Changes

===1991===

===1991===

<gallery heights=260px widths=180px>

<gallery heights=260px widths=180px>

Image:bonast1.jpg|from [[Bonaventure]],  [[Starsky & Hutch]] as small children

Image:bonast1.jpg|from [[Bonaventure]],  [[Starsky & Hutch]] as small children

Image:bonast2.jpg|from [[Bonaventure]],    young Hutch has a book about knights and dragons (a nod to the trope [[White Knight]], and young Starsky has a [[The Torino|Torino]]

Image:bonast2.jpg|from [[Bonaventure]],    young Hutch has a book about knights and dragons (a nod to the trope [[White Knight]], and young Starsky has a [[The Torino|Torino]]

Southernseven6-13.jpg|from [[Southern Seven]] #6

Southernseven6-13.jpg|from [[Southern Seven]] #6

File:Fruitcocktail1-8.jpg|from [[Fruit Cocktail]] #1

File:Fruitcocktail1-8.jpg|from [[Fruit Cocktail]] #1

File:Fruitcocktail1-10.jpg|from [[Fruit Cocktail]] #1 (1991) and [[The Big B7 Zine]] (1993)

File:Fruitcocktail1-10.jpg|from [[Fruit Cocktail]] #1 (1991) and [[The Big B7 Zine]]

File:Declasslovett.jpg| "[[The Declassizing of Bodie]]" (1991) from [[Chalk and Cheese]] #8. Some fans refer to it as "Breaking Cover" as that was the story the illo was paired with. A fan wrote:  "What turns people on in art is very individual to them.  For me, most explicit art makes me yawn/giggle as I turn the page (could it be the truly heroic proportion of their thingies?) whereas *very good* erotic art evokes an inner passion, e.g. I have a Lovett that shows a fully clothed, very determined Doyle pushing a fully clothed Bodie up against the wall (no borders, no background clutter).  He's just removed Bodie's tie & jacket and is in the process of unbuttoning his shirt.  While Bodie looks positively stunned, he also looks like a man who's just had his dream come true. *For me* this is way sexier than if they were completely nude with rampant erections, and, imho, such nudity would take away from the erotic message.  This piece of art puts new fantasies in motion every time I look at it." <ref> comments on a mailing list, quoted anonymously (April 25, 1994) </ref>

File:Declasslovett.jpg| "[[The Declassizing of Bodie]]" (1991) from [[Chalk and Cheese]] #8. Some fans refer to it as "Breaking Cover" as that was the story the illo was paired with. A fan wrote:  "What turns people on in art is very individual to them.  For me, most explicit art makes me yawn/giggle as I turn the page (could it be the truly heroic proportion of their thingies?) whereas *very good* erotic art evokes an inner passion, e.g. I have a Lovett that shows a fully clothed, very determined Doyle pushing a fully clothed Bodie up against the wall (no borders, no background clutter).  He's just removed Bodie's tie & jacket and is in the process of unbuttoning his shirt.  While Bodie looks positively stunned, he also looks like a man who's just had his dream come true. *For me* this is way sexier than if they were completely nude with rampant erections, and, imho, such nudity would take away from the erotic message.  This piece of art puts new fantasies in motion every time I look at it." <ref> comments on a mailing list, quoted anonymously (April 25, 1994) </ref>

File:Pere.jpg|front cover of [[Perestroika]], a [[Man from U.N.C.L.E.]] zine that contains much Lovett art. It is  reported to be one of the most beautiful of [[Man from UNCLE]] zines.  The zine won a 1992 [[Fan Q]].    A fan writes: “Suzan Lovett's drawings are the tapestries on the castle walls. The cover alone - heck, any one of the interior plates with which Perestroika is so generously sprinkled - is worth double the price of the zine. Her work is somewhere in the twilight zone between illustration and portraiture, a combination that goes beautifully with the writer's braiding of Real and Better-than-Real."<ref> from [[Psst... Hey Kid, Wanna Buy a Fanzine?]] #3 </ref>  

File:Pere.jpg|front cover of [[Perestroika]], a [[Man from U.N.C.L.E.]] zine that contains much Lovett art. It is  reported to be one of the most beautiful of [[Man from UNCLE]] zines.  The zine won a 1992 [[Fan Q]].    A fan writes: “Suzan Lovett's drawings are the tapestries on the castle walls. The cover alone - heck, any one of the interior plates with which Perestroika is so generously sprinkled - is worth double the price of the zine. Her work is somewhere in the twilight zone between illustration and portraiture, a combination that goes beautifully with the writer's braiding of Real and Better-than-Real."<ref> from [[Psst... Hey Kid, Wanna Buy a Fanzine?]] #3 </ref>