Changes

From the editorial: {{Quotation|"The Sting" is slightly AU; "Brotherly Love" much more so. "Demons of the Past" is CI5, as are Joanna's poems. "Wild Oats", which examines both Bodie's and Doyle's pasts, takes one or two minor liberties with canon, but otherwise is CI5. And for those of you who like [[warnings]], "Safety" is quite intense.}}

From the editorial: {{Quotation|"The Sting" is slightly AU; "Brotherly Love" much more so. "Demons of the Past" is CI5, as are Joanna's poems. "Wild Oats", which examines both Bodie's and Doyle's pasts, takes one or two minor liberties with canon, but otherwise is CI5. And for those of you who like [[warnings]], "Safety" is quite intense.}}

*[http://www.thecircuitarchive.com/tca/archive/16/thesting.html The Sting] by [[Elspeth Leigh]]  (Since his meteoric rise to notoriety as one of Europe's top fashion photographers, Duncan was used to professionals – he could relate to their temperament and  they to his. They understood craft and artistry, pacing and rhythm. This unit of green SAS men before him was anything but professional – at least when it came to modeling. He cursed whoever had come up with the  idea of a pin-up calendar of Britain's elite forces – some retired Brigadier's do-gooder wife -and he vowed to tell his agent that Ray Duncan was out of the charity business as of the end of this project.  Ray Duncan, famous and temperamental photographer, meets SAS officer Bodie.) (1)

*[http://www.thecircuitarchive.com/tca/archive/16/thesting.html The Sting] by [[Elspeth Leigh]]  ("Since his meteoric rise to notoriety as one of Europe's top fashion photographers, Duncan was used to professionals – he could relate to their temperament and  they to his. They understood craft and artistry, pacing and rhythm. This unit of green SAS men before him was anything but professional – at least when it came to modeling. He cursed whoever had come up with the  idea of a pin-up calendar of Britain's elite forces – some retired Brigadier's do-gooder wife -and he vowed to tell his agent that Ray Duncan was out of the charity business as of the end of this project.  Ray Duncan, famous and temperamental photographer, meets SAS officer Bodie.") (1)

* [http://www.thecircuitarchive.com/tca/archive/8/safety.html Safety] by [[The Hag]]    (Nonconsensual sex. Has appeared on the internet.)  (11)

* [http://www.thecircuitarchive.com/tca/archive/8/safety.html Safety] by [[The Hag]]    (Non-consensual sex. Has appeared on the internet.)  (11)

* Brotherly Love by [[Tavaran]]  (Brother William popped his head round the pillar for a quick glance, and  promptly felt his stomach turn over and his balls do an Irish jig. "Who is that?" he breathed, blue eyes gleaming with pure unadulterated lust. The view was, quite simply, stunning. A slender figure, a headful of exuberant reddish-brown curls that almost hid his tonsure, and a face that wouldn't have looked out of place in the murals on the church walls.... Heavens, he could be the Angel of the Annunciation himself… By the end of the week he'd discovered that the new brother was called Raymond, that he was an artist, and that he was here specially to paint the illuminated initials in the Abbot's great work, the Garendon Bible. He'd also discovered, rather more frustratingly, that Raymond was utterly immune to his manifest charms. And it wasn't for lack of trying.) (16)

* Brotherly Love by [[Tavaran]]  ("Brother William popped his head round the pillar for a quick glance, and  promptly felt his stomach turn over and his balls do an Irish jig. "Who is that?" he breathed, blue eyes gleaming with pure unadulterated lust. The view was, quite simply, stunning. A slender figure, a headful of exuberant reddish-brown curls that almost hid his tonsure, and a face that wouldn't have looked out of place in the murals on the church walls.... Heavens, he could be the Angel of the Annunciation himself… By the end of the week he'd discovered that the new brother was called Raymond, that he was an artist, and that he was here specially to paint the illuminated initials in the Abbot's great work, the Garendon Bible. He'd also discovered, rather more frustratingly, that Raymond was utterly immune to his manifest charms. And it wasn't for lack of trying.") (16)

* [http://www.thecircuitarchive.com/tca/archive/8/demonsof.html Demons of the Past] by [[Shorts]]  (Flames licked around distorted metal and smoke swirled up and disappeared  into the dark sky. The twisted wreck was the remains of Bodie's car. For a moment Doyle stood in shock, his heart wrenching at the sight... Bodie's past endangers his life.) (23)

* [http://www.thecircuitarchive.com/tca/archive/8/demonsof.html Demons of the Past] by [[Shorts]]  ("Flames licked around distorted metal and smoke swirled up and disappeared  into the dark sky. The twisted wreck was the remains of Bodie's car. For a moment Doyle stood in shock, his heart wrenching at the sight... Bodie's past endangers his life.") (23)

* Operation Tired, poem by Joanna Dey  (40)

* Operation Tired, poem by Joanna Dey  (40)

* Wild Justice, poem by Lois Welling (41)

* Wild Justice, poem by Lois Welling (41)

* Wild Oats by [[Lois Welling]] (If Ray knew anything about his partner it was that Bodie didn't like entanglements or complications. You didn't have to know Bodie ten minutes to suss that out. And if Doyle could admit it to himself, he liked matters the way they were between the two of them. They did their job well and when the job was over they shut the door on the world for whatever time they had until  Cowley called and it began again. Now Ray was about to change that, to open another part of his life… This complex story spans several decades. Bodie and Doyle learn a great deal.) (42)

* Wild Oats by [[Lois Welling]] ("If Ray knew anything about his partner it was that Bodie didn't like entanglements or complications. You didn't have to know Bodie ten minutes to suss that out. And if Doyle could admit it to himself, he liked matters the way they were between the two of them. They did their job well and when the job was over they shut the door on the world for whatever time they had until  Cowley called and it began again. Now Ray was about to change that, to open another part of his life.  This complex story spans several decades. Bodie and Doyle learn a great deal.") (42)

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