Five Things Kristina Busse Said
| Interviews by Fans | |
|---|---|
| Title: | Five Things Kristina BusseSaid |
| Interviewer: | Claudia Rebaza |
| Interviewee: | Kristina Busse |
| Date(s): | February 21, 2020 |
| Medium: | online |
| Fandom(s): | |
| External Links: | Five Things Kristina Busse Said |
| Click here for related articles on Fanlore. | |
Five Things Kristina Busse Said a 2020 Q&A guest post, conducted by the Organization for Transformative Works' Communications Committee with Kristina Busse.
It is part of a series. See Five Things Said.
Excerpts
How does what you do as a volunteer fit into what the OTW does?
Karen Hellekson and I were tasked from the beginning with representing the academic arm of the OTW. We had been discussing the need for an academic fan studies journal around the same time as the first discussions for an archive began, and we started laying the foundations shortly after the OTW was founded. We found an open access platform, defined our policies, picked an editorial board, and put out the first call for papers. We published the first issue of Transformative Works and Cultures a little over a year after in September 2008.
In order to gain and retain our academic credentialing as a journal, we needed the editorial side to be clearly separate from the OTW organization side. Our connection to the OTW is crucial but also fairly specific: our staff are OTW volunteers and we report to the board, but all editorial decisions are made independently by double-blind peer reviewers who are experts in fan studies.
What were the early days of TWC like?
Exciting and crazy! We started everything from scratch, and it was great but also exhausting. We were learning procedures as we were creating them, and everything was mostly held together with spit and goodwill and a lot of effort, mostly on Karen’s and my part. Neither of us was affiliated with any university, the journal was online only, and we published fan studies research, so to ensure credibility it was really important to publish sound academic research that was professionally edited. In line with OTW’s basic philosophy, it was important that the journal be open access, so that all fans, regardless of affiliation or access, could read the research.
Karen and I were (and to a degree still are) the last line, and that meant that there were a lot of panicked phone calls and picking up slack, especially in the first few years. We have published every issue on time for the past 10 years and over 30 issues! That has meant, however, that Karen is copyediting and coding and proofreading essays the night before we go live, because a volunteer had not done her assignment; or it means I am interrupting my family holidays to email authors on my phone on crappy hotel Wi-Fi.
Today, the journal has a solid reputation and we get a good number of unsolicited submissions. Many of our procedures have been documented, and of course we follow standard academic journal workflow, but so much of what we’ve done, we’ve learned to do through trial and error. Karen and I are both looking forward to passing our editor batons to new scholars in the next few years.
What is your professional life like outside of your TWC work? Any projects you’d like to talk about?
I am an adjunct professor at my local university, and I’m pretty adamant to be identified as an independent researcher. Just like with OTW and TWC, I think it’s important for fans and fan studies scholars to come together. Karen and I were editors of the volume Fan Fiction and Fan Studies in the Age of the Internet (2006), which I’m proud to say helped create a whole new generation of fan studies scholars, and my own book, Framing Fan Fiction, came out last year.
I was also part of the group that created the first fan studies conference in the United States/North America, the Fan Studies Network: North America, which had its second annual conference at DePaul University in Chicago in October 2019. In what might have been the strangest work I’ve ever done, I became an expert witness in a plagiarism trial centering around Omegaverse tropes.
I try to go to one academic conference a year, mostly to see friends, meet new people in the field, and solicit for TWC, but I happily travel if invited (and supported). This spring I’ll be giving a talk on TWC and OTW with Karen Hellekson and Francesca Coppa at Berkeley, and I’m very excited! Finally, I am writing a new book on Fan Fantasies and the Politics of Desire with my friend (and early TWC volunteer) Alexis Lothian.