Sleer as Folk

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Title: Sleer as Folk
Editor(s): Ika, Fran
Date(s): 2002
Medium: print
Size: A5
Genre: femslash
Fandom: Blake's 7
Language: English
External Links: Listing on website (deceased)
cover by Ika, based on the DVD cover/art for UK Queer as Folk
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Sleer as Folk is a 325-page Blake's 7 anthology fanzine containing 13 femslash stories and an essay. It claims to be the first entirely f/f zine in the B7 fandom;[1] the editors write "someone had to be the first to combine the feminist ambitions of a zine like Deadlier than the Male with the queer electricity of slash."[2] In an overview of earlier Blake's 7 f/f, Nova writes:

[S]ince these thirty stories are scattered across twenty-two zines and, consequently, hard to find, f/f slash writers have had to spend a lot of time re-inventing the wheel, rather than drawing on the kind of established traditions available to m/m slash writers. So a zine like Sleer as Folk is an important innovation, giving writers and readers a chance to consider a range of f/f possibilities, consolidate the B7 f/f tradition by learning from each other's experiments with language or plot devices or the positioning of f/f within canon and, perhaps most interestingly of all, contemplate future directions.[3]

Sarah Thompson describes Sleer as Folk as "an outstanding zine, a suitable honor for the women of B7".[4] Espresso Addict calls it "excellent".[5] The zine won a 2003 Screwz award.[6]


Summaries by the publisher.


  • Una McCormack, "Lady Lazarus" (Taught by the Resistance and the FSA, Cadet Anna Grant learns all there is to learn about love and treason.)
  • Ika, "Future Perfect" (Wherever she works, wherever she lives, Della smokes a lot and worships Major Vinanna, Vis-heroine of Space Force Five. Then a cigarette break with Blake changes Della's life.)
  • Pseudnik, "A Private Sanction" (In a revolution, there are only shades of grey. Jenna has some hard choices to make - but does she have enough information to make the right ones, in a universe where politics outweighs morality?)
  • Matilda B. Jones, "Premeditation" (This moody vignette explores one of the series' most enigmatic characters: how well does Soolin really understand herself?)
  • Steve Rogerson, "The Hard Way" (Being left to operate the teleport has some advantages. While the lads face danger and disease on an isolated mining colony, Cally and Jenna enjoy a little girl time...)
  • Fran, "A Star Is Born" (The eccentric Colonel Kasabi - soldier, invert, mother - is having a hard enough time continuing to serve a Federation she finds herself less and less committed to. That's even before she discovers she is at the centre of the machinations of two of her cadets: the beautiful young newcomer Servalan and the bemused and besotted Don, son of ruthless Commissioner Garr Keller.)
  • Executrix, "Once, I Had A Secret Love" (In the homophobic world of the Federation elite, survival is a matter of sacrifice and compromise for one woman. Will anything change once she finds herself on the Liberator? And how well did Blake really know his crew?)
  • Calle Dybedahl, "Duet for Rebel and Youth" (Dayna, last of the Scorpio crew, will kill Sleer, whatever the cost. She has no time to take on an apprentice rebel: can Tey, a thief and would-be freedom fighter, change Dayna's mind?)
  • Cathra Blen, "Kasabi's Child" (Half-truths, omissions and a wedding dress all feature in the tale that Servalan tells Veron, a tale she's never told before...)
  • Devia, "Morning/Night" (Ika says: A shameless, but very short, PWP (Servalan/OFC) Fran says: A bijou slice of life at the Presidential palace)
  • Pat Fenech, "You Touched Me, Once Upon a Time" (On a distant outpost, Avalon's negotiations are going badly even before she receives the report which provokes this bitterly emotive meditation on the (im) possibility of love for a revolutionary.)
  • Ika, "The Impossibility of J/C" (After Star One, the Liberator's drifting, going anywhere, piloted by Avon's guilt. Jenna left and she couldn't take Cally with her.)
  • Nova, "Songs of Innocence and Experience" (A jaded Soolin learns that, for all her experience with Dorian, in some ways she is the biggest innocent on Xenon base. Meanwhile, lines are being traced through the pattern of infinity...)


  • Fran & Ika, "The Queer Electricity of Slash" (Editorial)
  • Nova, "(Re)Making Space for Women" (An article surveying the history of published Blake's 7 f/f writing from its first appearance in 1985 to the present day, with bibliography.)


Photomontages by Pat Fenech.

Reactions and Reviews

I'm happy to report that this is an outstanding zine, a suitable honor for the women of B7. Every single story is well written, and the photo montage illos are lovely, carefully crafted to fit the stories. The small size and flat binding mean that you can hold it in your hands like a book-- very satisfying.

My personal favorite story is Calle's "Duet for Rebel and Youth," a tragic PGP starring an older, harder Dayna, her young admirer, and a very scary Jenna. I especially like the clever use of Dayna's canonical weapon-design expertise in the plot, and the interweaving of action and emotion.

Second favorite, I think (although it's difficult to decide because all the stories are so good), is Fran's "A Star Is Born," which chronicles the beginning of ruthless young Servalan's rise to power, through the eyes of two people besotted with her, Kasabi and Don Keller. And for Best Supporting Role, I nominate little Veron's foster mother Sleeya, a most intriguing character.

The relationship between Kasabi and young Servalan also features in two other stories, "Kasabi's Child" by Cathra Blen and "Lady Lazarus" by Una McCormack. "Kasabi's Child" suggests a novel reason for Servalan's hatred of Kasabi, very different from the scenario of "A Star Is Born." "Lady Lazarus" appealed greatly to me because my own favorite character appears briefly at the end, in a foreshadowing of canonical events.

Una, I have a question about "Lady Lazarus." It's a stunning story-- extremely intense-- but not at all explicit, so that I wasn't quite sure which pairings were being implied. I more or less assumed that Anna and Kasabi were lovers, which would give an interesting resonance to Anna's later involvement with Avon; and that Anna and Servalan were not sexually involved, although in a twisted way they were very close. Did I guess right?

Pat Fenech's writing reminds me a bit of Una's-- very lyrical, very oblique. I'm assuming that the Cally/Avalon relationship so exquisitely described in "You Touched Me, Once Upon a Time" was unconsummated, but did I guess right about that? Or is it perhaps deliberately ambiguous?

I would never have thought that I would enjoy a PWB story about two original characters, but Ika surprised me pleasantly with "Future Perfect." I do hope her oc rebel couple survived to carry on the fight after Blake's arrest-- perhaps they will turn up later, in some future story, and meet the Liberator or Scorpio crews, hint hint? Blethyn and Della remind me a little of Dome Cycle Avon and Vila, with the lower grade having to look after the clueless partner, only not so much so.

Ika's second story, "The Impossibility of J/C," contrasts the lost love of Jenna and Cally to the never-consummated (?) love of Avon and Blake. Which pair are more tragic? Come to think of it, this story could be a prequel to Calle's, if we assume some not-implausible changes in Jenna's character over the intervening years.

For variety, there are two short vignettes: "Premeditation" by Matilda B. Jones, in which Soolin contemplates her new shipmates, along lines somewhat similar to those developed at greater length in Nova's story, but rather darker in feel; and Devia's "Morning/Night," a PWP featuring a hot, explicit encounter between Servalan and an original character. I don't recognize the name of the author; does anyone here happen to know who the ocf Uria is, and when this story takes place?

Pseudnik's "A Private Sanction" is a short, sharp, cleverly plotted thriller, very noir. It's great fun to read something like this with female characters.

"The Hard Way" by Steve Rogerson seemed to me to consist of two different stories, the Cally/Jenna affair and the episode-like adventure plot, which although they were both interesting didn't have much to do with each other. Maybe the two plot lines could have been more integrated; for example, perhaps Cally's new relationship with Jenna might somehow help her to cope with the trauma she suffers toward the end of the story. It would be nice to see more exploration of the emotional ramifications of the sex. And the adventure plot with its political ramifications and well-drawn ocs could have been developed at much greater length, perhaps even on its own as a gen story.

Executrix's "Once, I Had A Secret Love" is a very plausible account of a one night stand between two characters who never met canonically, cunningly positioned during the time when neither of them was seen in the canon, with interesting details of Jenna's past and a neat explanation of why Dorian was later to become so interested in Avon's hapless little gang.

For a cheery finish, Nova's story pairs off all the Scorpio crew in romantic happy endings, with the help of an appealing original character whose identity I have my suspicions about. She's a middle-aged woman with wavy gray hair who runs a gay bookstore and who at one point addresses an audience with "G'day." ;) Bel's, er I mean Nova's, nonfiction survey of the B7 f/f field to date is an invaluable aid to those looking for more of the same and a fascinating critical analysis for those of us who've already read the stories.

Very highly recommended. [7]


  1. Sleer As Folk (Hermit) (accessed 3 February 2011)
  2. Fran & Ika, "The Queer Electricity of Slash" (Editorial) Sleer as Folk 2–3
  3. Nova (2002) 'Re(Making) Space for Women: A guide to f/f slash in Blake's 7 fanzines' Sleer as Folk 308–322
  4. Thompson S. Review of Sleer As Folk (8 July 2003) (accessed 3 February 2011)
  5. Espresso Recommendations: Blake's 7 (accessed 19 January 2014)
  6. Screwz: 2003 Winners (accessed 23 September 2015)
  7. from Sarah Thompson at Judith Proctor's Blake's 7 site