Filk

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See also: filksing, Wizard Rock
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Contents

from Grip #35, artist: Gennie Summers
cover of a filk zine, a collection of topical songs and filksongs especially compiled for Constellation, the 41st Annual World Science Fiction Convention by John Brunner

Filk is a musical culture, genre, and community tied to science fiction/fantasy fandom. The genre has been active since the early 1950s, and played primarily since the mid-1970s. An early mention of filk songs can be seen in the zine Day Star.

It's commonly described casually as "science-fiction folk music" -- and in fact, the word "filk" comes from a typo for "folk" in a 1950s essay[1] -- but that falls short of the full range of music that's considered filk. The exact definition is controversial; like the definition of "fanfiction," fans do not agree on the boundaries of the genre.[2]

It has been defined as the folk music of the science fiction community, and to a lesser extent, of fans in general. The Interfilk website has a good set of links to a variety of definitions.

Some definitions focus on the location of the activity ("filk is what happens in a filk circle"), and some focus on the content of the lyrics ("Filk includes songs about every science fiction or fantasy subject you could imagine: outer space (both real and fictional), books, movies, TV shows, dragons, magic, unicorns, vampires, and aliens of every sort. It also includes songs about things of interest to the Science Fiction and Fantasy community (usually referred to as 'fandom') and strongly resembles contemporary folk music"[3]).

Gary McGath has offered the following definition "filk music is a musical movement among fans of science fiction and fantasy fandom and closely related activities, emphasizing content which is related to the genre or its fans, and promoting broad participation. Filkers are people who participate in this movement."[4]

In her 1993 article about filking, Karen Ann Yost described how filk cassettes were becoming more professional sounding: "I... become a great fan of Julia Ecklar and collected two more cassettes, "Genesis" and "Divine Intervention." Some of the songs on Genesis are "The Escape" (inspired by the movie Escape From New York), "Daddy’s Little Girl" (from the Steven King novel Firestarter), and "For the Need of One" (Star Trek II: The Wrath of Khan). The tape Divine Intervention includes a beautiful song inspired by the film Ladyhawke and "Crane Dance," from the movie, The Karate Kid.

These two filk tapes illustrate the progression of filking. Genesis is the more traditional filk cassette; it was recorded on inexpensive, portable audio equipment with only guitars, drums, tambourines, and spoons as musical accompaniment. Divine Intervention, however, was recorded in a studio with full instrumentation provided by fifteen musicians.[5]

Filk Hall of Fame

Since 1995, the Filk Hall of Fame has honored contributions to the filk community. Inductees include Lissa Allcock (2002); Gary Anderson (1999); Karen & Poul Anderson (2003); Robert Asprin (1995); Barry & Sally Childs-Helton (2003); "Decadent" Dave Clement (1999); Juanita Coulson (1996); Chris "Keris" Croughton (2007); Rafe Culpin (1998); Gordon R. Dickson (2001); Katy Droege & Juliane Honisch (2004); Julia Ecklar (1996); Leslie Fish (1995); Clif Flynt (2005); Lee & Barry Gold (1997); Franklin Gunkelman (2006); Frank Hayes (2009); Judith & Dave Hayman (2005); Valerie Housden (2004); Bob Kanefsky (2003); Bob Laurent (1996); Spencer Love (1997); Steve Macdonald (2006); Chris "Minstrel" Malme (2003); Lois Mangan (2006); Kathy Mar (1996); Bill Maraschiello (1996); Gary McGath (2004); Cynthia McQuillin (1998); Margaret Middleton (1997); Erica Neely (2009); Gytha North (2001); Zander Nyrond (2000); Off-Centaur Publications (1995); Bob "Doc" & Anne Passovoy (2008); Bruce Pelz (2007); Dr. Jane Robinson (2000); Bill Roper (2000); Gretchen Roper (2006); Steve and Colleen Savitzky (2008); Kathleen Sloan (2007); Tom Smith (2005); Erwin "Filthy Pierre" Strauss (1998); Bill & Brenda Sutton (2001); Kirstin Tanger (Scholz) (2002); Alan Thiesen (2002); Mary Ellen Wessels (1999)

Common Traits

front cover of Sing a Song of Trekkin', with the word "folk" crossed out and replaced with "filk"
Filk music is often characterized by 
Science-fiction- or fantasy-themed lyrics,
Acoustic instruments, most commonly guitar,
Creativity being as respected as musical talent,
Community-participatory gatherings rather than concerts. (Concerts do exist, but are less common and less emphasized than informal, social filksings.)
Tunes can be 
Traditional folk tunes with new sci-fi or high-tech words,
Popular tunes with re-written lyrics of fannish topics,
Poems or passages from written work set to music,
Original tunes with lyrics addressing some aspect of fandom.

In some cases, a traditional or popular song is "adopted" by a filk community as a popular song at filksings, regardless of origin or authorial intent. These are generally referred to as "found filk" and examples include Weird Al Yankovic's "Yoda," Nigel Russell's "White Collar Holler," and the children's song "The Cat Came Back" (although for the latter, additional verses involving nuclear war or alien invasion are common).

Characteristics of a Filksing

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Filk and Conventions

Filk takes place primarily at conventions, although house filks are also common. Filking overlaps with both SFF and media fandom, and is often included as part of those conventions. At conventions, filk usually occurs in the evening hours after regular convention programming has concluded, although many conventions will also offer filk panels, and conventions with a significant filk presence (such as FenCon) may also offer concerts.

Filking also has its own conventions and an annual awards ceremony (the Pegasus Awards), which are part of the Ohio Valley Filk Fest). Other major filk conventions include GAFilk, FilKONtario, and ConChord.

Common Tropes/Genres

Filk is often grouped into categories in filkbooks. This list includes at least one example of each category.

  • Science Fiction, Fandom (Born Again Trek),
  • Science Fiction, Original (Dawson's Christian),
  • Space Exploration (Hope Eyrie)
  • Science Fact (The Designer, Out of a Clear Blue Sky, The Elements)
  • Fantasy, Fandom (Moreta's Ride)
  • Fantasy, Original (Threes),
  • Fantasy, Fairy Tales/Mythology (I'll Be Your Victim, Death Danced at my Party, Captain Jack & the Mermaid)
  • Computers/Internet (S-100 Bus),
  • Filk tunes to classic poetry/songs (Jabberwocky-as-greensleeves, Kipling-by-Fish)
  • Media, not specifically SF/F (Velveteen, Come Ye Droids, Desert Storm, A-Ramboing)
  • Fannish Activities—cosplay, SCA, zinemaking, fanfic etc: (Isn't it the Pits, True Story, The Press, I Love Slash)
  • Fannish interests: Gaming, comics (You Bash the Balrog, Lois Lane Boogie)
  • (meta)Fandom, General or Specific (At the Worldcon, Gordy Dickson),
  • Metafilk, General or Specific (Song At the Ready, Singing Banned from Argo),
  • Reading/Literature (X Libris, Baby Got Book)
  • Creatures (Overflowin' Catbox Blues, Kraken, Monster Lullaby)
  • Ballads of Daily Life (Song of the Middle Manager, Two Lawyers, Send It To The Moon)

Examples

Leslie Fish is famous for her original filk and her performances of these filks. She's written and performed hundreds of filksongs, and set to music many of Kipling's poems, which are sung in fannish settings. Other well-known filk writers or performers include Mercedes Lackey, Tom Smith, Frank Hayes, Julie Ecklar, Jeff and Maya Bonhoff, Dr. Jane Robinson, Seanan McGuire, Bob Kanefsky, Jordin Kare, Meg Davis, Kathy Mar, Bill and Brenda Sutton, Dr. Mary Crowell, Roberta Rogow, Jane Mailander, and Brooke Lunderville.

Julia Ecklar is another famous fan and filker who recorded numerous filk albums in the early 1980s, including Minus Ten and Counting, Horse-Tamer's Daughter, and Genesis. Many of her songs were used for songvids in the '80s and '90s, especially by Caren Parnes and Mary Van Deusen.

The NESFA (New England Science Fiction Association) Hymnal, first published in 1976, had over 150 songs about various aspects of fandom, including 17 songs about Tolkien's works and seven about Star Trek.

Well-known and popular filksongs include:
  • Fish's "Banned From Argo,"[6] a parody with an original tune, about Star Trek characters who have partied so hard on shore leave they've been banned from the planet
  • "You Bash the Balrog" by Lee Gold, to the tune of "Waltzing Matilda," about a party of adventurers in a Dungeons and Dragons-esque setting
  • "What Shall We Do With A Drunken Hobbit?", with variable verses and no known origin
  • the fannish version of "Old Time Religion,"[7] , originated by Victor Anderson, with several hundred verses devoted to various deities of history, myth, fiction and occasionally science, often with new ones made up on the spot
  • "Velveteen" by Kathy Mar, about the story "The Velveteen Rabbit," winner of the 1991 Pegasus Award for best love song
  • Jordin Kare's "Fire in the Sky" about space exploration, with a verse added in 1986 to mourn the Challenger shuttle crash
  • Gregory Baker's Zaphod Beeblebrox and Me


Filksongs that have appeared in songvids

  • Temper of Revenge
  • Weary World
  • Terminus Est
  • Needs of the One
  • Survivor's Song
  • Born Again Trek here
  • Many others

Filk collections on tape or CD

Filk songbooks as zines

front cover of Hip Deep in Heroes
Star Trek Songs and Ballads (1976), front cover

Filk Production/Sales Companies

External Links and Further Reading

References

  1. http://en.wikipedia.org/wiki/Filk#History, accessed October 20, 2008
  2. http://www.filking.net/filkfaq/what-is-filk/, accessed September 29, 2008.
  3. http://www.massfilc.org/filkdefined.html, accessed April 26, 2009
  4. http://www.mcgath.com/filkdef.html, accessed April 25, 2009
  5. "In A Fine Filk", Strange Worlds, 1993, accessed December 30, 2009
  6. Banned From Argo lyrics Accessed November 17, 2008.
  7. That Real Old Time Religion, a an extensive but not complete collection of verses. accessed November 17, 2008.
  8. WayBack Link.
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