Splinter of the Mind's Eye
|Title:||Splinter of the Mind's Eye|
|Creator:||Alan Dean Foster|
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Many fans regard it with puzzlement and frustration due to its characterization and deviance from even the most rudimentary Star Wars canon. Most fans disregard it. Elements such as the invention of the word "Replonza" are mocked.
The book was originally written to be filmed as a low-budget sequel to Star Wars if the original film was not a success. 
Many fans consider the book poorly written and full of plot holes and terrible characterizations. Official Star Wars canon spokespersons have since downgraded the book to "secondary canon" due to its content and state of being jossed by numerous things, including a romantic relationship between Luke and Leia.
See more canon at Wookieepedia.
Luke Skywalker expected trouble when he volunteered to follow Princess Leia on her mission to Circarpous to enlist their Rebel underground in the battle against the Empire. But the farm boy from Tatooine hadn't counted on an unscheduled landing in the swamplands of Mimban…hadn't counted on any of the things they would find on that strange planet.
Hidden on this planet was the Kaiburr crystal, a mysterious gem that would give the one who possessed it such powers over the Force that he would be all but invincible. In the wrong hands, the crystal could be deadly. So Luke had to find this treasure and find it fast.Accompanied by Artoo-Detoo and See-Threepio—his two faithful droids—Luke and the Princess set out for the Temple of Pomojema…and a confrontation deep beneath the surface of an alien world with the most fearsome villain in the galaxy!
Reactions and Reviews
[from a fan's review the month the book was published]:
By now most STAR WARS fans have read Alan Dean Foster's sequel, Splinter of the Mind's Eye. It was late in coming and anxiously awaited. Now we know its finest feature is the McQuarrie cover. Though a creative adventure tale, it falls down most drastically in its develpment of relationships between the characters.
We are presented at the outset with a Luke Skywalker in love. Unfortunately, the Princess takes no notice of him as other than a friend. Luke's character ie less like the boy we first met in the movie and in the course of the book he faces many perils, each time proving his worth. At the conclusion he is revealed to be the chosen one of the Force, and elected to wield its power against the malevolent Darth Vader.
He succeeds (by a deus ex machina, in this case a black pit Vader tumbles into) and has proven himself worthy — for what it is made unclear. The book ends rather suddenly. He may be a man now, but he is still a boy in an important sense. He only gets to put his arm around the Princess as a reward.
Princess Leia takes on a chameleon appearance as she changes from the cold diplomat at the start into a friendly and often frightened female in the middle of the book. Her scream for no reason on the lake was a little much. It's a wonder Luke didn't overturn the boat and let her sink. At the end, Leia has become the revegeful killer, making an attempt on Vader's life with blood curdling joy. She is as cold as stone, seeing the slaughter of the surviving storratroopers as notnmg to feel for, presumably because she had witnessed the destruction of her home planet. Not a drop of compassion in this girl — Luke's fight to the death with the Coway champion was only for the Rebellion, so she could escape the planet and continue her diplomatic rel ations, totally disregarding any social ones.
This diplomatic business, it seems, should have composed the hulk of the hook. As it was, Luke and leia never got off the planet of Circarpous IV where they'd been stranded. Unfortunate, for the Rebellion's cause remained at a stalemate, with the exception of a Darth Vader with only one arm.
Other minor problems are the length of time with the Imperial Supervisor (one and a half chapters), the silly old woman with the powers of a witch, the description of both Vader's and Luke's sabres as blue-white, and the statement by Vader that he discovered Luke had blasted his ship over the Death Star (two-way laser gun fire, possibly?). The greatest flaw of all was the absence of Han Solo  and his trusty companion Chewbacca.
The Force, also, becomes the thing of sorcerers, and how a power that is made up of all living things can be centered in a stone is questionable. Luke's power, or so we are led to believe in the film, comes from his own soul, with only assistance from an outside guide.Perhaps the harshness dealt the book is forgoing the knowledge that much possible relationship development, furtherance of the Rebellion, and Han's future involvement, is due to what Foster was told he could not write about. Perhaps he was stifled as was the STAR WARS comic book. Such results leads one to wonder whether this type of "sequel" should be written at all, or whether STAR WARS should be left well enough alone. 
SPLINTER OF THE MIND'S EYE (or DARTH VADER TAKES A DIVE) Del Rey Books — $1.95
Well, the sequel to STAR WARS is out. The action takes place on a primitive planet where the Empire is involved in mining activities without the knowledge of the officials of the planet. Luke, Leia, R2D2, and C3P0 crash on this planet and become embroiled in the local politics and are involved in a search for a glowing gemstone that concentrates The Force. The action progresses well until the author remembers that he was supposed to involve Darth Vader in the action and brings it to an unsatisfactory conclusion.
All in all, C3P0 has too few lines; Darth Vader has a bit part, and Han Solo and Chewbacca are nowhere to be found. Oh, well, perhaps the movie will be better than the book.Alan Dean Foster, author of this opus minimus, has been known to do better, and if the same crew is available for filming the sequel, it will probably turn into a respectable movie. 
I'm writing principally because of the review in the last issue of "Solinter of the Mind's Fye". The reviewer seems under the impression that this is the script for the second movie, now oettinn underway -- it is not. Mr. Foster's story is his own material and bears no more relationship to the second movie than "Spock Must Die" does to the new Star Trek movie. George Lucas is the author of the basic story for the new movie, and it will be taken from his outline for several future movies "The Adventures of Luke Skywalker". I quite agree with the reviewer, also, that the Dean story is unsatisfactory. Part of it may be Mr. Dean's belief, publically declared in talking about his Star Trek Log series, that he believes that instead of just converting a script to prose, an author should try to put his own individual stamp on it (which may be fine for Mr. Dean's career, but somewhat nonplusses fans who buy the paperbacks supposing them to be original Star Trek material. I remember that Mr. Dean has married Scotty off, given Uhura some dark reason for personally hating Klingons, and other strange departures from the series.) 
The popularity - or, as I have heard some put it, the magic - of Star Wars has "been greatly in evidence lately. Besides the commercial products such as toys, dolls, and model kits, there has been a preponderance of Star Wars fan activity. Stories set both before and after the events of the movie have appeared in fanzines, panels discussing various aspects of Star Wars are held at conventions, and related artwork is always a big item.
In the professional science fiction world, Star Vars has now reached the next stage in its development: the publication of a book "based on the characters and situations created by George Lucas." The author, Alan Dean Foster, is known to Star Trek fans as the author of the STLog series, doing for the animated episodes what the late James Blish did for the regular episodes. He is also the author of several "regular" science fiction 'works; to my mind he is one of the better of the current crop of new sf writers, so I was looking forward to what I was sure would be a well-written and interesting book.
Nor was I disappointed in this. Splinter of the Mind's Eye is a continuation of the adventures of Luke Skywalker, with much of the flavor of Star Wars combined with Foster's own style of storytelling. The characterizations, often a problem when an author is writing about someone else's creations, are very good. The plot is straightforward without being obvious, and Foster's use of the background given by Lucas follows logically and there are no apparent inconsistencies.
The main characters are Luke and Princess Leia; the story opens with them en route to recruiting additional members for the Rebel Alliance. As might be expected, complications set in and both of them get a little more than they bargained for, including the arrival of Darth Vader. Leia is still every inch a princess, as sharp-tongued and independent as ever, but in this case it seems to get her in trouble more than it helps. Luke is a little less the overeager, naive farmboy he was in the movie; although he is still led into his adventures by chance and the confidence of youth, he does take a larger part in the direction of his actions. The byplay between Luke and Leia is most entertaining; while Luke's love for her is always apparent, he is not above giving her a piece of his mind on occasion. He has more confidence in his own opinions, and seems to have matured a bit.
The presence of Ben Kenobi's guidance is another factor which affects his actions. At times, Luke "becomes almost possessed "by the spirit of his old teacher - each time, however, we see his ability to use the Force develop further. Several times the Luke/Leia relationship seems about to be explored more fully - at one point Leia reveals momentarily that his feelings toward her, to which she has seemed totally oblivious, may not be in vain - but each time they are interrupted and the moment is lost.
Some comic-relief is provided by R2-D2 and C-3P0, but they are not as involved in the story as I would wish them to be. The confrontation between Luke and Darth Vader is charged with action and contains several surprises. Unfortunately the ending of the duel seems a bit contrived, as if Foster had written himself into a corner and decided not to bother rewriting that section.
It is obvious that Foster is a Luke Skywalker fan, judging from the way the character is handled. While this is not the best of his works, it certainly is not far below the quality of the others. The concept of a young man who gets involved in adventures almost without actively searching for them is one Foster handles well, as anyone familiar with his Flinx stories knows. Any fan of Heinlein's juvenile fiction will also note the similarities in both story line and style. Even if I were totally unfamiliar with Star Wars this would still be a good book, which to my mind is a point in its favor.In general, I would recommend this book to anyone who doesn't demand complex stories or "message' stories. While not destined to go down as a classic in sf history, it is still good reading and difficult to put down once you've started. 
- Jason Fry "Alan Dean Foster: Author of the Mind's Eye". Star Wars Insider (July-August 2000)
- Harrison Ford was not signed for the sequel as of the writing of the book, which is why Han Solo does not appear in it.
- "Beyond 'Wars' Lacks Development (and Han)" by Tracy Duncan, editor of one of the first Star Wars zines, Against the Sith, published in the first issue of that zine in April 1978. Tracy Duncan was fan who was outspoken in her dislike of the character Leia Organa.
- review by Robert Osman in Alpha Centuri Communicator v. 3 n. 4
- Mary Louise Dodge in a letter to Alpha Centuri Communicator v. 3 n. 5, refers to a review by Robert Osman in the previous issue of this zine, see above
- from Fleet #22