|Name:||Darth Vader, Anakin Skywalker|
|Relationships:||Luke and Leia's father, husband of Padmé Amidala|
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Darth Vader is a major character in the Star Wars films. His identity as Luke Skywalker's father (birth name Anakin Skywalker) was revealed in the second film to be released, The Empire Strikes Back (1980). How Anakin Skywalker became Darth Vader is a major theme in the prequel trilogy that was released twenty years later (1999-2005).
From Jundland Wastes #2: "There are some fairly common ideas [in 1981] among fan writers about the Dark Lord's background and character. They generally agree that he did not have a happy childhood; his parents rejected him and he grew up 'different.'... Many writers assume that the loss of Kenobi and the Jedi and/or Vader's physical torment must have had a major traumatic effect... One element that all agree on is Vader's pride and ambition... Vader will risk almost anything for power."
Fans incorporated Vader into a wide variety of fannish universes. Some fans cast him as a one-dimensional evil figure, a convenient encapsulation of general mayhem and cruelty, a character who appears on stage left to fannish hisses and boos. Other fans explored his background and personality with more depth, depicting him as a complicated tragic figure to one of chivalrous heroism. From Jundland Wastes #2: "Villians are more complex than heroes, and in the Dark Lord of the Sith, Star Wars has presented us with an epic villain steeped in romantic and mythic imagery. Fan response has been as ambiguous as the character, varying with each other's personal reaction to the archetypical qualities of power, pride, darkness, cruelty, aristocratic elegance, and warrior spirit embodied in Vader."
Before fans saw Darth Vader's face in the movies, they envisioned other Vaders.
by Beth Adams in 1981, from News of the Rebellion #9
Following the revelation of Vader's former identity as Anakin Skywalker, as well as the twist that Leia Organa was Luke's twin sister, fics exploring Vader's relationship with his children (or lack thereof) exploded in popularity in a sub-genre known as "Dad Vader". These fics range from from more serious AUs where Vader actively rebels against the Empire when he learns his childrens' identities or raises one or both of the twins from infancy to fluff and modern AUs in which Vader is misunderstood or otherwise less evil than his canon counterpart.
Maggie Nowakowska comments about an article in the second issue of Jundland Wastes (May 1981): "JW prints its first commentary, an article entitled “Will the Real Darth Vader Stand Up?” by Karen Osman, a staunch Imperialist. Osman explores fanlit versions of Vader concerning his background and how he came to be at odds with the Jedi. She rejects the tendency to use Vader as an easy villain who needs little characterization. Her emphasis is on sympathetic presentations, and what sympathetic aspects exist in stories not supportive of the Dark Lord. She is fascinated to discover a tendency to grant the man mythic grandeur, whether an author approves of Vader or not. Most writers accept the title “lord” as Vader’s given social status; many assume he is royal as well as noble, although he is most often ranked as a younger son. There is a Miltonic aura to many of the stories; Vader as the fallen Lucifer, Star of the Morning, is preferred to Vader as venal power broker. Osman also points out in print (for the first time I believe although the subject has been the focus of fannish gossip for years) the apparent sex appeal of the man despite the mask, the menace he presents, or the problems his implied and obvious handicaps present." 
From Jundland Wastes #2: "One aspect of fan writing about Vader that we can hardly avoid is the Dark Lord's relationship with the opposite sex. While Han Solo is more superficially 'sexy' and has been pursued by hordes of fannish MarySues, Darth has his share of groupies as well. His appeal is more ambiguous, both attractive and threatening; composed of such heavy-handed but effective sexual-fantasy images as his shiny jackboots, symbolic saber, swirling black villain's cape, air of power, and resonant voice, not to mention Prowse's nice broad shoulders and muscular body. This rather overwhelming image completely unnerves the sort of fans to respond to Luke's clean-cut teenybopper appeal. Tracy Duncan in "The Dark Path" (Against the Sith #9) responds by making Vader a nasty but safely impotent voyeur. Even such a strong-minded and sensitive writer as Maggie Nowakowska is unable to image the Dark Lord as a functional, sexual partner. In the as yet unpublished story, "Notions." she describes his physical and emotional reaction to Leia, frustrated by the damage to his body."
Following the release of the prequel trilogy, Anakin Skywalker/Padme Amidala ("Anidala") became a popular ship, as did the slash ship Anakin Skywalker/Obi-wan Kenobi ("Obikin"). The OT3 Anakin Skywalker/Padme Amidala/Obi-wan Kenobi was also a common solution to the love triangle some fans perceived between the characters.
Zines and Print Works
- Cats in the Dark by Joyce Yasner in Time Warp is an early sympathetic view of Vader with an active sex life
front cover of Storm
back cover of Dark Interlude
front cover of Alderaan #10
cover of Combining Forces
inside art from Maine(ly) Trek #1
front cover of Against the Sith #1
front cover of Against the Sith #7
cover of The Dark Lord
back cover of Falcon's Flight #4
inside art of Imperium by Judy Street
back cover of Pegasus #3
interior art from Abode of Strife #9 by Patricia Young
- A Darth Vader by Bethany McGuire-Smith