The Collected Starsky and Hutch Stories of Alexis Rogers
|Title:||The Collected Starsky and Hutch Stories of Alexis Rogers|
|Publisher:||Alexis Rogers & Elaine Hauptman|
|Fandom:||Starsky & Hutch|
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It is the Earliest Starsky & Hutch Fiction Posted OnlineIn the author's notes to the zine in 1996, she comments:
With a certain amount of new interest in "Starsky and Hutch," both in the paper arena and cyberspace, I thought it would be fun to pull all the stories together and reprint them in a zine format. I had thought about putting the stories on the 'net but changed my mind after I spent some time exploring the fiction available at various websites and mailing lists. I am not comfortable with the lack of security and privacy currently in place on the 'net and so will not be placing my fiction in this environment -- at least for now.
In 1997, the author posted most of the zine's contents at what would become The Starsky & Hutch Archive, making it the first Starsky and Hutch fiction posted online.
A Warning Statement: Print ZineThe print zine includes this warning:
The Lengthy Disclaimer: Print Zine
This is an amateur publication, solely for the enjoyment of those of us who care, and is not intended to infringe on any copyright or other legalities of Aaron Spelling, Leonard Goldberg, David Soul, Paul Michael Glaser, Jim Croce, William Blinn, Michael Fisher, Bob Kelljan, Michael Fisher, Parke Perine, Mann Rubbin, Dick Moder, Art Hindle, Ron Friedman, Arthur Norman, Don Wes, Peter D. Maclean, Michael Conrad, Michael Mann, Tom Bagen, Sutton Roley, Colby Chester, Steven Nelevansky, Joe Reb Moffley, Paul Simon, Simon and Garfunkel, Dustin Hoffman, Freddie Mercury, Queen, Dan Fogelberg, Jamison Parker, Gerald McRaney, Brahms, Regulations in the uniform Code of Military Justice, Frank, Vinnie, & Roger (just for the hell of it), Acuff-Rose Publications, Warner Brothers, Twentieth Century Fox, Electra Records, Pye Records, RCA Records, Capitol Records, Dot records, Cadence Records, Andy Williams, Mike Curb Productions, Magnum Force Records, Mercury/Polygram Records, Margared Embry Records, Malpaseo Productions, Bowling Green music, peso music, Bud's Red Hot Music, Wood Holly Music, Table Music, Campbell Connelly & Co. Ltd., EMI Music pub. Ltd., Garrett Music Enterprises, Everly and Sons Music, the Keystone Family Singers, Pat Boone, East Clintwood, Sandra Locke, Clyde, Linda Ronstadt, Tom Cruise, Mel Gibson, Karen Carlson, Cliff Richards, Bernie Ballantine and/or Bernie Schwartz, Glenn Campbell, Carol King, Margie Bowes, the Shaking Pyramids, Joe Melson, Jessie Lee Turner, Tanya Tucker, Johnny Rivers, Warren Zevon, Joey Paige, Terry Slater, John Durrill, Larrie Londin, Ralph Gallant, Albert Lee, Pete Wingfield, Dickie Thompson, Ray Burkhart, Angelo don de Vito, Pat Anthony, Jay Lacy, the Everly Brothers, Don Everly, Phil Everly, or anydamnbody else that I might have overlooked.
From the Author's Notes: Print Zine
This project started several months ago when Elaine found a piece of one of my stories on her desk. While I was looking for the rest of it in the filing cabinet, I pulled out some other stories and read them. It was fun, like a trip down memory lane remembering the time in which I wrote these things and the special people who edited, published, and illustrated my stories.
As I've watched "Starsky and Hutch" fandom grow and become a stable part of fandom over the last twenty years. I am pleased to have been a part of the group of people I think contributed to some of the best fiction ever written to the fandom library.
"Starsky and Hutch" is a love story about two men who happen to be cops. When I watch the show, I see that love and the tests that go with the love. Hutch appears to need Starsky to prove the love over and over because I'm not sure Hutch ever believes it can be real, whereas Starsky knows from the first moment that the love they share is real and something he wants forever. He still gets angry and still pushes Hutch, but the love never wavers.
The only other aired television show that I've seen come close to S&H is "Wiseguy," which actually takes the relationship, on screen, to a higher level. What is it about cops that makes for good relationship adventures?"Cost of Love" was my first endeavor into the world of slash fiction and I had not planned for it to be anything but the story of Starsky and Hutch in Vietnam, the war being a more important issue for me than any type of sexual relationship. However, Starsky had other plans and since it was his story, it was told at his direction.
- Before the Beginning by Alexis Rogers (1)
- Cost of Love by Alexis Rogers (reprinted from Code 7 #2, also as The Cost of Love, a standalone) (3)
- Hour Before Dawn by Alexis Rogers (67)
- A Handful of Sand by Alexis Rogers, (reprinted from Daily Reports, and then Hanky Panky) (70)
- Moral Murder by Alexis Rogers (72)
- Starsky's Law by Alexis Rogers, (reprinted from Hanky Panky) (77)
- The Instant of Death by Alexis Rogers (79)
- Some Days the Dragon Wins by Alexis Rogers (slash version of a gen story from Strange Justice) (82)
- Violets, Rings, and Things of Spring by Alexis Rogers (93)
- Fifty-Five Cents by Alexis Rogers (reprinted from The Phone Booth) (95)
- I Don't Take Sugar in My Songs by Alexis Rogers (97)
- After the Ping Pong Ball Bounced by Alexis Rogers, Libby, and C.J. Lorane (reprinted from Hanky Panky) (101)
- Saucy by Alexis Rogers (reprinted from Cucumbers and Crisco) (108)
- February 2nd by Alexis Rogers (111)
- It's a Dog's Life by Alexis Rogers (reprinted from Who You Know, What You Know, & How You Know It...) (113)
- Harold C. by Alexis Rogers (119)
- The Butterfly Bush by Alexis Rogers (reprinted from Code 7 #1) (124)
Reactions and Reviews
See reactions and reviews for February 2nd.
See reactions and reviews for Fifty-Five Cents.
See reactions and reviews for After the Ping Pong Ball Bounced.
See reactions and reviews for The Butterfly Bush.
See reactions and reviews for Starsky's Law.