Walk the World for Me
| Zine | |
|---|---|
| Title: | Walk the World for Me |
| Publisher: | Vincent's World Press |
| Editor: | |
| Author(s): | Patricia Kehoe |
| Cover Artist(s): | |
| Illustrator(s): | |
| Date(s): | May 1993 |
| Series?: | yes |
| Medium: | print zine |
| Size: | |
| Genre: | het |
| Fandom: | Beauty and the Beast (TV) |
| Language: | English |
| External Links: | |
| Click here for related articles on Fanlore. | |
Walk the World for Me is a het 139-page Beauty and the Beast (TV) novel by Patricia Kehoe.
The art is by Inez Brown, Alexandra Fossinger, Renate Haller, Rosemarie Hauer (color cover), and Pam Tuck.
This novel is related to the anthology series edited by Kehoe called Vincent's World.
Controversy Regarding a Description
The Summer 1993 Qfer contained a review of this zine that included these comments:
The book is readable and full of events, punctuated by both sensuality and explicit and highly detailed sex . Surprisingly restrained art, including relatively little (but some) graphic frontal nudity.
The editor of this zine took great umbrage at these comments and wrote an open letter which was printed in Vincent's World #9. See And now, be prepared for something I've never done in print: BLOWN MY STACK!.
Part of "The Vincent's World Novel" Series
"Walk the World for Me" is part of the series, The Vincent's World Novels.
- Rightfully Mine #1 (May 1991)
- Coming Out of the Dark #2 (August 1991)
- I Know You're Out There, Somewhere #3 (November 1991)
- To Love Forever #4 (March 1992)
- The Heart's Best Treasure #5 (June 1992)
- Once Upon a Time #6 (September 1992)
- Walk the World for Me #7 (May 1993)
- Demons at the Gate #8 (September 1994)
Sample Interior
Rosemarie Hauer
Alexandra Fossinger
Pam Tuck
Inez Brown
Inez Brown
Reactions and Reviews
1997
Seventh in the series of novels from the author of the Vincent's World series. As usual, more serious, less sitcom-and sex-oriented than Kehoe's other work.
Returned to the tunnels, after her supposed death, by unspecific means, C is frustrated to find that V still won't have sex with her, despite the fact of their son Jacob. V is more afraid than ever of hurting C: he's convinced, despite C's denials, that Jacob is the product of his rape of her in the Trilogy cave. V/C are immensely frustrated...and not only sexually. They quarrel and agonize, their separation intensified by the loss of the bond; V (once) finds relief of a sort in masturbation; at last, C forces V's hand by applying for citizenship Below, despite his threat to vote against it. However, everything comes out all right in the end. Counterpoint to the story of V/C's problems is the major subplot involving young Joshua, a vivid, charming, AIDS-stricken boy taken in by the community. In another, smaller subplot C and Jenny are feared trapped in the terrorist bombing of the World Trade Center and the resultant fire.
The book is readable and full of events, punctuated by both sensuality and explicit and highly detailed sex. Surprisingly restrained art, including relatively little (but some) graphic frontal nudity, by Inez Brown, Alexandra Fossinger, Renate Haller, Rosemarie Hauer, Pam Tuck. Graphics by Shirley Leonard. [1]