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Title: Organia
Publisher: Bev Lorenstein and Judith Gran
Date(s): July 1982
Medium: print
Fandom: Star Trek TOS, Star Wars
Language: English
External Links: Editor Judith Gran's Essay On Censorship & Fear and More Interviews With Judith Gran
front cover by Signe Landon
back cover by Gail Abelove
Click here for related articles on Fanlore.


Organia is a het, gen and slash 210-page mainly Star Trek: TOS and Star Wars anthology, "an adult fanzine of ideas" that contains fiction and art based on Star Trek: TOS, Star Wars. It included fiction, original science fiction, feminist articles and poetry. Writers include Barbara T, Toni Lay, Lois Welling, and Pat Nussman. Artists include Gayle F and Merle Decker.

One of Merle Decker's illustrations for "Notes of a Mad Woman" was used to illustrate the Hurt/comfort genre in Enterprising Women.


From an ad asking for submissions in the first issue of Jundland Wastes: "An adult fanzine of ideas, currently accepting submissions of SW/ST/any SF universe. For SW section: poetry, stories or article. Strongly preferred is literature with a social-cultural-political or philosophical content. We do not want porn for porn's sake, but we will not reject any material solely on grounds of theme or degree of sexual explicitness. Feminist writings needed. No forbidden themes."

Later, a Loaner Zine

Judith Gran wrote in Universal Translator #23: "Loaner' copies of 'Organia' 1, which is out of print, are available for circulation. These are copies which came back from the printer with imperfections that made them unsuitable for sale: blank pages, a not-so-perfect binding, et cetera. $100 will cover the book rate postage and envelope on the way out; you take care of sending it back."

The Importance of the LoC

Judith Gran wrote of the fannish importance of feedback and had this proposal for a second issue of "Organia," one which was never published:
On the practical side: to encourage the flow of LoCs, in the zine we're readying for publication my co-editor Bev Lorenstein and I have decided to do the following: (1) publish contributors' addresses and a brief biographical sketch of each (to encourage readers to write to authors they don't know personally) (2) make a big pitch for LoCs in the body of the zine (it never hurts to remind people) (3) have a LoC column in the zine's second issue (4) and last but not least, award a prize for the best LoC we receive, whether on the zine as a whole or an individual contribution. The prize will probably be a complementary copy of the second issue. LoCs can be positive or negative? critical insight will be the only standard by which they'll be judged; choice of style and format will be up to the critic. [1]


The zine was divided into sections: fan fiction, poetry and art for Star Wars, Star Trek, along with Orginal Science Fiction and articles and essays on Feminism. The zine also contained two art portfolios: one celebrating women in science fiction and the other, "A Portfolio of Sensuous Men" that contained often explicit artwork celebrating the male characters of favorite TV shows. Finally, the zine ended with a section called "Our Children's Children" that contained puzzles, coloring art and cut out paper dolls.

Star Wars:

Science Fiction/Fantasy:

  • The Complement, poem by Felissa Del'Terra, art by Nona Christensen (54)
  • Faith, fiction by Dot Sasscer, art by Bev Swan (55)
  • Evening, poem by Jean Methos, art by Barbara Gordon (58)
  • Ghostwriters, fiction by Majliss Larson, art by Cathye Faraci (60)
  • Evolution in the Mind's Eye, poem by Michelle Malkin, art by Caro Hedge (62)
  • UFOS: Exploration of a Strange New World, article by Diane Teasman, art by Gail Abelove (63)
  • Art Portfolio by Wanda Lybarger, Brad Foster and Linda Yamashiro (68)

Star Trek:

  • Notes of a Mad Woman, fiction by Diane Tessman, art by Merle Decker (72) (reprinted in Starry Seas, Earthly Planes (1984), a form of this appears to be "Diary of a Madwoman" by Diane Tessman from WXYZine #3 (1981)
  • A Lesson in Ecology, fiction by Judith Gran, art by Bev Zuk (76)
  • The Psychology of the Kirk/Spock Relationship, article by Ann Dickson, art by Gayle F (93)
  • The Perfect Mate, poem by Crystal Ann Taylor, art by Laurie Huff (96)
  • Terminus, fiction by Dunya Saraf, art by Laurie Huff, Merle Decker, Nona Christensen, and Karen Flannery (97)
  • Worthy, poem by Toni Cardinal-Price, art by Vel Jaeger (134)
  • On Return, poem by Diane Tessman (135)
  • Thoughts on a Homecoming, poem by Diane Tessman, art by Nona Christensen (135)
  • Spock's Dilemma, poem by Bev Lorenstein, art and calligraphy by Susan Klasky (136)
  • Reunion, poem by Sandra Gent and Virginia Green, art by Vel Jaeger (138)
  • Leap Beyond, poem by Diane Tessman, art by Vel Jaeger (140)
  • Together... As I Walk Alone, poem by Sharon F (141)
  • Souvenir, fiction by Kate Birkel, art by Ann Crouch (Both Spock and Kirk are dead. They died not in battle but in accidents aboard ship. This story is a conversation between McCoy and Scotty that takes place on the night of Kirk's death. We learn McCoy's assessment of the character of Spock and Kirk and of their close relationship.) (142)
  • Secrets of the Nightside Soul, a Soliloquy, fiction by Sharon F, art by Vel Jaeger (This is McCoy's soliloquy. While Spock lived, McCoy was content to bask in the warmth of the love that was shared by Kirk and Spock. Now Spock is dead and Kirk has come to McCoy for comfort. McCoy wishes to take Spock's place in the Captain's life and declares his love for Kirk.) (147)
  • One More Time, a satire by Rick Rowe, art by H]]ans Dietrich]] (148)
  • Winter of '77, fiction by Lois Welling (151)



Controversy: A Second Issue of "Organia," and "Perfect Fusion"

For quite some time, there was an attempt by Judith Gran to publish a second issue of "Organia," and several submission requests ran in ad zines for it.

Two letters in a 1984 issue of Datazine in the personal statements section, one from Lorenstein and one from Gran, indicated that there had been miscommunications/a falling out. There were no further issues of Organia or any other zines by this duo.

From Universal Translator #23: "The first volume of this adult zine published by the former editor of 'Organia' will contain 75% Star Wars and 25% other SF. Contributors include Abelove, Alman, Blaes, Contessa, Denton, Drake, Faraci Fetter, Caro Hedge, Holman, Hull, Kaplowitz, Lay, Lorenstein, Malkin, Mathia, Necchi Osman, Ripley, Stasulis, Swan, Tobias, Barbara T, Tucker, and others. More SW artists needed."

According to a 1984 ad in Universal Translator and a 1985 ad in Southern Enclave, Lorenstein was planning another zine, one called "Perfect Fusion," one she marketed as the second issue of "Organia."

From an ad in Kessel Run #4 (1984): "PERFECT FUSION - the first issue of this zine published by a former editor of ORGANIA will contain SW and sf material by Osman, Tennison, Malkin, Nussman, Drake, Stasulis and more. PF#2 is now collecting material for an all Star Trek issue. Both issues will contain material dealing in such things as philosophy, politics, religion and adult material. For information please send a SASE to: Beverly Lorenstein."

In Universal Translator #23, there was a submission request for a second issue of "Perfect Fusion." "Perfect Fusion 2' will be an all-Trek adult zine and is currently seeking submissions about such themes as philosophy, politics, religion, and liberating relationships. Adventure, satire, and humorous situations also welcome. Looking for artists, especially for an art portfolio based on scenes/events between ST:TMP and ST:WK to be interpreted in subsequent issue. Will consider an 'alternate' portfolio with same intent if enough submissions are received."

However, "Perfect Fusion" never made it off the ground; letters in Southern Enclave #20 cited troubles by fans in getting their money refunded.

The second issue of "Organia" was also never published.

Reactions and Reviews to Organia

See reactions and reviews for Terminus.
[zine]: Editors Judy Gran and Bev Lorenstein are two intelligent, enlightened people who have produced an "Adult Fanzine of Ideas" geared to just about everyone's preferences, sexual and otherwise. ORGANIA is a beautiful-looking zine with variety of graphic design and title typefaces. Fiction is printed in nice column format. The zine is divided into four prominent sections: SW, sf/fantasy, ST and feminism. Although I can see the convenience in this format, I'm not sure I like it. Perhaps it's my sense of aesthetic balance, but I think I prefer integration in my zines. ORGANIA's fiction and poetry is a mixed bag of very good and very mediocre. There are a lot of trite, self-indulgent, comfort-type reflections and summaries wallowing in gushy emotion. But there are also a lot of different treatments and themes and some very competent writing. In the SW section, there's "Wayward Son," by Michelle Malkin, about teenage Han and his early adventures with a street gang and his meeting up with Chewie. It's a nice, enjoyable story — especially for Han lovers — but a little too sentimental for my tastes. I'm always wary of pedestrian portrayals of street gangs, having been personally acquainted with a few myself. I haven't found an accurate picture of one yet, in pro or fanfic. Following this is some mediocre poetry, though some of Susan Matthews' shines through with her intelligent use of story-poetry. "With the Admiral's Leave," by Karen Osman, and "Out of Order," by Barbara T and Sylvia Stephens are both exceUent character studies of Empire officers (nice to see some SW material humanizing the bad guys). "The Politics of Star Wars," by Karen Osman is about the political implications of SW. Osman draws parallels between the Empire/Alliance struggle and the church/state struggle in the late medieval/early modern period. Although Osman backs up her arguments with numerous and convincing parallels in Terran history, I would have preferred more contemporary speculations. ST was a product of the Cold War, and Western ideas about evil and tyranny have been heavily influenced by it. How does SW fit in, if a parallel can be made? The problem here is that Osman gives too much detailed information with too incomplete an analysis. It is only toward the end that she begin to analyze all her data and Jones. Both express bitterness and defiance in the face of cruel male expectations. "In the Dark" is especially memorable and powerful. A children's section follows, with kids' art, puzzles, and a cartoon strip called "Fred the Jedi Cat," by Cathye Faraci, concludes the zine. ORGANIA has many of fandom's well-known and well-loved artists, and those who are easily impressed with fandom's usual art offerings (which are better termed illustrations) will love what's in ORGANIA: [Gayle F], Harlib, Whitfield, Hedge, Decker, Crouch, Dietrich, Huff, Jaeger, Landon, Sasscer, Siegrist, Wagner, Zuk and others. What these people do, they do well, and I certainly can't do better. Their offerings in ORGANIA are lovely. But fandom's art standards are notoriously conservative and unimaginative. . . . For those who can draw, there's not much difficulty in drawing familiar faces and settings. We all know what Han Solo should look like. That kind of art is nice and pretty, but safe, forgettable, and boring. But doing something original, stretching reality, is something different. ORGANIA has published scne very provocative and different art (for fandom, but tame for pro art circles). Bev Swann, Wanda Lybarger, and Brad Foster all offer some unusual alien settings, but the best in the issue is Dale Holman's "A Portfolio of Women in Science Fiction Literature." Holmes takes several sf books and presents her interpretations of different female characters. The pieces are not necessarily visions of what Holman believes they should physically look like; rather they are her interpretations of their emotional conflicts, their role in their societies, what they want to offer others. Predictably, some readers have reacted negatively to Holman's art, one even complaining that her figures are "out of proportion," not understanding that that may be the whole point. Fandom seems to think that the human body should be inviolate. Holman offers us a powerful vision, and uses the human body to present an idea. Her drawings are so different from fandom's usual fare because it moves; it breathes, and even attacks. Yes, Virginia, art can do something other than illustrate (with that ever monotonous stipple zip-a-tone) Luke and Han and Kirk and Spock. After a while, all those drawings begin to look like they're drawn by the same artist. I should also mention the zine's other big art section, "A Portfolio of Sensuous Men," where some of the above-mentioned artists drew provocative, sometimes nude, portraits of Kirk, Spock, Sulu, Frank Langella as Dracula, Chris Reeve as Superman, Tom Baker's Dr. Who, Lando Calrissian, Luke, and Han. Enjoy, girls. ORGANIA contains much more that I haven't mentioned, much of it worthwhile. It's a good zine to have in your collection for its excitingly new directions. If you can, do buy it. [2]
ORGANIA is... definitely worth the wait. At 212 pages (28% reduction) there's a lot of good reading for the investment. Perfect bound with scads of elegant artwork (and I'm not just saying that 'cause I'm one of their artists) and loving attention to detail, it's a handsome publication. PLEASE NOTE: this is an adult publication, and you must be 18 or older to order a copy. There is also material which may be offensive to some readers, so send a SASE for their flyer if you have any questions as to the zine's contents. In addition to Trek, subjects include STAR WARS, science fiction, feminism, and "a section dedicated to the child within us." issue #2 is already in the works. [3]


  1. from Interstat #53
  2. from Universal Translator #19
  3. from TREKisM #26
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