|See also:||Zine Production, Gestetner, Corflu, Stencil|
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Mimeograph was one of the early methods of printing a fanzine. It is the second step: the first step is cutting the text into stencils. Then the stencils are placed onto the rolling drum of the mimeograph machine and ink is applied. The drum is either hand cranked or electric.
A Contemporaneous DescriptionIn 1982, in issue 33/34 of the S&H letterzine, Barbara Green Deer described the various printing methods in her article: "Zine Publishing: Choice of Medium.":Mimeo:
Mimeography, like spirit duplication, is a process where you must provide much of the labor involved in the printing. Many of the same drawbacks are also true of mimeo, although the general quality of mimeo reproduction is higher, and long runs are possible with mimeo masters. In mimeo reproduction, ink (usually black, but can be other colors) is forced through a screen which has been cut out in the area of the copy, generally by being typed on. The ribbon of your typewriter is disengaged when you cut a mimeo stencil, so that a crisp, clear image is cut into the stencil. Some schools and churches (or fans really into mimeo) own electrostencil machines. This machine will produce a mimeo stencil from black on white copy much as a Thermofax produces a ditto stencil. This allows for the use of original artwork instead of art which must be drawn directly on the masters."
"Mimeo machines are either hand-cranked or electric. Mimeo is also a rather messy process, and the ink has a tendency to stick to and rub off on the next sheet out of the machine. It's common practice to slipsheet, or insert a blank sheet in between mimeographed sheets to prevent this transfer of ink. A knowledgeable, careful mimeo operator can produce a fine-looking zine for the cost of the masters, paper and ink....and a lot of your time. Multiple color runs are also possible, can look very classy but add greatly to the time and mess.One major drawback of mimeography, regardless of the way the finished pages look, is that the paper which must be used is quite heavy and porous. This makes a rather bulky zine for the page count and adds considerably to your mailing costs. Be sure you have access to the proper equipment in good working order, and know exactly how to operate it before attempting a mimeo zine. Expect to put in a great deal of time on the reproduction.
- Reviewing the zine Never and Always :"The zine probably would have been better as a novella within another zine, since $2 for 36 offset pages is a bit steep; mimeo would have been perfect, but it is not always available."
- In a review of Ambrov Zeor #1: "Suggestions on layout are apparently needed; blank page sections abound, and there is no reason for the cover of an offset, or very well xeroxed zine to be MIMEO."
- Carol Lynn has, as she herself describes it "been involved in fandom for (mumblelty) years. Fandom has not yet destroyed her memory, because she clearly remembers the days when owning a mimoegraph machine was considered the apex of technology for fan publishing...she published one of the first professionally offset printed zines, Kraith Collected in 1973."
Naming the Beast
Typewriters and mimeographs were sometimes given an name by their owners.
- "Thank you to Connie Faddis for storing our maniacal machine, Martha. We named him/her/shim/ after somebody who is consistent, reliable, and a good worker: our co-worker: Martha." 
- Mimeograph machines - Wikipedia entry
- The Enchanted Duplicator by Walter Willis and Bob Shaw (fable)
- from Scuttlebutt #5