Flip of a Coin/Issues 003-005

Flip of a Coin is a Harrison Ford zine, which includes fan fiction from Star Wars, the Indiana Jones movies, and other films starring Ford such as Witness, Blade Runner, Heroes (film), The Frisco Kid, and The Mosquito Coast.

It is primarily gen but also includes non-explicit adult het stories.

This zine series began after a similar zine, Facets, ceased publication.

"Flip of a Coin" ran for seventeen issues between 1983-1986.

This page is for detailed information about issue #3 and #4/5. For information about the zine in general, see Flip of a Coin.

For information about other issues of "Flip of a Coin," see:

Issues 001-002 · Issues 003-005 · Issues 006-007 · Issues 008-009 · Issues 010-011 · Issues 012-013 · Issues 014-015 · Issues 016-017

Issue 3

front cover of issue #3, Marj Ihssen portrays Rick Deckard from Blade Runner

back cover of issue #3, Suzy Sansom

Flip of a Coin 3 was published in 1984 and contains 170 pages.

flyer for issue #3

The artwork is by Marj Ihssen, David Garcia, Wanda Lybarger, Cheree Cargill, Suzy Sansom, Dani Lane, Yvonna Zan, D.C. Wickes, E. Crawford, and Barbara Frances-Simon.

Hello! (2)
Reviews, letters of comment (3)
Eufordia by Martie Benedict (Harrison Ford) (8)
Still in Saigon by Cheree Cargill (Heroes) (10)
Affairs of the Heart by Jacqueline Taero (Indiana Jones) (12)
All Hail and Well Met by Marcia Brin (multifandom) (13)
Sea Hawk by Pat Nussman (Star Wars) (18)
Apocalyptic Reflections... by Sara Fensterer (Apocalypse Now) (20)
The Call of the Lembah Temple by Dani Lane (Indiana Jones) (21)
Hyperspace, poem by Tonya M. Cox (Star Wars) (37)
The Vigil and Return from Hell, two poems by Joan Shumsky (Star Wars) (38)
A Saigon Airfield by Jan Keeler (Heros/American Graffiti) (38)
cartoon by Yvonne Zan (Indiana Jones) (42)
Hamsters of the Raiders Set by Dianne C. Wickes (Harrison Ford RPF) (43)
Recessional by L.A. Adolf (Star Wars) (54)
Dial A Gram Puzzle: Quotes from "Heroes" by Lynda Vandiver (Heroes) (57)
Corellay: A Song for the Dulcimer Player by Martie Benedict (Star Wars) (58)
Wars Unwon by Dani (Heroes) (60)
Eternal Triangle by Jacqueline Taero (Indiana Jones) (62)
The Homecoming by Michelle Worley (Force 10 from Navarone) (63)
Dinner at Eight by Jacqueline Taero (Star Wars) (62)
Wanted: Dead or Alive, Darlin' by Barbara Frances-Simon (Frisco Kid) (69)
Kenny/Time by M.E. Wickes (Heroes) (91)
Communion by Martie Benedict (Blade Runner) (92)
Midnight on Tatooine by Jacqueline Taero (Star Wars) (94)
Interlude by Anne Elizabeth Zeek (Indiana Jones) (95)
cartoon by Suzy Sansom (Star Wars) (98)
The Corellian Mutation by Martie Benedict O'Brien ("Set before Star Wars: A New Hope. Han goes to Voola, the planet of the Talathi winged women, during mating season, but encounters an ancient danger.") (99)
My Favorite Farmer by Beth Lentz (American Graffiti) (126)
The Real War by Sherry Magee (Heroes) (127)
Notices (165)
Previews for Issue 4 (168)
Star for Harrison, a fan campaign to get a star for Harrison Ford on the Hollywood Walk of Fame, see image below (169)

from issue #3, Sharon Palmer (Star Wars)
from issue #3, Wanda Lybarger (Harrison Ford)
from issue #3, Cheree Cargill (Heroes)
from issue #3, Suzy Sansom (Indiana Jones)
from issue #3, Wanda Lybarger (Indiana Jones)
from issue #3, Wanda Lybarger (Star Wars)
from issue #3, Wanda Lybarger (Star Wars)
from issue #3, Dianne C. Wickes (Harrison Ford RPF)
from issue #3, Dianne C. Wickes (Harrison Ford RPF)
from issue #3, Dianne C. Wickes (Harrison Ford RPF)
from issue #3, Dianne C. Wickes (Harrison Ford RPF)
from issue #3, Wanda Lybarger (Star Wars)
from issue #3, Dani Lane (Heroes)
from issue #3, Barbara Frances-Simon (Frisco Kid)
from issue #3, Barbara Frances-Simon (Frisco Kid)
from issue #3, Martynn (Blade Runner)
from issue #3, Suzy Sansom (Star Wars)
from issue #3, Martynn (Star Wars)
from issue #3, Wanda Lybarger (Star Wars)
from issue #3, Wanda Lybarger (Star Wars)
from issue #3, Dave Garcia (Star Wars)
from issue #3, fan campaign, a pitch for Harrison Ford's star on the Hollywood Walk of Fame

Reactions and Reviews: Issue 3

Bravo! You keep getting better and better. I'm honored to have my first story published among such established talents.
Sherry Magee's "The Real War" made me cry and I loved it. I envy the way she's rounded and filled Kenny's character from such a short spot in HEROES.
Marcia Brin's "All Hail and Well Met" is another one way at the top of my list. Putting those four guys together was something close to genius.
As everyone says, it's hard to not comment on every story or art but for those I didn't mention, I'd like to say I devoured this zine cover to cover in record time. So, if I haven't mentioned a piece, it's not because I didn't enjoy it.
The new logo is perfect. Will smother coin be added for volume four?
Speaking of art, I'd like to comment on a few. Suzy Ssmsom's 'Indy! on page 12. What can I say? I'd love to be able to do that. Again, her piece on 94—Genius. And Wanda Lybarger's illos for "The Corellian Mutation" are fabulous, as always.
From Deckard to Solo, I found enjoyment on every page between. It's a shame I wasn't a slower reader—the wait for #4 will now be even longer.
Keep up the good work. ^[1]

You asked for an LOC. You've got one, I only regret I didn't send in one before for FLIP #1 and #2, which were just beautifully done. And now a spectacular FLIP #3! I am proud to own my three issues of FLIP OF A COIN.
One thing I love about the issues is that they are bound together and not just stapled, making it look very professional and easy to turn the pages. And, of course, there are the stories, poems, and artwork.
It took me a whole Saturday afternoon to get through the artwork on the front and back covers of FLIP #3.
I commend Marj Ihssen and Suzy Sansom. The art they did was almost life-like!
Before I get too far into discussing the art, I want to firstly commend Wanda Lybarger. She really outdid herself. I love her illos for "Corellay" and "The Corellian Mutation." Excuse my gushy attitude, but, Wanda, you really know how to give that man a body! It was a delight, as always, to see Martynn's art for "Communion" and "Interlude." I've grown up in Ford fandom with their and Dianne Wickes' art, whose art for "Hamsters of the Raiders Set" was—how does one describe it—adorable. I also want to mention the unique style in Barbara Frances- Simon's work for her Tommy Lillard story.
Being such a buff for the romance between Han and Leia, I loved "The Vigil" and "Return from Hell" by Joan Shumsky and the idea of putting those two poems side-by-side, expressing both Han's and Leia's thoughts as she awaits his awakening and he tries to draw conclusions as to where he is. "Communion" is very touching and really characterizes Deckard very well. After reading this by Martie Benedict, I realized Deckard is a lot like Kenny, torn up over his past full of violence and killing for, well, his country, a mission, etc. I want to see more on Deckard in future issues of FLIP.
Now for the stories. I think my favorite would be "Wanted: Dead or Alive, Darlin'," by Barbara Frances-Simon because I am such a sucker for Tommy Lillard. And, finally, a story on Bamsby. I have to admit Bamsby is not a very interesting character, nor does he have much of a story to back him up, thanks to the FORCE 10 screenwriters, but Michelle Worley did a nice job with "The Homecoming." I only wish the story was longer than it had been.
I also wish "All Hail and Well Met" had been longer for it was very good. An interesting plot twist could have developed there. Being a sucker for Kenny Boyd stories, I loved "The Real War" by Sherry Magee. It was a marvelous, gentle story which I was able to relax to, and it was a long story, which I love. Keep those Kenny stories going in future issues. I love them.
Anybody whom I did not mention, please don't feel offended, because every item in FLIP #3 was worth taking a second look at, and all of you submitters deserve rewards. And, Paula and Jenny, keep up the good work, for I feel FLIP is the king of Ford fanzines now in operation. Being the editor of a publication myself, I can understand the disappointments and hassle we all go through, but I can see FLIP has come out on top. Am looking forward to FLIP #4, and I'm with you guys every step of the way. ^[2]

First off, I want to congratulate the editors for producing a quality fanzine with exceptional graphics that rival even some of the professional rags in the literary world!
Now comes the time when you always feel as though you are somehow slighting the other authors and artists in a zine. That is, singling out a particular favorite. Well, that is not my intention (though the guilt still remains). But being so fond of Indiana Jones...I found "The Call of the Lembah Temple" by Dani (with her excellent illustrations) to be my favorite. And Suzy Sansom's artwork for "Affairs of the Heart" is a banquet for the eyes! Also, the last line in "Eternal Triangle" by Jacqueline Taero was really a gem!
Of course, the tributes (in fiction and artwork) to the other Ford characters from Ken Boyd to Han Solo were remarkably polished and sensitively written.
To praise is one thing to have the gift of creativity linger in your mind is an even greater award. And that is the result of FLIP OF A COIN...^[3]

I have finally finished reading FLIP 3 after several interruptions and have to give you a big Wookiee—sized pat on the back for once again putting together such a fine zine. First of all—-the front and back covers were gorgeous renditions of Rick and Han, respectively! I swear those eyes of Han stare back at me! It's almost spooky! Once again, most of the artwork inside was very impressive. Really liked the piece by Wanda Lybarger accompanying Martie Benedict's delightful "Eufordia"--he should look so innocent!
Loved the piece by Marcia Brin, "All Hail and Well Met." Both the setting and the interactions between Mr. Ford's leading ladies was very funny. Really tickled my funnybone!
Speaking of funny "Hamsters of the Raiders Set" had me in stitches — particularly because I happen to have a hamster named Indy. I swear it's true! He's not very fond of snakes, either. I wonder if I can find a fedora that small. All the fiction and poetry was very much enjoyed. The little surprise at the end of "The Corellian Mutation" was such a cute touch—there's more to our favourite "flyboy" than we thought. I thought Han's sensitivity towards Luke's inner guilt was very touching in Lisa Adolf's "Recessional." I can picture that conversation really occurring.
I think I've babbled enough for now. Suffice it to say I've enjoyed the whole zine very much and many thanks to all the contributors and, of course, the editors for making it so enjoyable.^[4]

Once again I would like to congratulate you, and all your contributors for a very, very excellent issue. I have enjoyed your zine since you began it and I can very easily state that each issue out does the last one. I have stated before that I rather "hate” to LOC because if I mentioned one story, one piece of artwork, one cartoon, then I feel that I have, in fact, said another's efforts weren't as good, from my standpoint. With FLIP, this can never be the case. As editors, you have given us, your readers, excellent, outstanding stories, poems, artworks, puzzles (brain teasers!!). I feel that your zine is exceptional. I applaud your efforts and I am pleased to see who contributes to FLIP; you've got the cream of the crop here and I, as a reader, am very pleased.
I do want to single out (and I hate to do this, but...) Sherry Magee's "The Real War." Friends have told me that they can't see where Kenny Boyd can go and I say to them, then you've never read any Sherry Magee. A beautiful job. Sherry, as always!
Other pieces that hit me — Cargill's "Still in Saigon;" Brin's "All Hail and Well Met" (Please, Marcia, do another after we see Willie!); "Hamsters of the Raiders Set" by Dianne Wickes—this is wonderful! Sara Fensterer's "Apocalyptic Reflections," and a big applause to Dani, for "The Call of the Lembah Temple"—all the way a dandy tale!
As stated, I hate to single out any one item in this zine but these did hit me. But as ever and always a big Boy-am-I-glad-to-see-you-again to Pat Nussman and Anne Elizabeth Zeek and Joan Shumsky and J. Taero and all you folks that I have read and enjoyed so much. And to Martie Benedict, whether you do Indy Jones, Han Solo, Rick Deckard, you can always say it, Martie—GOOD LORD, MR. FORD!!
Sincere thanks to all the contributors and I could have and should have listed everyone's names because there wasn't a single thing in this issue I didn't like. I am not an expert in fiction fanzines but I know — (I hope and think) — what is excellent and I personally feel FLIP OF A COIN is outstanding. To the editors and the contributors—APPLAUSE, APPLAUSE, this is excellent! And this issue continues the tradition that Paula and Jenny started with issue 1. I will be here as long as you gals want to do this. From a fan, sincere thanks. Looking forward to 4 and on—forever, I hope.^[5]

Well, here's the usual applause, envy, etc. This will be a much classier LOC because in the last one, I sounded like an airhead. FLIP just keeps getting better—it's so great to see people who really knock themselves out to put out a good zine. I think FLIP has a look and feel to it that's unique.
Martie Benedict's "Corellian Mutation" was the standout (for me) this time round. An incredible tale— gorgeously romantic, sensual, then action-packed, and, finally, very moving—once I got past Wanda Lybarger's opening illo of Han, nearly nude but for D'Kota's artfully placed knee. Maybe FLIP could (should!) be the first fanzine with a centerfold...?
After that comes "Sea Hawk" (because I love Errol Flynn); "The Real War"—thank God Kenny busted that M16 at last—now he's really on the way to recovery; "Wanted: Dead or Alive, Darlin'" and "Midnight on Tatooine"?
"Hamsters of the Raiders Set" is a scream. I read it over and over and laughed every time. Also liked "All Hail and Well Met"--nice of Marcia to mention HITCHHIKER’S GUIDE... And "The Great Corellian Chocolate Bar" is priceless.
I agree with Wanda that Scheherazade's "Tails" would be better if printed in full. I would especially like to see if the stories jump ahead in time to when the baby is a teenager or grown woman, and what happens then.
The only really negative criticism I have is that FLIP IS TOO SHORT!! I would willingly pay more for a larger issue—perhaps you could do this once a year, finances permitting.
Of course, that means you'd need more from the writers, but, hey, I'm for that. Especially since I turned 30 on July 1 (AAUGH!!)—I need some distraction!^[6]

The Rick Deckard cover by Marj Ihssen was magnificent! She captured Deckard's somber manner with that slightly menacing stare Harrison Ford is so good at achieving. That dour look of his really pulls you in, as well as the eyes that follow you around the room! I hope we will be seeing more of Marj Ihssen’s work in the future. The back cover of a young Ham by Suzy Sansom was also great! I can't imagine all the work that goes into drawings like these.
"All Hail and Well Met" by Marcia Brin was funny and especially enjoyable because the different personalities of all four were kept in character. The uneasiness of their meeting was natural and the women friends were also well defined. Liked the beginning name dropping of good old Zaphod Beeblebrox from HITCHHIKER'S GUIDE TO THE GALAXY and liked the exit at the end. Deck was cute, too. Especially liked the line "Rick seemed to be attempting to rise above a deep-seated apathy." That's Deck all right! "The Corellian Mutation" by Martie Benedict was also good. It had plenty of action but also dealt with relationships in a mature way. That "mutation" thing sounds kind of neat. A whole planet full of Solos? I can handle that! But I don't think the galaxy can!
"The Real War" by Sherry Magee was heart wrenching. She writes as if from experience. Sherry has a nice hold on Kenny Boyd’s character with the ability to find the sweet in all that bitter. Kenny isn't an easy character to write and not an easy one to understand, but through this and other writings like it, I feel I can understand his pain and know a little of what Vietnam was really like. When he shattered his gun, it was like he was putting all the past behind him, and the killing. I hope he did.
Jacqueline Taero's poems "Dinner at Eight" and "Midnight on Tatooine" were especially nice.
"Interlude" by Anne Alizabeth Zeek was tender. Marion's past seems so tragic in that one. Martynn's drawing of Indy and Marion for the story was exquisite! As usual.
Also, "Hamsters of the Raiders Set" by Dianne C. Wickes was really cute! The illustrations she did for it were adorable, with those hamsters appearing in places and doing things I didn't notice the first time I sped through it!
Another enjoyable issue!^[7]

Well, you have another winner with FLIP 3. I won't mention each piece since that would take up far too much space, but I do want to hit a few high points.
I really enjoy Jacqueline Taero's poetry. I chuckled over "Affairs of the Heart," but my favorite is "Eternal Triangle" which manages to be funny, very much in character, and ever so poignant in only a few lines. Lovely poem!
Wanda Lybarger does her usual wonderful illos. How I envy that woman! Not only does she write well, but she's one of the best artists in fandom. You've also found a real talent in artwork in Suzy Sansom. I can't decide which piece of her work I liked best, but I howled (pardon me!) over her cartoon. Her Indy on page 12 is just beautiful. I hope you can persuade her to do lots more for FLIP!
I also loved "Hamsters of the Raiders Set by D.C. Wickes. Funny! I especially loved the "rabid lemmings" and Uncle Terry's present. I read it at work, and I'm surprised none of the customers came back to see what was going on with that strange woman giggling madly to herself!
Lisa Adolf's "Recessional" was a lovely piece on the love between Han and Luke. It's nice when you cam include quiet, gentle pieces like that.
My favorite piece in the zine, however, is Sherry Magee's "The Real War." What higher compliment can I give her than that I pity anyone coming after who wants to write Kenny Boyd stories. She's made these characters so real I think of them as the "official" version. I can't think of Kenny without thinking of the universe she's made for him. I was pleased to see Kenny taking steps toward wholeness in this one. It gave me hope he's really going to make it this time. I was also very pleased with her treatment of the Vietnam vets and the problems they've had adjusting to society. Even as a former protester,. I still sympathize with the plight of these people who are still being punished for something they had very little control over. I respect those who fought that war even if I despise the war that was fought. Ms. Magee does a wonderful job at making the feelings of these former soldiers come alive. Her Kenny is a three-dimensional person, and this is one of the best stories she's ever written about him.^[8]

Arriving home after a day teaching a class of fourth graders and finding a fanzine in the mailbox is always a treat. When that zine is FLIP OF A COIN, it's even better because I’m guaranteed a feast of Ford.. FLIP 3 came through from front cover (terrific) to back cover (ah delicious).
I enjoyed the cartoons, especially ’’The Great Corellian Chocolate Bar” which has given the real jingle new words in my mind whenever I hear it.
"Hamsters of the Raiders Set” nearly gave me an asthma attack from laughing. The drawings were adorable, and the ”script” was full of affection for Harrison. I think having gone through the experience of gerbils and their prolific breeding nature helped heighten the humor. After finding homes for nearly 100 babies (being a teacher has its benefits), Mom and Dad Gerbil found a new home, too.
The placement of Martie Benedict’s "Eufordia" lyrics at the beginning was clever. It’s one of my favorite VHF songs and set the mood pace for the zine. Wanda Lybarger’s illo had the perfect attitude and pose for Harrison. Almost could hear his thoughts about the song. "Good Lord! Ms. Benedict!”
Wanda's illos throughout the zine were some of the best I've seen of her work. Those illos on pages 59, 100, 111, and 125 were beautiful to see.
Martie's other contributions were terrific reading. I particularly enjoyed "Corellay—A Song for the Dulcimer Player.” The comparison of a body to a musical instrument in a poem/song is not in itself anything new, but there was a beauty and tenderness in this special piece that appealed to me.
I can't pass up commenting on "The Corellian Mutation" which has to be my favorite story by Martie. The mixture of adventure-action and romance balanced each other and made this one a story I've read and reread.
Martie's talent for writing tasteful sex is shown in the beautifully written interlude between Cedwea and Han.
"Wanted: Dead or Alive, Darlin'" by Barbara Frances-Simon certainly kept the spirit of FRISCO KID even though Avram was absent from the story. Frankly, I'd enjoy seeing more stories about Tommy without Avram showing up. There seem to be few of them.
Sherry Magee's "The Real War” is not a story I can say I enjoyed, but it is a good story. It is a story to think about, reread, and think about some more. The story did give me a warm feeling inside that Ken has a chance for happiness with those caring people around him. Sherry's feel for the character of Ken Boyd is unsurpassed, and I look forward to reading more of her stories. By the way, I'm nuts about Jenny the cat. Sherry must be "cat people" because she has cat mannerisms perfectly expressed.
One last comment and that's about Martynn's illo's on page 92. WOW! It is fabulous! ^[9]

The look of this publication is truly outstanding. So many zines appear to be put together with chewing gum in somebody's garage, and one responds to them in a like manner. But FLIP always looks so professional that you win over the readership before they even open it up. I loved both the front and back covers this time. You really do put out the best-looking fan fiction zine of anyone. Congratulations!
I'm still so new at reading fan fiction. I would not presume to start criticizing anyone's efforts. Instead, I will tell you what I liked. Actually, I liked practically everything, so that's fairly easy.
The artwork is marvelous. I'm a great admirer of anything done by Martynn. Wanda Lybarger surely does some of the best Han Solo ilies around, but she certainly outdid herself this time. Her sketch on page 100 must have caused quite a few second (and third) glances as people were flipping through FLIP for the first time. Loved her new logo for you too. And, please, Suzy Sansom — do not start looking for the beef at Wendy's. You are a wonderful artist, and that back cover is beautiful, no other word for it.
The poetry in this issue is also very good. I liked all of Jacqueline Taero's efforts. Martie Benedict's poetry is always terrific, and I especially loved "Eufordia." In fact, I have adopted her final line as one of my own. Good Lord Mr. Ford, indeed. Only last week, I found myself in a theatre lobby before the teaser TOD poster, muttering that line over and over. A friend led me gently into the theatre, reminding me that we were there, after all, to view a movie, not spend two hours gazing at a film poster.
As a Sixties survivor, I generally have a tendency to avoid yet more Vietnam-related stories. This is all still rather painful for me. However, I found "The Real War" by Sherry Magee not only touching and poignant, but also hopeful.
I also enjoyed "Interlude" by Anne Elizabeth Zeek. I suppose all RLA fans have fantasized about this nonsense from the film. Anne handled it especially well.
If I have to pick one favorite story though, I must vote for Marcia Brin's "All Hail and Well Met." I do have this off-the-wall sense of humor, and this type of writing always wins me over. I've read many of Marcia's dramatic stories and poems, so it was with great pleasure that I discovered her lighter side as well. Delightful, Marcia—I'm still chuckling over some of those priceless lines.
Hey, I liked "Hamsters of the Raiders Set" too, and I usually never read cartoon strips. It, too, was delightful, and I'm sure will be accepted in that light by all concerned since it laughs with the characters involved, not at them.
What more can I say? I loved the entire issue and congratulate you both once again on a superlative job.
I know you have my SASE for FLIP 4. As soon as you have the flyer ready, please send it along. From the preview page alone, I can tell you have another winner in preparation.^[10]

Right off; I have to say that the back cover by Suzy Sansom knocked me out! Beautiful, beautiful! Is that a face?? The front cover was marvelous, although Deckard isn't my favorite Ford character. Wanda's new logo for FLIP is great. Is she going to do a different character each issue? While we're on the subject, let's stay with the art. Again, Wanda has outdone herself. The illo on page 59 of the "Dulcimer Player" complimenting Martie's piece "Corellay" (I know there's a hidden meaning somewhere in that!) is stunning. My next favorite is Wanda's illo on page 8 next to Martie's "Eufordia." Wait, wait. Almost forgot the best one. Page 100! Wouldn't you love to sneak into that bath house?? And thanks, Wanda, for the beautiful illo accompany ing my pieces. Just how I pictured it. Martynn's Rick Deckard with Rachel and owl was excellent. Great art, artists!
"Hamsters of the Raiders Set" was delightful. An. excellent sense of humor, D.C.!
Marcia Erin's "All Hail and Well Met" was very clever and entertaining. Yes, one wonders what would happen when all the "couples" meet. Everyone remained true to character. I always love the way Solo and Jones circle each other like warring rams!
"The Call of the Lembah Temple" by Dani was an excellent Indy story. Chilling and good storytelling. Just one more adventure for our professor! No wonder he finds the classroom dull! Martie Benedict's "Corellian Mutation" is another fine tale by the lady who "doesn't write Wars"! Voolans. A most interesting society and I'd love to see the baby "all growed"!
Wow, Han Solo with wings, yet! Think about it!
"The Real War" by Sherry Magee is another excellent Kenny Boyd story. At long last, Kenny may be coming to grips with his life and certainly this story gives proof of that.
Yvonne Zan's cartoon was hilarious. I love this type of thing. More, more! Also Suzy's cartoon on page 98 gave me a chuckle. Then, there's Suzy's back cover, er...I already commented on that! Well, it's fantastic! Again, Paula and Jenny, you are to be congratulated. FLIP is just a beautiful zine and I look forward to number 4!^[11]

FLIP 3 is GORGEOUS—definitely the BEST (so far)!! I will confess to shameless gluttony on this one (so much for trying to ration it out or make it last...); I read the whole thing in the first day-and-a-half I had it! And—further lack of restraint—the first thing I read was "The Real War"! I think it's Sherry's best story to date! Who IS this woman?
Whew! As you can tell, I'm very excited about this latest issue! From the moment I ripped open the envelope and saw ol' Rick staring at me, it was all over for me. Anybody wanted anything, they were just gonna have to wait, because I was reading FLIP, and that was that! I'm afraid I tuned out everything else until I was sated!
Jenny, your lay-out and the look of the zine are just beautiful; I can't think of any currently in print that can really compare with it. And I'm so glad you haven't gone to reduced type in the stories (in the letters, I can take it; but not in the stories, please!) There was just so much exceptional stuff in this issue.
I hardly know where to start. Obviously, my all-time favorite was "The Real War." Is it just something about the set of my own head, or what? Why do these Kenny Boyd stories affect me so profoundly? I know I am a child of the era; and I know some people like Kenny—know some of them very well. I know that a good part of it is Sherry's style and the way she really puts you into her stories, as well as her humor and insight. All of it combines to make these Kenny Boyd stories so moving for me that their attraction is just irresistible.
I think my second favorite thing in this issue was—are you ready??— "Hamsters of the Raiders Set" I laughed right out loud when I read it: Every so often something like this will strike me (like "Roach Wars" in PEGASUS!), and I can think of it weeks or even months later and it still breaks me up' And as a fan of George Lucas, Steven Spielerg, and Frank Marshall, as well as Harrison himself, it was fun to see the rest of the guys getting a little coverage, too! Speaking of laughs, Sharon Palmer's "postcard" on page 7 gave me a hearty one, too (wish I could come up with these things.')! And Martie Benedict's "Eufordia"—well, what can I say? She says it for all of us out here in helpless thralldom — er, fandom! And Wanda's illo is the capper; "Aw, come on, girls—you're erobarrassin' me!!" Hee hee! Sorry, Mr. Ford!
There really isn't anything I didn't like or didn't read in the whole dam zine! But let me see if I can pick out a few more things that really hit me right. L.A. Adolf's "Recessional" was especially interesting to me—since I've done something soooo similar for the COMMODE! .) Mine is called "Celebrate the Night," and it has a, er, different twist to it! And
I think "Wanted: Dead or Alive, Darlin'" was one of the best Tommy Lillard stories you've printed; very interesting characterizations of both Tommy and Ashley, ^d a story that had a lot of humor without being too "cutesy." I also enjoyed reading "The Corellian Mutation" and thought the plot held up admirably—something I seldom find in what I like to call "Han-goes-to-another-planet-and-screws-another-nympho" stories!! Both Martie and Wanda did excellent work; even my usual antipathy to this genre didn't spoil it for me! ^[12]

Thank you for sending FLIP 3. It was definitely worth the wait. I'm thrilled with the poetry Jacqueline wrote for my artwork! I imagine it would be difficult to illustrate art with words, but Jacqueline makes it look so easy.
I was also pleased and surprised to find my art on the back cover, mainly because I had actually forgotten that I had sent you that drawing! You can probably imagine me observing the back cover art for the first time: "Oh, my God, that's mine!" Anyway, to be honest, I don't feel I put out my best on that drawing (the facial rendition is too light), but just the same, I'm glad you like it. And I must commend your printer on not getting any of the dots lost, which is a skill yet to be mastered by my own printer. Good layout throughout, too.
Anyway, I stayed up late last night (or early this morning, depending on your point of view) reading FLIP and enjoyed every page of it. There really weren't any true dislikes that I can speak of. There were a couple of stories which didn't satisfy me, but only because they didn't meet with my particular taste, that's all. All of the material was good, really. I opened to "Eufordia" and had a laughing jag. That piece really said it all— then some. Also, Marcia Brin's "All Hail and Well Met" was fun and one of my favorite stories in the zine. "The Vigil" and "Return from Hell" were two tenderly woven pieces, and I admire Wanda's slender illo and how she focused on the hands and tears. Nice.
I liked "Recessional." Showing Han revealing matters of the heart can be a touchy subject, but certainly convincingly done in Lisa's well-characterized presentation. It's wonderful to look back on the Saga and see how the mercenary Han Solo progressed to become the understanding man we look upon in JEDI. "Recessional" truly emphasized the growth in both the characters of Han and Luke. This is one of the few post-JEDI stories I've seen and I'm impressed.
Martie and Wanda make a delicious duo. "The Corellian Mutation" was satisfying in a wild, exotic way. It was a sturdy, imaginative adventure. I liked it.
I've helplessly been drawn to the warm, homey atmosphere of the Kenny/Annie stories. "The Real War" was a gem, right up there with "Rainbow." I admire Annie's subtle strength and the way that she passes that*strength on to Kenny; he's such a lonely, delicately etched character. In fact, there are so many pensive, lonely scenes in these stories, that when a bright moment appears, it really shines and makes you feel good.
I liked "My Favorite Farmer." I've always had a soft spot for Bob Falfa, even though he did come off as a real scuzbucket in the film. In fact, there wasn't one piece of poetry I didn't enjoy. Ones I particularly liked were "Corellay," "Hyperspace," "Kenny/Time," "The Eternal Triangle," and—heck, all of Taero's poetry. I must comment on Martynn's BLADE RUNNER piece for "Communion." I loved it for its dynamic composition.
A strong piece of art to accompany a song of equal quality. And last, but never-in-a-thousand-years-of-Sarlaac's-belly least, the highlight, to me, anyway, was D.C. Wickes' "Hamsters of the Raiders Set." I loved every panel, but Howie's and "Dad!! Oh, boy, dad's home! Yay! Hey, Dad! Hooray!" (what I wouldn't give to have a dad who looked like that) were a scream! God help Uncle Terry. I want MORE!
Ahem. Regaining some sanity... You girls are on a hot streak and assured to get hotter with TEMPLE OF DOOM on the way. I'll await your next issue with impatience, be assured.
Oh, yes! I'd also like to share something with any of your readers who have MTV or subscribe to a television music channel. Look for the rock video of the song "Magnetic." Its scenes are very reminiscent of BLADE RUNNER with the futuristic hardware, costumes and lights, etc. There is one rather lengthy sequence which was filmed inside Sebastian's L.A. apartment building. Whoever was in charge of the visual effects for that video, definitely had BLADE RUNNER in mind during its conception. ^[13]

I had just finished a horrendous week, both personally and socially, when FLIP 3 tumbled out of my mailbox and landed at my feet. I felt like I was being rewarded for enduring those five lousy days, and once I began reading, I knew I was being rewarded.
I know this is a slightly unorthodox way to begin an LOC, but...I'd like to thank everyone for their kind comments about all my contributions in FLIP 2, especially the ones about "Rendezvous." You see, FLIP 2 represented my first full-fledged plunge into the world of fanzine writing. (I sort of tested the waters in FLIP 1 and liked what I felt, so I jumped in with a vengeance in FLIP 2.) Needless to say, I was a little nervous, mostly because I had reached the dreaded writer's burn-out point with "Rendezvous” and thought it wasn't one of my better efforts. Well, I guess it just goes to show that I really am my own worst critic. And now, thanks to everyone's positive attitude, I have a new sense of confidence about my work. (And a friend practically screamed at me, "What, Ruth? You mean you had no confidence before?" Of course I did, but it desperately needed a booster shot.) So, thanks to you, Paula and Jenny, for giving me this opportunity, and thanks to everyone else for giving me a pat on the back. I needed that.
And now on to FLIP 3 itself. I didn't find one single solitary thing in it to complain about. Everything— stories, poems, art—was absolutely first rate. If I said everything I wanted to say in this letter, I'd probably take up the whole issue of FLIP 4, so just let me make some abbreviated remarks about what impressed me the most.
Marcia Brin's "All Hail and Well Met" was a delightful little vignette. And you know, I think she's right about Han and Indy--I do think there would be a natural antagonism between them at first. Too bad.
"The Vigil" and "Return from Hell" were a wonderful little pair. Joan's interpretations of both Han's and Leia's viewpoints were right on the mark. And Wanda's illo added a little extra special something to the mood. Just lovely.
Loved Dianne's "Hamster's of the Raiders Set"! I used to own some hamsters, so I know what little monsters they can be. And that bounty hunter...meow!
Lisa Adolf's "Recessional" was a terrific exploration of Han and Luke's relationship after ROTJ. Obviously, it's going to change, and Lisa's version is short, sweet, and plausible.
I was absolutely delighted to see a story by Anne Elizabeth Zeek in this issue. I've been quite a fan of hers for a few years now, and "Interlude" did not disappoint me. She sure said a lot in just two-and-a-half pages.
About Suzy Sansom's cartoon on page 98: was she reading my mind or what? That same scenario occurred to me while seeing ROTJ.
Loved "The Corellian Mutation"! Sometimes Martie's stories get a little too exotic for me (no offense intended—it*s just me), but this one was just right for me. The illos by Wanda were terrific too. Upon seeing the one on page 100, two comments entered my mind: (1) This is somewhat similar to an illo by Martynn that I saw recently, and it makes me wonder where they got their inspiration? and (2) Hubba hubba.
Sherry Magee's "The Real War" was an almost painfully eloquent discussion of that so-called war half a world away. Well done.
Dave Garcia's cartoon was wickedly funny. Now there's a candy bar that I would hope would melt in my mouth and not in my hands. (Ooooo—bad girl!)
Only one word will suffice for Suzy's back cover illo—sigh.
And on this quiet note, let me just say that it's been fun, kids. Let's do it again sometime, okay?^[14]

FLIP 3 couldn't have arrived more timely. I was in the throes of the flu and considering death as a possible alternative to continuing to suffer another five minutes when the mail arrived and. By Golly! Life began to look Very elegant cover portraits, both front and back, set the tone for your best issue yet, off to a fine start with Wanda's clever logo. And while on the subject of Wanda, I will make just a brief cogent that, as far as illustration goes, the lady has no peer. There are portraitists a-plenty, but precious few who attempt to illustrate a piece, and among those few, Wanda shines. She succeeds in capturing a living, breaking man, still for an instant upon the page, as in the dulcimer player which inspired the accompanying poem. It s an awesome, and loving, skill.
The two humor pieces, Marcia's "All Hail and Well Met" and Dianne's "Hamsters of the Raiders Set were a welcome break from the heavier stuff. Dianne does great Kazanjian likenesses, doesn't she? And I adored the fat, furry beasties dangling from Indy's whip, etc. Wonderful whimsy. Marcia's, while containing elements of whimsy, was superbly satiric, nailing certain weepy heroines right in the hanky. I rather liked Marion's reaction to Han, too.
I didn't know Pat's "Sea Hawk" was going in number 3. When I turned the page and saw this favorite of with the outstanding illo, I was delighted. Without mounting the soap box for too long, let me say that, contrary to some folks' opinions, writing good poetry is a very difficult thing to do, but Pat is one of the consistently excellent poets writing in fandom. To read her "Sea Hawk" is to sail on the winds of her compelling word-images. Because—and I can say this here, for this is a Harrison zine, not a SWars zine — Pat instinctively sees past the obvious externals of boots and blaster to the eternal spirit beyond, the love, adventure, humor and cosmic specialness of a true forever man.
"Call of the Lembah Temple" was an entertaining story, and, thankfully, written in narrative, rather than the endless exposition and dialogue fen seem overly fond of. Would have liked a few more illos.
A thoughtful sort of vignette was "A Saigon Airfield," as were "Recessional" and "Interlude." Nice pieces, quiet. I was pleased to see Barnsby's character tackled in another vignette. It suffered a bit from exposition, but the attempt was laudable. Nice art by Dani.
The Tommy story had me going both ways. Talky and predictable, it also had a sort of sweet naivete, a light charm that was pervasive throughout. The art, too, was equivocal. Such ephemeral bodies, but those intense eyes. Yet again, the innocent energy. It wasn't my favorite piece, but it wasn't my least favorite, either.
Of the poetry, other than "Sea Hawk," I enjoyed nearly all. Highlights might be "Apocalyptic Reflections," "The Vigil," "Midnight on Tatooine," "Kenny/Time" and the lovely little "Hyperspace," not much in length, but the imagery is impeccable.
You saved the place of honor for the "big" story, and rightly so. "Sherry's "Real War" takes Kenny through a crucial crossroad on that upward path. A profound and beautiful tale, and another solid chapter in the Wickes-Magee chronicles.
Of the art other than Wanda's (for which I admit a shameless bias), I particularly like Martynn's two pieces. More Martynn, please! And Cheree Cargill's illo for her Kenny song. Cheree puts egressions on people and she has a good feel for placement and balance.
Thank you for a tremendous third issue. You may have started out as FACETS' successors, but you've come a long way, ladies, and the laurels are all yours now. ^[15]

Handsome covers, good and improving contents, mixture of new names and old. Very nice. Thanks for the mention of my contribution to your title page, but consider the inspiration... Oh, one little point to the folks who commented on the 'Han-burger' cartoon (and, for that matter, the 'Tommy/Pris' one in a previous issue)— those particular ones were editor Jenny's idea, I was just the hands that drew them. (It's all Jenny's fault! She's a wonderfully dreadful punster).
I suppose it's repetitive to say I love Martie's poems, song lyrics and stories. (Sheesh... She just keeps being repetitively good. So sue me.) "Eufordia" is a fun way to start off the zine. I'm not familiar with Still in Saigon" so I don't know how much adapting was involved but the images and the nightmarish kaleidoscope around the haunted, hunched Kenny in the accompanying art is chilling and sad. It's no secret Jacqueline Taero's poems are habit-forming. Succinctly cutting to the core, wry or rueful, not dazzled but ultimately affectionate with clear vision for the heroes' frailties. "Affairs of the Heart" and "Eternal Triangle" have Dr. Jones' number. But the laugh-out-loud one is "Dinner at Eight" for Han.
Of course I had fun illoing "All Hail and Well Met." I'm a sucker for universe mixers and this one was a howl. Likewise, "Sea Hawk" is excellent poetry. My favorite piece is "Corellian Mutation" but "The Real War" isn't far behind and is a most encouraging installment in the Kenny saga. Hang in there, Kenny and Annie! I keep papering your zine with my art shamelessly—your fault, you keep sending me fine work I can't turn down. But there are quite a few surprises this time I'd not read previously in manuscript. Oh, delicious. A real Barnsby story. A first, I think and a sensitive fleshing out based on smallest hints from a role Ford was Hot given much room to develop. The quiet little interlude of the aptly titled "Recessional" covers a period left unseen in JEDI and is very satisfying. "The Call of the Lembah Temple" with illos by the author is a solid Indy tale—a beautiful danger, a haunted temple, a real plot with development, resolution, something not always seen in fiction on him, perhaps because of the homework required for the archaeological background. And NO SNAKES for a change!
"Saigon Airfield" is a most apt blending of universes and two of Ford's own characters—with a grim ending. Poor Kenny. And the Tommy story... Tommy is my second favorite role to Han and I'm delighted to see Tommy stories after a dry spell. This one was curiously austere of description, "business" but very good at characterization through dialogue. The lady is very clearly an alter-ego but just as clearly no perfect Mary Sue. They're both a bit larger-than-life—the flavor of the movie and all those '30's and '40's movies FRISCO KID paid its own homage to. I kept seeing Jean Arthur or early. Roy Russell as a bounty hunter and the bathing scene, the comic byplay in the escape, the genuine sharpened concern in the landslide and capture in town—I kept seeing a period movie in my head. Loved it. The writing could develop some fleshing out, a few scenes could be expanded—they feel a little rushed, but the humor, the delightful spirit of the dialogue and the genuine and genial affection are perfect.
I don't mean to slight others by not specifically mentioning poems and shorts or the art, but this LOC is already too long. I'd reference everything if I could. There were some pieces stronger, more polished, than others, but nothing I outright objected to and even the weaker showed promise and had me interested in seeing more from the same people.
Oh, I am delighted to see both Anne Zeek and Martynn grace your pages. As the pre-eminent Harrison artist, Martynn's absence from FLIP left a sense of missing. Now the gang's all here! "Interlude" I'd read in manuscript and am pleased to see in print. And I really do have to comment on "Raiders of the Hamsters Set."
Wicked, Dianne, very wicked. Wish I could pull off a howler like that!
One final note on something that wasn't in 3: another installment of Scheherazade's "Tails." I complained last time that it was a single story, not a series scattered all over hither and yon. But there's enough going on, I want to know more. I miss it and hope it hasn't wandered off to other difficult-to-find zines. It tantalizes you to death. Tell her to drop the other shoe, damn it! Could I talk her into your running the piece as a one-shot novel under your aegis? Could I talk you into talking her into it? I'd buy a copy.
Meanwhile, when is 4? I've a habit to feed—one you fill nicely. Keep it up! ^[16]

Issue 4/5

front cover of issue #4/5, Dani

back cover of issue #4/5, Sharon Palmer

flyer for issue #4/5, click to enlarge

Flip of a Coin 4/5 was published in 1984 and contains 300 pages.

The art is by Dani Lane, Barb Johnson, Carlotta Vaughn, Betsy Peed, Sharon Palmer, Barbara Frances-Simon, Martie Benedict, Yvonne San, Wanda Lybarger, Suzy Sansom, and Martynn.

Hello! (3)
cartoon by Suzy Sansom (American Graffiti) (3)
To a Bellboy by Nancy Baker (multifandom, a bit meta) (11)
Happily Ever After by Jacqueline Taero (Star Wars) (12)
For Martin: Surveillance (The Conversation) (16)
Encounter by Sheila Paulson (Indiana Jones) (17)
Weezie's Song for Paul by Sara Fensterer (The Possessed) (34)
The Doppleganger, part one, by Christine Jeffords (part of the Brightstar Universe) (Star Wars) (35)
Disgruntlement by Jacqueline Taero (Force 10 from Navarone) (52)
The Little People by Kathryn Age (part of Starbird's Children Universe) (also in Shadowstar #30) (53)
Broken Teapot by Karin Zygowicz (Hanover Street) (55)
Passing Thoughts of a Shadow Self by Jacqueline Taero (Heroes) (56)
My Little Stowaway by Barbara Frances-Simon and Elizabeth Warren (Star Wars) (57)
Drifters by Dani Lane ("Tommy Lillard has met many unusual people in his travels, but this barefoot stranger really has him puzzled.") (Star Wars) (88)
Big Cat by Martie Benedict (Star Wars) (90)
Dreamscape by the Gang from Cloud Nine (91)
- A Ghost of a Chance by Barbara Frances-Simon (92)
- Reverie by T.S. Weddell (94)
- E.T. and the Second Adventure on Earth by Sara Festerer (96)
- To Sleep, Perchance to Dream by Elizabeth Warren (98)
My Enemy, My Friend by Janet Wells ("Han thought he had killed Greedo in the Mos Eisley Cantina.") (Star Wars) (101)
cartoon by Martie Benedict (Indiana Jones) (113)
Noble Gesture by Jacqueline Taero (114)
Choices Made by Lynda Vandiver (Blade Runner) (115)
Closet Fordaholic by Dani Lane (multifandom) (121)
Martie's Reply by Martie Benedict (Star Wars) (121)
Windrider by Martie Benedict (Star Wars) (122)
The Voice of Experience by Jacqueline Taero (Indiana Jones) (124)
Not a Scratch by Ruth Radecki (Star Wars) (125)
Tommy Tune by Jacqueline Taero (Frisco Kid) (132)
Clare de Lune by T.S. Weddell ("Indiana Jones meets a mysterious woman in Paris. A companion story to Hunter's Moon.") by T.S. Wedell (Indiana Jones) (133)
cartoon by Suzy Sansom (146)
Treasure Hunt by Martie Benedict ("Han and Chewie encounter more adventures when Ben Adrick, King of Yaniwess, hires the Falcon and her crew to help him find and return a legendary ancestral sword, the Flame of Lotha.") (Star Wars) (147)
Oops (182)
Ring Around the Cobra by Linda Ruth Pfonner ("Indiana Jones believes he is being returned to Tanis to finish the excavations there, but his kidnappers have a more deadly purpose in mind." Another summary: "Hitler still wants the Ark... Follow Marion and Sallah as they try to rescue Indiana from the clutches of the Germans who have kidnapped and returned him to the Well of Souls.") by Linda Ruth Pfonner (Indiana Jones) (183)
A Matter of Commitment, story and art by Dani Lane ("The rebel agent on Ord Mantell has disappeared without a trace and it's Leia's job to find out why and fill in until they can get a replacement. Luckily for her, Han and Chewie were already headed in that direction.") by Dani Lane (Star Wars) (reprinted in You Could Use a Good Kiss #2) (230)
Just Talking to Myself by Tonya Cox (Indiana Jones) (295)
cartoons by Sharon Palmer (Heroes) (295)
Notices (296)

from issue #4/5, Dani (multifandom, meta)
from issue #4/5, Dani (Star Wars)
from issue #4/5, Sheila Paulson (Indiana Jones)
from issue #4/5, Carlotta Vaughn (The Possessed)
from issue #4/5, Suzy Sansom (Force 10 from Navarone)
from issue #4/5, Sharon M. Palmer (Heroes)
from issue #4/5, Barbara Frances-Simon (Star Wars)
from issue #4/5, Barbara Frances-Simon (Star Wars)
from issue #4/5, Wanda Lybarger (Star Wars)
from issue #4/5, Barbara Frances-Simon (Indiana Jones)
from issue #4/5, Barbara Frances-Simon (multifandom)
from issue #4/5, Wanda Lybarger (Star Wars)
from issue #4/5, Wanda Lybarger (Star Wars)
from issue #4/5, sample text
from issue #4/5, Dani (Indiana Jones)
from issue #4/5, Yvonne Zan (Star Wars)
from issue #4/5, Wanda Lybarger (Indiana Jones)
from issue #4/5, Wanda Lybarger (Star Wars)
from issue #4/5, Wanda Lybarger (Star Wars)
from issue #4/5, Dani Lane (Star Wars)
from issue #4/5, Dani Lane (Star Wars)

Reactions and Reviews: Issue 4/5

You know, gals, it's getting harder and harder to write an LoC for FLIP because I keep saying the same thing. This is one fantastic fiction zine. Every issue gets better and better and I hate to bore you gals saying the same thing over and over. But what the heck.
FLIP 4/5 was excellent. I enjoyed the WHOLE THING? Poems, stories, art work (dandy art work), cartoons (love them!). All your contributors deserve a very large round of applause! And despite the fact I say I won't do this, well, here I go again.
I think I always say that I don't want to single out any one or two authors because everyone did such fantastic jobs, but, well, a few items here did hit me. Want to compliment Chris Jeffords for "Doppelganger" (and, Chris, I am awaiting. FLIP 6 for the rest of that tale!); Dani for "A Matter of Commitment?" Martie Benedict for "Treasure Hunt?" and Nancy Baker for "To a Bellboy," which she had shared with me before. Way to go, Nancy.
For probably my very favorite page in the whole zine I have to sincerely thank Dani for "Closet Fordaholic" and Martie for "Martie's Reply" because, ladies, you had me with you all the way. Both these poems were perfection and, Martie, when you said Sandahl, I have to admit it was good I was laying down because I would have needed to lie down and rest quietly. Anytime Frank wants to trade Pete for Pete's Sandahl Bergman collection, let me know. I ran all over getting a Sandahl poster. I have taped every film that woman was in, even if it was for 33 seconds, and, trust me, it was worth it! Ladies, Dani and Martie, page 121 of FLIP 4/5 I am getting bronzed and I thank you. These poems are perfection and I loved them. Way to go!!
And I am going, also. Paula and Jenny, another fantastic job. I always look forward to FLIP? the effort that you gals put into this zine is apparent and I am delighted that you have been able to continue with the size type that you use, both for the LoC's and then the "body of the zine" (so to speak). I have not the slightest notion what "reduced this" or "oversized that" is but, hey... FLIP looks great. I sincerely hope you can continue for a long time.^[17]

With an issue as huge and variety-packed as FLIP 4/5, the temptation is to skip LoCing because of the sheer volume of material to be covered—it's frankly daunting. But because I hated to let such a special issue go unremarked, I thought to confine my comments to a single area of offerings and concentrate on the body of work which has improved consistently over the two years FLIP has been in publication: poetry.
Like any other type of zine submission, poetry can be poorly done, and, unfortunately, it sometimes finds its way into print. The problem seems to be that it is less easy to identify poor verse than it is poor prose or bad art. If a story is so unskillfully written that reading it produces chuckles, it's obviously not worth printing. Or if the illos for a Han story have him looking like Truman Capote, for instance, it's easy to turn it down. But spotting bad verse is not always so simple since the criteria for judging its merits are not nearly as objective as they are for art or prose. What you have done, Paula and Jenny, is to develop a remarkably critical appreciation for what actually is poetry and what is no more than verbal pretension strung out in a "poetic" format.
Thus, the poetry in FLIP 4/5 is, with one or two exceptions, of a much higher quality than not only issue 1, but most other fanzines as well. Having four poems by Jacqueline Taero is an example of the sort of editorial acumen I'm talking about. To my knowledge, this woman has never written a bad poem. Not always humorous, her verse still delivers consistent wit and, above all, STYLE. Neither condescension nor pretension, but discipline and an ever-present mordant .edge, mark her poems so that you actually feel you've read something when you've finished. My favorite among this group of four is "The Voice of Experience." I don't necessarily agree with the premise, but the final line is one of the more memorable in all 300 pages of FLIP 4/5.
Another wise editorial choice has been to favor humorous verse. At its best, as in Dani's ^Closet Fordaholic," it is truly funny; you grin along with the author. At its worst, it's inoffensive. In between are the amusing pieces such as make up the feature "Dreamscape."
The light, breezy offerings characterized by Nancy Baker's "To A Bellboy" and Tonya Cox's "Just Talking to Myself" are enjoyable diversions. They set out to say something and they do it briskly and cleverly.
It is with the three more serious pieces that poetic quality becomes questionable, perhaps because drama demands a sterner control than comedy—humorous verse that becomes excessive is merely silly, whereas uncontrolled dramatic verse is often painful.
Of the three, I'd pick "For Martin: Surveillance" as the one most capable of withstanding scrutiny. Several lines are equivocal, but there is good alliterative intention and an overall feeling of quiet menace produced by an extremely subtle cadence.
It could use some punctuation; a few commas, periods and semi-colons never hurt readability.
"Weezie's Song for Paul" is a filk and probably should not be compared to, nor commented on, in a letter about poetry. Lyric and verse are two vastly different art forms. That leaves "Broken Teapot" by Karen Zygowicz. Technically, this is not a poem either. It is a narrative passage without conjunctions and punctuation. As a narrative passage, it is not bad. But there is no wisdom in trying to pass something off as that which it is not. You wind up with an unsatisfying compromise which is neither fish nor fowl. "Broken Teapot" might have been fleshed out into a good vignette.
But not to end on a down note! This wonderful, doorstop-size issue was a great treat for me, and all other Harrison fans, I'm sure, with its wealth of excellent fiction and fine illos. While Wanda's expertise goes without saying, other artists, notably Dani, are turning out some good action pieces.
Thanks, as always, for doing what you're doing... ^[18]

FLIP 4/5 is wonderful. Every issue seemingly surpasses the previous one. Lovely looking, too, as always. The artwork is superb, especially Wanda Lybarger's illustrations which always enhance any zine. I loved the poetry, and found Martie Benedict's contributions outstanding. Her reply to Dani, "The Closet Door Swings Both" must now enter Ford fandom as a true classic.
I have a special weakness for Indiana Jones' stories, and those contained in this double issue were all terrific. I can't pick out one favorite as all were equally good.
Commendations, though, to Dani for "A Matter of Commitment." Each time I think there is no possible further adventure for Han Solo, someone surprises me. This time it was Dani. A very well-paced story which held my interest and kept me turning the pages.
This is also true of Christine Jeffords' "Doppelganger." Only in this case, I'll have to wait for the next issue to find out the denouement. Can't wait for that next issue.
My usual congratulations and bravo for another great issue of FLIP!^[19]

In economics, there is something called the law of diminishing returns. Basically, It means that the more you get of a product you love, the greater the chance that your love for said product will decrease. But that sure doesn't apply to FLIP OF A COIN.
All I can say is MORE!
How appropriate that during the summer of INDIANA JONES AND THE TEMPLE OF DOOM (pant, pant, drool, wow, hooray, to hell with the critics), the best issue of FLIP to hit print so far was delivered to my doorstep. I enjoyed everything in 4/5. Of course, I liked certain things more than others, but I never looked at anything and went, "Well..." And for me to be satisfied with all 300 pages is truly a miracle. Everyone really deserves a pat on the back.
A few abbreviated comments: Sheila Paulson's "Encounter" is an admirable and generally well-done attempt at an Indy story. I admire anyone who can successfully get an Indy story on paper, because I personally have some difficulty in that area, trying to recapture the adventurous mood and spirit of both movies in just a few pages. Maybe all I need is a little guidance. If one the dynamic duo of Lucas and Spielberg would walk up to me and say, "Now, Ruth, what we'd like you to do is..." Sigh.
I had no doubt that Chris Jeffords' "The Doppelganger" would be good, and I also have no doubt that the conclusion will be even better. I'm truly intrigued.
"My Little Stowaway" was just delightful. I believe Han really would react as he did in such a situation. Beneath that slightly crusty exterior, there must lurk a sucker for kids.
"Dreamscape"... I could add plenty to that one... some of which just might turn my mother's hair completely gray.
Janet Wells' "My Enemy, Friend" was quite promising and generally okay, but I do have one quibble, one about style. (Remember, this is the writer in me speaking, not the reader.) Janet's style is a bit too short and choppy for me. I prefer my style to be a bit more fleshed out (as the length of this LoC is beginning to show). This is not meant to be an attack on Janet, just an opinion. Style, of course, is a matter of personal taste and preference. Just because my creative writing professor loved my stuff doesn't mean a publisher will. C'est la vie.
Martie's cartoon on page 113 got passed around my office and was responsible for many a chuckle. Bravo.
"Choices Made" is a nice attempt at filling in this gap in BLADE RUNNER. However (here come personal interpretation again), I believe that Deckard's break with his wife was much more bitter. But my view doesn't stop me from appreciating Lynda's piece.
Many thanks to Yvonne Zan for her illos for "Not A Scratch." Much appreciated.
Loved "Claire de Lune." I'm a sucker for vampire stories, especially ones that show vampires not to be such bad people after all. They aren't all Bela (I Vant to Drink Your Blood) Lugosi. And Wanda's illos were, as usual, just lovely.
Martie's "Treasure Hunt," while a bit long, was an enjoyable adventure story, sort of on the cartoonish side—just the way I like 'em!
"Ring Around the Cobra"—ah, my favorite. Linda is a lady who, if she doesn't watch herself, is going to get a hug and kiss from me for such a wonderful Indy story. From the moment of Indy's kidnapping, to his blow-up at Musgrove, it sure held my attention. Just marvelous, especially with Wanda's art.
Dani's "A Matter of Commitment" was the umpteen-millionth Ord Mantell story I've read lately, so I must admit that colored my initial reaction to it. But it doesn't prevent me from admitting that it's one of the better attempts I've seen. So let's leave it at that, okay? If I see another Ord Mantell story soon, I just may do my Willie Scott imitation. And it isn't pretty, folks.
Well, I've gone on a lot longer than I intended to, so just let me wrap this all up by reiterating what I said earlier: MORE! MORE! FLIP has rapidly become a zine to be reckoned with. Let's keep it that way! ^[20]

First off, reading the letter column, "Reviews," I have finally found another Canadian. Hello to Yvonne Zan in London, Ontario! I knew her before only as an illustrator (and a good one, too). It's nice to know she's from my country. I was beginning to think I was the only Canadian who read fanzines.
Now, to the zine itself. Many thanks for making this ish a double. There is so much good material in it that all the contributors deserve the honor of seeing print. Being a fairly easy-going sort, I liked everything in FLIP. I really don't like to pick favorites, but I do have a couple.
"Ring Around the Cobra" was terrific! I thought it was well written and it held my attention from beginning to end. The Germans were predictably nasty sorts and as for Musgrove and Eaton—well, how did they get their jobs anyway? Not by being competent, that's for sure. All the characterizations were good, too, especially Marion. I think she might be hard to get right, some times coming off a little too tough. Finally, has Linda Ruth Pfonner read Lovecraft? Byalhotep and Og'horot certainly sound like they might have come from him.
And another of Martie Benedict's wonderful tales, with Lybarger's art. It's enough to make a person green. Nice to see another adventure with Ben Adrick, and D'Kota Lee, too. There's two gentlemen that would give our favorite Corellian a run for his money. The illo on page 166 was hilarious. I always wondered what a wet Wookiee looked like.
"The Little People" was a chuckler. Corellian leprechauns, huh? Do they all look like Han Solo? FLIP 4/5 is truly a magnificent zine and I know #6 will be, too. I only have one complaint. I don't care much for continued stories. Couldn't you have gotten all of "The Doppelganger" in one issue?
Other than that all I have to say is a big thank you to everybody connected with FLIP OF A COIN for providing such an excellent fanzine for those of us who can never get enough. And double thanks to Harrison Ford for providing the inspiration.^[21]

This time I couldn't resist! I hadn't written before out of fear that well-meant, constructive criticism might hurt feelings and that my gushing praise might make me sound like a space case. But FLIP just keeps getting better and it's about time I let you know It. I also hope to reciprocate the compliments and helpful comments given me.
There was less of a variety of characters this time but I can't complain about too much Han and Indy. I read for pleasure anyway, not because I want so-called "good literature. And the entertainment value here is tremendous. Especially so was Dani's "Commitment." The combination of action/adventure and the sassy dialog I've always loved between Leia and Han was irresistible. I also admire the soft realism of her illos, an elusive quality I've tried to achieve.
Right up there with it was "Doppelganger." (Anyone know where you can get one of those Han Solo clones?!) I'm anxiously awaiting the sequel. (But I'll bet Leia will know the phony from the real man. Heh, heh.)
"The Little People" was a fun change of pace. I can just see Solo playing childish pranks like that.
Jaqueline Taero aptly pointed out that JEDI's Leia just wasn't the same fiery princess we'd come to know and love. (I'll bet she would have been straightened out eventually, somehow!) Also got a kick out of Barnsby's "Disgruntlement."
The Indy tales really lived up to the epic RAIDERS. "Cobra" was a real can't-put-it~down thriller very exciting. Wanda's art, which was lovely throughout the issue (as always), was especially striking. I envy her ability to so clearly depict anyone or any thing, and from any angle.
Speaking of illos, I also enjoyed seeing Betsy Peed's work, especially the intense one of Han on page 47. Susy's cartoons were devilishly funny! How nice to see someone else with such an off-the-wall sense of humor.
My hat's off to FLIP'S poets. I loved "Closet Fordaholic," although will someone please tell me, what are 'understanding men'?! (Do those two words even go together?) Sorry, but being single ain't the answer, either; you've got your parents complaining.
Your room looks like a theater lobby! When are you going to grow up? No man wants to hear you talk movies, movies, movies!" (Too bad.) Also, there's no one on whom you can take out your frustrations!
"Martie's Reply" had me laughing out loud. It was my favorite of hers, although "Windrider" was delightfully romantic.
"The Bellboy" verses were very clever. That exploding VCR and the mish-mash collection of tapes looked very familiar!
I enjoyed it all from cover-to-cover, and wish there were space to praise every contributor. One point I'd like to bring up, however, concerns many of the STAR WARS stories I've read. I'm being subjective here, but I don't care to see earth-style expletives in them. Not that I'm offended; I've heard it all from my military family, at college, and in some of my former workplaces (oy!). But Lucas and Company have made STAR WARS a model for decency and morality, and there are wonderfully imaginative, non-vulgar ways to depict Han's swearing sprees; the Daley books are full of examples. Let's save those endearing, profane terms for Tommy Lillard, huh?
I hope to be seeing more of the Magee/Wickes Kenny stories. They write about a troubled mind with an uncanny, almost frightening empathy. I want more of J. A. Berger's Tommy stories and artwork, too (I love Westerns, and she captures their spirit delight fully) . Ad prose and poetry alike from Pat Nussman.
Jenny, Paula...thanks for making me a part of your world. If it weren't for your encouragement, I wouldn't have the terrific job I have now; it was won by my portfolio, comprised mostly of my contributions for FLIP! Thanks also for "screening" my illo on page 70. The printing process isn't usually kind to pencil drawings, but now at least everyone knows how they're supposed to look!
Bring on number 6! ^[22]

Nice covers, particularly the Indy montage by Dani. Sharon Palmer's bacover was very, very nicely done. But I'm prejudiced since that's one of my favorite shots of Indy anyway. Suzy Sansom's Falfa cartoon on page 3 got a laugh, particularly considering where his right hand is!
Nancy Baker's "To A Bellboy" was a nice poem, but, of course, contained the error that he didn't page 'Mr. Jones' but 'Mr. Ellis.' "Happily Ever After" was a fun read though I didn't believe it for a minute.
"Encounter," by Sheila Paulson, was interesting, a novel idea. Chris Jeffords' "The Doppelganger" was very well written and I'll be waiting to see what happens. Reminded me a lot of the STAR TREK episode "What Are Little Girls Made Of?" though.
Loved Suzy's illo of Barnsby that accompanied Jacqueline Taero's "Disgruntlement." Nice poem, too.
"The Little People" was a hoot and Wanda's illo was perfect. What a scoundrel "My Little Stowaway" was probably the low point of the zine, not because it wasn't a valid premise for a story, but because it was just too sugary sweet for my tastes. Han was completely out of character for most of the story, except during the scenes in which he realizes that he might be Serryl's father and the fight scene near the end. Just could not picture him getting that outwardly mushy over a kid and calling her "sweetheart" with every breath. No wonder Chewbacca was looking at him in horror most of the time. The illos were well done, especially the one on page 70. Barbara should try working in ink, though; pencil just doesn't reproduce well and a lot of details were faded out. "Drifters" was fun. Got a real howl out of Tommy telling about that barefoot Chinese-lookin' feller kickin' all those guys in the teeth.
Martynn's illo to Martie's "Big Cat" was nice, though a little stiff. Enjoyed the "Dreamscape" poems and illos. Very cute idea and wishful thinking on all our parts.
Janet Wells' "My Enemy, Friend" was one of the most refreshing Han tales I've read in ages. Sa nice to see somebody doing something with old Greedo. Wanda's illos were lovely, but what else is new? I confess a real prejudice to Wanda's art. I will nearly always read any story with Lybarger art first and this issue was no exception. The hard part was trying to decide which one to read first! All her art was great. The thoughtful Han with Jacqueline's "Noble Gesture" really melted my heart. Oh, that face... "Choices Made" by Lynda Vandiver was a very nicely done BLADE RUNNER story. Could have been a little more strongly written but Lynda improves all the time and should turn out to be a very high class writer in the near future.
Dani's "Closet Fordaholic" and Martie's reply really had me howling. Oh, my goodness, could I relate to that! My husband. Randy, is sort of in the middle—knows what Harrison does to me (hard to miss with all the posters, photos, zines, stories, etc., lying around)- —and indulges me to a point, but didn't take too kindly to the night I nearly called him "Indy." Whoops...
"Not A Scratch" was nicely done though not spectacular. Got a chuckle out of Jacqueline's "Tommy Tune," mainly because I grew up with a guy named Tommy Tune!
"Claire de Lune" by T. S. Weddell was the story I finally decided on reading first and I wasn't disappointed. What a marvelous Indy story! The illo of Indy in his suit on page 140 is wonderful.
Martie's stories are always the high-point of any zine to me and "Treasure Hunt" was no exception, though "Claire de Lune" and "Ring Around the Cobra" were giving it a very hard run for the money. Good, strong, fun read, which is Martie's trademark, along with Wanda's illos. The purification scene was worth the price of the zine—and that illo that accompanied it! Don't know which I got a bigger kick out of—a sopping wet Chewie, or that lovely Han torso that was just barely covered by that strategically placed urn! Wow! Greatly enjoyed seeing D'Kota Lee back again; he's rapidly become my favorite fan-created character.
Well, Wanda had been enthusing to me for nearly two years about how marvelous Linda Ruth Pfonner's "Ring Around the Cobra" was and she certainly was right. Marvelously writ ten follow-up to RAIDERS, very gripping and adventure-filled. It definitely kept me glued to my seat right up to the end! Little quibble in a section of dialogue, though; the line in which Indy says, "Ich spreucht deutsch, Herr Kapitan." Neither my husband, who has SIX years of German study behind him, nor myself, with four years under my belt, had ever heard the word "sprechen" conjugated in quite that manner. It may be some form of past future perfect or some such, but we don't believe that it is correct in this case. Indy should have said, "let soreche deutsch." Didn't quite see Musgrove and Eaton as being that villainous, either.
"A Matter of Commitment" was the last thing I read, since I generally put off reading long stories. This story could have used a bit of tightening, but otherwise was a very well-written, gripping story. Dani did very well indeed with the main storyline and very skillfully wove in the beginnings of Han and Leia's love. During the passage in which Leia secretly watches Han undress, Leia wasn't the only one who had a hot flash! Towards the end of the story, though, the point of view wavered quite a bit and there were several narrative interjections that intruded and should have been edited out, particularly during the scene in which they swim to shore. The line "(Wookiee's take many timeparts to dry.)"was unnecessary and broke the tone of the scene. The section in which they arrive back at Nida's was a little weak, too, and could have used a little more skillful hand. But, overall, a most enjoyable, well-done story. I like Dani's art, too. It's not as polished as Wanda's, but Dani's style works very well in her own stories and in others. She is a very promising illustrator.
Beautifully done zine! It will definitely be a permanent part of my collection, just like FLIP #1-3 ahead of it. Can't wait t ^[23]

It's been a while since I last sent in a LoC. Let's just say that it's certainly not been from lack of quantity or quality of material. I've enjoyed every single past issue—they keep getting better and better, but I will limit my comments this time to #4/5. When I saw it was a double issue, I couldn't help thinking of that commercial catch line, "double your pleasure, double your fun"—and that proved to be true in this case.
Some of the stories that I particularly enjoyed this time were Dani's "A Matter of Commitment," Martie's "Treasure Hunt"—where does she come up with all of her ideas?! "Claire de Lune" by T. S. Weddell, "Not A Scratch" by Ruth Radecki, "Choices Made" by Lynda Vandiver, and Christine Jeffords' "Doppelganger"—interesting concept—can't wait to read the second half and see what happens when the doppelganger meets up with the others Other pieces that hit me: "Just Talking to Myself"—nice welcome to a long line (I hope) of TOD-inspired material; Taero's "The Voice of Experience" and "Noble Gesture;" Nancy Baker's "To A Bellboy"—perfect ilia accompanying this, too; and "Closet Fordaholic," along with the reply; really says it all and then some. Also liked Lybarger's illos, especially the ones for "Claire de Lune," "Treasure Hunt," and "Ring Around the Cobra." Oh, yes, couldn't help liking the "Dreamscape" section, too. We all have our fantasies, whether we admit to them or not. Reading through each poem I kept thinking, "I can relate to that," or "Hey, I'd really like to see that expanded on—perhaps a whole story..." Along with everybody else, I, too, hate to single any one thing out, because everything is so excellent—so as a whole—just wonderful.
Gorgeous front and back covers, as usual. Covers say a lot and yours always say a pro-quality, high class zine, along with being a true work of love.^[24]

Holy smoke, Indy! You want fortune and glory—invest in FLIP OF A COIN—it's a real "find"! The latest issue is magnificent; the others were great, but 4/5 is in a class by itself.
I enjoyed everything, but a few things really stand out: I truly enjoyed Dani's "A Matter of Commitment"—a beautifully constructed plot, with action aplenty, but not at the sacrifice of characterization, emotions or humor. Speaking of characterizations, Dani's were right on the money—Threepio's taking Han's "change of heart" seriously, to blabbing about the self-destruct mode—just hysterical! It isn't easy writing droids. Thanks, Dani, too, for handling Luke so well, and the "what's a snowball?" incident was a marvelous touch. And Leia's "living" dinner—talk about the "Revenge of the Jedi"! It was nice to see a human Leia, too. I got such a kick out of her watching Solo undress! I don't blame her one bit... Han was true to form, also, cocky, self-assured, and yet capable of moments of gentle gallantry, as when he danced with Leia on the docks. Just lovely.
While I'm on the subject of Dani, I'll comment on "Closet Fordaholic"—I don't have her problem of having to hide my obsession, but I can sympathize, and it's nice to see you keep your sense of humor about it! And I sure can identify with her habit of collecting Fordian-inspired items. "Martie's Reply" was terrific, done with her usual sharp wit. Sounds like Mr. Benedict can match her stride for stride, though! "Sandahl, honey" indeed!
"Treasure Hunt" was just fantastic. I really enjoy Martie's mix of solid action— adventure, with its moments of mysticism and prophecy. Solo's attitude on being a "Man of Destiny" is well handled—scoffing, yet maybe he'd sort of like to believe it... Does he ever get a more specific idea of what his future holds?
Linda Ruth Pfonner's "Ring Around the Cobra"—talk about the ultimate "Indy and the Snake" story! It was superbly done, exciting and chilling, and moments of humor. Just one question: what happened to Kruger? Last I saw, he was attacking Indy, throwing him into the Og'horot—did it absorb him, or what?
"My Little Stowaway" was a lovely story. The relationship between Serryl and Han was well-handled. It's nice to see a likable child, neither too sweet, or too bratty.
Thank you, Barbara Frances-Simon and Elizabeth Warren for a pleasant change. Can't wait for Part II of Chris Jeffords' "The Doppelganger." I'm very interested in seeing the sort of trouble Clone Solo causes and how the whole mess gets straightened out. Should be quite a confrontation between both Hans, unless they never meet. Can't see Chris passing up an opportunity for a nice "double play," though.
I enjoyed Sheila Paulson's "Encounter"—I suppose it's inevitable that Indy come up against literally "alien" finds. My only problem with the story was that Jonathan was a little too "Junior Jedi" for my taste.
Got a real chuckle out of Dani's "Drifters." Caine's unorthodox fighting methods must've really surprised Tommy; though after Avram, I don't see how anything could! I wonder if Caine thought Tommy was a down-on-his-luck Mr. Harrison...?"
"The Little People" by Kathryn Agel was pure delight; it appeals to the child in all of us. Jacqueline Taero's "Happily Ever After" was also a delight, and just hysterical. A sickly sweet Leia and a desperate Solo trying to sell Leia into slavery and wishing for another bounty hunter are sights too funny for words! Just the opposite is T. S. Weddell's "Claire de Lune;" extremely well-written, but it gave me the creeps. I would say Sarka and Belloq are a perfect match!
"Not a Scratch" covers the inevitable confrontation between Han and Lando over the Falcon very well; a mixture of understanding and revenge! Lynda Vandiver's "Choices Made" was well done, but sad. "My Enemy, My Friend" by Janet Wells was quite good, also.
"Dreamscape" was lots of fun, something we can all identify with. Who wouldn't want to be Harrison's "leading lady" in one capacity or another? I enjoyed all the other poetry
very much, but some stand out in my mind. Nancy Baker's "To A Bellboy," with the recurring bellboy theme making for nice imagery; "Just Talking to Myself" by Tonya Cox was great fun—typically Willie! And everything by Jacqueline Taero—standout poems, all of them, from the humor of "Disgruntlement" to the wistful sadness of "Passing Thoughts of a Shadow Self" to "Noble Gesture," one of my favorite moments in ROTJ. Martie Benedict's "Windrider" was just beautiful—the youth in Han Solo will always fly free. ^[25]

My, my, FLIP 4/5 certainly is an impressive issue. All of the stories, poetry, and artwork were very enjoyable, but some pieces really caught my fancy. Dani's cover is gorgeous, quite a stunner when I pulled the zine from its envelope.
Christine's "The Doppelganger" certainly intrigued me, but—AAARRRGGGHHH!—a continued story! I can't resist them, but they drive me crazy! The "Dreamscape" quartet was light— amusing, and hit close to home. I know I've imagined myself acting opposite Harrison.
Being a confirmed vampire fan, I loved "Claire de Lune;" Sarka reminds me of Yarbo's Saint Germain. Excellent story. Does T. S. have any other Sarka stories besides this one and "Hunter's Moon"? (Not sure if she does; however, for those who might be inter ested, "Hunter's Moon" can be found in TWIN SUNS 3. It's another excellent example of T. S. Weddell's writing.) At this point, let me admit that I'm shamelessly biased toward two of your contributors, Martie Benedict and Wanda Lybarger. As a writer, poet, and musician, Martie is in a class by herself, and Wanda is my favorite Harrison artist ever. Their work throughout FLIP is an added bonus to an already fine zine.
Transcribing the lyrics of Martie's songs was a joy and a pleasure, and the imagery of "Big Cat" made it one of my favorites even then. Martynn's illo for it is absolutely breath-taking.
Dani's "Closet Fordaholic" rings a sympathetic note with everyone, I'm sure. (Don't we all know the feeling?) And "Martie's Reply" left me in stitches. Priceless stuff. "My Enemy, My Friend" was an interesting twist on the Greedo theme and Janet handled it very well.
My choice for "Favorite in Zine" is a tie between Martie's "Treasure Hunt" and Linda Pfonner's "Ring Around the Cobra." Martie's Han stories are incomparable; add the return of Ben Adrick and D'Kota Lee and you have a match-up that's sure to please. Han 'a man of destiny'? Hey, we knew that all along, right? My favorite illos for this story are the one of Han grimly struggling with the tentacled appetizer while an amused Ben and Chewie look on, and the one in which our heroes are drenched by the priestesses. The sight of Han and Ben stripped, coupled with the woebegone expression on the thoroughly soaked Wookiee's face, is almost too much to bear!
And, finally, "Ring Around the Cobra." WOW! I hope we're going to see more of this lady's work in future issues of FLIP. She's great! All of her characterizations were right on the money and the story was a true Indy-style adventure. Fantastic! I'm impressed.
All in all, a superb issue. FLIP 4/5 didn't sacrifice quality for quantity. Keep up the excellent work. ^[26]

Just wanted to thank you for another excellent issue of FLIP OF A COIN. The writing was uniformly good throughout. If I had to pick a favorite illo, I guess it would be on page 114.
"Happily Ever After" - Of course, I want Han and Leia to live happily ever after. But they won't end up like this, thank goodness. They'll keep it lively. It wasn't just Han who used to say Leia was cold and unfeminine.
"Encounter" - As it turns out, Indy does know the language. Traveling as he does, he would almost have to, wouldn't he?
"The Doppelganger" - spooky. "The Little People" - Sweet story.
"My Little Stowaway" - One of my favorite stories, guess I'm just an old softy. Han would feel guilty if he thought he'd unknowingly sired a string of illegitimate children. Maybe Serryl brought to the fore a longing for home and family he never knew he had. He seems natural with her. Nice touches; the gun turret scene; the bath; Han fighting for Serryl; saying he loves her; crying—it makes him more human.
"Drifters" - Clever. I liked Kung Fu when it was on.
"My Enemy, My Friend" - Good story. I liked the way Han and Greedo reconciled. Also liked the scenes between Han and Leia.
"Choices Made" - Another favorite. Choices are important. I hadn't thought of it before, but the people living off-world probably were no more free than those who stayed; and, of course, the replicants were even less free. Amy's attitude sounds like that of master to slave. Even deciding to be alone and miserable is a choice of sorts. Amy seemed to want Deckard with her only on her terms.
"Not a Scratch" - Good point about Han and the Falcon; there are things more important, no matter how attached he might be to her. I like the way Leia handles things, that she is not afraid to tell Han he is wrong. (Nice touch, him musing on the size of her hands.) I also liked the way Han worked things out with Lando. I used to think he would punch his lights out, but now I'm glad he didn't. It's another measure of how Han has changed, and I like it.
"A Matter of Commitment" - A lot of nice touches: Threepio; Han's understanding of Leia's position—even as they go back to arguing, they have moved closer together; Leia's understanding of Emil; people knowing Han better than he knows himself; Luke and the snowballs; the 'surprise' at the end.
I also enjoyed "Claire d Lune" and the Indiana Jones story, "Ring Around the Cobra."
And I agree 100% with your comments on TEMPLE OF DOOM. Great movie! Thank you again for a nice issue.^[27]

References

^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #4/5
^ from a letter of comment in "Flip of a Coin" #6
^ from a letter of comment in "Flip of a Coin" #6
^ from a letter of comment in "Flip of a Coin" #6
^ from a letter of comment in "Flip of a Coin" #6
^ from a letter of comment in "Flip of a Coin" #6
^ from a letter of comment in "Flip of a Coin" #6
^ from a letter of comment in "Flip of a Coin" #6
^ from a letter of comment in "Flip of a Coin" #6
^ from a letter of comment in "Flip of a Coin" #6
^ from a letter of comment in "Flip of a Coin" #6
^ from a letter of comment in "Flip of a Coin" #6

[1] rom a letter of comment in "Flip of a Coin" #4/5

[2] rom a letter of comment in "Flip of a Coin" #4/5

[3] rom a letter of comment in "Flip of a Coin" #4/5

[4] rom a letter of comment in "Flip of a Coin" #4/5

[5] rom a letter of comment in "Flip of a Coin" #4/5

[6] rom a letter of comment in "Flip of a Coin" #4/5

[7] rom a letter of comment in "Flip of a Coin" #4/5

[8] rom a letter of comment in "Flip of a Coin" #4/5

[9] rom a letter of comment in "Flip of a Coin" #4/5

[10] rom a letter of comment in "Flip of a Coin" #4/5

[11] rom a letter of comment in "Flip of a Coin" #4/5

[12] rom a letter of comment in "Flip of a Coin" #4/5

[13] rom a letter of comment in "Flip of a Coin" #4/5

[14] rom a letter of comment in "Flip of a Coin" #4/5

[15] rom a letter of comment in "Flip of a Coin" #4/5

[16] rom a letter of comment in "Flip of a Coin" #4/5

[17] rom a letter of comment in "Flip of a Coin" #6

[18] rom a letter of comment in "Flip of a Coin" #6

[19] rom a letter of comment in "Flip of a Coin" #6

[20] rom a letter of comment in "Flip of a Coin" #6

[21] rom a letter of comment in "Flip of a Coin" #6

[22] rom a letter of comment in "Flip of a Coin" #6

[23] rom a letter of comment in "Flip of a Coin" #6

[24] rom a letter of comment in "Flip of a Coin" #6

[25] rom a letter of comment in "Flip of a Coin" #6

[26] rom a letter of comment in "Flip of a Coin" #6

[27] rom a letter of comment in "Flip of a Coin" #6

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11]

[12]

[13]

[14]

[15]

[16]

[17]

[18]

[19]

[20]

[21]

[22]

[23]

[24]

[25]

[26]

[27]

Flip of a Coin/Issues 003-005

Contents

Issue 3

Reactions and Reviews: Issue 3

Issue 4/5

Reactions and Reviews: Issue 4/5

References

Navigation menu

Flip of a Coin/Issues 003-005

Issue 3

Reactions and Reviews: Issue 3

Issue 4/5

Reactions and Reviews: Issue 4/5

References

Navigation menu

Search