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Stefanie Hawks
| Fan | |
|---|---|
| Name: | Stefanie K. Hawks, Stephanie Hawks |
| Alias(es): | |
| Type: | fan artist |
| Fandoms: | Star Trek, Star Wars, Doctor Who, many more |
| Communities: | |
| Other: | |
| URL: | |
| Click here for related articles on Fanlore. | |
Stefanie K. Hawks is a fan artist whose work appears in numerous fanzines. Her name is often spelled "Stephanie," sometimes even in the same zine.
In 1983, Hawks was nominated for a FanQ award for her artwork.
Fan Comments
The name of Stefanie Hawks will be known to many of you in connection with both Doctor Who and Star Trek fandom. This artist literally offered her impressive services to me, pushed back her own deadlines, and offered such cooperation as I have never seen. [1]
The bacover by Stephanie Hawks (clearly one of the best artists in DW fandom) is a priceless dual Tom Baker portrait, stylistically elegant while still emotional. [2]
Zine Contributions
Doctor Who
Star Trek
Star Wars
Other
Sample Art
Unknown Date
1979
from Contact #7
from Gallifrey Chronicles #1
for the Skywalker #3, for the story Nothing Left to Lose
for the Skywalker #3, for the story Nothing Left to Lose
for the Skywalker #3, for the story Nothing Left to Lose
1980
from Galactic Discourse #3
from The Complete Rack
from Companion (Star Trek: TOS zine) #2
from Companion (Star Trek: TOS zine) #2
from Galactic Discourse #3
from Pastaklan Vesla #6
from Pastaklan Vesla #6
from Sun & Shadow, for the story, Who'll Stop the Rain?
from Sun & Shadow, for the story, Who'll Stop the Rain?
from Archives (Star Trek: TOS zine) #4
from R & R #12, for the story, And God Against All
from Precessional
from Precessional
from Gallifrey Chronicles #4
from Pastaklan Vesla #6
from Companion #1
from Companion #1
from Nome #2, for the story, "One Indissoluble Unity"
1981
![from Facets #6, portrays Han Solo and Harrison Ford -- " Stephanie Hawks captured the wry grinning, calculating nature of Han versus Harrison's grumbly exterior that had an expression hinting at his perpetual incredulity at the strange "useless experiences" fan and his bosses continue to impose upon him." [3]](/w/images/thumb/b/bf/Facets6-15.jpg/180px-Facets6-15.jpg)
from Facets #6, portrays Han Solo and Harrison Ford -- " Stephanie Hawks captured the wry grinning, calculating nature of Han versus Harrison's grumbly exterior that had an expression hinting at his perpetual incredulity at the strange "useless experiences" fan and his bosses continue to impose upon him." [3]
from Facets #7/8
from Kessel Run #2, for the story, "Reflections in Starlight"
from Gateway #1
from Contact #7
from Zeta Minor #1
from The Faces of Time #2
from The Faces of Time #2
from Nome #4, for the story, Both Sides Now
from Nome #4
from The Pawn of Leptos
from The Pawn of Leptos
from The Pawn of Leptos
![from Facets #6, portrays Han Solo and Harrison Ford -- " Stephanie Hawks captured the wry grinning, calculating nature of Han versus Harrison's grumbly exterior that had an expression hinting at his perpetual incredulity at the strange "useless experiences" fan and his bosses continue to impose upon him." [3]](/wiki/File:Facets6-15.jpg)
1982
from The Dark Lord, portrays Aunt Beru
from The Dark Lord
from Dimension Four #2
from Nome #5
from Contact #8
1983
![from Galactic Discourse #4 -- "My favorite piece is one that tends to be overlooked unless pointed out: an incredible soft pencil portrait of Admiral Kirk by Stephanie Hawks. It appears to be just a few moments after Spock's death and you can see the tears shine in his eyes; not any more, no conspicuous tears dripping down cheeks, just the suggestion created by eyes with too much shine and the set of the lips. Beautifully subtle. I'd trade away my last pound of strawberry fudge for the original and throw in a picture of Remington Steele for good measure. Exquisite." [4] "The artwork is in general very high-class, with top honors going to Stephanie Hawks. Her portrait (p. 157) of Kirk reacting to Spock’s death is guaranteed to tug at your hearts and her illustrations for the story "Caverns" are marvelous." [5]](/w/images/thumb/6/62/Galacticdis4art22.jpg/180px-Galacticdis4art22.jpg)
from Galactic Discourse #4 -- "My favorite piece is one that tends to be overlooked unless pointed out: an incredible soft pencil portrait of Admiral Kirk by Stephanie Hawks. It appears to be just a few moments after Spock's death and you can see the tears shine in his eyes; not any more, no conspicuous tears dripping down cheeks, just the suggestion created by eyes with too much shine and the set of the lips. Beautifully subtle. I'd trade away my last pound of strawberry fudge for the original and throw in a picture of Remington Steele for good measure. Exquisite." [4]
"The artwork is in general very high-class, with top honors going to Stephanie Hawks. Her portrait (p. 157) of Kirk reacting to Spock’s death is guaranteed to tug at your hearts and her illustrations for the story "Caverns" are marvelous." [5]![from Kessel Run #3 -- "A very striking Stefanie Hawks shadow composition on the cover—very handsome and gritty." [6]](/w/images/thumb/7/78/Kessel3.jpg/180px-Kessel3.jpg)
from Kessel Run #3 -- "A very striking Stefanie Hawks shadow composition on the cover—very handsome and gritty." [6]
![from Kessel Run #3, for the story, "Next Time" -- "You really had some lovely artwork for this issue. I could rave all day about said art, so I'll just mention my favorites - Stefanie Hawks' drawing on page 120..." [7] "And, as ROTJ proved, Vader was right. Stefanie Hawks' beautiful picture on page 120 nicely compliments the story." [8]](/w/images/thumb/7/73/Kesselrun3-12.jpg/180px-Kesselrun3-12.jpg)
from Kessel Run #3, for the story, "Next Time" -- "You really had some lovely artwork for this issue. I could rave all day about said art, so I'll just mention my favorites - Stefanie Hawks' drawing on page 120..." [7]
"And, as ROTJ proved, Vader was right. Stefanie Hawks' beautiful picture on page 120 nicely compliments the story." [8]
from Jelly Baby Chronicles #2
from Matter/Antimatter #2/3, Spock thinks of Zarabeth
from The Faces of Time #3
from Skywalker #6
from Galactic Discourse #4
from Nome #6 -- from the editorial: "Our striking cover is due to the kindness and generosity of Stefanie Hawks, a fine artist and good friend. We appreciate her last-minute help beyond measure; without it this issue would probably have been delayed several months."
from Chamber of the Ages #1 (art is dated 1983, the zine was 1987)
from Roscius Maximus #2 (from Time After Time)
![from Galactic Discourse #4 -- "My favorite piece is one that tends to be overlooked unless pointed out: an incredible soft pencil portrait of Admiral Kirk by Stephanie Hawks. It appears to be just a few moments after Spock's death and you can see the tears shine in his eyes; not any more, no conspicuous tears dripping down cheeks, just the suggestion created by eyes with too much shine and the set of the lips. Beautifully subtle. I'd trade away my last pound of strawberry fudge for the original and throw in a picture of Remington Steele for good measure. Exquisite." [4] "The artwork is in general very high-class, with top honors going to Stephanie Hawks. Her portrait (p. 157) of Kirk reacting to Spock’s death is guaranteed to tug at your hearts and her illustrations for the story "Caverns" are marvelous." [5]](/wiki/File:Galacticdis4art22.jpg)
![from Kessel Run #3 -- "A very striking Stefanie Hawks shadow composition on the cover—very handsome and gritty." [6]](/wiki/File:Kessel3.jpg)
![from Kessel Run #3, for the story, "Next Time" -- "You really had some lovely artwork for this issue. I could rave all day about said art, so I'll just mention my favorites - Stefanie Hawks' drawing on page 120..." [7] "And, as ROTJ proved, Vader was right. Stefanie Hawks' beautiful picture on page 120 nicely compliments the story." [8]](/wiki/File:Kesselrun3-12.jpg)
1984
from Impact #2
from As I Do Thee #1
from Rassilon's Star #2
from Guardian #6
1985
from Cutter's Goose #1
from Echo Seven
from Echo Seven
from Echo Seven
from Echo Seven
from A New Challenge
from A New Challenge
from A New Challenge
from Castrovalva
1987
from Cutters Goose #2
from Galactic Discourse #5
from The Holmesian Federation #7
1988
![from Avon On-Line #1 -- "And an evocative cover by Stephanie Hawks that suits the zine's fiction, and particularly the last story, very well." [9]](/w/images/thumb/c/c8/Avononline1.jpg/180px-Avononline1.jpg)
from Avon On-Line #1 -- "And an evocative cover by Stephanie Hawks that suits the zine's fiction, and particularly the last story, very well." [9]
![from Avon On-Line #1 -- "And an evocative cover by Stephanie Hawks that suits the zine's fiction, and particularly the last story, very well." [9]](/wiki/File:Avononline1.jpg)
1989
![from Avon On-Line #2, titled "Psycho for Sale" -- " I feel impelled to make particular mention of Stephanie K. Hawks' powerful cover illustration. Psycho for Sale, which was eerie and disturbing to even an artistic illiterate like myself." [10]](/w/images/thumb/8/81/Avononline2.jpg/180px-Avononline2.jpg)
from Avon On-Line #2, titled "Psycho for Sale" -- " I feel impelled to make particular mention of Stephanie K. Hawks' powerful cover illustration. Psycho for Sale, which was eerie and disturbing to even an artistic illiterate like myself." [10]
![from Avon On-Line #2, titled "Psycho for Sale" -- " I feel impelled to make particular mention of Stephanie K. Hawks' powerful cover illustration. Psycho for Sale, which was eerie and disturbing to even an artistic illiterate like myself." [10]](/wiki/File:Avononline2.jpg)
References
- ^ from the editorial for The Dark Lord (1982)
- ^ comments on Rassilon's Star #1, from Datazine #33 (1983)
- ^ from from a letter of comment in "Facets" #7/8
- ^ from Datazine #27
- ^ from Communications Console (Jan/Feb 1984)
- ^ from Jundland, Too #1
- ^ from a LoC in Kessel Run #4
- ^ from a LoC in Kessel Run #4
- ^ from Pressure Point #8
- ^ review by Eumendidis from Tarriel Cell v.4 n.3