Facets (Harrison Ford zine)/Issues 003-004

Facets is a Harrison Ford zine which includes reviews, poetry, art and fan fiction for Star Wars, the Indiana Jones movies, and other films starring Ford such as Blade Runner, Heroes (film), and The Frisco Kid.

The content was gen with some non-explicit het.

This zine series ran for eleven issues between 1979-1983. When this zine ceased publication, a similar zine, Flip of a Coin, began.

This page is for detailed information about issue #3 and #4. For information about the zine in general, see Facets.

For information about other issues of "Facets," see:

Issues 001-002 · Issues 003-004 · Issues 005-006 · Issues 007-008 · Issues 009-011

Issue 3

Facets 3 was published in January 1980 and contains 40 pages.

front cover of issue #3, Martynn. Thirteen years later, it was used as an interior illo in Bounty Hunter #13, possibly without permission

The cover art is by Martynn, and the interior art is by Paulie Gilmore, Martynn, Lori Roney, Gordon Carleton, Lisa Mason, J.J. Adamson, Leonard May, Paulie Gilmore, and Jane Firmstone-Rafferty.

From the editorial:

This has been a busy winter fannishly, what with the sudden spate of SF films, the showing of both "Hanover Street" and 'Force Ten" on HBO and the network running of "The Possessed". For those of us with video tapers it's been a feast after a very long famine. "Empire" is looming larger on the horizon — it would be hard for it not to considering the poor showing that both "Star Trek; The Motion Picture" and "The Black Hole" made, "ST:TMP" was at least Science Fiction. We're not sure what "TBH" was, besides bad, I mean. Chest-buster scene and all "Alien" seems to have been the best of the SF films this year.

"Apocalypse Now" has finally made it into release. We haven't seen it and have no intention of doing so. From all the reports we've gotten, most of the fans who have seen it wish they hadn't. We understand that HF is very good in his part as Col. Lucas, however this offers little inducement for gentle persons like ourselves. We do warn anyone who does go that an ox is sacrificed on screen. There is no longer a code as to what you can do and what you can't do to animals on screen. If something looks as thought it is being killed — it probably is. This is one of our pet peeves and you'll probably be hearing more about it in future issues. If this sort of thing bothers you — write. Write to the studios, the directors, the distributors and the actors. It's the way the code was instated in the first place. If we did it once — we can do it again!

• Editorial (2)
• The Market Place (3)
• Cartoon Contest, illo by Martynn (4)
• Letters of Comment (5)
• Frisco Kid Trivia Quiz (8)
• cartoon by Jane Firmstone-Rafferty (9)
• The Frisco Kid, review by Sherry Magee (10)
• Force Ten from Hanover Street, poem by J.J. Adamson (12)
• Dynasty, synopsis of the film by Betty Monfette (14)
• What Are They Doing To Me?, vignette by Christine Jeffords (part of the Brightstar Universe) (16)
• Tomorrow, poem by Jani Hicks (Heroes) (17)
• What Man Has No Knife?, fiction by Lisa Adolf (Frisco Kid) (19)
• Corellian Epitaph by Eva Albertson (26)
• There's a Ford in Our Future (And I Don't Mean Jerry), article by Madge Miller (27)
• Harrison Cake Recipe, illo by Gordon Carleton (28)
• Spacer's Delight, filk to "Cowboy's Delight by John Denver, by Beth Bowles (30)
• Lament Sung at a Corellian Wake, filk to the tune of "An Diran Than Soulder", by Sherry Magee (inspired by Susan Matthews' "The Corellian Wake") (31)
• Han Solo at Star's End, book review by Jane Firmstone-Rafferty (34)
• Yankee Doodle Dandy, poem by Jani Hicks (Heroes) (36)
• Ties, poem by Sheila Paulson (Star Wars) (38)
• You Ain't Gonna Go, poem by Christine Jeffords (part of the Brightstar Universe) (39)

• 

  from issue #3, Gordon Carleton (Harrison Ford)

• 

  from issue #3, J.J. Adamson (Dynasty (film))

• 

  from issue #3, Lisa Mason (Star Wars)

• 

  from issue #3, Martynn, one of the rare illos showing the actor Gene Wilder (Frisco Kid)

• 

  from issue #3, Marytnn (Frisco Kid)

• 

  from issue #3, Martynn (Frisco Kid)

• 

  from issue #3, Gordon Carleton (Harrison Ford)

• 

  from issue #3, Paulie Gilmore (Heroes)

• 

  from issue #3, Paulie Gilmore (Star Wars)

• 

  from issue #3, filk

Reactions and Reviews: Issue 3

First of all, as a beginning author, I would like to thank editors Kelly and Jane for handling my work so nicely. I was very pleased with the way the material, both review and filk, were presented. Leonard May's illo was fine indeed for "Lament."

In case anyone wonders now a cartoon can have an author and illustrator, the idea for the drawing was mine, a whim born of discussions on the rumors surrounding Han's fate in TESB. Now I cannot draw — not even a straight line with a ruler — but Jane can, and after some gentle arm-twisting (I asked her), she agreed to draw Chewie dropping Han in a seal-a-meal bag into boiling water. I suppose we could have titled it "The Resurrection" Thanks again, Jane. I love it.

I compared my earlier copies of FACETS to #3. Did you use a different paper this time? The quality seems extra nice, sets off the illos. And what nice ones you had! My favorite has to be Martynn's illo of Tommy for Madge Miller's article. Gorgeous. Also loved Paulie's one of Han and Luke.

Then there's Gordon Carleton. What can you say about him except that his drawings are hilarious. The collage was the perfect contrast to JJ's delightful "Force 10 from Hanover Street." Ken with the rabbit was my particular favorite, love the rabbit's expression. Poor HP. First he is threatened with freezing, then Gordon draws his head rising majestically from a batter. Recommend the Harrison Cake recipe. Got to admit I was skeptical about a mincemeat cake, but it's yummy — like gingerbread.

The technique of running a synopsis of HF's work in each issue is a nice one. It gives those of us who haven't had a chance to. see everything a preview. Haven't seen DYNASTY yet, but will put it on my list if only to see the final confrontation scene.

Agreed with Jane that the finish of STAR'S END won't stand up to scrutiny, especially scientific scrutiny; however, I liked it since it reminded roe of the Bugs Bunny cartoon "The Black Knight". At the conclusion Yosemite Sam (as the Black Knight, stealer of the Singing Sword) and his dragon are locked in the powder room of the castle tower, dynamite on all sides. The Dragon has caught cold and starts to sneeze. "Don't sneeze you silly dragon, or you'll blow us to the moon!" Of course the inevitable happens, and as they rocket to the stars. Bugs and the Singing Sword wave farewell, and Sam mutters, "Dragons is so STUPID!" So the end of Brian Daley's novel makes me laugh.

Tried Beth Bowles' filk "Spacer's Delight' out on my guitar, and it works fine. Thank you Beth. Another tune for my collections.

Enjoyed Lisa Adolf's Tommy tale, "What Man Has no Knife?" She managed to reform Tommy without converting him so completely that she ruined the qualities that made him so delightful. Nice story.

Loved all the Han stuff. Chris Jeffords did a nice job of expressing the confusion Han must be feeling after SW. All his notoriety seems a high price to pay for a simple charter. Both "Ties" and "You Ain't Gonna Go" were nice revelations of Han's ability to care for someone and deny it at the same time. "I know what I'm doing." Sure you do, Han.

Jani really got Ken right in her two shorts, "Yankee Doodle Dandy" and "Tomorrow". HEROES has become one of my favorite HF films and as a sucker for Ken stories I found her depiction of him very loving, as was her tribute to Ron Kovics.

Madge Miller's article "There's a Ford in Our Future" was most thought provoking. Harrison, indeed, does combine in his performances the qualities of strength and vulnerability, a combination guaranteed to appeal. My 70-year-old mother saw SW and three minutes into the cantina scene asked me who Han was. I asked if she meant the character or the actor. She replied the actor. "Harrison Ford," said I. "He's cute!" said she. Yep — he appeals to the 5-105 set. Also enjoyed Madge's comparison to

a car, the good chassis part. There ain't nothin' wrong with that boy's chassis! Found Madge's comments about the new type of protagonist very interesting. Personally I'd be pleased to see male leads who are not afraid to be vulnerable. However, rather than seeing the "Renaissance" type as a contrast to the "anti-hero" of a few years ago, I see it as an evolution of that protagonist. Unless you limit the definition of "anti-hero" to the Bonnie and Clyde types, the tough yet vulnerable individual who tries to deny the sense of good or honor in himself has been with us for some time. Both Han and Tommy share characteristics common to John Wayne's Ringo Kid in "Stagecoach", Marlon Brando and James Dean exemplified "anti- heroes" who were both tough and vulnerable, and who experienced a re-emergence of integrity, i.e. "East of Eden," Rebel without a Cause", "On the Waterfront" and even "The Wild One". To me the biggest difference between the earlier and modern day anti-hero is that today our protagonists seem more comfortable about expressing their feelings. I see that as a positive sign.

I was, personally, all set for a "Frisco Kid" ish, but it seemed as thought #3 turned out as diverse as the actor in whose honor it is printed. Nice to see some now artists therein.

Lori Honey's various Tommy Lillard heads have a rough-hewn, bold texture that compliments said character well. Lisa Mason's polished style turns out a suitable Han with only a tat of proportional inconsistency in the features. Gordon Carleton, pro artist, incurable punster, mad poet, huggable Wookiee and all-around great guy, is a household word in general fandom but new to FACETS, and Lori C.C. deserves a Hero ine medal of her own for loaning him to you from WARPED SPACE. As you so correctly put it, only Gordon could illustrate a cake recipe! And his bevy of HF faces for "Force 10 from Hanover Street" is priceless — especially those extra little Gordon touches and the disgruntled Kenny Boyd and Bunny. Y'uns keep saying such complimentary things 'bout me in the editorial and I blush with embarrassment at the ego-boo. Gosh and shuckins, it wasn't nothin', folks! I reiterate the obligatory disclaimer that most of the credit goes to Mr. Ford for continuing to provide such excellent incentive by 'doing his job' so competently and remaining so devastatingly decorative in the process.

Eva Albertsson lets no icicles grow on her funny bone. Of course she left off the rest of the caption, which should have read in total: "What, now? All right, kid, third door on your left ... and don't forget the can opener."

Sherry Magee does a competent review of FRISCO KID which goes into a lot more detail on the film itself rather than concentrating on Ford's performance exclusively as does Madge Miller.

Aside: I loved the was ye olde editors used the Gothic typeface on all the FRISCO KID features to match the opening titles in the film. I particularly enjoyed the literacy of Sherry's article — the allusion to Avram being the "Jewish Candide", she gets revelations of the contrast between Tommy's "ignorant and profane" exterior and his warmth and gentleness concealed be neath the scruffy outer trappings. It was especially gratifying to see all those reasons why I felt Tommy was one of Ford's better efforts.

Between JJ's young Ford portrait and Monfett's synopsis, I got just enough sample of DYNASTY to want to see the film. I've always wanted to see one of those "sensitive younger brother" roles HF mutters about in his inter views, and DYNASTY sounds like one of the better specimens.

Of the two HEROES poems by Hicks, I preferred "Tomorrow". Both it and "Yankee Doodle Dandy" express valid vet points of view and the power and desperate internal turmoil of the 4th of July emotional cry is painfully well put. However, to me, "Tomorrow" is more of the re signed, hat-over-the-eyes empty-dream essence of Kenny Boyd, On the other hand, Becky A's Kenny is not on a par with most of her SW stuff I've seen, perhaps because I prefer her bolder inking style, perhaps because she's more comfortable doing Han. How Paulie does a lovely, heart-rending Kenny, half-angry, half hopeless, slouched and shadowed with all the little nuances which make Ford's role in HEROES so well executed and touching.

I've no doubt mentioned how much I enjoyed illoing Lisa Adolf's "What Man Has No Knife?" It's a perfectly logical and utterly enjoyable sequel to FRISCO KID once one suspends one's disbelief at Tommy 'going straight'. What I liked best was Lisa's mastery of the atmosphere and spirit of the story format. From "Shee-it", "Yep", and "I didn't holler like a Leslie", she has Tommy's number. And the theme of friendship and trust works out to bring a unity and very timeless message to the story in similarity with the film.

I had, with sinking spirits, read "Corellian Wake" and Magee's "Lament" is the fitting accompaniment, regardless of my fierce refusal to see Han snuffed.

Thanks to you, Jane, for the review of HAN SOLO AT STAR'S END. Glad you enjoyed it as much as I. Are you going to do HAN SOLO'S REVENGE?

Not quite as good as its predecessor, methinks, but still better than Alan Dean Foster's scrodfodder. And just the mental image of the Master Marks man ... Ah yes, Becky's lethal Han is her nice heavy-contrast style again that makes such an attractive set-off.

Eek! This was going to be a short note. Better nonetheless mention Chris Jefford's very nicely constructed story-within-dramatic-monologue of "You Ain't Gonna Go". Winning combination, that: suspense as Luke's life hangs in the balance; character development as Solo spills his guts to the unconscious kid in a battle to will ("force"?) him to live. And Chris has Han's speech pattern down pat.

Then there's Paulie's incredible "Double Hangover" illo! So there you have a nit-picky LoC of the latest ever-lovin' ish of FACETS — mighty nice bird cage liner if I do say so. And the way it keeps on expanding and improving material — well, you know I'm hopelessly prejudiced, but I still think that eventually Ford ought to recognize the zine and acknowledge it for the tribute it represents.

Brava! Encore!

Let's start with the cover. It's good, but I don't think it's up to Martynn's usually out standing abilities. I can't quite put my finger on it, but there's something not quite right about the face. It isn't the eyes, though, they're beautiful! However, the art Martynn has in the rest of the zine is, as normal, wonderful. In fact, I think my favorite piece of art in the zine is her Tommy on page 27.

I see that Becky Aulenbach has two pieces of art in the zine. The Han in the back is fine — one of the few examples of her work that I like. However, the illo for Jani's poem is another story. If I didn't know it was supposed to be Ken Boyd, I'd never have recognized it. Reviews, a recipe and a synopsis just don't do much for me. Neither did anything else I haven't mentioned.

Do continue with FACETS. It's the only place I can get my fill of Harrison.

You've got a very nice zine here, and I'd agree that you're getting better each time out. Comment on comment: Lori C-C's letter about a "theme for each issue". I'd stay away from it. You are a Fordzine, not a one-film-zine, and although I enjoyed the HANOVER STREET issue, it was slightly spoiled for me by the fact that I never had a chance to see the film and have been obliged to piece together an impression of it from my correspondents and your own submissions. Similar with HEROES, DYNASTY, FORCE and THE POSSESSED; always glad to hear about them of course, but I hope you'll manage to keep a mix in each issue; my own Ford-impressions being from SW and FK only.

Your print: thought small is crisp.and clear. Salute to Martynn for that cover! Not that Martynn has ever done a bad illo in her life, but this is definitely one of the best of her portraits (as opposed to action pieces like those recently in FALCON'S FLIGHT #4).

Contents: Sherry's review of FK was right on the mark, and thanks to her for mentioning the fact that the credits should be sat through, both for the casting joke and for the filmed action underlaying.

"Dynasty", "Tomorrow", and "Yankee Doodle Dandy" I don't feel qualified to comment on, since as mentioned I didn't get to see the films they were concerned with.

"What Man Has No Knife?" I thought was marvelous. After her "Little One" in FALCON'S FLIGHT it's great to see that Lisa can consistently catch the tone of interpersonal relationships; and she's captured both Tommy and Avram's speech patterns and attitudes perfectly.

"There's a Ford in Our Future" is perceptive and intriguing, and I'll be interested to see if Madge . is proved right. "Ties" is another high point. Sheila has caught Han's language and his ambivalent attitude excellently.

Though I didn't agree with Jane's critique of the ending of STAR'S END (see my own review of the book in FALCON'S FLIGHT #3) the rest of her review is, like Sherry's, apt and on the mark. I do think that she ought to have clarified some of her references (such as Doc and the 'military background') — as it stands it's fine for those of us who've read the book, but the purpose of a review is to tell people enough about the book or film to let them decide whether they want to see or read it themselves.

Art: about fifty-fifty. I'm well-pleased with the pieces selected for my own two poems, especially Lisa's Han for "What Are They Doing To Me?" Martynn, as mentioned, is up to her usual high standard, Paulie Gilmore is excellent, and Becky Aulenbach is getting better with every piece I see from her. Gordon's caricatures are, I suppose, fine if you like caricatures (I don't). As I did not see DYNASTY, I'll pass on commenting on JJ's "Mark Blackwood."

On the whole, you've got a very nice zine here, and I hope you'll continue to improve in future issues.

May I hand out the largest compliments to you and Kelly for the outstanding job done on FACETS #3! What a mild surprise to find my letter in the front!

Moving right along, just thought it might be of some interest to you who made up the trivia quizzes throughout the past issues of FACETS that this past one on FRISCO KID was my highest rated one. I might even be considered as half-knowledgeable on the subject of Tommy Lillard and Avram B. That made me.feel pretty darn good.

Lisa Adolf, I tip my yarmulke to you for that wonderful story! "What Man Has No Knife?" what a piece of work!!! I went as far as having other people around my office and home read the story and, in all cases, whether familiar with the characters or just newly introduced, the response was an overwhelming "Fantaistic!" and I believe you have a hit on your hands. Any time you want to renew the characters is all right with me.

Martynn certainly went all out with her art work this time. I have never seen Harrison Ford/Tommy Lillard so beautifully represented. I especially love the picture on page 27 ... whoa!

Sherry Magee's "Lament Sung at a Corellian Wake" is nice, but, even after reading "The Corellian Wake" by Susan Matthews I still had the vague feeling that something is present which should not be. That being the strong Rebel ties the Corellian is pictured as having. Other than that, the atmosphere developed through the music is quite befitting a "Corellian Wake".

Jane Firmstone-Rafferty did an excellent job with the review of HAN SOLO AT STAR'S END. I guess the reason I enjoyed it so much (the review, that is) is because I agree with so much. I especially enjoyed the statement about managing to "clean up Han's vocabulary-without losing the color of his speech."

I did not enjoy Jani Hicks' "Yankee Doodle Dandy". Ken's use of slang terms does not fit in well with the character I found developed in HEROES. Ken had always appeared to be an accepting type of person, fatalistic. Now in Jani Hicks' poem, he is found holding a very large grudge against everything and nothing in particular. I do, however appreciate the allusions made to Ron Kovics' statements as an introduction. That did give the poem some merit.

"Ties" by Sheila Paulson is, at best, mediocre. This one poem reads like, pretty much, every other Han-Chewie relationship poem found in most fanzines in general. I would hope, however, that some of the lines therein will be used as developing points in her own writing in future. ("What do you mean, this could be home?" and "I still got my reward. There's no hurry.") I LOVE, how ever, the final statement made by Han to his Wookiee companion: "I know what I'm doing", spoken after a complete page of indecision. Nice touch to a needing piece.

Lastly is Chris Jeffords' "You Ain't Gonna Go" which almost brought tears to my eyes for two reasons: 1) LOVED the Han-Luke relationship developed within the course of the tale and would have cried if Luke had decided that it was time to meet his particular Maker. 2) at the completion of the piece, there was no more left to read!

The zine was finished from cover to cover! What a bitter moment for us Harrison Ford fans! I am anxiously awaiting issue #4 and know that, as the numbers compile and the quality broadens, as has been the standard for FACETS 1, 2, and 3, #4 should be a dynamite! My compliments!

Better and better! FACETS #3 is the best so far; I enjoyed every line and picture of it. Worthy of special notice were: Chris Jeffords' "You Ain't Gonna Go: — lovely piece that — Sherry's wonderful "Lament" (my stomach is still in knots), and those delightful little cartoons of yours, featuring Han and the one-eyed tentacled what-not.

I also loved Lisa Adolf's Tommy story, thought I'm still waiting around for the film to hit these heat-forsaken backwoods north of the border (the border in this case being the Arctic Circle).

A flower to Paulie Gilmore for the illo of "You Ain't Gonna Go"; apart from that Martynn's front cover and Tommy-with-the-baby, along with Jane's frozen Corellian, were the best.

To begin with the cover, it certainly isn't my favorite Martynn; in fact, it's no where near up to the level of accomplishment demonstrated by the other pieces she had in thish. Harrison's not that pretty.

The art overall ranges from fantastic (pp. 27, 34, 20) to horrendous (pp. 13, 18, 37). And of course you know I love Jane's Han on p. 29 or I wouldn't have bought it last year.

The written material is also uneven, ranging from fantastic (the only thing I could find wrong with "What Man Has No Knife" was a typo or two and Tommy saying 'tyke' — that's a Victorianism ((ED: the story is set in 1850, that was during the Victorian era)) to mediocre (the "Dynasty" synopsis — the only thing more confusing than a soap opera is a soap opera synopsis). And I think you over did the reviews a little — come on, four in one ish?

What is this, SATURDAY REVIEW? And I hope that "You Ain't Gonna Go" is the last time I see Beth's poem answered/debunked/ripped off. Chris' other poem is beautiful, but in addition to the topic of the second one, I find the style very stilted and (no pun intended) forced. There was absolutely no difference from a piece of prose; I was under the impression that poetry was intrinsically different from prose writing, not just respacing of it. It's the first of her poetry I've seen, and after reading her incredible prose stuff I wonder why she bothers.

I also see a few graphics problems. The title graphics don't match — it's jangling to the eye to see title and author's name in two different fonts. And the font you've used in many cases, for the title doesn't fit its spirit. For instance, the font you use for "Force Ten from Hanover Street" is an absolute natural for the FRISCO KID pieces, instead of Gothic (ugh) which is damn near unreadable anyway. Also, the G.K.W. Computer font you used on "Spacer's Delight" speaks to me of machinery, not of the free-flowing spirit of the filk.

The 'toon art is uniformly primitive, with the exception of Gordon's stuff which aren't really cartoons anyway. I really don't think that a cartoonish style implies an early third grade level of artstic performance. As an example, Pam Kowalski's cartoon style (have you seen her hysterical back cover for the new ELAN VITAL. Han selling wind-up Kenobi dolls?) is a simplification of her illustrative style without being insultingly simple. Come on, Jane, take a little more than ten minutes per illo. I know you can do lots better.

All in all, I'm sorry to say that I don't see FACETS improving with age. If anything, thish was weaker than the last. I understand you're having trouble getting artists, but that's no excuse for taking second and even third rate material. Let's wait and see #4 I've got my fingers crossed. As it stands now, this is not a 'zine I would have bought.

Just finished FACETS #3. Didn't get #2 since I didn't see HANOVER STREET, but #3 is light years better than #1!

To start, your cover is probably the best piece of Martynn's that I've ever seen — drool! It really is a beautiful illo, and much better than her drawings for "What Man Has No Knife?" For quality of artwork I'd rate Becky Aulenbach's illo for the review of HAN SOLO AT STAR'S END next, with Lisa Mason's illo for Jeffords' "What Are They Doing to Me?" a close third. Gordon Carleton's stuff is — well, Gordon Carleton. Short on artistic quality but long on humor were Jane's cartoons on page 9 and 33.

Loved Chris Jeffords' two poems, and both Sheila Paulson's "Ties" and Sherry Magee's "Lament Sung at a Corellian Wake" were almost as good (I read the Matthews story too and loved it, depressing though it was).

The only HF movie I've seen is SW (I don't count AMERICAN GRAFFITI since I didn't really notice Bob Falfa — too busy staring at Paul LeMat — and didn't have time to see it on the re-release year even thought I claim it as "my movie", being a 1962 high school graduate).

However, I did very much enjoy Lisa Adolf's "What Man Has No Knife?" and assume the characterizations were accurate. From what I've seen of Lisa's work she definitely one of the better fan writers around, and it's interesting to see a fan story that isn't SW!

As for Jane's review of STAR'S END — well, by comparison with the first book, HAN SOLO'S REVENGE was not too far from the Montezuma's variety in my opinion! STAR'S END is far superior to REVENGE, and we won't mention the other 'pro' novel. Quite frankly, I've read better fanfic than Brian Daley's efforts, but SE comes out as equal to pretty good fanfic while REVENGE is mediocre. I would love to see SE filmed — can you imagine that spectacular ending in 70mm? Fanflippintastic!

Daley has managed a pretty good job of character development in both books, esp. SE, though I thought the droids were a bit too derivative. I have a small quibble, though. Jane, you say Daley's explanation of Han's military background will have to stand, because Lucas obviously approved the book. Well, he approved Foster's also, which seems to me a pretty good indication that he's able to accept publication of views that don't mesh with his personal vision as it will presumably be defined in the film. Do you remember the street scene in Mos Eisley, when the troopers come barging through and everyone gets out of their way? One of the two men who quickly step into a doorway is wearing jeans with a beige stripe, and in the trailer for TES3, Han's jeans have a yellow stripe. The differences in color don't fit with Daley's statement that Han's red-striped jeans are part of his old uniform. I'm not saying he doesn't have a military background, but Lucas himself has not said so, and until he does I'm going to continue considering Daley's and Foster's novels and the Holiday Special as apocryphal, with only the movies and their novelizations as canonical sources (and where the novelizations contradict the movies, the movies are the last word). Just looked at the review again and was reminded once more of the payoff to Ploovo. Wouldn't that be fun on screen? Shades of the face-grabber in ALIEN! And a lot funnier.

Yes, I do wonder how Lucaa would show his payoff to Jabba. if we're real lucky, maybe that's get a quick scene or at least a verbal description in TESB.

Hey, wowie! For a Hanaholic this is great fun! #3 is my first ish of the zine (I oughta be kicked for letting #1 and #2 slip past me). Let's see — favorites are "What Are They Doing to Me?" and "You Ain't Gonna Go", both by Chris Jeffords, and "What Man Has No Knife?" by Lisa Adolf. I like Lisa.'s story partly because I o-d'd on FRISCO KID and adored HF's portrayal of Tommy, and partly be cause I liked the way Lisa handled Tommy and Avram's characters. I always believed Tommy would go straight. I don't thing Avram would say 'god damn' under any circumstances, but this was a very minor flaw. Chris' poems struck a nerve — they were so emotional yet so restrained, so very Han that they were very moving to read. I tend to overplay Han's emoting in my own work because I have a tendency to make him a little sappy. But Chris has caught the high-strung tenseness of feeling in Han and played a very beautiful melody on it. People like Han appear to be very reserved because they are very much aware of their own feelings. A superficial person would slap his feelings around indiscriminately. Han is not superficial, as we all well know. Christine has done a fine job of delineating the inner man with a keen awareness of his psyche and the expertise of the disciplined writer.

Martynn's illos are, as always, magnificent and I loved Paulie's work for "You Ain't Gonna Go". This is the first time I've seen her work, she's very good. (Paulie, where are you? Could I talk you into signing on with FALCON'S FLIGHT?)

The rest of the material was well done. The reviews were crisp and succinct. Lisa Mason is another good artist. Everything — very

nice. The only thing I object to, and this is a minor complaint, is the reduction of print on full page stuff, it's difficult for my eyes to track these small lines. Okay if the for mat is double columns, but otherwise it hinders my appreciation of the work.

Issue 4

front cover of issue #4 (photocopy), Kelly Hill

Facets 4 was published in 1980 and is 62 pages long.

Despite the fact it has a Frisco Kid cover, the content is nearly almost all Star Wars.

Joni Wagner won a 1981 Fan Q Award for an interior art piece.

The art is by Martynn, Gordon Carleton, Becky Aulenbach, Zenobia (this is a typo in the zine, the artist is actaully Xenobia), Joni Wagner, Susan Perry-Lewis, Paulie, and Larry Blake.

From an ad in Alderaan #12: "A Han ish with with FK and Heroes for spice. Come with us as Han gives Leia a riding lesson. As Han and Luke set out to kidnap the Emperor. As Han's past catches up with him -- and he wishes it hadn't. As Luke shares confidences with Han on the night of the Death Star. As Han delivers a soliloquy to his sleeping lady. And much, much more."

From this issue's editorial, some clarification regarding letters of comment:

...we have heard rumblings that there were a couple of LoCs printed without permission in #2. We thought we had everyone's permission, but, obviously, we did not. If the offended parties would write to us we would be glad to apologize. Meanwhile, we are going to instate a policy that if you want your letter used as a LoC designate it as such, otherwise it will not be printed.

Also from the editorial, comments about the new movie:

Well, THE EMPIRE STRIKES BACK has arrived and knocked most of our ideas into a cocked hat, but there were just too many good stories around to chuck them out the window because Lucas has decided that Han would look good in a block of metal. So, most of the stories, we will run will have Han bopping all over the galaxy, as he has always done, because we have no real desire to read nothing but 'Let's rescue Han' stories. We undoubtedly will be printing a few, but that's not all we want to print and we are a fairly limited zine, so, just consider the stories herein and in the future alternate universe and enjoy.

Speaking of EMPIRE, we liked it ~ most of the time. Our local copy has the star cruiser in the opening shot wobbling as tho it has indigestion and that sort of spoils the beginning and Luke being sucked into the intake vent and ending up hanging from a weather vane eradicated the necessary suspension of disbelief. There were a few other technical points that bothered us, but not enough to ruin the movie. And we thought that the ending should have been punched up more to leave you with the impression that the cavalry was off to rescue Han come hell or high water.

Outside of those minor flaws, it was a hell of a movie. Harrison packed up the movie and walked away with it, combining consummate acting with an understanding of his character to show us the sides to Han that we all knew were there. It's not as much fun as STAR WARS, but it says a lot and it left us breathlessly awaiting #3 and The Great Thaw. It also left me wanting a taun-taun, but that's beside the point.

From the editorial, regarding Open Letter to Star Wars Fans by the Duncans:

Now to get serious for a minute. A lot of us got a letter in the mail from the Duncan sisters just after EMPIRE opened (most of you who didn't get the letter heard about it, I'm sure) panning the film and demanding that we boycott the film and write to Lucas to protest and insist that he re-film EMPIRE. Then, several days later, we got the retraction, stating that their projectionist somehow misplaced several minutes of the lightsabre duel between Luke and Darth and that once they got to see those few minutes they liked the film again. Well, we thought it sounded strange too, but we chose to ignore it as fandom is nothing if not a refuge for strange people.

A lot of people did not ignore them. It seems that one of the major entertainments in some sectors of fandom is how to plague the Duncans. It has gone beyond arguing a point of view to outright harassment. We find it hard to believe that fans who should know better (it could happen to you next) have nothing better to do. This sort of thing can (and frequently does) get out of hand. STAR WARS was fun, EMPIRE was fun, but vicious letters are not. The Duncans may in trouble with Lucasfilm over their demands for boycott, so they have enough problems. N'est-ce pas?

• Ye Olde Editorial (1)
• The Market Place (2)
• Letters of Comment (4)
• The Riding Lesson by Christine Jeffords (Star Wars) (8)
• My Only Friend, poem by Beth Bowles (Frisco Kid) (11)
• Friends, poem by Sheila Paulson (Frisco Kid) (11)
• The Smuggler and the Jedi, poem by Christine Jeffords (part of the Brightstar Universe, Jeffords writes about this at length in the editorial of Outlands Chronicles #1, see that page)(Star Wars) (12)
• Han Solo's Revenge, book review by Christine Jeffords (16)
• Confidences, fiction by Christine Jeffords (part of the Brightstar Universe) (Star Wars) (18)
• Motives, poem by Martynn (Star Wars) (24)
• Imperial Entanglements, fiction by J.A. Berger ("A very early story, written before the release of The Empire Strikes Back. Han and Luke come up with a crazy plan to kidnap the Emperor and then run into Leia, who has a crazy plan of her own!") (Star Wars) (26)
• Tragedy at Racetrack, fake newspaper clipping by Peggy Barilla (Heroes) (41)
• Reward, poem by Sheila Paulson (Star Wars) (42)
• Echoes of the Past, fiction by Sheila Paulson (Luke helps Han deal with his past.) (Star Wars) (43)
• Who Only Wait and Suffer by Martynn (Star Wars) (50)
• For Maggie, 1944, poem by Ronni Sacksteder (Hanover Street) (53)
• Free, poem by Beth Bowles (Star Wars) (54)
• Han Solo: A Ladies' Man for All Seasons, article by Sherry Magee (Star Wars) (reprinted in Empire Star #4 a year later with a slightly different title) (56)
• Lettuce Farmer, poem by Jane Firmstone-Rafferty (Heroes) (61)
• That's Two Ya Owe Me, Junior! by Catherine Strand (Star Wars) (62)

• 

  from issue #4, Joni Wagner, winner of a 1981 Fan Q Award

• 

  from issue #4 (photocopy), Martynn (Star Wars)

• 

  from issue #4 (photocopy), Joni Wagner (Frisco Kid)

• 

  from issue #4 (photocopy), Martynn (though this appears to portray Han and Luke, but it is Luke and a woman) (Star Wars)

• 

  from issue #4 (photocopy), Becky Aulenbach (Star Wars)

• 

  from issue #4 (photocopy), Xenobia (Star Wars)

• 

  from issue #4 (photocopy), Xenobia (Star Wars)

• 

  from issue #4 (photocopy), Xenobia (Star Wars)

• 

  from issue #4 (photocopy), Paulie (Star Wars)

• 

  from issue #4 (photocopy), Paulie (Star Wars)

• 

  from issue #4 (photocopy), Paulie (Star Wars)

• 

  from issue #4 (photocopy), Paulie, commentary on white space (Heroes)

• 

  from issue #4 (photocopy), Larry Blake (Star Wars)

• 

  from issue #4 (photocopy), Gordon Carleton (Star Wars)

• 

  from issue #4 (photocopy), Susan Perry-Lewis (Hanover Street)

• 

  from issue #4 (photocopy), Paulie (Heroes)

Reactions and Reviews: Issue 4

The Joni Wagner drawing of Han on page 24 is spectacular! My blessings on STARLOG for the original photo. Joni is definitely one of the best SW artists there is. Kelly did a good job on Tommy's eyes on the cover. Martynn's art throughout the zine is lovely, as always, but I do wish she'd do more with her backgrounds. Whoever Xenobia is, I want her address! She's terrific! Is that crayon she's using? In fact, it looks like Paulie used some crayon, too. (Their styles are very similar.) Of course, you already know how much I Like Paulie's work.

Long Live Gortfield! I'm a Garfield fan from way back.

To be perfectly honest, I didn't like "The Riding Lesson". In this story, Han hurts an innocent animal by putting a fruit pit under its saddle, and thereby risks doing Leia a serious injury when she is thrown. Who knows how thick the snow was going to be where she landed or how she was going to land? She could have broken her neck. While Han does seem to have a well-developed sense of humor, I can't see him pulling such a risky and foolish trick. And Luke wouldn't have just laughed and thought it was a cute trick. He would have told Han off but good!

"Friends" by Sheila Paulson is lovely. She has really captured the essence of Tommy Lillard in this one. Chris' poem "The Smuggler and the Jedi" is also excellent. I've yet to read one of her poems and not enjoy it. I also enjoyed her review of HAN SOLO'S REVENGE.

Sheila Paulson's "Echoes of the Past" was sad but fine. Writing the story in first person and having Han coming out sounding like himself is a real achievement. My compliments to Sheila.

Gordon Carleton's cartoon is, as usual, a work of art, from Luke hand and lightsabre on the floor by the tinker toys, to Han's eyes bugging out at at the blowtorch in Leia's hand — or is it the bridal veil and wedding bouquet? I love it!

I also enjoyed Sherry Magee's article on Han and his women. SW articles are so rare, and well-researched ones rarer still.

Really dug your Falfa poem, Jane. You got him to a T. I'd like to see MORE AMERICAN GRAFITTI to see if friend Bob Falfa ever did grow up.

And last but not least, Catherine's Strand's poem "That's TWO Ya Owe Me, Junior!" shews 'a delightfully puckish sense of humor' to quote Dr. John H. Watson. Hers is exactly the kind of humor I'm looking for for KESSEL RUN.

This is without doubt your best issue to date. More please!

Sherry Magee's article I found superficial and very disappointing, pretty much a waste of five single space zine pages. I may be asking too much, or misunderstanding her intent, but there is no real analysis of character or plot and precious little of even the synopses she provides, assuming, I guess that her readership has seen every story she mentions. I for one haven't and was confused by her many passing references to this story or that poem. There has been little or no real criticism of fanfic print ed (outside of LoCs) and a applaud her attempt at it, but that's about all I can say for it, she tried. As an author not claiming any special expertise other than that, I was disappointed in that the first attempt at examining SW lit seems to have been so carelessly thrown together, with a brief catalogue of story excerpts and the author's astonishment at being just barely able to discern the common thread of Han's multivarious ladies just as independent and free living as he is! That's not exactly a surprise in a universe that's been at war one way or another for forty years! I have few if any arguments with her choice of story examples, except that she seems to assume that they are all well known and some were in zines that are not that widely distributed (such as J.J. Adamson's SOLO). I just wish she had put more thought and a bit more work into her apparent effort to compare and contrast the stories she mentions, and more discussion into the article of the motivations and manipulations of the ladies and the Corellian in those stories. They are human characters (I found no mention of the Cat Lady) and could have been discussed in depth. I applaud the editors for printing this sort of article, though. It's an area of fanwriting that is sadly lacking and (I think) very interesting.

Sheila Paulson' s "Echoes .. "is poor space opera, good soap opera. I think that says it all, since the plot is barely believable and the Han presented is so maudlin and heartless by turns! I thought the artwork a bit rough also.

"Who Only Wait" is a comic masterpiece, perfectly matched by Cordie's cartoon. Kudos to multitalented Martynn for this and "Motives", a fine, sensitive piece, a beautiful thought verse indeed, marvelously complimented by Joni's GORGEOUS illo (from that GORGEOUS pic in STARLOG, right?) Wow, what a dynamite match up those ladies make!

Paulie's artwork never fails and her cartoon, on page 41 is hysterical. My compliments also to the eds for placing it with "Tragedy", a grim, frightening possible sequel to HEROES. Poor Kenny may just be the best HF has done other than SW/TESB.

Now, I have to know; (facetiously, please) Is this or is it not the Chris Jeffords Memorial Issue? Sigh. I loathe, despise, and ENVY people who write so much so well. "Confidences" is a lovely working of an idea I have seen touched on elsewhere, and "Riding Lesson" is fine, funny and absolutely in character. Then she goes and tackles story-poem form in "Smuggler and the Jedi" and does that better than any I've seen in some time. SIGH.

Hey, people, this zine is looking damn good, clean, carefully laid out, not a sign of harried or deadlined editing anywhere

Kelly's portrait is to the life perfect and it reduced beautifully from the full page xerox I saw a few months back. You done good, lady editors, kudos all around.

I think my favorite parts of #4 are Martynn's poems, Sherry's article, and Xenobia's illos.

It doesn't surprise me that I like Martynn's poems — especially her "Who Only Wait and Suffer", with its terrific Gordon Carleton cartoon.

If I had the energy to rave about the artwork and material, believe me, I would.

I enjoyed Sherry's article immensely (I got a sneak preview) and — in light of the fact that she treats of some stories close to my heart — I'm hoping she'll get good reactions in your LoCs.

Xenobia's artwork was a bonus. I don't think we've seen quite that combination of fluidity, technical precision, spontaneity and character since Teanna left us. And still I don't want to fault the excellent artwork of Becky, Martynn, Paulie, and any other of your contributors. I liked the cover you yourself did! I'd like to be sure and mention that. I don't know about you, but for me drawing peoples' open mouths is the biggest challenge ever!

Congratulations on Tommy. And Congratulations to you and Jane on #4 — I'm really looking forward to #5.

This time I'll restrict myself to commenting on pieces related to movies I have seen, and not waste space with the rest. Taking the contents in the order found, and disregarding my own: Beth and Sheila's poems are excellent. Each has caught the character and speech pattern of its subject with grace and skill, while Joni's illo serves as a perfect tie between them. What a dedelightful coincidence that you should have received and accepted both} they complement each other so well.

Martynn's "Motives" reminded me a bit of my own "After the Battle" in FALCON'S FLIGHT #5. Sounds like the sort of thing Han would be telling himself — "I can stop any time I want to" sort of talk.

Joni's portrait -- fantastic! This lady has got to be one of the best SW artists around.

"Imperial Entanglements" seemed just a bit improbable as to storyline, but the characters are well handled, especially Luke with his use of the Force, an angle which I was a little surprised to see in a zine supposedly devoted to Harrison.

Paulie's illos were excellent, especially Luke on pp. 31 and 37. "Reward": another good bit of getting into Solo's head. I particularly liked the last line — very apt, Sheila. But "Echoes from the Past" I didn't care for. I have nothing against the basic idea of Han having seeded a bastard — I've played with the idea myself — but the boy being in the Rebellion at that tender age seems just a bit farfetched, and his death a variation on all those old TV westerns we all remember, where one of the regulars fell in love and the girl was killed before anything could come of it — though I suppose Sheila felt she had to do it that way, or else end up with him flying in the Falcon with his father.

"Who Only Wait and Suffer" expresses some of my own feelings about TESB very well. And "Free" is a good reverse treatment of "Going Home" in PEGASUS 4.

Sherry's article is thoughtful and we11-organized; I'd like to see a follow-up to it sometime, concentrating on the ladies with whom Han has been involved since it was written.

Martynn, Becky, Xenobia, thank you for the art for my contributions; Martynn, especially, I loved the extra little touch of having both the appropriate weapons hung over the bedpost for "The Smuggler and the Jedi". I must concede that I find a number of typos this ish — more than you had the last time — but far be it from me to castigate a typist for her typos. And I'm happy to see that you'll end up with an 80-to-l00 page zine, especially if it continues to offer a mix of Fordian characters, and, particularly, a still- active (parallel universe?) Solo. Keep up the good work.

When writing LoCs, it seems we're taking the role of critic, which usually means that we should ferret out comment on what we perceive was errors in the material. Alas, the only things I could find to criticize was that in my copy of FACETS the right hand pages were printed in lighter type than the left hand ones, and that there seemed to be lots of typos. Otherwise, I loved the issue. It looks sharper with each edition.

Artwork: Thought Martynn's illo for "Smuggler and the Jedi" was fine, and I was delighted that Joni Wagner is doing illos for the zine. I have long been an admirer of her drawings. Her picture ; of Han was gorgeous, but my personal favorite was the) one of Tommy and the rabbi. It was one of my favorite shots in the film.

I also love your cover drawing, Kelly. It looks almost as nice as the copy you sent me that hangs on my wall. Paulie's illos - no matter what name she uses, I love her stuff.

Poems: I knew that Martynn drew beautiful Han pics, but I'd never encountered her written material before, and I was delighted. "Who Only Wait and Suffer" was delightfully funny, nicely complimented by Gordon Carleton's illo. Leia with bridal bouquet and blowtorch was the perfect touch.

"Motives" was a nice poem, too, describing Han much the way I see him - especially the part about not trying to tie him, but if you'll let him alone he'll return on his own. Actually that's pretty good advice for most relationships. I liked Beth and Shelia's two poems that contrast the rabbi and Tommy's versions of their friendships. Catherine Strand's "That's Two You Owe Me, Junior" was a nice mix of Han's style with just a touch of humor at his plight. I was glad to see something on Bob Falfa. Jane's "lettuce Farmer" was nice, told, I assume, from the point of view of the Suzanne Summers character, however, one thing confused me. I didn't remember Bob as having "golden hair" - but it fit with the idea of Falfa as a case of arrested development. "For Maggie - 1944" was a lovely romantic look at the Halloran-Maggie relationship from a year later. What I liked beat about "Free" was Luke's acceptance of the situation when he realizes he can't call Han back. Then there's "The Smuggler and the Jedi", which was probably my favorite poem, if I must have a favorite. It seemed to me a fine delineation of the Han who is all smart-mouth one moment, but who can't really believe anyone who he considers to be "somebody" could love him. A very nice piece that fits into.Chris' SW saga with her Jedi lady, Taze.

Fiction; Loved Jean's "Imperial Entanglements"! It's so nice to read a story that just has fun with our SW friends, but it's even nicer when the author manages to keep them in character. Also liked Chris* "The Riding Lesson". The trick Han and Chewie pull on Leia is funny (when the story was written Chris hadn't seen a tauntaun, but came very close to the mark. The tiny front legs would make it hard for the beast to buck as described, but that's a minor point.), but the best part is the idea of Han, who can handle anything mechanical, not being able to handle organic transportation.

Both "Confidences" and "Echoes from the Past" were stories of a more serious sort, but were handled well. Chris' tale was one of the better night-after-the-Death-Star stories I've read. She managed to keep both Luke and Han in character. I liked the idea that Han would feel sorry for Luke, be able to comfort him, but still not allow himself to be tied to the Alliance. I thought Shelia handled her story very well. It's not easy to write about such emotional subject matter without letting the story descend into pathos. Hers did not. She kept Han very much in character.

Now for two of my favorite contributions. They weren't the longest things in the zine but they were ever so nice. One of these was "Tragedy at the Racetrack". Peggy Barilla did a fine job with this - she told the entire story in three short paragraphs. It takes me pages and pages to relate something, and the lady did the job in just a few words and an excellent newspaper style. Ken is one of my favorite Harrison characters, and I hope his future will be brighter than that, but Peggy's article certainly reminded me that there is more than one way to write a story.

My other favorite was Paulie's "Aesthedic White Space". There was something about the bunny chewing on Ken's shoelace that brightened up my day. Thank you, Paulie.

All and all, I think FACETS improves with each issue, and I feel privileged to be a part of it.

I liked FACETS 4 multitudinous better than #3. I would like to answer a comment one of the two of you made on my LoC, though? I'm aware that FK is set during the Victorian era, but I don't think Victorian Anglicisms would have penetrated to the West Coast, and anyway certainly not into Tommy's vocabulary since he's in all probability illiterate. Bankrobbers just didn't rate a higher education in those days, and even if he could read, the chance that he would read for recreation is approaching zero. And that's the only way he'd have been exposed to the King's English.

I adored Gortfield — one of the best-drawn cartoons I've seen you all print. And it certainly was true to the spirit of the original inspiration. Also loved the Martynn on p. 13 — it's one of the truest-looking bodies I've seen her put on him. Usually they look just a tad too much like a half back? this one is beautifully proportioned. Ditto Paulie's on p. IB; her Hans usually are a tad too young and this one is looking better. Joni's Han on p. 25 is nothing short of gorgeous. I was wondering though — is #4 the Chris Jeffords Memorial Issue or something?

The only thing in the 'zine I really didn't like (prose-wise) was the 'Ladies' Man' eulogy. I didn't really see any point in it at all. It seemed like four pages of concentrated ego-boo for those people whose writing was mentioned in it, and by contrast, slighted those of us who weren't. I don't mind my stuff not getting in — after all. It's hardly seen circulation yet — but to slight Jane's stuff (besides SPACER) and yours, and twenty other people's (there are only seven authors mentioned) and then to dwell lovingly on tripe like Nowakowska's Han -- who is totally unrecognizable to me — and obscure stories like J.J.'s, which only have a circulation of fifty in the states, seems unreasonable.

All told, though, it's a lovely ish and more than makes up for #3.

Thank you once again for a really good FACETS. This is only my second issue, and already I can see ; that every one gets better than the last, I loved "The Smuggler and the Jedi" by Christine Jeffords and "Free" by Beth Bowles. Sherry Magee's article was especially good, also.

And, of course, "Imperial Entanglements" by J.A. Berger. Whew! Had to hit the cold shower after that one! Martynn's art is fantastic; the whole ish was fantastic!

It occurs to me that FACETS is unique. It's a real tribute that so many people find an actor's portrayal of his characters so real that they would devote a fanzine to them. I doubt if many fan mag's could go on just that, since they are geared mainly to the personal aspects of an actor's "real life". It says a lot for Harrison Ford, and for the people who appreciate what a fine actor he is. FACETS is not just a vent for people's creativity. It's a way of saying thank you to someone who has brought so much enjoyment to our otherwise somewhat mundane existence.

Thank you again, FACETS. And especially, thank you, Harrison Ford.

On the subject of FACETS — you really aren't a 15 page letter-zine any more! Still, I enjoyed this issue.

Very acute characterizations in "The Riding Lesson". Leia's reaction to being tossed would have been interesting reading — assuming, of course, you could get it on paper!

"Imperial Entanglements" was excellent, especially the illo on p. 37 and Luke's use of the Force. "Echoes from the past" I didn't care for and I'm not sure why. Technically well done, but somehow Han and kid doesn't ring true.

Enjoyed Magee's article. Beautifully structured with lots of info — I especially enjoy articles with so many examples. It makes me wish I'd read all those zines.

Strand's poem was a nice finishing touch, but it brought the point home again that we have to wait 3 years to find out what Lucas does with Han. Fortunately, we have zines like FACETS that keep him hopping all over the galaxy.

#4 maintains and in many cases Improves the high standards set by previous issues. With TESB under his belt and more accolades for a touching and extremely skilled reprisal of Han Solo and the swashbuckling RAIDERS in progress, HF should be able to regard this latest literary tribute with a less than jaundiced eye. Work is supposed to help his temperament, right? Oh, well, even if he doesn't fly East and thank us all personally, that fabled lawsuit hasn't hit and he's still cranking out the most marvelous source material (if rumors on RAIDERS is any indication) so we should all be thankful. Can't let a LoC pass without invoking his name in the usual affectionate wry humor.

As usual, too, the art is beautifully reproduced, the reduced printing clear and the layout attractive. You still might benefit from the services of a proofreader, but by and large the typos are not so frequent as to be annoying. I particularly liked the type of textured paper you used on the cover this time round. It reproduced the nice detailing on Kelly's excellent hollerin' Tommy well — I recommend it by far over the slick white paper you used on my cover for #3.

Very nice cover, Kelly! The mouth — one of the most difficult parts — is just right, and you got just enough of that very light colored beard of HP's to make him properly scruffy looking. Your technique is considerably improved!

Ye Olde Editorial contained some real insight this time. Ho apologies need be given for "alternate universe" SW stories because as challenging as it may be to attempt to out-guess George Lucas on REVENGE OF THE JEDI or try to fit one's story ideas completely within his framework, we of the faithful Corellian affectionados prefer as much exposure of our Hero as possible (no comments from the gutter, ladies ... ) and at the end of TESB the prospects for Han stories until Jedi would seem rather limited to "Solo's dreams in carbon freeze" and anticipatory "rescue" stories. Better to follow Brian Daley's lead or diverge as the Thousandworlds Series; just so long as Han is kept in character.

I applaud also your statement about the over-kill on the fan reaction to the Duncan Sister's case of Public Hoof in Mouth. I was admittedly surprised that you, Jane, didn't jump on the band wagon being known for your expertise in delivering classic put downs, but those were of a more personal nature and the Duncans addressed fandom in general. I think a simple zine boycott on AGAINST THE SITH would have been just as effective anyway. Your tolerance is to be commended and emulated by other editors. Heck, even the Indians in the Old West knew better than to attack persons obviously not in full possession of their wits!

The LoCs were really super in #4! Aside from any little ego-boo I derived from generous conpliments therein, the letters were specific, instructive and constructive in criticism and delightfully chatty. No twits write in about FACETS with 'golly-whiz' comments but rather thoughtful and direct befits fen of higher intelligence. This leads me to the hypothesis that Harrison is obviously a magnet for the 'thinking' fan rather than mere groupies. Maybe it's the lingering aura of the former philosophy major about him ...

As for the regular contents of the zine — lots of variety, just like Ford prefers in roles, it seems.

Chris Jeffords "Riding Lesson" marked my first "Empire" story to illo and it is a cute bit of fluff. My only reservation about it is my usual quibble with Chris' general portrayal of Leia and Han. The snotty nastiness of the princess and Han's constant one-upmanship with her is in the SW films but it has been (even in SW) tempered by their undercurrent of attraction. Verbally, the two are constantly fencing but Han is ever always mindful of her as a woman, not a competitor. Chris' Han & Leia, even during the practical joking, have a hard, uncaring edge to them which I would like to see softened at least in any of her stories which are published outside her own GALACTIC FLIGHT. I did very much like the touch of Chewie always picking up handy items in his pouch - the Wookiee had to to have more than just a pretty face to be running with Han! Chris' "Smuggler and the Jedi" is very obviously from her GF SW universe too and here again, while I sigh fondly over the image of Han's gentle musings over a woman he truly loves, there is just something wrong about the self-assured Corellian asking the Biblical "What is Han Solo that you should love him?" Once again, though, Chris' images apart from subtle characterization are quite interesting. I especially liked the "Sea of Dragons" reference and the 'droid with a restraining bolt" bit. Han knows his own worth, though and amply proves his love and loyalty in TESB. I don't think even a female Jedi could give him such doubts. I guess it's less a matter of style that my personal views of the characters, so I rest my case.

If Beth Bowles and Sheila Paulson did not consult on their FRISCO KID poems the set is all the more amazing for the form a perfect duo, each conplimenting the other. And Joni's wedding portrait is just the right finishing touch. Sheila has Tommy's illiterate vernacular down well too. Chris Jefford's versatility is evident in her thoughtful review of HAN SOLO'S REVENGE. She tells just enough of the plot to whet the appetite of any fan who hasn't had the good fortune to read the book then concentrates on praising Daley for what I wholeheartedly agree is the author's forte: the characterization of Han and Chewie. Becky's little portrait shows a nicely balanced composition.

Funny, the following piece by Chris "Confidences", came off the best, for me, of her three pieces of fiction in #4. Maybe it's because she portrays Luke well and seems to handle the relationship between him and the Corellian with a gentler touch than between Han and Leia. Solo's gruff-but-caring facade and Luke's vulnerability come across well. And of all the multitude of Han-gets-Luke-drunk pieces I've read Chris' play with the Jaeo in "Confidences" is the most believable. Zenobia's art deco illos have a lovely, pleasing harmony to them with the unifying presence of the star portal and the circular motif. The style doesn't enhance the facial likenesses, perhaps as much as some others with less contrast, but that torso on Solo on the flash* page is truly inspirational!

Without contest the most breathtaking piece, of art in the entire zine is that absolutely stunning Han of Joni's that faces my poem. Joni has captured the very essence of the character as he appears in "Empire" — the depth of honesty and love to those piercing eyes and the softly ironic upturn to the full lips. It's got to be one of the best of Joni's pieces!

Now we come to my favorite bit of SW fiction in #4 — Berger's "Imperial Entanglements". It's a clever plot despite the fact that %fe now know the Emperor to be a far more sinister figure since TESB. And Berger shows not only Han but Luke at their resourceful best. Even though Leia appears ' for only a shot time, I also like the way Berger implied that the wily princess had a viable plan underway herself. Berger highlights both the Corellian's and Tatooine's chief attributes well — Han's inventiveness and adaptability as well as his amorous skills and wicked sense of humor; Luke's burgeoning control of the Force and his courage. The new character. Shayla, I found quite appealing; well suited to Solo in her sensuality, humor and yen for worldly riches; and refreshingly different from most SW heroines in her good-naturedly blatantly self-centerede attitude that leads her to the Imperial harem. I'd be most interested to know if Berger has any preqnel stories of Shayla before the events in "IE". The real prize scene, though, is that hysterical trio between Leia, Han and Shayla where Han gives the princess a teasing guaranteed to infuriate the most placid of women, let alone the quick-tendered Alderaani. Too bad Paulie didn't choose to illo that particular bit where Leia is "assisting'" Solo in divesting his boots — it's priceless! However, Paulie's other illos are equally wonderful, especially the buxom, exotic, cat-with-the-canary-eyed Shayla and her Force-projecting Luke.

Your brief HEROES bits are both effective reflections of Kenny Boyd's contradictory character. Barilla's newspaper headline is sadly realistic and has a frightening amount of analogies in real life. Paulie's cartoon that that funny, lazy, endearing side to Ken that made the rabbit hutch segment of the film so enjoyable.

Paulson's “Echoes from the Pasta with Biakes's illos I really didn't care too much for, as I'm not a proponent of two-crying-towel get'ems. The speech pattern for Han was well-done, at any rate.. Has this the set of illos you were going to use Leonard May for reference for Han's boy? If so, I'm afraid Blake missed the resemblance by 12 parsecs . In fact, all his resemblances are far off the mark - I think it's the off-center mouths that do it. Wish I had the facility for those backgrounds, though.

Bravo to Gordon Carleton once again for a hilarious visualization of my little paean to the nastier aspects of "Empire". I can't decide which is funnier; the bug-eyed Luke and Han, the princess constantly ready for a blowtorch wadding, or that forlorn severed hand holding the lightsabre among the 3PO debris. I've put in my bid with Lori for the original.

From the ridiculous to the sublime in the turn of a page brings me to Ronni's lovely, lyric “For Maggie, 1944". Doesn't sound much like the tongue-tied, down-to-earth Halloran, but the images are very beautiful. She did indeed have "crystal eyes.“ Sue Perry-Lewis' flawless illo bring the delicate love to life, capturing the tenderness of the moment in the adoring look in Maggie's eye and the wonderfully gentle angle of Halloran's hands — as if her love is so fragile he is afraid to touch her for fear she could break.

I keep a clip between pp. 53 and 56 so I won't accidentally turn to Beth Bowles' "Free" or see Paulie's heartbreaking illo. Both are too competent for comfort and I can't stand to look at either because of my attachment to Han. I suppose it is a tribute to both ladies in their agonizing effectiveness but as far as To concerned the less said about "Free” the better. The Corellian is too much of a life-affirming character to be sent to such an early grave.

Which brings me to my other favorite piece in #4, Sherry Magee'a analysis of Han Solo's way with the opposite sex. Sherry shows a lot of insight into the character of how his appeal transcends the raffish good looks. It's amazing to consider how Sherry and all the fan writers she deals with concocted essentially the same sort of romantic profile of the Corellian all based on Ford's characterization of Han in SW, so one must assume that all the slightest nuances Harrison put in that part really came across well, had now that TESB is out we can see that Sherry and the others were right on the mark.

In TESB everything we speculated about Han is revealed to be true -- he's a cheerful, vital lover (still managing a wan grin as he's led away to a possible frozen death in the wake of Leia's confession), he's a tease ("There's no time for anything else!"), he's considerate (protecting Leia in the cave-in, taking her arm as they walk in the Cloud City, coming to her aid on the ship), and he's a hell of a kisser (see Carrie Fisher's comment on that in THE MAKING OF TESB: "Special Effects gave him a great moth.").

I was not familiar with JJ Adamson's stories discussed in the article but I knew all the rest, and I found Sherry's comments on them perceptive. That calculating Han of Paulie's is a real charmer! Talk about a come-hither look!

Jane, I love your keen, sarcastic little ode to Bob Falfa (ever notice how the name resembles Boba Fett?). So you have an inside source I've never or did you just make up the bit about him being a lettuce farmer....

So there you have my exhaustive, respectful opinion of my favorite zine on the presses. HF should only deign to send you one thousandth that many words!