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| Thirteen stories were turned in for the first round, and nearly thirty pieces of art were created. The published stories were: | | Thirteen stories were turned in for the first round, and nearly thirty pieces of art were created. The published stories were: |
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− | - A Distorted Genius by [[User:hwshipper]]: House/Wilson crossed over with [[Nero Wolfe]]. "He's a genius, eccentric, lazy, and has three staff to do all the work. And House is just the same. Wilson's been arrested on suspicion of murder, and only Nero Wolfe can help." | + | - A Distorted Genius by [[User:hwshipper | hwshipper]]: House/Wilson crossed over with [[Nero Wolfe]]. "He's a genius, eccentric, lazy, and has three staff to do all the work. And House is just the same. Wilson's been arrested on suspicion of murder, and only Nero Wolfe can help." |
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− | - A Joy Forever by [[User:Bellaboo]]: House/Wilson. "Wilson's dead, but that doesn't mean he's gone." | + | - A Joy Forever by [[User:Bellaboo | Belaboo]]: House/Wilson. "Wilson's dead, but that doesn't mean he's gone." |
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| - Break Point by [[Mer]]: House, Wilson. "Wilson struggles to reconcile past and present in the aftermath of the Tritter investigation, while House just wants to understand." | | - Break Point by [[Mer]]: House, Wilson. "Wilson struggles to reconcile past and present in the aftermath of the Tritter investigation, while House just wants to understand." |
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| - In For a Pound by [[Dee]]: House/Wilson, Sheppard/McKay, House/Wilson/Sheppard/McKay. "Two days, four men, one California King mattress. Sometimes two and two can add up to something more." | | - In For a Pound by [[Dee]]: House/Wilson, Sheppard/McKay, House/Wilson/Sheppard/McKay. "Two days, four men, one California King mattress. Sometimes two and two can add up to something more." |
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− | - My Brother's Keeper by [[User:Shutterbug 12]]: House, Wilson, Cuddy. "An on-the-job incident forces House to experience his life beyond the visible spectrum; Cuddy and Wilson struggle to guide him through a darkness that neither of them can see and preserve the world that House remembers." | + | - My Brother's Keeper by [[Shutterbug 12]]: House, Wilson, Cuddy. "An on-the-job incident forces House to experience his life beyond the visible spectrum; Cuddy and Wilson struggle to guide him through a darkness that neither of them can see and preserve the world that House remembers." |
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| - Strings by [[Zulu]]: House/Foreman. "Because after Foreman fucks up, he might actually be teachable. Because House is the best one to knock him down and then show him what a moron he is. 'Because he could be better,' he says, and he hates that it's the truth, that he's telling it to Cuddy like it matters." | | - Strings by [[Zulu]]: House/Foreman. "Because after Foreman fucks up, he might actually be teachable. Because House is the best one to knock him down and then show him what a moron he is. 'Because he could be better,' he says, and he hates that it's the truth, that he's telling it to Cuddy like it matters." |