|Creator:||Sterling Eidolan and The Odd Woman Out|
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The vid, which is composed of original footage, depicts the vidders getting together to make a Quantum Leap VCR vid over the course of a single weekend (a highly stressful event, hence the vid's title.)
Pressure is thus a rare artifact in that it documents the complexities of making of a VCR vid. The vidders time the song with a stopwatch, mark out the beats, watch, select, and measure all their clips in advance. The vidders work most of the vid out on yellow legal pads with calculators before actually assembling the clips on tape, laying them down in order. The audio track was imported last.
While the vid has been recognized as an important piece of fan art and video that deserves historical and critical attention, there are also concerns about it being distributed broadly online as it was never intended for a mass audience.
Reactions and Reviews
Vidding is a form of grass-roots filmmaking in which footage, most frequently from television shows or movies, is edited to music. The resulting vids comment on, critique, or otherwise interpret the filmic source. An art form practiced primarily by women, vidding long predates today’s YouTube culture; Kandy Fong made vids with slides in the late 1970s, and until quite recently, vids were made using two VCRs, one for playing footage and one for recording it. This process was quite arduous: the song was timed with a stopwatch (as a VCR’s counter rarely corresponded either to actual time or to any particular position of the footage), clips were selected and measured in advance, and then the clips were played on one VCR and recorded on the other in exact order. Only once all the clips were recorded was the audio track finally laid down, so a vidder who wanted to edit to the beat or have internal motion synchronized with music had to be extremely meticulous: talk about pressure! Because of these difficulties, and because VCRs were expensive, VCR vidders tended to work in collectives, which served as sites of technical and aesthetic mentoring. This 1990 vid by "Sterling Eidolan" and "Odd Woman Out" of the larger "California Crew" humorously documents the particular pressures of making a VCR vid. But "Pressure" not only demonstrates the technical prowess and creativity of this female filmmaking community, it also gives us an affectionate insider look at a whole range of community practices and pleasures. Note how the vidders get gleefully distracted by the show while looking for clips; note their friend happily making her way through a towering pile of fan fiction zines. A vid that comments on itself is known as a metavid, and vidding’s tradition of self-reflexive commentary, as well as its forty-year canon and communal articulation of aesthetics, marks it as an advanced and sophisticated art form. 
OK, that is AMAZING! And you’re amazing for bringing it to this here internet. It’s remarkable to see images of vidders themselves in a metavid — I can think of only one or two examples nowadays that use that device, and then in more attenuated forms. It does raise the question of what the limits are of “fanvid” as a genre/form, though. I imagine the uninitiated would be far more willing to see this (versus your typical vid) as filmmaking proper. 
For more analysis of Pressure, see Francesca Coppa, "Women, Star Trek, and the early development of fannish vidding." Transformative Works and Cultures, Issue 1, 2008.