Flip of a Coin/Issues 010-011

Nancy Miller Flip of a Coin is a Harrison Ford zine, which includes fan fiction from Star Wars, the Indiana Jones movies, and other films starring Ford such as Witness, Blade Runner, Heroes (film), The Frisco Kid, and The Mosquito Coast.

It is primarily gen but also includes non-explicit adult het stories.

This zine series began after a similar zine, Facets, ceased publication.

"Flip of a Coin" ran for seventeen issues between 1983-1986.

This page is for detailed information about issue #10 and #11. For information about the zine in general, see Flip of a Coin.

For information about other issues of "Flip of a Coin," see:

Issues 001-002 · Issues 003-005 · Issues 006-007 · Issues 008-009 · Issues 010-011 · Issues 012-013 · Issues 014-015 · Issues 016-017

Issue 10

cover of issue #10, Wanda Lybarger

back cover of issue #10, Martynn

first page of a flyer

second page of a flyer

Flip of a Coin 10 was published in February 1987 and contains 262 pages.

The art is by Wanda Lybarger (front cover), Martynn (back cover), Julie B. Jones, Jim Markle (inside back cover), Dani, Cherie Fontyn, Dianne Smith, L. Rogan, Yvonne Zan, Suzy Samsom, and SMAP.

From a flyer:

FLIP is celebrating!

In honor of the tenth issue, we have 262 pages, offset printed and perfect bound, with two beautiful full-color covers by Wanda Lybarger and Martynn. A wide range of Harrison Ford's characters are represented, written and illus trated by some of your favorite authors and artists.

• Hello! (3)
• Reviews (4)
• Guidelines for Submissions (11)
• The Magic Shirt by Jacqueline Taero (Harrison Ford) (12)
• All I Ever Wanted by Kathryn Agel (Star Wars) (14)
• The Good Woman by Cypher (Frisco Kid) ("Illustrated by Jim Markle. Rosalie has successfully played matchmaker and Tommy is quite smitten with a "respectable woman." Even with her abundant charms, however, he finds that some days it just doesn't pay to get out of bed in the morning.") (16)
• American Dream by Martie O'Brien (Heroes) (34)
• Revelation by Irina Ozernoy ("Illustrated by Jim Markle. Mark Blackwood, trying to understand his mother's reasoning in turning over the control of the family business to Uncle Matt, overhears a disturbing conversation which provides new insight into the circumstances of the elder Blackwood's death.") (Dynasty (film)) (36)
• Midnight Musing by Cypher (Mosquito Coast) (39)
• Just Another Useless Experience, Jones Style by Jacqueline Taero (Indiana Jones) (40)
• The Question by Jacqueline Taero (Blade Runner) (42)
• Somewhere in Kansas by Elaine Christiani ("Illustrated by Jim Markle. While paying a visit to the Blue Lily saloon in Cherryvale, Kansas, Tommy falls for the charms of the reputed psychic Kate Bender, who invites him home—for a visit he'll likely not ever forget.") (Frisco Kid) (44)
• Copping a Plea by Cypher (Witness) (54)
• Me and Indy Jones by Marguerite P. O'Rourke (Indiana Jones) (55)
• Tripping the Light Fantastic by Barbara Anderson ("Illustrated by Jim Markle. Another one of 'The Classics.' On a routine haul to Pelaro III, Han Solo is set up for a kill by Big Bunji and the ruthless reptilian slaver, Zira. A beautiful slave girl foils their plan but will she and Han survive to tell the tale?") (Star Wars) (reprinted from Perceptions) (56)
• Company Cuisine by Cypher (The Conversation) (75)
• Bad, Bady Indy Jones, filk by Adrain Barton, Mike Geraghty, Ann Morris, (76)
• Sufficient Unto the Day.... by Jacqueline Taero (Star Wars) (78)
• Coming To by Elaine Christiani ("Illustrated by Julie Jones. Awakening in a strange bed, and in a strange house, but with a beautiful "guardian angel" by his side, John Book reflects on the events of the past few days—and Rachel.") (Witness) (80)
• Fly Like the Wind by Christine Haire (Star Wars) (82)
• Day of the Gladius by Robin White ("Illustrated by Jim Markle. Instead of attending a lecture given by Rene Belloq at the Royal Archeological Society, Indy decides to pay a visit to the England countryside. He never dreamed his visit would involve a journey back in time to meet a famous outlaw who robs from the rich and gives to the poor.") (Indiana Jones) (83)
• Still Smuggling... And Proud of It by Jacqueline Taero (Star Wars) (107)
• Maybe by Ruth Radecki (Indiana Jones) (108)
• Insider by Pat Nussman (Witness) (110)
• Nocturnal Activities (??) by Jill Thomas (Indiana Jones) (112)
• The Medicine Show by Cypher (Han's quest to find a cure for Chewie's illness leads him to some old friends and strange places.) ("Illustrated by Wanda Lybarger. Chewie has become a shed-out Wookiee, afflicted with a severe case of Mazerrian mange, for which there is no known cure. In desperation, Han seeks the services of a travelling quack. Miracle, captain of the Panacea, and finds instead Nova euid her obnoxious co-pilot fungus, Phloth. Follow their adventures as they race across the universe in search of a cure, all the while (as if they didn't have enough problems) barely keeping one jump ahead of a persistent skip-tracer.") (Star Wars) (113)
• cartoon by Sharon M. Palmer (145)
• Luck by Karen Ripley ("Illustrated by L. Logan. A mellow old sheriff is torn between the moral and legal consequences concerning the welfare of his young prisoner.") (Frisco Kid) (146)
• Indiana Jones by Liz Gregory (158)
• The Last Television Conversation Between David Halloran and Margaret Sellinger by Jeanna Falk (Hanover Street) (159)
• Farewell to Samuel by Jacqueline Taero (Witness) (160)
• The Pure Faith by T.S. Weddell ("Illustrated by Dani. During his summer break, a young, ideological Indiana Jones has accepted an assistant's position on a pre-Columbian dig in South America where he is taught a lesson in the ethics of the archeological profession.") (Indiana Jones) (161)
• Temptation? by Rebecca Toon and Irina Ozernoy (Star Wars) (175)
• And Noodles (Lines for a Future Waitress) by Elaine Christiani (Blade Runner) (176)
• A New Meaning by Carolyn Golledge (Witness) ("Illustrated by Dani. In this novella-length feature, the events of WITNESS are explored and brought to a conclusion, including the investigation and trial of Schaeffer and his partners, the relationship between John and Rachel, and the decision John has to make for his future.") (Winner of a 1988 Fan Q award for best novella, (published later in Never Say Die #9) has a sequel in BetterIdeaZine) (177)
• Landwoman by Elaine Christiani (Star Wars) (251)
• cartoons by Sharon M. Palmer (252)
• Notices (253)

• 

  from issue #10 (Mosquito Coast)

• 

  from issue #10, Jim Markle (The Frisco Kid)

• 

  from issue #10, Jim Markle (The Frisco Kid)

• 

  from issue #10, Wanda Lybarger (Heroes)

• 

  from issue #10, sample text (Heroes)

• 

  from issue #10, Jim Markle (portrays Mark Blackwood from the film "Dynasty")

• 

  from issue #10, Nancy Miller (Indiana Jones)

• 

  from issue #10, Dani Lane (Blade Runner)

• 

  from issue #10, Jim Markle (Frisco Kid)

• 

  from issue #10, Jim Markle (Star Wars)

• 

  from issue #10, Jim Markle (Star Wars)

• 

  from issue #10, Cherie Fontyn (Indiana Jones)

• 

  from issue #10, Dianne Smith (Star Wars)

• 

  from issue #10, Jim Markle (Indiana Jones, with a Robin Hood twist)

• 

  from issue #10, Dianne Smith (Indiana Jones)

• 

  from issue #10, Wanda Lybarger (Star Wars)

• 

  from issue #10, Wanda Lybarger (Star Wars)

• 

  from issue #10, Wanda Lybarger (Star Wars)

• 

  from issue #10, Yvonne Zan (Indiana Jones)

• 

  from issue #10, Suzy Sansom (Blade Runner)

• 

  from issue #10, Dani Lane (Witness)

• 

  from issue #10, Sharon Palmer (Indiana Jones/Star Wars) (reprinted from Jundland Wastes #15/16

• 

  from issue #10, Jim Markle: "Archeologists, I hate 'em!!!!" (Indiana Jones)

• 

  from issue #10, Julie B. Jones (Harrison Ford, portrays a shirt he wore a lot)

Reactions and Reviews: Issue 10

Firstly, I wish to express my admiration and gratitude for the fabulous illo which Yvonne Zan created to accompany my Indiana Jones free verse. And issue 10, with its extraordinary, impressive covers, was a delight to the eyes. (Have you people entertained the idea of becoming pro?).

As always, the zine provided excellent fare from every source of Harrison's roles. Predictably, I favored the Indy pieces. Dianne Smith's illustrations were breathtaking! What talent you've amassed into yet another (I'm sure) award- winning issue. Continued success!

Yes, yes, yes—FLIP 10 got here and was devoured. At last, Mark Blackwood makes his appearance!

My favorite this time around was "Medicine Show"—nice to have Nova and Phloth back. Cypher is a master (mistress?) at creating a STAR WARS atmosphere, right down to customs, clothes and terminology. This is a standard I hope to attain. And Wanda provided the funniest art she's drawn yet—when I saw Fa-Ples, I laughed so hard I cramped. A beautiful job all around.

Also loved "The Question"—the last lines are a jolt. Makes you read them over and over again. Dani's illo is wonderful and it's my favorite shot from the film. I love the way "Somewhere In Kansas" looks. Kate looks wonderfully evil! All my stuff looks sooo good. Thanks much!

Can't wait for number 11, to see if anyone's done any Allie Fox fiction. The man's infuriating to write!

I've just finished FLIP 10 and wanted to send you a note while it was fresh on my mind. I couldn't believe that gorgeous cover! I found myself stopping every few pages to go back and gaze at that gorgeous drawing. Wanda outdid her self on this one. This was the first colored cover that I've seen, and I love it. Hope this will become a regular in all future issues. Also loved Martynn's back cover. Beautiful.

And, yes, I finally did get past the covers to the contents inside. As usual, I was not disappointed. The poetry, the artwork, the cartoons, and the stories were all up to your usual high standards, and I thoroughly enjoyed each and every piece. I especially loved Jeanna Falk's "The Last Telephone Conversation Between David Halloran and Margaret Bellinger." Except for Han Solo, I think David is my favorite Ford character, and I always enjoy finding well written pieces about him. My favorite story in the whole zine, though, has to be Carolyn Golledge's "A New Meaning." Her continuation of Rachel's and John's story was very believable.

And the ending was so very much more satisfying than the ending of the movie. I've always felt that there should have been something more, and Carolyn very ably provided that 'something more.'

Note? I did say note, didn't I? Anyway, just wanted to thank you and Jenny for another terrific zine. Looking forward to FLIP 11.

This is just a quick note to say congratulations on FLIP 10! It is a really good issue, starting with the cover, which was gorgeous. All the artwork was exceptionally good. Wanda Lybarger is always excellent; so are Dani and Jim Markle. Dianne Smith does beautiful work—too bad those weren't in color, but 1 know how expensive that is.

1 enjoyed all the stories; my only complaint, if you can call it that, is that more characters weren't represented. The focus was definitely on Han, Indy, Tommy, and John. However, 1 expect that these are everybody's favorites, after all. They are mine so I shouldn't gripe about it. There were some nice (though brief) pieces on Rick, Kenny, Allie, etc. I'd really like to see another long Kenny Boyd story, though, as you've had some great ones in past issues.

This time around, I liked "The Good Woman" by Cypher, and "Luck" by Karen Ripley. Trust Karen to figure out a way to combine Tommy and Paden! Barbara Anderson's "Tripping the Light Fantastic" was delightful, while Robin White's "Day of the Gladius" had not one but two of my heroes—Indiana Jones and Robin Hood. Wow!

1 don't even know what to say about "A New Meaning" by Carolyn Golledge. Let's just say I lost sleep over that one. I started reading it rather late at night and once started, 1 certainly couldn't put it down. So 1 ended up by being very tired at work the next day, but it was well worth it. Carolyn just gets better and better all the time.

Anyway, I think you have both outdone yourselves, ladies. A really fine anniversary issue. Can you believe this is number ten? 1 can't! Take care

and have a nice spring and summer—have to keep your strength up for number eleven!

Your special issue was indeed very special. When I pulled out my copy of FLIP 10, I had to catch my breath. The color covers were truly breath-taking. What a treat from Wanda and Martynn!

The inside was so good, too. I haven't space to mention everything, but I did enjoy it all. First of all, thanks to Cypher for another very entertaining chapter in the saga of Nova and Phloth. I do so enjoy the fact that Solo genuinely likes this woman who is no beauty queen and no light-weight. I like her, too.

"The Medicine Show" was so funny, and I appreciated the fact that Fa-Ples was just a poor guy trying to do his job—and Han realized it, too. Please, please. Cypher, write more in this series. These stories are such fun to read.

"Somewhere In Kansas" was appropriately chilling, made even more so by the author's note. I will admit I had a suspicion of Kate all along because, somehow,

she reminded me of an equally unpleasant couple I read about in a Louis L'Amour western. A frightening and effective story, this was. Well done.

Once again, the classic ("Tripping the Light fantastic" by Barbara Anderson) was a story I had never read and was glad to have the chance of reading it. It was very good—well written and very suspenseful.

I enjoyed "The Pure Faith" by T.S. Weddell because I loved the character study of Indy. His realization of why his motives for "grave-robbing" were important was brought out very believably.

Finally, I think you know I must select Carolyn Golledge's "A New Meaning" as the best piece in FLIP 10. I've been hearing good things about this author's work lately, and this story illustrates why. The writing is very good, the characterization is equally good. I loved having Daniel in the story, and I loved the way Book's interaction with him and Eli gave them doubts about their lives just as their interaction with Book made him question his own life. And neither the Amish nor the 'English' were 'right.' Both viewpoints were valid and true. I appreciated the fact that the moral dilemma had no easy answers. Really a very fine story, one that would surely make it into a "Best of FLIP..." issue. I hope to see more of this author in the future.

Another fine issue, ladies. Everything was good, but those covers were truly

special. I must also single out Dianne Smith's Indy on page 109 as a truly beautiful piece of art. This lady is a find I Thank you, ladies, for an exceptional issue of FLIP. Now, how are you going to top this?! Well, I expect you'll think of something—and I'll continue to be around to enjoy the surprises. Thanks!

Cover - pant, pant. "The Good Woman" - Aw, shucks! Captured Tommy Lillard's character to a "T". (By the way, have you ever noticed in the credits to FRISCO KID, that the person's name who plays the sheriff is really Tommy Lillard?)

"American Dream" - Excellent. I would enjoy hearing this set to music as I'm sure Martie must have done. "Somewhere In Kansas" - Wouldn't this make a nice episode for television? TWILIGHT ZONE or THRILLER, maybe. Exciting, cliff-hanging, slam-banger! Inside back cover - Tee hee!!

"Tripping the Light Fantastic" - Another good Solo story. Held my attention, good characterization. Something lacking, though can't quite put my finger on it. I think it moved too fast and I had trouble keeping up. Maybe I was just tired. Nice artwork, Jim.

"The Medicine Show" - This one had just enough seriousness to make it work. It had the light touch that Brian Daley put into his novels. I haven't read any thing by Cypher yet that I didn't enjoy. Glad to see she/he does long pieces as well as devastating poetry. Nice illustration, Wanda? too bad Han couldn't have turned a little.

"Luck" - Another good Tommy story. Of course, I had the sheriff figured from the beginning. The ending was predictable, sort of like a Disney movie, but the moral was there (sort of like Disney). Sometimes we all deserve that last chance that keeps us straight. I'm glad Tommy'd grown enough to realize it.

"A New Meaning" - My choice for 'Best of the Zine.' I've only seen WITNESS 6 about four times (for shame!). This one is so in character for John Book that I found myself visualizing it on the screen. Carolyn has taken the obvious ending that all the fans saw and written it the way it should have been written. Just enough emphasis on the romance between John and Rachel, but more on the character of John Book himself, all sides of him. The narrative passages with the Amish people were beautifully done, not patronizing as so easily could have happened, but a glimpse of a proud people. It really reminds me so much of the opening

sequences of the movie, where you almost hate to see the world of today intrude into the peace and tranquillity of the fields.

FLIP 10 is absolutely beautiful, inside and out! The color cover is fantastic! The stories, poems, and artwork maintain your high standards. Everything was delectable!

Cypher's "The Good Woman" is a delightful little romance. I love to read stories about Tommy trying to adapt to honest living, and his character (as well as all the others) rang true in this story. Shucks, Elizabeth would've been a good match for him, too. The outhouse incident was hilarious! Not at all my usual line of thought about Ford!

"American Dream" was deeply moving. I've reread it several times, and would love to hear Martie sing it.

"Revelation" was well-written and intriguing, despite the fact that I'm unfamiliar with the film.

"Somewhere In Kansas" is a shocking, tantalizing story—what an ending!

"Tripping the Light Fantastic" is a finely-crafted tale, well worth a reprint (and a reread!), and is enhanced by Jim Markle's creative illos, especially page 71; I'd had trouble visualizing the alien. Han's expression, and the angle of his body are very well realized, and the unusual position of the blaster, pointing into the picture is very imaginative. I must confess that I loved the "garbage disposal" scene in this story! Zira was such a poisonous villain (Ouch! Sorry.)

As a big ROBIN OF SHERWOOD fan, I was thrilled to see "Day of the Gladius." What a fun time travel idea, what with two of my favorite characters meeting; it's just too much! The illo on page 83 gave me a thrill! Let's do it again! *grin* It's fun to see another adventure with Han and Nova ("The Medicine Show") and I just love that stuffy Phloth. Hilarious idea to make him related to the fungus that caused the mange, and to give said fungus a name! Wanda's illo on page 143 is divine!

"Luck" is a wonderful, imaginative, satisfying story. I love to visualize Tommy's life smoothing out like that. "The Pure Faith"is a thought-provoking, and insightful story about the kind of experience that may have turned Indy into a collector of museum pieces.

Carolyn Golledge's "A New Meaning" is absolutely primo! The characterization, plot, and imagery were so evocative that I feel as if I've seen the sequel to WITNESS. Engrossing, heart-warming, and ultimately satisfying. Before reading this story, I'd never have believed that Rachel and John could make a successful match, but now I believe it! Dani's illos, as always, compellingly convey mood and ambiance, especially those on Pages 215 and 245.

Pat Nussman's "Insider" is an exquisite poem, as are all of Taero's, especially "Farewell to Samuel." What a heart-wringer! "Fly Like the Wind" by Chris Haire makes me feel as if I'm off on the Falcon— whee! All the artwork is lovely, but Nancy Miller's Indy on page 40 and Dianne Smith's pieces come to mind, as well as those previously mentioned.

This tenth issue of FLIP is so striking with its covers in color! Wanda has engineered a real eye-catcher, and the atmospheric quality of Martynn's back cover makes a nice contrast with its softness. It's good to see a wide variety of illustrators represented in the body of the zine. The more the merrier!

I've never sent an LOC before, but their value was discussed and lack thereof lamented at MediaWest, so here goes.

I've noticed in all zines that the art is mostly mentioned in a passing manner, while the writing is discussed in greater detail; so, being an artist and not a writer, I thought I'd try to fill the gap a bit and deal only with the art. I know I've appreciated most the comments on my work that give specific reasons for the nod. It's quite useful to me to see what I've done through other people's eyes, and I would guess that other artists might feel the same.

By the bye, I hope no one, artist or reader, will feel that by making technical commentary, I'm playing "authority" or being high-handed. I've had the experience that "critique" is sometimes misinterpreted by people who haven't lived through years of it themselves. For me, it's been a shortcut for weeding out garbage and recognizing for re-use the good points of my work, and was absolutely the most invaluable thing I learned at school. But mine is by no means the final word, and I welcome differing opinions via LOG or letter. I do promise to keep it positive unless I get word from individual artists that they'd like to hear both sides of the comment.

The following are the things I felt were particularly successful in this issue, and why.

Kudos to Jim Markle for the nicely uncontrived look of the Tommy on page 32. The strong point—of—view is visually more important an element than the nudity and so keeps it from being gratuitous to begin with, and the natural body gesture caused by the held bucket and the glance upward combine to produce a modest position that isn't immediately obvious as one more "knee-in-the-way" shot.

Wanda's Kenny on 34 is a good example of how asymmetry and negative space can be put to powerful use in a drawing. The same two things, plus contrast, apply to Dani's Book on 187. Also, the perpendicular-to-the-viewer positioning of the figure and its twisting glance out and away from the surface of the page prevent the high-contrast graphic from overly flattening the space.

J. B. Jones' portrait of Harrison on page 13 shows how a photo can be turned into a drawing that stands on its own merit. Uncluttered, unpretentious, it s full of subtle draftsmanly details that play counterpoint to the overall appearance of simplicity. Note the fine-tooth pencil strokes in hair, lower lip, and magnified into pattern in the shirt; then a rougher tooth (charcoal?) for some of the shading; then the very smooth pencil smudging of the skin surface that reads almost as if it were an ink wash; the dark darks that stay put and do their job instead of, as is usual when found in a light piece, jumping out at you; and, finally, the nicely controlled outline that comes forward when needed and fades back where it would get in the way of form created by tone and highlight. And none of these disparate types of "mark" get in the way of or overpower any other. It all hangs together beautifully and looks like work done in "portraiture class." It takes into consideration and makes interesting use of the medium in which it's done rather than getting so tight and precious about infinitesimal accuracy that all one ends up seeing are the "right" parts and the "wrong" parts. Visually interesting and nicely balanced, this one achieves drawinghood.

"And now for my next pronouncement...!" (I'm sorry. I just can't seem to express myself succinctly without sounding like God. Guess it's why serious artists are frequently seen as snobs. A hazard of the trade, I suppose.)

I'd like to thank all for the nice words about the FLIP 9 covers. The actual idea (the reversal) was my roommate's, but the drawing itself is one of the few with which I'm 99% satisfied, so I'm glad others liked it too. (Elaine, thanks! The "future" reference was intentional and I'd hoped it was clear enough to pick up on. I'm not always successful at adding extra layers of meaning to the gestalt of a piece, but I try.)

Well, I have run on more than long enough, so clear skies 'til next ish.

I've been trying to get enough time to sit down and do an LOG on FLIP 10, but the baby hasn't been cooperating. Every time I get her settled and sit down, she wakes up. So, I guess I'll have to do this in bits and pieces. If this letter sounds a bit disjointed, that's why. First, the color covers were really nice. I just wish that Martynn's had come out better. s usual, the art throughout was first class. Good to see so much of Jim Markle's work.

"The Good Woman" was a very enjoyable Tommy tale. Cypher writes wonderfully well-thought-out stories and this was no exception. That final scene had me howling! So good to see Martie still in form with "American Dream." A very haunting poem.

"Revelation" was very well-written and it was a pleasure to see something done with one of Harrison's more obscure characters, Mark Blackwood.

"Somewhere in Kansas" was one of the best stories in the zine. What started out as a typical Tommy-and-the-girl story turned into a real hair-raiser! I am really enjoying your "Classics" series and "Tripping the Light Fantastic" was no exception. Barbara Anderson is another one of fandom's best writers. Very good story.

"Day of the Gladius" was a nice fantasy/Indy tale. Good cross-universe with the Robin Hood people. Wish it had had a more powerful ending, though. By the way, in case anyone doesn't know, I'll let the cat out of the bag. Friar Tuck in the illo on page 99 is Jim Markle. He's a member of the local Robin Hood fan group and plays a really marvelous Tuck! Hi, Jim!

Cypher did it again with "The Medicine Show." I dearly love her Han stories and Nova is one of the best fan-created characters to come along in years. Although she bears a striking resemblance in some ways to Cypher, she's far from a Mary Sue. She's a lovely, lusty lady who can hold her own. I keep trying to twist Cypher's arm into sending a Nova story way!

"Luck" was a nicely done story, but I'm afraid I didn't understand the final paragraph. Am I hopelessly fuddled? Who is "Paden"?

"The Pure Faith" was a powerful little story, but then T. S. Weddell writes no other kind that I've ever read. I really liked the character of Maggie. Weddell is one of the few writers in fandom who pairs Han or Indy or whoever with an older woman as an equal partner. Nice to see a partner who is not necessarily a romantic partner. Her stories are always well researched and realistic. Finally, there is "A New Meaning" by Carolyn Golledge. This is without a doubt the best story Carolyn has ever written! It is also the best WITNESS story I've ever read! This is one of those quintessential fan stories that should be taken as gospel in relation to sequels or filling in missing parts of the story.

Beautifully written and plotted. My only quibble was that I kept expecting the killers to make one final attempt on John's life. Perhaps Carolyn will consider a sequel to this story?? Hmmm, Carolyn??

I want to say one final thing, directed at both you, Paula, and Jenny, in regards to the overall "look" of FLIP, not just this one issue but all ten of them. Your zine is one of the classiest, best done in fandom. This goes beyond excellent stories, poetry and art. As a zine editor myself, I can appreciate the work and care that goes into FLIP. The layout is wonderful and so well done. The graphics are clean, the borders evocative, the art well-placed. You should be very, very proud of FLIP. I gnash my teeth and burn with envy every time a new issue comes out! I aspire to make my own zines as professionally done as FLIP!

FLIP 10..."It's perfection, that's what it is." From cover to cover, and I mean that literally, your tenth anniversary issue is sheer, utter perfection.

Allie would approve of this issue. Wanda's cover art is just beautiful, the eyes in that shot follow you just like his would and it's almost three-dimensional, the more I stared at it, the more it seemed to come alive and the more steam started to come out from around my collar. A true Lybarger masterpiece. Martynn's back cover was excellent as well...a very haunting portrayal. Haunting...just like the man.

Before I LOC the contributors, Jenny and Paula, take your well deserved bows and accept the earned compliments and feel justifiably proud for another beautiful tribute to Harrison. Again, the zine's quality speaks for itself on sight alone. Love the title on the spine classy little touch. Going to be great when I go to look for a back issue to re-read. But the artwork is crisp, nary a typo to be found; the layout of poetry, short stories, etc., lends so much to the enjoyment of the zine. Even the little finishing designs that enclose a poem or signal the end of a story or separate two pieces make all the difference between mundane and wonderful, between average and superb. Thank you, editors, for all the obvious time, effort and love that are in these pages. Harrison will be impressed with this one, too!

The best story in here is without question Golledge's "A New Meaning." Fantastic story. Very well written, obviously extensively researched. I actually sat on my living room floor and cried when Schaeffer died in Book's arms. It was shocking, gritty, realistic, warm, erotic, satisfying...and I could go on and on with the superlatives. I would go far as to say that it is the best thing she has ever written and will have to work very hard to surpass herself...but I think she will. Sort of like Harrison. We always think, "How can he possibly be better?" and he always is.

Jacqueline Taero was, as usual, a wonderful presence throughout the zine. I enjoy the way you space her work out, instead of bunching it all together in a few pages. It's like a surprise to turn the pages and find her delightful pieces as one reads through the zine. Loved "The Question." I giggled down to my toes.

Cypher was great. "The Good Woman" was a laugh-out-loud romp. Poor Tommy... all this cowboy wants is a little lovin' and what does he get... ? "The Medicine Show" was also excellent. I really enjoy Nova and her fungus friend, even a little jealous at the marvelous concept. I enjoy Cypher's descriptions of things, her comparisons and the in-jokes she very cleverly works into the story and dialogue. And, of course, Wanda's illos are without competition. Love the way she portrays this man in "wisps and fancies." I liked the first illo the best in this story, though; that poor woebegone Wookiee, that classic Corellian challenging stance, and that droid which Wanda somehow got to look so officially medical.

A Mark Blackwood piece...this is a first, isn't it? Entirely plausible and a little chilling. Harrison's minor characters are so very neglected so it was nice to see this in there. Maybe it will spark an interest in some of the other small roles. A lot of material and potential back in his contract days. Chilling, too, was "Somewhere In Kansas" by Elaine Christiani. It was tight, concise, and breath-holding. Found myself chewing on knuckles when Kate went after Tommy with the knife and had a very clear visual image of him flipping her over to tie her hands. I think Lillard ought to think about taking up celibacy... sex only gets this cowboy into all sorts of trouble! On second thought, it would be a crime to deny the ladies of the West the pleasure of Tommy.

Good filks in this issue. "Bad, Bad Indy Jones" was cute and the Hanover adaptation of "Hello Again" was wonderfully bittersweet.

Two good Indy stories. "The Day of the Gladius," which I wish had been, longer, was such a good idea and plot. Had elements of A CONNECTICUT YANKEE IN KING ARTHUR' S COURT about it. This could perhaps be the start of a series of Indy back in time. Did like the relationship and comraderie between Jones and Marcus. And T. S. Weddell's "The Pure Faith"...she always writes so well. Got a wonderful deep down chuckle with her description of Maggie checking him for appendicitis and appreciating the body as she did so.

And I loved "Luck" by Karen Ripley. She wrote the first few pages of that so skillfully that I couldn't figure out which character was Tommy the sheriff or the prisoner.

Bits and pieces... "Nocturnal Activities" - very well written—meter and such. It just recites so easily and clever and funny...more Jill Thomas, please.

Was nice to see Pat Nussmem in here again and she did her usual eloquent work with "Insider."

Guess you could say I loved everything. Jim Markle's artwork throughout was great; memorable "bun" shot reminiscent of the opening of RAIDERS on that last page. Dani's artwork for "A New Meaning" was terrific, especially that last page with Book and Rachel. Beautiful likeness of Book. I also liked her Deckard and

Rachel. It was just a fantastic issue, guys, and worthy of a milestone in FLIP'S history and future. Though I really don't know how long you can continue with making each zine better than the last. But I guess if Harrison continues to get better and better with each movie and with each year, then FLIP will be right there with him. Am eagerly awaiting FLIP 11 almost as much as his next movie.

Opening FLIP 10 was sweet satisfaction! It almost feels like I've met Harrison after spending a day with an issue. This time, I felt especially so with John Book! The beautiful color covers by Wanda and Martynn made this issue as singular as the man who inspires all this proliferation!

I am delighted with the news of Harrison and Melissa's son! By the time the next issue is out, he may be over a year old, so I hope we'll know by then how Melissa's doing and the baby. I understand their need for privacy but can't help being concerned and worried and such. I hope Harrison doesn't become too much a stay-at-home with the baby that he won't take on as many projects for us to write about, but as long as he's happy, I'm sure we will be. Melissa is one lucky lady!

I can't list everybody's work in FLIP 10 but I enjoyed everything and will try to comment on most of it without taking too much space. Jacqueline Taero had many nice poems. I loved "The Magic Shirt"...something that's fascinated a lot of fans. I always looked on "the shirt" as his HF costume, until he took to wearing tweeds and such! Her "Sufficient Unto the Day..." sounded just like Han. Loved Dianne Smith's accompanying artwork of Han! "Just Another Useless Experience ... liked the title taken from Mr. Ford's own words and Indy's dialogue. "Still Snuggling And Proud of It" made me laugh, especially the surprise ending. He had me believing him, too! I'll have to check into that "land on Dagobah"!

I liked all the Tommy Lillard stories. "Somewhere In Kansas" got a little gruesome, but it did turn into a bad business, so it was justified. I hate to see Tommy get rough. "The Good Woman" was a lot of fun. Once again, only Tommy can rival Solo in the situations he can get himself into! And in front of a jealous husband no less! "Luck" was nice, and interesting seeing Tommy as an older man.

"American Dream" by Martie about Vietnam and Kenny Boyd read like one of those required readings in English Lit. The theme probably wouldn't go over too well politically. Such a shame, since it deserves more play.

"Day of the Gladius" by Robin White, where Indy met Robin and his "merry men," was certainly unique. I wish Marvel Comics could adapt that, if they hadn't given up on poor Indy. At least we haven't.

"The Medicine Show" - another fun Han story. Liked the action and clumsy Nova. Also appreciate Cypher's inveigling Han into such a state of dress (or should that be undress?). Love Wanda's delightful drawing of same on page 142. What wouldn't Han do for Chewie? This is one Corellian who's up to the task! But I'm still curious, just how many women were there on the ruling council?

Also liked the ending with Han finally turning the tables on some bill collectors for a change. "The Pure Faith" by T. S. Weddell was exciting and a nice perspective on the degree of integrity Indy holds in archaeology.

"A New Meaning" by Carolyn Golledge was a real treat and read like the definitive statement on the events that followed WITNESS, and like a sequel I never thought possible. I never thought John and Rachel could or should get back together but Carolyn's story convinced me that not only was it possible and feasible, but, taking the events in her story into consideration, it would even be preferable. I never wanted John to leave the force (police force, that is I) but a carpentry/social worker kind of existence sounds good for him; and John Book, of all people, deserves to have a family and to at least know of a baby he fathered. I think the hardest thing to take about the end of WITNESS is not knowing if Book will ever see Rachel again and know if she was pregnant. I saw WITNESS soon after reading this story and found the relationships depicted in the story fit very well and found myself assuming them for fact. Carolyn wove such a spell I found myself crying right along with John when Schaeffer died. My only regret was for Daniel. I hope he got back with that nurse in the hospital. I'll be reading this one over for years to come! Thank you, Carolyn, and your friend helpers, for such a wonderful story.

The small pieces were all good, too. Jim Markle's inside back cover piece with snake threatening Indy gave me a good laugh! Thanks to all the talented Fordfen out there! As the commercial goes; "You make 'quality Job 1'!"

Well, what can I say? I got FLIP 10 in the mail yesterday and I have been imitating Jello ever since. Adjectives fail me. Thank you, thank you so much!! The issue is truly incredible, and I am so proud of both you and Jenny. I wish Harrison could see this issue because I am sure that he would be as overwhelmed as I am. You both have done such a marvelous job!

It took me at least ten minutes to get past the front cover. My God, it was gorgeous! Those colors are so vivid—and it must have been so expensive to put out. But well worth it. Pant, drool. Sigh. I do wish Harrison could see FLIP 10. Well, at least he's got number 8; but if he could only see Oh, well.

Adjectives are coming back to me—like "fantastic" and "fabulous." That describes FLIP 10 very accurately. I know I must sound like a gibbering lunatic, but I have to tell you what this issue means to me!

Okay, I've calmed down (a bit) and I am prepared to actually talk about what is inside FLIP 10. First of all, I must thank you and Jenny again for accepting "Revelation." I still can't get over seeing my name in print—and in such beautiful print, too! And Jim Markle's illo was good!! I think he is such an excellent artist, and he captured Mark's feelings so well.

I know you must be pretty tired of hearing me thank you for this, but it means so much to me. I knew nothing about fandom until FLIP, and never dared to express, uh, feelings for Harrison and his characters on paper, because I thought it would never amount to anything. But now, with FLIP, (to quote Obi- Wan) I've taken my first steps into a larger universe. So, thank you for giving me that marvelous opportunity and taking a chance on me. Also, Paula, thank you for listening as I went on and on about my writer's blocks, etc., and thank you both so much for all your support.

Well, um, now that I'm actually talking about FLIP on the inside, I'll say that I thought that all the stories were great. (I don't think I'll ever get over my inferiority complex, though—not with writers like Cypher and Barbara Anderson and...) And there was so much great poetry, too! If I mentioned every thing I liked, I'd probably break all my records for letter writing, but there are some that I absolutely must mention...

Jacqueline Taero's "The Magic Shirt." Yes, I noticed, too! "All I Ever Wanted" by Kathryn Agel was so sweet—and so true! "American Dream" - Oh, the poignancy of it!

"Still Smuggling..." Hee-hee-hee!

"Maybe" - Ruth Radecki is such a good poet. I loved this one. It was so, I don't know, Willie. Speaking of Willie, "Noctural Activities(??)" - Cute, really cute.

Oh, wait, I was just thinking about the other poems I liked and I realized I was about to mention just about everything. So I've stopped myself just in time, and I'm sorry I couldn't mention everyone. Cypher, however, deserves a special gold star for her cute little poems and limericks. They were so hysterical, I was rolling around on the floor. An "Allie Fox," indeed!

A lot of Tommy stories in this one—not that I'm complainin', Cuz! "The Good Woman" - Whooeee! Another one of Cypher's hysterical creations! Poor Tommy, he never gets any breaks. Just what was he doing with that donkey? (Never mind.) "Somewhere In Kansas" - Weird story, this one, but I really liked it. Historically accurate, too. Great job! "Luck" - I wasn't sure if this was a cross-universe story or not. Is "Paden" one of Harrison's characters, by any chance? Don't much like the idea of Tommy aging but that's life.

"Tripping the Light Fantastic" - I love the idea of The Classics since it gives people like me the chance to catch up. Damn good stories, too!! I got to the end of this one until I realized that this Bunji was the "Big Bunji" Ploovo Two-Four-One talked about in HAN SOLO AT STARS' END. Great story. "Day of the Gladius" - Robin Hood, yet? And Baron Rene' d'Belloq? What an idea! And poor Rene'. I'm really rather fond of him, every once in a while.

"The Medicine Show" - Another gold star for Cypher! And kudos for bringing back Nova and Phloth! But poor Chewie..., and poor Han—oh, the trials he had to go through to get those minerals! He should've known better than to go to Rio— oops, I mean Rhio. Hee-hee-hee...

I thought "The Pure Faith" was exceptionally well done. Loved Indy's transformation—ooh, the line, "We wouldn't have to stoop to Belloq's level, of course" sent shivers up and down my spine. Those symptoms of appendicitis really hit the spot, too (so to speak). Don't tell me about it, did that sound familiar! I'm glad all of us have only one appendix.

And, now, last but not least, John Book. "Coming To" - Excellent vignette. "A New Meaning" - Wow, oh wow! Adjectives fail me once again. What a sequel to WITNESS!! I really didn't want this one to end, and tried to ration myself. or read slower. No use. This is the ending to WITNESS. I can't get over this story. I'm going to have to read it again. My praise doesn't do it justice. It totally blew me away.

!!!!! for "A New Meaning" and Carolyn Golledge.

Well, I did manage to fit most of the table of contents into my letter, and I'm sorry about that. But FLIP 10 deserves much, much more. All the art work was great—especially Jim Markle (thanks again) and the last cartoon was hilarious.

Almost forgot the back cover. What a great coincidence wit Mark Blackwood. Loved it!

Thank you once again for bringing FLIP into life. I am eternally grateful.

Issue 11

front cover of issue #11, Jim Markle

Flip of a Coin 11 was published in November 1987 and was 314 pages long.

back cover of issue #11, Dianne Smith

flyer for issue #11

The art is by Jim Markle (front cover), Dianne Smith (back cover), Cherie Fontyn (inside back cover), Dani Lane, Lisa Brown, Wanda Lybarger, Martynn, Yvonne Zan, Judy Low, Rebecca Carey, Julie B. Jones, and Sheila Paulson.

• cartoon by Yvonne Zan (2)
• Hello! (3)
• Reviews (4)
• Guidelines for Submissions (15)
• Back from Vacation by Jacqueline Taero (Indiana Jones) (16)
• Confrontation by Elaine Christiani (Vader's "dinner guests," Han, Leia and Chewie realize the helpless position Lando has placed them in because of his deal with the Empire.) (Star Wars) (18)
• Police Story by Cypher (Witness) (21)
• Blind Alley by Tonya Cox (Mosquito Coast) (22)
• The Debt by Sally A. Syrjala ("Free of the carbonite, Han has time to ponder premises kept and his love for Leia.") (Star Wars) (24)
• Say What? by Cypher (various characters) (27)
• Angel of Mercy by Jean Marie Dewey ("Indy and Marion survive the Wrath of God only to meet the Guardian of the Ark.") (Indiana Jones) (28)

• Escape! by Beth M. Lentz (Blade Runner) (62)
• Mosquitia by Debra Edwards (Mosquito Coast) (62)
• The Other Side of the Jump by Beth C. Masterson ("Han recalls someone else he cared for as he watches over a battered Luke Skywalker while waiting for rescue on Hoth.") (Star Wars) (66)
• To Sleep! Perchance to Dream by Michelle Worley ("A young woman finds an other-worldly friend in an unlikely place, and a face from the past lights vp the present.") (Indiana Jones) (71)
• Carbonite Enlightenment by Marci Erwin (Star Wars) (78)
• Evening on the Wind by Elaine Christiani ("On the deck of the Bantu Wind, Marion reflects on her past with Indy...and the possibilities for the future.") (Indiana Jones) (79)
• Return of the Corellian by Jacqueline Taero (Star Wars) (82)
• Etchings in a Child's Eye by Jacqueline Taero (Mosquito Coast) (83)
• Winter Dreams by Tracy Taylor ("Leia's peaceful dream of her past and her future life with Han on Alderaan is painfully interrupted as she awakens aboard the Rebel cruiser following the events on Cloud City.") (Star Wars) (84)
• Resume by Cypher (Blade Runner) (90)

• Gold by Martie O'Brien ("A collection of filk lyrics inspired by Mosquito Coast, illustrated by Wanda Lybarger.") (91)
• First Lesson by Marcia Brin ("At age seven, Han Solo is taken in by a Wookiee clan. But after having been abandoned by all those he loved, can he ever learn to trust again?" Another summary: "It is a a darker universe based in part on Lucas' thumbnail bio of Han in SKYWALKING, which also tells us that Wookiees have the Force. From this bio, we know that Han, for example, spent half his childhood with the Wookiees and, therefore, at the least, was exposed to the Force at an early age. Meaning, of course, that his comments to Luke in A NEW HOPE were deliberately misleading. Even with this brief bio, Han's origins remain completely mysterious.") (part of the "The Storm Cycle" "Reap the Whirlwind" in The Wookiee Commode #4, and "Run Before the Storm" in Kessel Run #4. ) (Star Wars) (103)
• Singapore Sling by Barbara Anderson ("His original objective was the last remains of Nurhachi, but a prophetic encounter in Singapore with the beautiful Dragon Lady leads Indiana to his first and almost last adventure with Wu Han as ancient Oriental terror is set loose upon the earth.") (Indiana Jones) (115)
• Silent Sol(o)iloquy by Jill Thomas (Star Wars) (162)
• Curtain Call by L.A. Adolf ("Obi-Wan finds returning from the grave more of an adventure than he bargained for; and Han Solo finds that even Rebel heroes can't "get no respect. A less than reverent pre-ROTJ look at "other hopes.") (reprinted in News of the Rebellion #11 ) (Star Wars) (163)
• My Dearest John by Christine Haire (Witness) (176)
• A Tommy Tale, part one by Wanda Lybarger ("It wasn't so much that she was a stray; Tommy Lillard was sort of getting used to collecting them. What he hadn't bargained for were vendettas, a husband, murder...and love.") (Frisco Kid) (177)
• Save Us from Princesses by Ruth Radecki ("Han Solo has never been big on babysitting, especially when the sittee is a royal teenager who thinks the Corellian is pretty neat. He's still not big on babysitting -- or royalty.") (Star Wars) (221)
• Fireside Soliloquy by Elaine Christiani (Frisco Kid) (252)
• Indiana Wants Me by Jeanna Falk (Indiana Jones) (253)
• Thoughts to the Dripping of Rain by Jacqueline Taero (Blade Runner) (254)
• Bill of Fare by Elaine Christiani ("The charms of Pankot Palace have worn thin for Willie Scott with the arrival of chilled monkey brains.") (Indiana Jones) (256)
• How Do You Tell a Friend? by Susan Zahn (Star Wars) (259)
• The Parting by Jacqueline Taero (Frisco Kid) (260)
• Ever Had One of Those Days... ? by Jill Thomas (Indiana Jones) (262)
• Lethal Witness by Cypher ("John Book is less than overjoyed to be saddled with a new partner—a psychotic, suicidal Los Angeles cop named Martin Riggs. The first time he saves Riggs' life, Riggs slugs him. Next Riggs goes after a woman in whom Book is interested. They snip, feud and fight... and then things start getting nasty.") (Witness/Lethal Weapon) (264)
• Willie Scott's Restaurant Review by Jacqueline Taero (Indiana Jones) (304)
• Notices (305)

• 

  from issue #11, Dianne Smith (Mosquito Coast)

• 

  from issue #11, filk by Debra Edwards, to the tune of "Vincent" by Don McLean

• 

  from issue #11, title page for Gold, art by Wanda Lybarger

• 

  from issue #11, Cherie Fontyn (Indiana Jone's most dangerous mission? Evading fans!)

• 

  from issue #11, Jim Markle (Indiana Jones)

• 

  from issue #11, Rebecca Carey (Star Wars)

• 

  from issue #11, Dani (Star Wars)

• 

  from issue #11, Rebecca Carey (Indiana Jones)

• 

  from issue #11, Rebecca Carey (Indiana Jones)

• 

  from issue #11, Rebecca Carey (Indiana Jones)

• 

  from issue #11, Cherie Fontyn (Indiana Jones)

• 

  from issue #11, Jacqueline Taero (Mosquito Coast)

• 

  from issue #11, from Gold, filks (Mosquito Coast)

• 

  from issue #11, Jim Markel (Indiana Jones)

• 

  from issue #11, Jim Markel (Indiana Jones)

• 

  from issue #11, Jim Markel (Indiana Jones)

• 

  from issue #11, Yvonne Zan (Star Wars)

• 

  from issue #11, Yvonne Zan (Star Wars)

• 

  from issue #11, Wanda Lybarger (Frisco Kid)

• 

  from issue #11, Dani (Star Wars)

• 

  from issue #11, Dani (Star Wars)

• 

  from issue #11, Lisa Brown (Blade Runner)

• 

  from issue #11, Dani (Indiana Jones)

• 

  from issue #11, Jim Markle (Frisco Kid)

• 

  from issue #11, Dani (Witness)

Reactions and Reviews: Issue 11

I have enjoyed FLIP OF A COIN 11...my favorites were (in no particular order):

"Angel of Mercy," "To Sleep! Perchance to Dream," "First Lesson," "A Tommy Tale," Part 1 (can't wait for more), "Save Us From Princesses" (poor Han! He just can't win), and "Lethal Witness" (an '80's Odd Couple?).

Thank you very much!

I really loved FLIP 11. I was about to write a proper LoC, when I realized it was impossible to single out any stories for comment. There wasn't one story I didn't enjoy! I had started to make a list and realized I basically had the whole table of contents.

You did it again. A terrific zine. Wonderful layout, superb artwork, fine content. All I have to do is sit back, relax and wait for #12. Hope it contains a piece or two on Dr. Walker. A good year for Harrison Ford fans!

FLIP 11 - Wow! Neat! Keen! Great! Being a Han Solo Fan-atic, I enjoyed all the Han material, especially "First Lesson" by Marcia Erin. That lady does such a wonderful job with her slightly altered universe.

"Angel of Mercy" and "Lethal Witness" ran very close seconds and I could not decide which was best.

"To Sleep! Perchance to Dream," "The Other Side of the Jump"—well, I could go on, but writing a zine-length LoC is not very practical, so I'll just say everything was really nice.

I think this is your very best zine yet. Please keep up the good work.

I particularly enjoyed "First Lesson," "Singapore Sling," "A Tommy Tale," and "Lethal Witness." It was nice reading about a very young Han Solo learning to put his trust in someone other than himself. I enjoyed "Singapore Sling," not only because it was a totally new Indy adventure, but because it was so well written. "Lethal Witness"—same reason. Now for "A Tommy Tale," my favorite. I've always loved the special relationship between Tommy and Avram and it was nice seeing them together again, if only for a little while. But you just had to like and care for the other characters introduced (Laurie and Moishe). Can't wait to read the ending in FLIP 12.

I'm glad I've got so many FLIP issues to catch up on—I'd hate the long wait before the next one comes out. I started reading FLIP 9—loved your meeting with Harrison Ford!

Last, but certainly not least, the artwork. It's the best I've ever seen in a zine. You certainly are lucky to have such fine artists (and writers) contributing to FLIP. And the layout of the zine itself is fabulous—very professional. It's not only great to read, it's great to look at!

As usual, FLIP is an excellent zine.! I got a kick out of FLIP 11. I'm definitely writing for information on the latest issue.

What did I like about this last issue? Well, my first thought was...YEAH... "Lethal Witness"! Whatta story! It had everything—action and character development. The author, Ms. Cypher, did a first-rate job! Out of a great zine, this story really stood out.

For the rest of the zine? FLIP is never complete without a Han Solo story. I have yet to run across a bad Solo story in FLIP. The Tommy Lillard stories are good, too. I find the Lillard stories hard to get into at first, but once I do, I enjoy reading them.

Above all, don't change FLIP! The poetry and everything else is great, too. It's one of the best things in fandom!

One more thing. Will there be a sequel to "Lethal Witness"?

Wow!! You guys keep getting better and better! I must have sat and stared at the front and back covers of FLIP 11 for a good five minutes before even opening it! Beautiful! A round of applause for Jim Markle and Dianne Smith.

Knockouts, as usual, inside as well as out. And let us not forget Wanda Lybarger, Dani Lane, Rebecca Carey, and all the others who made this zine truly come to life. I couldn't have imagined any of them better myself. Thanks for reading my mind, guys! You want to know what I liked about this issue? How much time have you got?

Everything was terrific, and I wasn't disappointed by a single piece. (Hey, is it me, or are these zines growing in size?) A friend commented on the neat details you've managed to include such as the title printed on the binding, and the fancy borders around the poems and such, and she's absolutely right. Nice touches that showed you cared. I've been proudly displaying your issues to everybody, even non-Harrison Ford fanatics, and they're impressed. Great job!

Finally, I'd like to thank you guys for sending me this issue. What a kick it was to actually have my poem accepted, and an absolute thrill to see it in print! Thanks again!

Well, ladies, let's get redundant...FLIP 11 is another stunner...gems upon gems. Tonya's "Blind Alley" deftly illustrates Mother's bewilderment; Allie is a bit of a trial, ain't he? Sally Syrjala does such lyrical tales and "The Debt" is another winner. Also loved "To Sleep! Perchance to Dream"~we've just got mice in our attic! Rats!

I really enjoyed "Singapore Sling," "A Tommy Tale" (it's a honker, Wanda, but a great honker) and "Lethal Witness" because the quality and quantity of the tales both amaze and inspire me -"Sling" in particular gave little details that I didn't know before. WARNING: Do not read "Lethal Witness" after watching LETHAL WEAPON! There is such a thing as too much excitement...

I've just spent the last five days of my vacation and Day One was for FRANTIC! Yep, I was near the front, and scribbling away on a paper without looking down so I have very weird-looking notes! Also, my mom and Doreen went to Paris on their vacation so I can steal their scrapbooks for story ideas. FRANTIC is fantastic, a delicious nightmare. I liked it especially because it's a plausible mystery—this happens, and then that happens, and so on. I loved the relationship between Richard and Michelle—he isn't attracted to this girl at all but he becomes very protective of her and obviously he's the first guy that's ever treated her decently, so it's a very interesting situation. I have a couple of favorite moments—I think you know which ones I mean...one involves a rose and the other a stuffed animal...(whew!)

I just want to say how proud 1 am to be part of FLIP. It just keeps getting better—and I hope I can get better with it!

Well, time to LoC another issue of FLIP. 1 see it has lost nothing in the way of quality or quantity. Like fine wine it just seems to improve with age. Congratulations to you guys for doing a bang-up job.

The zine is chockfull of good stuff, from both gorgeous covers to everything in between. 1 would have liked to see someone tackle a story on the character of Allie Fox, fan writers being a more daring bunch than most, but perhaps no one felt up to the challenge.

"Back From Vacation" - A cute little piece that provided a bit of a chuckle. 1 can't see Indy married—to anybody. The lure of fortune and glory are too strong to ever allow him to settle down, no matter how much he loved the woman. It wouldn't be long before he was running off after some priceless artifact, leaving his wife behind.

"The Debt" - Solo would see taking the commission as a way of paying back his friends for coming to his rescue. However, they did more than get him out of Jabba's clutches. They showed that it was time to open his heart once more and trust, even love, others again.

"Say What?" - Interesting alternates. Wonder what writers could do with these?

"Angel of Mercy" - A very good piece of writing by a writer I have never seen before. The idea of Indy having a guardian angel is a good one. After all, there must have been something other than luck keeping him in one piece all these years.

Michelle Worley is another writer who is new to me. I liked her premise that Indy's ghost would come back to share the memories with someone. It was a neat touch having Indy take his three most treasured possessions with him when he left.

"Winter Dreams" - Yes, Leia would dream of her lost home, but Tracy is the first writer I've seen who takes on the subject of how Leia feels about the Rebellion and seeing a great many friends and colleagues die. It stands to reason that she would feel personally .responsible for the deaths of those who joined because of her, and twice as guilty about Han since he only stayed for her.

Thanks for the lyrics to "Gold," Martie is such a talented person who can do just about anything. I'm hoping she comes up with something for FRANTIC.

"Singapore Sling" - Another Indy adventure that would make a movie all on its own. There are villains, a beautiful girl, a trusty sidekick and a priceless treasure, plus perils for Indy to overcome. It's a wonder he lived to find the remains of Nurhachi. And, as always, there's a thread of humor running through it all.

"A Tommy Tale" - A marvelous story by Wanda, spoiled only by the three most dreaded words in the English language: TO BE CONTINUED. It's in character for Tommy to be evasive with Avram, knowing the rabbi would not approve of his going after the man who tried to kill him. Then to get saddled with the man's wife and fall in love with her into the bargain—no wonder the poor man was out of sorts (to put it mildly).

"Lethal Witness" - Cypher, whoever she or he may be, must have been reading my mind. I wondered if the characters of Book and Riggs could be combined and Cypher has done it—very well. The two men are more alike than they want to admit and perhaps they will become friends. They certainly found that they liked each other enough to save each other's lives and that's a start. Please see if you can get more Book/Riggs material out of Cypher.

I really liked the entire issue of FLIP and I'm looking forward to the next one.

Fortunately, for me, that gorgeous cover by Jim Markle didn't have the same "smashing" consequences that FLIP 10 had. I don't think my husband would've bought another excuse for an additional fender bender. Just a word of warning to all other FLIP readers. As long as you're going to have such talented people portray our boy on the covers of this zine, don't try to "drink in" his fascinating face and drive at the same time!

I know you keep hearing the same thing every time but, I declare, you get better every time. Just like Harrison, FLIP is aging beautifully.

Besides his spectacular cover, I love Jim Markle's work throughout the entire zine. Maybe it's just my imagination but as an admirer only, totally unable to critique on technique or style, I just feel everyone's work that I've enjoyed issue after issue is getting better and better. With the possible exception of a few like Wanda and Dani...it's hard to improve on perfection.

J.B. Jones, on page 80, is a terrific example of how good good can really be.

Rebecca Carey's work on page 83 was really great. The look in Charlie's eyes is so sad but still totally resolved. I loved it.

To pick a favorite story is getting harder to do with each superb issue.

Cypher's "Lethal Witness" was a great idea with fantastic results. That is one extremely talented lady. Dani's artwork only added pleasure to a terrific storyline. "A Tommy Tale" is in a class all by itself. Holy Huts! Is there no end to Wanda Lybarger's talent? Can you see the green in my face runneth over? Please tell me, when do we get part two?

"To Sleep! Perchance to Dream" was like Michelle Worley slipped into my own dreams. Close to home and really well done. Tracy Taylor's "Winter Dreams" was so sad. I really enjoyed the glimpse into the deep heart, not just the conviction of Leia we always see.

I could go on and on professing the excellence and unparalleled abilities of each and every contributor to FLIP but I've reserved my final comments for my favorite story, Barbara Anderson's "Singapore Sling." Nobody can visualize action with mere words like she can. I felt like I was watching the 70mm version right before my eyes. I'm also a sucker for any romantic interlude that the collective imaginations put our boy into. And, oh brother, that was one hot interlude!

I'll close now before I start to regress to dribble and babbling. I did want to add my thanks again for giving my humdrum existence the added pleasure of seeing my boy in such diversified, interesting versions of his characters.

Receiving FLIP 11 was truly the high point of my rainy Friday afternoon. Now that I have actually seen it, I can tell you that you have both outdone yourselves with this issue! FLIP 11 is so excellent!! I know I keep repeating this, but FLIP OF A COIN is such high quality! Once again, I am overwhelmed!

*Ahem* I think that it's no use for me to try to write calmly, so I'd better just start talking about the things FLIP or I might continue raving on about it and then this LoC will be even longer than my last one. Before I begin, though, I'd like to thank all those reviewers who commented on "Revelation." Thank you all so much for your kind words. I really appreciated it. And yet another great big "thank you" to Paula and Jenny, even though they're probably sick to death of hearing me say it.

Well, anyway, I am amazed how the artwork of Dianne Smith has the power to reduce me instantly to a kind of quivering jelly. God, she's good! Her back cover illo and her illo for "Mosquitia" had precisely that effect on me. Of course, the front cover and indeed all of the other artwork in the zine did also.

Jim Markle's work continues to be excellent. I especially liked his Tommy on page 261 and the Indy illo on page 16. But I was most impressed by the artwork of Rebecca Carey. What well crafted and beautiful illos! The one that had the greatest effect on me was the one accompanying Jacqueline Taero's "Etchings in a Child's Eye." The poem itself was powerful, but the unraveling, translucent look of the illo gave it even more poignancy. (I hope that makes sense!) I keep looking at it, and it just gets better and better. She's really an artist to be reckoned with and I'm really thrilled that she'll be doing "Fool's Gold"!

Like I said before, the rest of the artwork in the issue was also great and the reason I'm not talking about it in greater detail is because this LoC is already turning into a monster! The inside back cover, though, was simply hysterical. Poor Indy. But at least .they were autograph-seekers, not inter viewers ... As for the stories and poetry, they were, as usual, great. I made a vow that I would not list the whole table of contents here, but if I get too carried away again...in any case, here goes:

"Confrontation" - What a gripping story! I don't think I've ever seen another one describing the 'dinner with Darth Vader.' Han's guilt and his feelings toward Leia were shown very clearly, I thought. And Vader's calculated anticipation of Han's torture session was chilling. I also enjoyed Elaine's "Evening on the Wind." it was a very believable, very good story.

"Angel of Mercy" - Camels, huh! No, seriously, this was a very interesting idea for a story. I liked the interactions between Arella and Marcus and Arella and Sallah. And it was great to finally see the young German soldier, though I do think he wouldn't have killed Sallah in any case. An excellent story!

There were a lot of really sad, heartbreaking stories in this ish. I guess I mean "The Other Side of the Jump." It really explains why Han was so adamant about going out into the storm to save Liike. "Winter Dreams," too, was very poignant. I completely sympathized with Leia's plight. And while "The Debt" is sort of another type of story altogether, it, too, was poignant in showing Han's changing values.

Having read "First Lesson" and been completely and utterly blown away, I now desperately want to read all the other stories in The Storm Cycle. Talk about poignancy! And you can completely see how the aloneness and the misfortunes of the young Han affected his adult life. This is definitely what he must've been like as a child.

"Singapore Sling" - Yet another excellent story by Barbara Anderson!! I enjoyed seeing Wu Han and liked Mei Ling, too. She's one lucky lady! Lei Haio kind of reminded me of someone, though.

"Curtain Call" - Hmmm. I didn't quite get this one, but I'm sure- I will once I read it again. "L-U-M"? What about "T-H-X"? A cute, funny story.

"A Tommy Tale" - Wanda is as good a writer as she is an artist. But—a continued story? No! No! I want the end now! I can't bear to wait! (It's okay, Irina. Caaalm down.") Five stars for this story.

"Save Us From Princesses" - Tee hee hee. I guess Chewie didn't remind him— Cypher, once again, proved herself a master. The limericks were killers. And LETHAL WEAPON and WITNESS?! That's too much! It worked very well, though, although I'm sure I missed something having never seen LETHAL WEAPON... An award should be given for the line "I haven't seen anything like this since THE ROAD WARRIOR." Cypher's "Say What?" caused me to laugh so hard I literally fell off a chair. Another award goes to "Forget it, Allie, we're going!" Migod, I've created a monster. I will stop here even though I still haven't talked about the poetry. If you print this, you won't need anymore submissions!

Thank you, thank you again!

Thank you for putting Solo stories in. Lately there seems to be less of them. And he is my favorite of Ford's characters. "Confrontation" - Thank you again. But I sure would like to know what they discussed in private. "The Debt" - Thanks again.

"Angel of Mercy" - I guess Indy must be my second favorite, and the easiest to write for. This one is a little strange, but it makes perfect sense.

The Dianne Smith art on page 65 was perfect. She captures the essence of each character so well that it takes my breath away.

"The Other Side of the Jump" - This one put a rather large lump in my throat. Glad to see the relationship.between Solo and Luke being written about again. I've always enjoyed those kinds of stories.

"To Sleep! Perchance to Dream" - Maybe I should clean out my attic! A bit predictable but what the hey! I liked it!

"Winter Dreams" - This story so very well put into words some of the thoughts that I've been trying to set down, especially the lines at the bottom of 89 about whose hands will be bloodier at the end of the war. In the end, right or wrong doesn't matter, for the loser will always be called wrong, criminal, and all the other adjectives. The winner being called right. As a certain Vulcan once commented, "It may not be logical but it is often true."

"Gold" - Martie should be able to get some of these things published professionally. I wish I had the time and wherewithall to hear the songs. Someday... "First Lesson" - More Han...YEAAAA!

"Singapore Sling" - My choice for 'Best of Zine.' Characterization was right on. Plot was good; would make an interesting movie plot for our favorite archeologist. Are you listening, Mr. Spielberg?

"Curtain Call" - For some reason, I wasn't as fond of this one as I thought I would be. Don't know why. I got the feeling that the whole thing was written tongue in cheek; was I wrong? I must be careful here; the author doesn't live more than a stone's throw from me.

"A Tommy Tale" Except for the fact that this is a two-parter, this is 'Second Best of Zine.' And I'm not that big a Tommy fan. Hurry up with part two. Has the feel of a Louis L'Amour tale. I wish I could get my husband to read some of the Tommy fanfic but he just won't do it.

"Save Us From Princesses" - Poor Han! Will he ever learn? And the illo on page 237 was much too short!

"Bill of Fare" Very good vignette.

Another excellent illo of Jim's on page 261. As I said, he just keeps getting better and better.

"Lethal Witness" - Changed my mind. This is definitely best of zine! Cypher certainly has proved that he/she can write excellent stories as well as dagger-sharp verse (and great limericks!) But I'm perplexed. Who is Martin Riggs? The name is so familiar and just out of reach. (Martin Riggs is the off-the-wall undercover cop played by Mel Qibson in LETHAL WEAPON) I guess this must prove I'm a dunderhead because I can't quite bring it up to memory. It didn't matter, I loved the story! When I read something like this and can visualize it on screen as well as I did, I know it's a winner. More from Cypher, please!

General comments on FLIP 11. Once again, I didn't find any typos. How do you do it? I realize that you may be losing your proofreader but I'll wager nothing will change. FLIP OF A COIN will continue to be one of the most perfectly typed fanzines out today.

And then I closed the cover and found that gorgeous young Han Solo staring up from my desk and turned into a pool of syrup. Oh, well; such is life.

I have been absent from the LoC pages of FLIP for too long, and for that I humbly apologize. (Laziness, my dears, nothing but laziness.) But after seeing such a sterling issue as #11, I knew that I couldn't stay away any longer!

This issue certainly is one of the best looking zines I've seen in a long time. Perfectly bound, crisp and clean graphics (love the title on the spine!), a charming front cover by Jim Markle and a sigh-inducing back cover by Dianne Smith...if that was all there was, the zine would still have been worth its price.! Well, almost.

Of course, the work contained inside those stunning covers is the real attraction of FLIP, and once again our cup overfloweth with fanciful treats. To convey all my reactions to everything would cause this LoC to become a Sunday edition of the LOS ANGELES TIMES (complete with classifieds), so I will do my best to pare them down to an easily digestible size.

Tonya Cox hit a real receptive spot in me with "Blind Alley" because it's a perfect reply to a criticism leveled against THE MOSQUITO COAST time and time again to the point of making me want to scream in frustration. Why, the smug critics asked, did Allie Fox's family go along with him even when it was so obvious that he was not exactly sane? Did these people never stop to consider that it might be because they loved him? My own mum has said that if she were Mother and my pop was Allie, she would have gone with him without question because she loves him and trusts him. So there. Bravo, Tonya!

Cypher's "Say What?" is an absolute delight, and it would be fun—and a challenge—to turn it into a running gag!

"Angel of Mercy" proved to be an entertaining story. I don't recall ever having seen Jean Marie Dewey's name in print before, so I assume we are experiencing the efforts of a new writer. If so, welcome! And congratulations on this story! Might there be more in the future?

I really enjoyed Michelle Worley's "To Sleep! Perchance to Dream" for two reasons. First of all, I find old artifacts, be they family photo albums or the treasures of King Tut, to be fascinatingly evocative; therefore, you can understand my fascination with history. (Just try standing atop the grave of King Henry VIII as I once did and not find yourself nearly becoming dizzy with feeling.) And second, I just happen to love Shakespeare! As for Jacqueline Taero's "Return of the Corellian" - Amen, sister!

I've always found reading the lyrics to Martie O'Brien's songs to be a welcome experience, but with "Gold," I find myself really regretting the fact that I couldn't actually hear them. These songs are particularly rich, even just in the printed word. One of these days...

"Singapore Sling" - *Sigh* Barbara Anderson has done it again. A neatly crafted, entertaining, and thought-provoking story. The introduction of Wu Han was great fun and very believable, too. Loved all the little asides and in-jokes. And the dragon too! But perhaps my favorite part of the story was Mei Ling. She isn't just another cardboard character, an awesomely beautiful, deadly, and shallow one-dimensional character present just so Indy can ogle her. No, Mei Ling is a rare breed—a non-traditional, complicated, three-dimensional character who nearly takes on a life of her own. Barbara seems to have left the door open for a possible return of Mei Ling, and I wouldn't mind that one bit.

Lisa Adolf's "Curtain Call" had me laughing Uproariously from beginning to end. A real charmer, this one, with situations that became only more hysterical when I pictured them in my mind. Terrific!

Needless to say, I'm more than a little anxious to see the conclusion of "A Tommy Tale." Part one was more than enough to get me started. My only quibble with it (if you can even call it a quibble!) is that I had to read it very slowly to make sure that I didn't miss anything important. Wanda's writing is much like her art—rich and detailed. Obviously a lot of time and research went into creating this story. Maybe that explains why there is a dearth of illos. But what the heck.

A special "thank you" to Dani for her illos for "Save Us From Princesses." And an extra special warm fuzzy to you, Jenny and Paula, for making it what it is today. This child may have had an incredibly easy birth, but its childhood was just a bit difficult. Now there are the adolescent years to deal with. As another, more familiar princess once said, "It's not over yet!"

Cypher's "Lethal Witness" was the perfect capper for this issue. It was an idea that I had never considered, and I'm sort of happy about that because I never could have pulled it off as well as Cypher. Cross-universe stories can be tricky, because contrivance is an easy trap to fall into, plus quite often one universe can be slighted in favor of the other. Cypher neatly sidesteps both pitfalls in this story. And she seems to have left the story just a bit open-ended...for perhaps another chapter could be in the offing?

As you can see, I couldn't quite contain my enthusiasm for this issue, despite my best efforts! Thanks so much for over 300 pages of fun, and I'm anxiously looking forward to issue 12!