted by a story, I like to know how my opinions compare to that of other readers). But I already know that even if we somehow found a framework for such discussion to take place, it would die out almost immediately because nobody would participate. There would, initially, be one or two (maybe even three!) passionate participants, and their passion would immediately scare off everyone else who was pretending to think about participating. And then the two or three passionate participants wouldn't be able to keep up with always being the ones to have to keep the discussions going, so they'd quit participating, too. And then there wouldn't be any discussion.

Apparently, most of the "energy" in fandom takes place in private emails between fans. I don't think fandom will ever get people to post their opinions to dozens, or hundreds, of primarily silent strangers, when they can be writing their opinion to just one person whom they know will acknowledge them and write back, sharing their own opinion on the same subject. So, I guess I'll wrap up this post by saying that there *is*,in fact, lots of reader-to-reader discussion taking place, but it's all taking place privately. And I believe that's the only way that 95% of fans will ever participate in discussions -- no matter what the subject matter.

2009: Worthless, Squeeing Online Feedback

As many have already pointed out on this thread, it's not so much the

instant part of online feedback that bothers some of us as it is the non-critical, semantically empty squees that are given equally to the crap as well as to the excellently written, professional-level fanfic created by fanfic writers who slave over their craft to present their best effort possible. For me, anyway, the ubiquity of the squees no matter the quality of what is being squee'd about devaluates most online feedback to sheer, meaningless noise. Still, I'll admit that as an occasional online poster (no, nothing lately, true), that I enjoy getting even those meaningless squees -- because they mean that at least somebody *read* the fic... that my loving labour had not been launched into the internet void and totally ignored. Yes, I prefer the quality of zines, but the less frequent feedback of any kind in the zine world can leave one wondering if anybody ever

actually read their work.

I started writing fic just as internet started to take off in the mid-90's and my first story ever published was published in a 'zine that I still have...somewhere in the house and I never heard a single comment on it. Not that particularly cared.

That said, I like getting instant feedback, it brightens up my day, especially when someone says 'Your story really made my day, it was great!' Even the "negative" comments are entertaining.

[...]

Feedback is good but, as in all things, it must done for the right reasons.

I think the biggest downside of 'instant gratification" [of online feedback] or the web fic issue is that unlike in your case where you write anyway because you want to tell the story in your head, some folks write ONLY for the "look at me" effect, the squeeing and pats on the head. Which does not encourage them to produce anything readable..... *insert cynical view here*.....

2013: Two Views

Constructive criticism:

In the past few months, an old-time fan moaned something on a list about, "Is that what fandom has come to? There's no longer any such thing as constructive feedback?" Well, yes, that's what it has come to. I think, first of all, there never really was much constructive feedback that was ever helpful after a story was printed or posted. Such comments could be really interesting for the author to read, but I doubt they ever changed the way she wrote. Secondly, historically, one common reason so many readers give for not giving feedback is, "I don't know how to talk like a writer." Writers will then insist, "You don't need to! Just tell me whether you liked the story or not. Even just one sentence is better than nothing." But it's hard for that to fly, if writers are talking about how they need feedback "so I can improve".

By the same token, I think the one major drawback to "positive only" feedback, is that it makes people reluctant to give feedback at all, especially public feedback. If they feel they can't say what they really think, then why bother with just the "nice" stuff? Used to be, people would talk about new stories on lists. I don't think that happens at all anymore.

So, what's the bottom line of all of this? First, though I used to believe wholeheartedly in the idea of "constructive criticism is necessary to help writers improve", I now think that idea was always a fantasy. Constrictive criticism from a beta or editor before a story is finished can definitely help a writer write better, but not after the horse has already left the barn. I'm on board with the "positive only" thing, all in all. Not that I mind, in private, somebody pointing out something that bothered them in one of my stories. Such attention is flattering, if only because it's so rare. Actually, I don't think I'd mind somebody pointing out something like that, in public, if they did it in a respectful way. But I've come to believe that such public attention paid to stories is a dead idea. It's not polite.

For better or worse, silence is therefore the status quo.

Ease of accessing technology makes it harder to reply:

Now, there was a time when I used to comment religiously to all comments on my LJ or to my fic posted whereever, religiously, right when I got them. That was in the before time, before I left much feedback and lurked a lot more and posted a lot less (not that I post much now, anyway) so I interacted less with anyone, AND before I could randomly check LJ when in a grocery store lineup on my phone, or in a very boring meeting, or what have you. The problem is, these places are not very conducive to actually replying, and given that I often get back home late from work or whatever I may or may not be usefully doing, and then the emails show up as read, I often forget to go back and comment.

2015: Well, It's a Minefield Out There

I have a large number (a hundred or so) of private bookmarks that I'd like to either make public or make into recs. What's the etiquette on notes for those things? Can I say stuff like, "Loved this overall, but the middle third dragged a bit," or would that be bad? That's the kind of thing I appreciate in reviews so I know what to expect, but I don't know if it counts as unsolicited con-crit. Also, what's the difference between a rec and a public bookmark?

I'd say that's concrit by fandom standards, and might get you pushback. Stick to praising the part you liked. People can read into the absence of compliments for other stuff what they will.

They are your bookmarks, so it is OK to say whatever you want, as bookmarks are not for the writers. The difference between recs and general bookmarks is that you can filter by it, so I usually reserve the recs for fics I like. Any writers who take offense on bookmarks notes are idiots, and I say as a writer whose works don't always come with bookmarks notes showering with praise.

In theory I think it's fine to say stuff like that, but I had a friend of a friend get really upset at a bookmark I had written over 3 years ago (back when I didn't know anyone in the fandom). I regret writing it because it affected her so much. :/

I don't think it is your fault, as it is her problem to get affected when she deliberately look for the bookmarks, just as the writers have no business getting offended reading Goodreads reviews of their work.

As someone who uses the recs to find stories, please be honest! It's not that helpful to get a wall of 100% positive reviews for stories that vary from great, to flawed but otherwise excellent, to reasonably good, to good so long as you're only reading for trope X and don't care about anything else, with no hint which they are other than trying to fill in the blanks. (e.g. The rec doesn't mention characterisation! Is this because the story is totally OOC, or just that the reccer was too busy talking about the nifty plot to mention it?) I'm quite likely to read a story on the basis of a qualified rec, but entirely positive recs of stories with noticeable flaws tends to make me go look for recs by someone with closer taste to my own. It's taking no concrit entirely too far to say that bookmarks and recs have to be utterly positive. They aren't for the author, and an author who goes looking for them (it's not like you're even notified about them) should only do so if they can take knowing someone liked their story enough to recommend it without thinking it was perfect.

I second this. I'm also more like to continue reading a fic with some flaws if the rec is upfront about them. If a rec says "The author's ESL and the writing is sometimes clunky, but she more than makes makes up for it with convincing characterisation and a terrific plot about [thing I like]" then I have much more information about the fic, but also about the reccer's judgement. So when I open it and find that hey, the writing's clunky, but the plot is great, I keep reading whereas if the rec didn't mention it I'd probably nope out early thinking "well, I don't want to read for the plot, she didn't mention that this is the clunkiest writing ever, so I think her judgment on plot is probably a bit suspect, too."

They might not be 'for' the authors but bookmarks will turn up basically attached to the authors' stories, so be prepared for pushback. If you leave a blistering review (and who the hell can tell what someone is going to interpret as a 'blistering' review) some authors may just delete the story.

People who delete their stories over blistering reviews don't deserve to have their stories read in the first place, so good.

This is just a personal interpretation but I think of public bookmarks as people choosing to public acknowledge they have read the work in question and having found it interesting enough for whatever reason that they want to be able to find it again, while recs are works the person loved and thinks others would like them too. I'm for saying what you want on your recs, because they are *your* recs.

A rec is just something you're recommending. I tend to ONLY publicly bookmark recs, as I kind of see my bookmarks as a list of fics I enjoy and want to go back to, so all of mine have hearts. I don't see anything wrong with putting criticism in the bookmark. I have one work that has about 500 bookmarks and I love seeing the ones that write something in the space, even if it's critical. I really like the idea that someone took the time to read and write a review for other readers, rather than just leaving a comment for me. I think that's the way the bookmarks are intended to be used, so I say do it to your heart's content.

Would you consider putting the crit on the fic itself? Because I know I'd feel a whole lot better about someone commenting on my fic to say "loved x, although I felt it dragged a little here" and then see that being publicly said, than not be told and stumble across someone broadcasting criticisms of my fic to everyone else without telling me (especially if it's on the same site as my fic and you clearly have a user account. If someone in fic recs thread on FFA decides to rec my fic with reservations, whatever, no big deal, they might not even have an account, or might only be reccing because it jumped to mind when they heard "X trope". But with AO3 bookmarks/recs, it becomes a case of "this person is fine talking about me but not to me" and that hurts a little). To be fair, I know some people do overreact to unsolicited crit, so I can understand that fear, but still, consider expressing to the author a similar opinion to what your bookmark comment will be, so that there won't be any nasty surprises if they happen to look at their statistics one day.

+1 This! I would much rather someone talked *to* me than *about* me/my fic. I see what you guys are saying about bookmarks being more for readers than writers, but... They're right there at the bottom of my story. They're only a click away. I'm going to see the crit, so consider leaving it on the story where I can respond?

I don't even think you have to enter a dialogue really though. Like if you commented on my fic: "I like X. I don't think we have the same view of Y (or even more vague than that). Z was great though so good stuff" and don't elaborate on Y, that's not really inviting discussion, and if I see the bookmark later detailing X and Z, but also what the Y issues were, it'll just be like "ohhhh, that's what they meant, but they didn't want to get on my case about it, moving on." In comparison, if you said (on the fic) "I disagree on Y characterization because this thing, that thing etc." I'm assuming you're giving crit you want the author to take, which is a different thing altogether. Not everyone wants to enter that dialog.

But I still don't get why they don't want to say anything to me, even if they want to say things about me to everyone else? It just seems a courtesy.

They aren't saying anything about you anywhere. There saying stuff about about a story, which you happen to have written.

Because they don't know you, which means that in certain parts of fandom their "courtesy" would get them massively flamed. If you want this to change, then you need to push back against the anti-concrit culture.

An author is neither owed a comment directly addressing them nor an explanation for anyone's reasons for not wanting to directly engage said author. I understand we, in fandom, live in a give and take culture, but the reccer is still actively participating in that dynamic. They're just paying it forward, so to speak, instead of directly engaging the author -- but then again, said author can just read what they have to say in the rec, like anyone else. The author is dead, long live the author.

But that's not how the world works, nonny. We seriously JUST HAD this discussion about that ridiculous fanfic class-- you wouldn't mail your review of a book you'd read directly to the professional author. And it MIGHT be inviting discussion. You might love to get those kinds of comments; I love to get those kinds of comments (so I'm not even biased against your points here), but then you get people like SciFiGrl who might post on tumblr and tell her many, many followers to go harass you because you left a kind but critical comment. A commenter has NO IDEA what kind of can of worms they're opening up, and many commenters have been burned in the past.

Did you miss the dozen concrit wanks we've had on meme? Leaving crit when you don't know if it's welcome is a bad, bad idea.

Depends on why someone doesn't want concrit. I have no problem with people expressing negative opinions about my stuff, but I find it presumptuous or entitled sometimes when they express them in a comment on my fic, depending on what they're saying. I just don't want random people to try to give me unsolicited advice, or push me to write things in a way that are more to their liking. If they're saying it in their own space, though, then that's cool.

I actually personally love it but there's definitely a "you come into my house..." aspect to it that I understand why people don't enjoy.

See, I would only feel that way if the same people who were leaving glowing comments on my fic were saying less positive things elsewhere. Or my friends were all gushing over my fics but everyone else seemed to hate them. But as long as the criticism isn't nasty, I like seeing people's opinions in settings where I'm not the intended audience. I don't like it if it feels more like bashing (I had a bad experience on a fandom-specific anon meme a while back where people were making fun of one of something I'd written), but I like seeing people's honest opinions. And since things like recs and discussions aren't intended for me, I don't have the same expectations. Comments that I would find presumptuous on a comment to my fic are fine in a rec/bookmark.

For a contrasting opinion: I'd actually prefer to see mixed reviews (like "love X, but I felt it dragged a bit here") in bookmarks/recs than in comments on the fic itself, because since it's meant for other readers or for the bookmarker's personal reference instead of for me, there's not that personal hurt factor of someone criticizing your work to your face (they're not even talking to me so I know it's not personal), plus, I know the comment is completely honest and they're not sugarcoating the negatives or sticking the positive part in just as a 'sandwich method' cushion to soften the blow because really they just wanted to tell me the fic sucked but were trying to be polite.

It's not crit because you're not talking to the author, you're talking to the reader. It's like a rec or a book review. You're giving a potential reader information so they can decide if they want to read it. As a reader, I like to see what's good and bad. As a writer, I might be disappointed that someone sees flaws in my story, but I'd prefer a rec with comments than no rec at all.

Events Aimed At Encouraging Feedback

• In 2010, a short-lived Podfic Critical Feedback Exchange was organised by paraka to provide concrit for volunteer podficcers.
• Podfic reccing community Podfic Love ran a "Podfic Feedback Day" on the 15th of every month, between 2014 and 2018, aimed at encouraging listeners to leave feedback on "(at least) one podfic".
• The Long Live Feedback Comment Project, created in 2017, is an initiative to get authors who want more feedback to mark their works as part of the project and specify what kind of feedback they'd like (whether they take concrit or only want positive feedback, whether they're OK with being asked questions, and similar) and whether or not they respond to comments. It also allows authors to state that they do not want feedback. The project also provides a comment builder to help readers come up with comments, for people who want to leave a comment but are unsure what to say.
• Fanfic Comment Writing Month was started in January 2019. This is a challenge to comment on every fic you read and enjoy in January.
• Fic Appreciation Bingo was created in 2020 by nospheratt: "The objective of this bingo is to encourage appreciation & support of fanfic writers, artists and podficcers. We’ll also have a lot of fun playing, reading fics, sharing recs and giving our Bookmarks & Read Later lists a good workout."
• Podfic Appreciation Fest was created in 2021 "to encourage you to leave feedback on amazing podfics. Encourage you...with points!" Participating and non-participating podficcers could submit up to 5 podfics they would like to receive feedback on, which earned particiants bonus points. Podficcers were also able to opt out of receiving feedback as part of the fest.
• Various fandom-specific events also exist, such as the Comment Bingo at hd_writers (Harry/Draco, 2014) or the Feedback Challenge & Gadge Bingo (The Hunger Games Gale/Madge, 2017).
• Comment Day - Pan-fandom feedback event organised in September 2024 for AO3 comments.

Further Reading/Meta

See Timeline of Feedback Meta.

References

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