Witness: Sacrificethemtothesquid

Interviews by Fans
Title:	Witness: Sacrificethemtothesquid
Interviewer:
Interviewee:	Sacrificethemtothesquid
Date(s):	January 25, 2019
Medium:	Tumblr post
Fandom(s):	Mad Max
External Links:	Interview responses
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In January 2019, the Tumblr community Mad Max Fanfic Awards (community) posted an interview with Sacrificethemtothesquid, a Mad Max fanwork creator, as part of the Mad Max Fandom Creator Spotlight.

Interview

Creator name (AO3): sacrificethemtothesquid

Creator name (Tumblr): sacrificethemtothesquid

Link to creator works: https://archiveofourown.org/users/sacrificethemtothesquid/works

Q: Why the Mad Max Fandom?

A: It’s hard to put it into words. I went into the movie anticipating car chases and explosions and came out enraptured. Max and Furiosa’s dynamic was incendiary and I couldn’t leave it alone.

Q: What do you think are some defining aspects of your work? Do you have a style? Recurrent themes?

A: My style is long. Too long.

Q: Which of your works was the most fun to create? The most difficult? Which is your most popular? Most successful? Your favourite overall?

A: Length & Breadth was the big project, and it’s been a huge journey to see it finished. It wins for most difficult because I had no idea what I was doing or if I could even finish something, and it blows my mind that it resonated with people. My favorite has always been Seven Thousand And One. It hit me so hard and it was so intense to write. It was done in a day and when I came out of it, I was staggering.

Q: How do you like your wasteland? Gritty? Hopeful? Campy? Soft? Why?I

A: am a firm believer that gritty and soft or gritty and hopeful aren’t mutually exclusive. I like sinking my teeth into the ugliness of the world. I wrote enough awful grimdark edgelord dreck when I was growing up depressed and it seemed like there was no end in sight. I like that I’ve learned there’s always an up somewhere, even if it doesn’t feel like it in the moment. Also I like to break people and put them back together. The harder the breaking, the bigger the healing.

Q: Walk us through your creative process from idea to finished product. What’s your prefered environment for creating? How do you get through rough patches?

A: I write down just about every idea I have. Usually they’ll come as blips and scenes that I build around later. I find that I write best when I’m supposed to be doing anything else, and the more important the anything else, the easier it is to write. When I hit a rough patch, I step back and let it sit, or jump into another section that feels easier. For me, hitting a rough patch usually means I’m grinding at something that isn’t necessary. @thebyrchentwigges gave me some of the best advice I’ve ever gotten, and that was to start in the middle of the action. It’s okay to set the scene, but I can write 10k of buildup without blinking, so dropping myself right into the meat usually cuts away parts that weren’t necessary in the first place.

Q: What (if any) music do you listen to for help getting those creative juices flowing?

A: I’ll come across one song that hits just right and then I’ll listen to that on repeat until it loses its power. I guess it’s like a kind of meditation? There’s no set process to finding The Song, but the Discover Weekly algorithm on Spotify usually delivers. I’ve got playlists saved for each story.

Q: What is your biggest challenge as a creator?

A: Length and making less of it. I’m working on being concise. It isn’t going well.

Q: How have you grown as a creator through your participation in the Mad Max Fandom? How has your work changed? Have you learned anything about yourself?

A: I had bits and blobs for other fandoms that never really got posted, but I never really committed to anything until people started showing up for L&B. “Thank you” feels absolutely grossly inadequate, so I keep writing things hoping people understand their presence means the world to me. I feel like a toddler presenting macaroni art - I made it because I have no idea how to express how much I love you.

Q: Which character do you relate to the most, and how does that affect your approach to that character? Is someone else your favourite to portray? How has your understanding of these characters grown through portraying them?

A: Furiosa. She’s so powerful. I don’t think I’d ever seen a woman be so angry and raw, and it was like looking into the sun.

Q: Do you ever self-insert, even accidentally?

A: I think it would be hard for me to write if I didn’t.

Q: Do you have any favourite relationships to portray? What interests you about them?

A: As brutally called out by @fuckyeahisawthat: “Dude rolling around in grief and self-loathing, hopelessly besotted with a hypercompetent killer woman”.

Q: How does your work for the fandom change how you look at the source material?

A: It forces me to dig deep into canon, which always leads to interesting places. Having that level of familiarity and knowing how much work and worldbuilding it involves makes source richer. The thing I love about George Miller is that I KNOW he’s done an insane level of worldbuilding; the problem is that he doesn’t SHARE the details of it, so I have to go spend thirty hours becoming an expert in oil cracking just to call something “guzzoline”. I like knowing the other 70% of the iceberg, and I think overthinking.

Q: Do you prefer to create in one defined chronology or do your works stand alone? Why or why not?

A: I’m such a global thinker that even if I do manage a one-shot, it can’t exist in a vacuum. If I have more than one fic in a fandom, it’s going to adhere to an established timeline because otherwise, there’d be nowhere for the plot to go.

Q: To break or not to break canon? Why?

A: Canon is canon is canon. I need to have my work fit seamlessly into the source material and the more solid the canon, the greater the challenge to adhere. For me, it’s actually easier writing within a more solid and comprehensive canon, since it helps set the parameters for the story and lets me focus on the emotions.

Q: Share some headcanons.

A: Valkyrie lives.

Q: If you work with OCs walk us through your process for creating them. Who are some of your favourites?

A: Because I keep religiously close to canon, I tend to avoid OCs. That being said, if the story requires them - my Repair Boys, for instance - I try to make them as canon as possible. I look at the existing characters - the ones on-screen for half a frame, the ones mentioned in the production notes, etc etc - and build from that. I’m pretty fond of Keno. I couldn’t give my Capable the arc she deserved without him. In my original work, I walk them around in my head and do vignettes from their point of view. What are their influences, what are their weaknesses, if they a choice of things, what they would choose. They’re people - think of your best friend or your partner or that weird guy on the bus - and get to know them that way.

Q: If you create original works, how do those compare to your fan works?

A: Strict adherence to canon. I’m always worldbuilding in my head for something. Nothing about being alive exists in a vacuum, and I’m fascinated by paths of influence. It’s an endless game of “why?” and “and then what?”

Q: Who are some works by other creators inside and outside of the fandom that have influenced your work?

A: All creators have their own unique take and for me, the variety is what gets me excited. One of the best parts about fandom is that someone else will always bring up something you’d never think of on your own. The MMFR fandom is incredible because there’s so much talent. I haven’t come across a single piece of work that left me underwhelmed. As a reader and content consumer, it’s spoiled me completely, and as a writer, it’s set the bar very, very high. It’s been a huge honor to be part of this community.

Q: What advice can you give someone who is struggling to make their own works more interesting, compelling, cohesive, etc.?

A: Don’t assume you have to write everything in one unbroken line. If you’ve got ideas for a scene, write that first. Connecting scenes later might still be a drag, but you’ll have a better idea of what that connection should look like. I like thinking of my work as a quilt: I know the general pattern and what each square looks like, but once the squares are done they’ll need shuffling.

Q: Have you visited or do you plan to visit Australia, Wasteland Weekend, or other Mad Max place?

A: We went to WW16 and WW17. It was so powerful to put faces to names and have actual meatspace time with people I’d come to love online.

Q: Tell us about a current WIP or planned project

A: Fandom-wise, I’m doddering along with an amorphous thing for Dragon Age Inquisition. My main focus (read: the thing I’m procrastinating on) is an original work. It started out being about wizards and now I think it’s a murder mystery. It doesn’t really know what it is, so neither do I.